Brahma Sutra
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Page 20 Backup Bulletin Format on Going
gkfnL] nfsjftf] { tyf ;:s+ lt[ ;dfh Nepali Folklore Society Nepali Folklore Society Vol.1 December 2005 The NFS Newsletter In the first week of July 2005, the research Exploring the Gandharva group surveyed the necessary reference materials related to the Gandharvas and got the background Folklore and Folklife: At a information about this community. Besides, the project office conducted an orientation programme for the field Glance researchers before their departure to the field area. In Introduction the orientation, they were provided with the necessary technical skills for handling the equipments (like digital Under the Folklore and Folklife Study Project, we camera, video camera and the sound recording device). have completed the first 7 months of the first year. During They were also given the necessary guidelines regarding this period, intensive research works have been conducted the data collection methods and procedures. on two folk groups of Nepal: Gandharvas and Gopalis. In this connection, a brief report is presented here regarding the Field Work progress we have made as well as the achievements gained The field researchers worked for data collection in from the project in the attempt of exploring the folklore and and around Batulechaur village from the 2nd week of July folklife of the Gandharva community. The progress in the to the 1st week of October 2005 (3 months altogether). study of Gopalis will be disseminated in the next issue of The research team comprises 4 members: Prof. C.M. Newsletter. Bandhu (Team Coordinator, linguist), Mr. Kusumakar The topics that follow will highlight the progress and Neupane (folklorist), Ms. -
Bhagawan Sri Sathya Sai Baba
Om Sri Sai Ram BHAGAVAT GITA VAHINI By Bhagawan Sri Sathya Sai Baba Greetings Bhagawan Sri Sathya Sai Baba is the Sanathana Sarathi, the timeless charioteer, who communicated the Geetha Sastra to Adithya and helped Manu and king Ikshwaku to know it; He was the charioteer of Arjuna during the great battle between good and evil fought out at Kurukshetra. When the rider, Arjuna, was overcome with grief at the prospect of the fight, Krishna instructed him in the science of recognising one's oneness with all, and removed the grief and the fear. He is the charioteer even now, for every one of us; let me greet you as a fellow-sufferer and a fellow-disciple. We have but to recognise Him and accept Him in that role, holding the reins of discrimination and flourishing the whip of detachment, to direct the horses of the senses along the path of Sathya, asphalted by Dharma and illumined by Prema towards the goal of Shanthi. Arjuna accepted Him in that role; let us do likewise. When worldly attachment hinders the path of duty, when ambition blinds the eyes of sympathy, when hate shuts out the call of love, let us listen to the Geetha. He teaches us from the chariot whereon He is installed. Then He showers His grace, His vision and His power, and we are made heroes fit to fight and win. This precious book is not a commentary or summary of the Geetha that was taught on the field of Kurukshetra. We need not learn any new language or read any old text to imbibe the lesson that the Lord is eager to teach us now, for victory in the battle we are now waging. -
Balabodha Sangraham
बालबोध सङ्ग्रहः - १ BALABODHA SANGRAHA - 1 A Non-detailed Text book for Vedic Students Compiled with blessings and under instructions and guidance of Paramahamsa Parivrajakacharya Jagadguru Sri Sri Sri Jayendra Saraswathi Sri Sankaracharya Swamiji 69th Peethadhipathi and Paramahamsa Parivrajakacharya Jagadguru Sri Sri Sri Sankara Vijayendra Saraswathi Sri Sankaracharya Swamiji 70th Peethadhipathi of Moolamnaya Sri Kanchi Kamakoti Peetham Offered with devotion and humility by Sri Atma Bodha Tirtha Swamiji (Sri Kumbakonam Swamiji) Disciple of Pujyasri Kuvalayananda Tirtha Swamiji (Sri Tambudu Swamiji) Translation from Tamil by P.R.Kannan, Navi Mumbai Page 1 of 86 Sri Kanchi Kamakoti Peetham ॥ श्रीमहागणपतये नमः ॥ ॥ श्री गु셁भ्यो नमः ॥ INTRODUCTION जगत्कामकलाकारं नािभस्थानं भुवः परम् । पदपस्य कामाक्षयाः महापीठमुपास्महे ॥ सदाििवसमारमभां िंकराचाययमध्यमाम् । ऄस्मदाचाययपययनतां वनदे गु셁परमपराम् ॥ We worship the Mahapitha of Devi Kamakshi‟s lotus feet, the originator of „Kamakala‟ in the world, the supreme navel-spot of the earth. We worship the Guru tradition, starting from Sadasiva, having Sankaracharya in the middle and coming down upto our present Acharya. This book is being published for use of students who join Veda Pathasala for the first year of Vedic studies and specially for those students who are between 7 and 12 years of age. This book is similar to the Non-detailed text books taught in school curriculum. We wish that Veda teachers should teach this book to their Veda students on Anadhyayana days (days on which Vedic teaching is prohibited) or according to their convenience and motivate the students. -
Lankavatara-Sutra.Pdf
Table of Contents Other works by Red Pine Title Page Preface CHAPTER ONE: - KING RAVANA’S REQUEST CHAPTER TWO: - MAHAMATI’S QUESTIONS I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV XXXVI XXXVII XXXVIII XXXIX XL XLI XLII XLIII XLIV XLV XLVI XLVII XLVIII XLIX L LI LII LIII LIV LV LVI CHAPTER THREE: - MORE QUESTIONS LVII LVII LIX LX LXI LXII LXII LXIV LXV LXVI LXVII LXVIII LXIX LXX LXXI LXXII LXXIII LXXIVIV LXXV LXXVI LXXVII LXXVIII LXXIX CHAPTER FOUR: - FINAL QUESTIONS LXXX LXXXI LXXXII LXXXIII LXXXIV LXXXV LXXXVI LXXXVII LXXXVIII LXXXIX XC LANKAVATARA MANTRA GLOSSARY BIBLIOGRAPHY Copyright Page Other works by Red Pine The Diamond Sutra The Heart Sutra The Platform Sutra In Such Hard Times: The Poetry of Wei Ying-wu Lao-tzu’s Taoteching The Collected Songs of Cold Mountain The Zen Works of Stonehouse: Poems and Talks of a 14th-Century Hermit The Zen Teaching of Bodhidharma P’u Ming’s Oxherding Pictures & Verses TRANSLATOR’S PREFACE Zen traces its genesis to one day around 400 B.C. when the Buddha held up a flower and a monk named Kashyapa smiled. From that day on, this simplest yet most profound of teachings was handed down from one generation to the next. At least this is the story that was first recorded a thousand years later, but in China, not in India. Apparently Zen was too simple to be noticed in the land of its origin, where it remained an invisible teaching. -
Brahma Sutra
BRAHMA SUTRA CHAPTER 1 1st Pada 1st Adikaranam to 11th Adhikaranam Sutra 1 to 31 INDEX S. No. Topic Pages Topic No Sutra No Summary 5 Introduction of Brahma Sutra 6 1 Jijnasa adhikaranam 1 a) Sutra 1 103 1 1 2 Janmady adhikaranam 2 a) Sutra 2 132 2 2 3 Sastrayonitv adhikaranam 3 a) Sutra 3 133 3 3 4 Samanvay adhikaranam 4 a) Sutra 4 204 4 4 5 Ikshatyadyadhikaranam: (Sutras 5-11) 5 a) Sutra 5 324 5 5 b) Sutra 6 353 5 6 c) Sutra 7 357 5 7 d) Sutra 8 362 5 8 e) Sutra 9 369 5 9 f) Sutra 10 372 5 10 g) Sutra 11 376 5 11 2 S. No. Topic Pages Topic No Sutra No 6 Anandamayadhikaranam: (Sutras 12-19) 6 a) Sutra 12 382 6 12 b) Sutra 13 394 6 13 c) Sutra 14 397 6 14 d) Sutra 15 407 6 15 e) Sutra 16 411 6 16 f) Sutra 17 414 6 17 g) Sutra 18 416 6 18 h) Sutra 19 425 6 19 7 Antaradhikaranam: (Sutras 20-21) 7 a) Sutra 20 436 7 20 b) Sutra 21 448 7 21 8 Akasadhikaranam : 8 a) Sutra 22 460 8 22 9 Pranadhikaranam : 9 a) Sutra 23 472 9 23 3 S. No. Topic Pages Topic No Sutra No 10 Jyotischaranadhikaranam : (Sutras 24-27) 10 a) Sutra 24 486 10 24 b) Sutra 25 508 10 25 c) Sutra 26 513 10 26 d) Sutra 27 517 10 27 11 Pratardanadhikaranam: (Sutras 28-31) 11 a) Sutra 28 526 11 28 b) Sutra 29 538 11 29 c) Sutra 30 546 11 30 d) Sutra 31 558 11 31 4 SUMMARY Brahma Sutra Bhasyam Topics - 191 Chapter – 1 Chapter – 2 Chapter – 3 Chapter – 4 Samanvaya – Avirodha – non – Sadhana – spiritual reconciliation through Phala – result contradiction practice proper interpretation Topics - 39 Topics - 47 Topics - 67 Topics 38 Sections Topics Sections Topics Sections Topics Sections Topics 1 11 1 13 1 06 1 14 2 07 2 08 2 08 2 11 3 13 3 17 3 36 3 06 4 08 4 09 4 17 4 07 5 Lecture – 01 Puja: • Gratitude to lord for completion of Upanishad course (last Chandogya Upanishad + Brihadaranyaka Upanishad). -
GAUDAPADA's KARIKA on MANDUKYA UPANISHAD
|| aÉÉæQûmÉÉSÏrÉMüÉËUMüÉ || AsÉÉiÉ-zÉÉlirÉÉZrÉÇ cÉiÉÑjrÉïÇ mÉëMüUhÉqÉç GAUDAPADA’S KARIKA on MANDUKYA UPANISHAD PART 4/4: Alaata-Shanti Prakarana “Quenching the Firebrand” “THE SANDEEPANY EXPERIENCE” Reflections by TEXT SWAMI GURUBHAKTANANDA 41.04 s Sandeepany’s Vedanta Course List of All the Course Texts in Chronological Sequence: ext TITLE OF TEXT Text TITLE OF TEXT No. No. 1 Sadhana Panchakam 24 Hanuman Chalisa 2 Tattwa Bodha 25 Vakya Vritti 3 Atma Bodha 26 Advaita Makaranda 4 Bhaja Govindam 27 Kaivalya Upanishad 5 Manisha Panchakam 28 Bhagavad Geeta (Discourse -- ) 6 Forgive Me 29 Mundaka Upanishad 7 Upadesha Sara 30 Amritabindu Upanishad 8 Prashna Upanishad 31 Mukunda Mala (Bhakti Text) 9 Dhanyashtakam 32 Tapovan Shatkam 10 Bodha Sara 33 The Mahavakyas, Panchadasi 5 11 Viveka Choodamani 34 Aitareya Upanishad 12 Jnana Sara 35 Narada Bhakti Sutras 13 Drig-Drishya Viveka 36 Taittiriya Upanishad 14 “Tat Twam Asi” – Chand Up 6 37 Jivan Sutrani (Tips for Happy Living) 15 Dhyana Swaroopam 38 Kena Upanishad 16 “Bhoomaiva Sukham” Chand Up 7 39 Aparoksha Anubhuti (Meditation) 17 Manah Shodhanam 40 108 Names of Pujya Gurudev 18 “Nataka Deepa” – Panchadasi 10 41.4 Mandukya Upanishad – 4/4 19 Isavasya Upanishad 42 Dakshinamurty Ashtakam 20 Katha Upanishad 43 Shad Darshanaah 21 “Sara Sangrah” – Yoga Vasishtha 44 Brahma Sootras 22 Vedanta Sara 45 Jivanmuktananda Lahari 23 Mahabharata + Geeta Dhyanam 46 Chinmaya Pledge A NOTE ABOUT SANDEEPANY Sandeepany Sadhanalaya is an institution run by the Chinmaya Mission in Powai, Mumbai, teaching a 2-year Vedanta Course. It has a very balanced daily programme of basic Samskrit, Vedic chanting, Vedanta study, Bhagavatam, Ramacharitmanas, Bhajans, meditation, sports and fitness exercises, team-building outings, games and drama, celebration of all Hindu festivals, weekly Gayatri Havan and Guru Paduka Pooja, and Karma Yoga activities. -
Gandharva: Origin and Performing Arts
Gandharva: Origin and Performing Arts Bharat Raj Dhakal School of Development and Social Engineering Faculty of Humanities and Social Engineering, Pokhara University Email: [email protected] Abstract: The prime objective of this research article is to explore the different forms of arts performed by the ‘Gandharvas’ along with their historicity of social and sacred religious origin towards which the mainstream Nepali society is indifferent. In the social context of Nepal, they are regarded as the musician caste. They are also treated as the so-called lower caste people, the ‘dalits’ and are also denied the prestigious position in the society as well as in the pages of history. Although neglected in the society as well as in the history, they have got a pious origin as mentioned in the Hindu religious scriptures and beliefs. Their performing arts and musical instruments through their performing arts. But the paradox is that they have not got the true alsorecognition have the in religious Nepali society significance. even thoughThey have they made share a thegreat sacred contribution lineage forlike nation other groups. Although they have sacred place in religion, their position is downtrodden in society. Gandharva, Origin, Performing arts, Recognition IntroductionKeywords: the people of lower varna group having The Gandharvas are the foremost occupations which what they consider as representatives of traditional Nepali folk music who travel different places the time of the rites of passage and different to entertain people and to spread the defilingritually purifyingfeatures perform occasions music of the and people dance ofat information of some events to them. They are the musical entertainers like minstrels There is a great contradiction that the or troubadours. -
“Ishwara Pranidhana”
Maharishi Patanjali “Ishwara Pranidhana” Devotion in Yoga as taught by Maharishi Patanjali Shriram Sarvotham Ishwara Pranidhana: Devotion to the Divine Page 1 of 6 Ishwara Pranidhana – Devotion to the Divine Maharishi Patanjali is precise and succinct in his teaching of Yoga Sutras. Recall the definition of Sutra: alpAkSharam asandigdham sAravat vishvato mukham | astobham anavadyam cha sUtram sUtravido vidu: || (Source: vaayu puraaNa) Meaning: “A sutra should have few words (alpa-akshara), an unambiguous meaning, be full of essence (sara-yukta), said only after considering all arguments for and against it, infallible and without blemish.” Despite being concise, Maharishi Patanjali mentions Ishwara Pranidhana (devotion to the divine) in numerous Sutras, clearly indicating the value and importance of devotion in Yoga. Let us look at these Sutras. Patanjali lists several ways to reach that state of Yoga. He mentions Ishwara Pranidhana as one of the ways. One more method to attain Yoga is by special devotion to Ishwara. Pranidhana is a special, high state of devotion where the will of the practitioner is aligned with the will of Ishwara. Who is Ishwara? Patanjali explains in the next sutra. Ishwara Pranidhana: Devotion to the Divine Page 2 of 6 The special purusha (indwelling principle) who is unaffected by (i.e., transcends) klesha, karma, vipaka and ashaya. Klesha’s are veils of misery, and Patanjali lists 5: The five klesha’s are – avidya (ignorance), asmita (egoism), raga (cravings, attachments), dvesha (aversion), abhinivesha (fear of death). Ishwara is untouched by the above 5 kleshas. Karma is action, vipaka is fruits of action, ashaya is residue or imprints. -
Central Council of Indian Medicine New Delhi
CENTRAL COUNCIL OF INDIAN MEDICINE NEW DELHI SYLLABUS OF AYURVEDACHARYA (BAMS) COURSE INDEX 1ST PROFESSIONAL 1.1 PADARTHA VIGYAN AND AYURVED ITIHAS 2-6 1.2 SANSKRIT 7-8 1.3 KRIYA SHARIR 9-14 1.4 RACHANA SHARIR 15-18 1.5 MAULIK SIDDHANT AVUM ASTANG HRIDYA 19 Central Council of Indian Medicine |UG Ist year Syllabus 1 1.1 PADARTHA VIGYAN EVUM AYURVEDA ITIHAS (Philosophy and History of Ayurveda) Theory- Two papers– 200 marks (100 each paper) Total teaching hours: 150 hours PAPER-I Padartha Vigyanam 100marks PART A 50 marks 1.Ayurveda Nirupana 1.1 Lakshana of Ayu, composition of Ayu. 1.2 Lakshana of Ayurveda. 1.3 Lakshana and classification of Siddhanta. 1.4 Introduction to basic principles of Ayurveda and their significance. 2. Ayurveda Darshana Nirupana 2.1 Philosophical background of fundamentals of Ayurveda. 2.2 Etymological derivation of the word “Darshana”. Classification and general introduction to schools of Indian Philosophy with an emphasis on: Nyaya, Vaisheshika, Sankhya and Yoga. 2.3 Ayurveda as unique and independent school of thought (philosophical individuality of Ayurveda). 2.4 Padartha: Lakshana, enumeration and classification, Bhava and Abhava padartha, Padartha according to Charaka (Karana-Padartha). 3. Dravya Vigyaniyam 3.1 Dravya: Lakshana, classification and enumeration. 3.2 Panchabhuta: Various theories regarding the creation (theories of Taittiriyopanishad, Nyaya-Vaisheshika, Sankhya-Yoga, Sankaracharya, Charaka and Susruta), Lakshana and qualities of each Bhoota. 3.3 Kaala: Etymological derivation, Lakshana and division / units, significance in Ayurveda. 3.4 Dik: Lakshana and division, significance in Ayurveda. 3.5 Atma:Lakshana, classification, seat, Gunas, Linga according to Charaka, the method / process of knowledge formation (atmanah jnasya pravrittih). -
Bhrigu Sutras
Bhrigu Sutras TABLE OF CONTENTS Part Significations of Planets and Houses PART I Zodiac and the twelve signs. Astrological nature, influence, Characteristics, functions of Sun, Moon, Mars, Mercury, Jupiter, Venus, Saturn, Rahu and Ketu. Their signs of exaltation and debilitation; their own signs; their friends, enemies and neutrals. Part II Chapter 1 The significations of the twelve houses of the horoscope. The twelve houses termed as:- Tanu, 'Dhana, Sahaja, Sukha, Suta, Ripu, Jaya, Ayu, Dharma, Karma, Labha and Vyaya according to their significance. Part Bhrigu Sutram Chapter II Effects of Sun in the twelve houses. Dispositions when Sun in spite of being a malefic gives very beneficial results and gives rise to Raja yoga. Difference of effects when Sun is in own sign, sign of exaltation, enemy sign etc. Chapter III Effects of Moon in the twelve houses. Difference in effects of Moon when posited in a house in different signs; difference of effects of a waning and waxing Moon; dispositions when Moon produces Rajayoga, difference in effects when Moon is in own sign, sign of exaltation, sign of debilitation etc. Chapter IV Effects of Mars in the twelve houses. How a great malefic like Mars becomes a yogakaraka. Difference in effects of Mars in different houses when in own sign, sign of exaltation, sign of debilitation etc. Dispositions when Mars produces Ruchaka yoga, Dhana yoga and Raja yoga and their results. Special yogas for sexual perversions. Chapter V Effects of Mercury in the twelve houses. When a benefic Mercury can become a malefic. Difference in effects of Mercury in different houses when in own sign, sign of exaltation, debilitation etc. -
Possible Early Images of Avalokiteshvara
Possible Early Images of Avalokiteshvara Shirley Khoirom1 1. 7/14 Kalkaji Extension, New Delhi – 110 019, India (Email: [email protected]) Received: 25 July 2018; Revised: 18 September 2018; Accepted: 27 October 2018 Heritage: Journal of Multidisciplinary Studies in Archaeology 6 (2018): 838‐853 Abstract: Avalokiteshvara, the Bodhisattva of compassion is one of the most popular deities of the Mahayana Buddhist pantheon. Over time the iconography of the deity became more and more complex with many additional attributes. Its origin, however, is traced to lotus bearing yaksha figures specially depicted on the stupas of Shunga or pre‐Kushana period. This paper attempts to trace back these figures and throw light upon certain figures of possibly later period that perhaps are a missing link between the lotus bearing yaksha figures and the Avalokiteshvara figures that we come to know of in the Kushana period. Certain images from Mathura in the state of Uttar Pradesh in India and Butkara in the Swat region of Pakistan have been brought to notice in this context. Keywords: Bodhisattva, Avalokiteshvara, Padmapani, Mathura, Gandhara, Butkara, Yaksha Introduction Avalokiteshvara, the Bodhisattva of compassion is one of the most popular deities of the Mahayana Buddhist pantheon. Lotus being the identifying attribute of Avalokiteshvara, the deity is also commonly known as Bodhisattva Padmapani. But before one accepts lotus as the identifying feature of the Bodhisattva, it is important to go back to images in ancient Indian art that might have been an inspiration for the iconography of the Bodhisattva of compassion. Coomaraswamy (2001) is of the opinion that the lotus holding yaksha figures depicted in early Indian art can be described from an iconographic point of view as Padmapani, meaning having a lotus or ‘padma’ in hand. -
Beief Exposition Sanihta and Vedanta
A BEIEF EXPOSITION OF THE SANIHTA AND VEDANTA SYSTEMS OS INDIAN PHILOSOPHY- SUBMITTED TO MCGILL UNIVERSITY, MONTREAL, AS A THESIS FOR THE DEGREE OF DOCTOR OF LITERATURE. EDWARD CARRUTHERS--WOODLKY, &.A,, M.B.A,S,, Member of the Asiatic Society of Bengal^ Fellow of Calcutta University\ Principal^ London Missionary Society[s College^ Calcutta. Calcutta: 1907. *[K M wi^-^cn MS GILL UNIVERSITY LIBRARY \27257 A BRIEF EXPOSITION OF THE SANKHYA AND VEDANTA SYSTEMS OF INDIAN PHILOSOPHY. EDWARD CARRUTHERS WOODLEY, M.A., M.R.A.S., Member of the Asiatic Society of Bengal^ Fellow of Calcutta University\ Principal^ London Missionary Society's College^ Calcutta. Calcutta: 1907. BEIEF EXPOSITION OF THE SANKHYA AND VEDANTA SYSTEMS OF INDIAN PHILOSOPHY. 1277.51 CONTENTS. I. Sketch of the rise of Speculative Thought in India. II. The Sankhya Philosophy. III. The Vedanta Philosophy. IV. Appendices. I. The Yoga or Theistic Sankhya of Patanjali. II. The Purva-Mimansa of Jaimini. V. Bibliography. ,Index. PREFACE. I wish to point out a seeming ambiguity "in my references to the Tattwa Samasa, in the Section on the Sankhya Philosophy. I have re ferred to tMs work and the commentary published with it, by Dr. Ballantyne, indifferently as the Tattwa Samasa. This may not be, in the strictest sense correct, but the commentary is anonymous, and Dr. Ballantyne treats it as practically forming one book with the Tattwa Samasa. Even Profesor Max Muller was unable to identify it. This, I think, justifies my method of referring to it. Ccdeutta, August 1907. E. C. W. A BRIEF EXPOSITION OF THE SANKHYA AND VEDANTA SYSTEMS OF INDIAN PHILOSOPHY.