Samprayoga Concept in the Text of Paururava Manasija Sutra
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Lankavatara-Sutra.Pdf
Table of Contents Other works by Red Pine Title Page Preface CHAPTER ONE: - KING RAVANA’S REQUEST CHAPTER TWO: - MAHAMATI’S QUESTIONS I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV XXXVI XXXVII XXXVIII XXXIX XL XLI XLII XLIII XLIV XLV XLVI XLVII XLVIII XLIX L LI LII LIII LIV LV LVI CHAPTER THREE: - MORE QUESTIONS LVII LVII LIX LX LXI LXII LXII LXIV LXV LXVI LXVII LXVIII LXIX LXX LXXI LXXII LXXIII LXXIVIV LXXV LXXVI LXXVII LXXVIII LXXIX CHAPTER FOUR: - FINAL QUESTIONS LXXX LXXXI LXXXII LXXXIII LXXXIV LXXXV LXXXVI LXXXVII LXXXVIII LXXXIX XC LANKAVATARA MANTRA GLOSSARY BIBLIOGRAPHY Copyright Page Other works by Red Pine The Diamond Sutra The Heart Sutra The Platform Sutra In Such Hard Times: The Poetry of Wei Ying-wu Lao-tzu’s Taoteching The Collected Songs of Cold Mountain The Zen Works of Stonehouse: Poems and Talks of a 14th-Century Hermit The Zen Teaching of Bodhidharma P’u Ming’s Oxherding Pictures & Verses TRANSLATOR’S PREFACE Zen traces its genesis to one day around 400 B.C. when the Buddha held up a flower and a monk named Kashyapa smiled. From that day on, this simplest yet most profound of teachings was handed down from one generation to the next. At least this is the story that was first recorded a thousand years later, but in China, not in India. Apparently Zen was too simple to be noticed in the land of its origin, where it remained an invisible teaching. -
256—259 Marriage in the Kama Sutra of Vatsyayana
Indian J. Psychit. (1990), 32(3), 256—259 MARRIAGE IN THE KAMA SUTRA OF VATSYAYANA (with notes on the ancient and modern hindu forms) O. SOMASUNDARAM1 SUMMARY The varieties of marriage described by Manu and accepted by Vatsyayana are mentioned. The qualities of the bride and bridegroom for an ideal marriage are enumerated by Vatsyayana. The Shastraic view of the same along with the valid conditions of a Hindu Marriage under the Hindu Marriage Act, 1955 are contrasted. The role of the virtuous wife in house-keeping and looking after the husband, according to Vatsyayana, is highlighted. A brief mention is made of adultery and prostitution in various times in India. It is concluded that Vatsyayana's view on marital harmony could be utilised even to-day by various therapists. In an earlier paper, the author (Somas- the four varieties of marriage (Venkata- sundaram, 1986) gave particulars about subba Rao, 1975) : the great Indian work on sexuality by the 1. Brahma : In this the father of Sage Vatsyayana and dealt with the the bride invites the bridegroom and sexual aspects of marriages; he has also makes a gifts of his daughter, thereby written about the medico-legal aspects putting an end to his dominion over her: of marriage and divorce coming under and the marriage rites are performed the purview of the Hindu Marriage Act, before the sacred fire. This form is meant 1955 (Somasundaram, 1970). This act for all castes. The other three forms, had been amended in 1976 and a few Daiva, Prajapatya and Arsha are slight important changes have been incorpora variations from this form. -
Brahma Sutra
BRAHMA SUTRA CHAPTER 1 1st Pada 1st Adikaranam to 11th Adhikaranam Sutra 1 to 31 INDEX S. No. Topic Pages Topic No Sutra No Summary 5 Introduction of Brahma Sutra 6 1 Jijnasa adhikaranam 1 a) Sutra 1 103 1 1 2 Janmady adhikaranam 2 a) Sutra 2 132 2 2 3 Sastrayonitv adhikaranam 3 a) Sutra 3 133 3 3 4 Samanvay adhikaranam 4 a) Sutra 4 204 4 4 5 Ikshatyadyadhikaranam: (Sutras 5-11) 5 a) Sutra 5 324 5 5 b) Sutra 6 353 5 6 c) Sutra 7 357 5 7 d) Sutra 8 362 5 8 e) Sutra 9 369 5 9 f) Sutra 10 372 5 10 g) Sutra 11 376 5 11 2 S. No. Topic Pages Topic No Sutra No 6 Anandamayadhikaranam: (Sutras 12-19) 6 a) Sutra 12 382 6 12 b) Sutra 13 394 6 13 c) Sutra 14 397 6 14 d) Sutra 15 407 6 15 e) Sutra 16 411 6 16 f) Sutra 17 414 6 17 g) Sutra 18 416 6 18 h) Sutra 19 425 6 19 7 Antaradhikaranam: (Sutras 20-21) 7 a) Sutra 20 436 7 20 b) Sutra 21 448 7 21 8 Akasadhikaranam : 8 a) Sutra 22 460 8 22 9 Pranadhikaranam : 9 a) Sutra 23 472 9 23 3 S. No. Topic Pages Topic No Sutra No 10 Jyotischaranadhikaranam : (Sutras 24-27) 10 a) Sutra 24 486 10 24 b) Sutra 25 508 10 25 c) Sutra 26 513 10 26 d) Sutra 27 517 10 27 11 Pratardanadhikaranam: (Sutras 28-31) 11 a) Sutra 28 526 11 28 b) Sutra 29 538 11 29 c) Sutra 30 546 11 30 d) Sutra 31 558 11 31 4 SUMMARY Brahma Sutra Bhasyam Topics - 191 Chapter – 1 Chapter – 2 Chapter – 3 Chapter – 4 Samanvaya – Avirodha – non – Sadhana – spiritual reconciliation through Phala – result contradiction practice proper interpretation Topics - 39 Topics - 47 Topics - 67 Topics 38 Sections Topics Sections Topics Sections Topics Sections Topics 1 11 1 13 1 06 1 14 2 07 2 08 2 08 2 11 3 13 3 17 3 36 3 06 4 08 4 09 4 17 4 07 5 Lecture – 01 Puja: • Gratitude to lord for completion of Upanishad course (last Chandogya Upanishad + Brihadaranyaka Upanishad). -
“Ishwara Pranidhana”
Maharishi Patanjali “Ishwara Pranidhana” Devotion in Yoga as taught by Maharishi Patanjali Shriram Sarvotham Ishwara Pranidhana: Devotion to the Divine Page 1 of 6 Ishwara Pranidhana – Devotion to the Divine Maharishi Patanjali is precise and succinct in his teaching of Yoga Sutras. Recall the definition of Sutra: alpAkSharam asandigdham sAravat vishvato mukham | astobham anavadyam cha sUtram sUtravido vidu: || (Source: vaayu puraaNa) Meaning: “A sutra should have few words (alpa-akshara), an unambiguous meaning, be full of essence (sara-yukta), said only after considering all arguments for and against it, infallible and without blemish.” Despite being concise, Maharishi Patanjali mentions Ishwara Pranidhana (devotion to the divine) in numerous Sutras, clearly indicating the value and importance of devotion in Yoga. Let us look at these Sutras. Patanjali lists several ways to reach that state of Yoga. He mentions Ishwara Pranidhana as one of the ways. One more method to attain Yoga is by special devotion to Ishwara. Pranidhana is a special, high state of devotion where the will of the practitioner is aligned with the will of Ishwara. Who is Ishwara? Patanjali explains in the next sutra. Ishwara Pranidhana: Devotion to the Divine Page 2 of 6 The special purusha (indwelling principle) who is unaffected by (i.e., transcends) klesha, karma, vipaka and ashaya. Klesha’s are veils of misery, and Patanjali lists 5: The five klesha’s are – avidya (ignorance), asmita (egoism), raga (cravings, attachments), dvesha (aversion), abhinivesha (fear of death). Ishwara is untouched by the above 5 kleshas. Karma is action, vipaka is fruits of action, ashaya is residue or imprints. -
Central Council of Indian Medicine New Delhi
CENTRAL COUNCIL OF INDIAN MEDICINE NEW DELHI SYLLABUS OF AYURVEDACHARYA (BAMS) COURSE INDEX 1ST PROFESSIONAL 1.1 PADARTHA VIGYAN AND AYURVED ITIHAS 2-6 1.2 SANSKRIT 7-8 1.3 KRIYA SHARIR 9-14 1.4 RACHANA SHARIR 15-18 1.5 MAULIK SIDDHANT AVUM ASTANG HRIDYA 19 Central Council of Indian Medicine |UG Ist year Syllabus 1 1.1 PADARTHA VIGYAN EVUM AYURVEDA ITIHAS (Philosophy and History of Ayurveda) Theory- Two papers– 200 marks (100 each paper) Total teaching hours: 150 hours PAPER-I Padartha Vigyanam 100marks PART A 50 marks 1.Ayurveda Nirupana 1.1 Lakshana of Ayu, composition of Ayu. 1.2 Lakshana of Ayurveda. 1.3 Lakshana and classification of Siddhanta. 1.4 Introduction to basic principles of Ayurveda and their significance. 2. Ayurveda Darshana Nirupana 2.1 Philosophical background of fundamentals of Ayurveda. 2.2 Etymological derivation of the word “Darshana”. Classification and general introduction to schools of Indian Philosophy with an emphasis on: Nyaya, Vaisheshika, Sankhya and Yoga. 2.3 Ayurveda as unique and independent school of thought (philosophical individuality of Ayurveda). 2.4 Padartha: Lakshana, enumeration and classification, Bhava and Abhava padartha, Padartha according to Charaka (Karana-Padartha). 3. Dravya Vigyaniyam 3.1 Dravya: Lakshana, classification and enumeration. 3.2 Panchabhuta: Various theories regarding the creation (theories of Taittiriyopanishad, Nyaya-Vaisheshika, Sankhya-Yoga, Sankaracharya, Charaka and Susruta), Lakshana and qualities of each Bhoota. 3.3 Kaala: Etymological derivation, Lakshana and division / units, significance in Ayurveda. 3.4 Dik: Lakshana and division, significance in Ayurveda. 3.5 Atma:Lakshana, classification, seat, Gunas, Linga according to Charaka, the method / process of knowledge formation (atmanah jnasya pravrittih). -
Bhrigu Sutras
Bhrigu Sutras TABLE OF CONTENTS Part Significations of Planets and Houses PART I Zodiac and the twelve signs. Astrological nature, influence, Characteristics, functions of Sun, Moon, Mars, Mercury, Jupiter, Venus, Saturn, Rahu and Ketu. Their signs of exaltation and debilitation; their own signs; their friends, enemies and neutrals. Part II Chapter 1 The significations of the twelve houses of the horoscope. The twelve houses termed as:- Tanu, 'Dhana, Sahaja, Sukha, Suta, Ripu, Jaya, Ayu, Dharma, Karma, Labha and Vyaya according to their significance. Part Bhrigu Sutram Chapter II Effects of Sun in the twelve houses. Dispositions when Sun in spite of being a malefic gives very beneficial results and gives rise to Raja yoga. Difference of effects when Sun is in own sign, sign of exaltation, enemy sign etc. Chapter III Effects of Moon in the twelve houses. Difference in effects of Moon when posited in a house in different signs; difference of effects of a waning and waxing Moon; dispositions when Moon produces Rajayoga, difference in effects when Moon is in own sign, sign of exaltation, sign of debilitation etc. Chapter IV Effects of Mars in the twelve houses. How a great malefic like Mars becomes a yogakaraka. Difference in effects of Mars in different houses when in own sign, sign of exaltation, sign of debilitation etc. Dispositions when Mars produces Ruchaka yoga, Dhana yoga and Raja yoga and their results. Special yogas for sexual perversions. Chapter V Effects of Mercury in the twelve houses. When a benefic Mercury can become a malefic. Difference in effects of Mercury in different houses when in own sign, sign of exaltation, debilitation etc. -
10. Narayana Suktam
Sincere Thanks To: 1. SrI Srinivasan Narayanan for Sanskrit/ITrans texts and proof reading 2. Nedumtheru SrI Mukund Srinivasan, SrI Shreekrishna Akilesh, SrI S Srivatsan, SrI Srivallabhan Rajagopalan, www.thiruvarangam.com, SrI Narasimha BhaTTar, www.exoticindiaart.com and www.glimpseofkrishna.com for the images. sadagopan.org 3. Smt Jayashree Muralidharan for eBook assembly C O N T E N T S Introduction 1 Mantrams and Commentaries 7-31 Nigamanam 31 sadagopan.org sadagopan.org SrI tirunArAyaNa perumAL - Melkote Thanks: SrI Shreekrishna Akilesh . ïI>. INTRODUCTION aDiyEn will cover here the meanings and commentaries of nArAyaNAnuvAkam to complete the coverage of the panca sUktams in our ebook series. Many of the sadagopan.org mantrams of nArAyaNAnuvAkam are from MahA nArAyaNopanishad for which Upanishad BhAshyakArar has blessed us with a Sanskrit commentary based on VisishTAdvaitic perspective. VedAnta VidvAan, Dr. N.S. Anantha RangachAr Swamy has edited and translated the MahA nArAyaNopanishad in 2003. aDiyEn will be making use of Dr. NSA Swamy’s translations of Upanishad BhAshyakArar’s commentaries to illustrate the meanings of many mantrams according to Bhagavat RaamAnuja siddhAntam. aDiyEn’s many thanks to this MahA VidvAn. Most of the mantrams of nArAyaNa sUktam (nArAyaNAnuvAkam) as stated before are from MahA nArAyaNopanishad, an Upanishad belonging to KrshNa Yajur Veda. There are two recensions of this Upanishad: Andra pATha and drAviDa pATha . Sri Ranga Ramanuja Muni, a sanyAsi, who spent his last years at Swamy Desikan sannidhi at tUppul next to Lord dIpa PrakASan’s sannidhi at the divya desam of tiruttaNkA, used the drAviDa pATham of MahA nArAyaNa Upanishad for His commentary on nArAyaNAnuvAkam. -
Editors Seek the Blessings of Mahasaraswathi
OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi -
Myth in Buddhism
Piya Tan SD 36.1 Myth in Buddhism Myth in Buddhism 1 Symbols and stories in our actions and the potential for good An essay by Piya Tan ©2007, 2011 Dedicated to Patrick Ong, Singapore, who loves mythology and the divine. 1 The myths we live by 1.0 DEFINITIONS 1.0.1 Theories of Buddhist myth 1.0.1.1 A myth is a story that is bigger than we are, lasts longer than we do, and reflects what lies deep in our minds and hearts, our desires, dislikes and delusions.1 When a story grows big enough, be- yond the limits of everyday imagination and language, it becomes a myth. To recognize and understand myths is to raise our unconscious2 into the realm of narrative and our senses, so that we are propelled into a clear mindfulness of what we really (the truth) and what we can be (the beauty). Such a vision of truth and beauty inspire us to evolve into true individuals and wholesome communities.3 1.0.1.2 A myth breaks down the walls of language, with which we construct our worlds of sights, sounds, smells, tastes and touches. Next, we begin to identify with these creations like a creator-God priding over his fiats. Then, we delude ourselves that we have the right to dominate others, other nations, and nature herself. Since we have deemed ourselves superior to others, we surmise that we have the right to command and rule others, to be served and indulged by them. This is the beginning of slavery and colonialism. -
University Attacks Hare Krishna Followers, Along with Secret Police
FORUM 18 NEWS SERVICE, Oslo, Norway http://www.forum18.org/ The right to believe, to worship and witness The right to change one's belief or religion The right to join together and express one's belief This article was published by F18News on: 8 March 2004 UZBEKISTAN: University attacks Hare Krishna followers, along with secret police By Igor Rotar, Forum 18 News Service <http://www.forum18.org> Claiming without evidence that Hare Krishna followers were terrorists, had tried to stage a putsch in Russia and are now trying to stage a coup d'etat in Uzbekistan, Razumbai Ischanov, dean of Urgench University's Natural Sciences Faculty, has reportedly said he will expel all students who are Hare Krishna followers. Since the speech by the Dean, which had the support of University authorities, rumours have been spread that female Hare Krishna students are prostitutes, causing several planned weddings to be cancelled, and a lecturer in the natural sciences faculty forced a student Krishna devotee, against their religion, to eat meat and drink vodka. The NSS secret police have also started monitoring Hare Krishna students since the speech. Lecturers at Urgench (Urganch) state university are "deliberately persecuting" students who are Krishna devotees, demanding that they renounce their faith, Razumboi Khasanov, a devotee in the north-western city of Urgench, told Forum 18 News Service in the city on 1 March. He said the campaign began last year with a speech by the dean of the natural sciences faculty Razumbai Ischanov attacking Hare Krishna devotees. While admitting that he had spoken out against Krishna devotees who were students of his university, Ischanov categorically denied to Forum 18 on 2 March that he had said he would expel all student Krishna devotees, even getting a copy of the Koran out of his office safe and swearing on it that he had never threatened devotees with expulsion. -
RELS 310 Hindu and Buddhist Sacred Texts Fall 2017 Monday/Wednesday 4:00-5:15 MYBK 119
RELS 310 Hindu and Buddhist Sacred Texts Fall 2017 Monday/Wednesday 4:00-5:15 MYBK 119 Dr. Zeff Bjerken, interim chair Office: RELS Bldg. entrance on 4 Glebe St. room 202 Dept. of Religious Studies Office hours: M/T 9:00-10:30; Wed 1-2; and by appt. College of Charleston Office Phone: 953-7156 E-mail: [email protected] This course will focus on three Asian classic texts in depth: The Bhagavad Gita, The Kamasutra, and The Lotus Sutra. The course will examine what makes these works “sacred” texts and enduring classics, and explore the problems involved in their writing, transmission, and study in Asia and in their reception in the modern west. We will first place these texts in their original Hindu and Buddhist contexts and consider how they were used in India, before we examine how new meanings and values were discovered when these texts were read in Europe and America. We will consider how to read religiously, examine the relationship between genre, gender, and social roles, and explore how texts “script” religious experience and inform cultural norms. We will investigate how the texts become the object of veneration, what criteria are used to identify a text as “sacred,” and the ways by which texts create authority. We will also watch films and performances that represent and reinterpret these texts for a contemporary audience. You should treat these films and performances as “texts,” for their content will be discussed in seminar and integrated into the tests. The texts and films we will use in this class contain explicit representations of sex, death, and violence. -
Upanishads • Two Epics • Sutras the Vedas • Earliest Texts
History and Texts • Hinduism - both a religion & social system • Born out of several cultures - Indus River Valley • Location: Pakistan & Northern India • Time: 1500 BCE • Hindu comes from the Sanskrit word sindhu, which means “river” India and the Indus River • Hindu religious texts written in Sanskrit • Sanskrit - not spoken today. Sanskrit Text • Sanskrit - related to other Indo-European languages (Greek and Latin) Look at these similarities to Romance languages: “father” “mother” Sanskrit pitr matr French pere mere Spanish padre madre Primary Texts • Vedas • Upanishads • two epics • Sutras The Vedas • Earliest texts . Rig, Sama, Yajur, and Atharva . Collectively referred to as Sruti - “that which is heard” . Oldest = Rig Veda. • Originally = oral literature . 1,028 hymns of Rig Veda = memorized • Veda translates from Sanskrit as “knowledge” or “wisdom.” • Vedas = revealed literature (originated with the gods) The Vedas represent the spiritual experiences of the Rishis or wise men. The Rishi is only a medium or an agent that transmits to people the spiritual experiences which he received. Lord Brahma, the Creator, imparted divine knowledge to the Rishis and thus into the Vedas. Brahma and a Rishi The Vedas teach the belief of one supreme God, Brahman. Brahman’s attributes are represented by the three personified powers of creation, preservation, and destruction, which under the respective names of Brahma, Vishnu, and Shiva, form the triad of principal Hindu gods. Brahma, Vishnu, and Shiva Brahma’s four faces represent the sacred Creation knowledge in the four vedas. Vishnu comes to earth to aid people. His most Preservation famous form is Krishna. Lord Shiva is also referred to as a goddess Destruction in Hinduism Brahman What other religions are based on a triune God? The Upanishads The Upanishads were recorded by different authors between 1000 and 600 BCE.