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Genesis of Stupas
Genesis of Stupas Shubham Jaiswal1, Avlokita Agrawal2 and Geethanjali Raman3 1, 2 Indian Institue of Technology, Roorkee, India {[email protected]} {[email protected]} 3 Centre for Environmental Planning and Technology, Ahmedabad, India {[email protected]} Abstract: Architecturally speaking, the earliest and most basic interpretation of stupa is nothing but a dust burial mound. However, the historic significance of this built form has evolved through time, as has its rudimentary structure. The massive dome-shaped “anda” form which has now become synonymous with the idea of this Buddhist shrine, is the result of years of cultural, social and geographical influences. The beauty of this typology of architecture lies in its intricate details, interesting motifs and immense symbolism, reflected and adapted in various local contexts across the world. Today, the word “stupa” is used interchangeably while referring to monuments such as pagodas, wat, etc. This paper is, therefore, an attempt to understand the ideology and the concept of a stupa, with a focus on tracing its history and transition over time. The main objective of the research is not just to understand the essence of the architectural and theological aspects of the traditional stupa but also to understand how geographical factors, advances in material, and local socio-cultural norms have given way to a much broader definition of this word, encompassing all forms, from a simplistic mound to grand, elaborate sanctums of great value to architecture and society -
Lotus Bud Finial Asana Pose the Great Stupa at Sanchi Sakyamuni
Resources: https://www.britannica.com/techn ology/pagoda, http://www.vam.ac.uk/content/arti TITLE: Pagoda (replica) cles/i/iconography-of-the- ARTIST: Unknown buddha/, DATE: Unknown http://fsu.kanopystreaming.com/vi SIZE: Height: 3 ¾; Width: 2 ¼; Depth: 1 7/8 inches deo/great-stupa-sanchi, MEDIUM: Wood https://prezi.com/nzoahwiq3owv/t AQUISTION #: 88.1.7 odaiji-the-great-eastern-temple/, http://thekyotoproject.org/english/ ADDITIONAL WORKS BY THE ARTIST IN COLLECTION? pagodas/ YES _ NO_ UNKNOWN X Context In the third century BCE, Emperor Ashoka commissioned the first “Great Stupa” in Sanchi, India. A stupa is a large dome tomb that was created to house relics of the Buddha. The “Great Stupa” held the Buddha’s ashes and was constructed in three parts: a base, body, and decorative finial. The decorative finial is the crowning element located at the highest point of the stupa. Throughout many centuries the design of the stupa structure evolved from the rounded monument to the multi-storied structure now known as the pagoda. Constructed and adapted throughout East Asia, the common building materials consist of brick, wood, or stone. Pagodas also range in a variety of sizes. Some are towers with high reaching crowning pieces and others are short. Today any Pagoda is a pilgrimage site. The Great Stupa at Sanchi Sakyamuni Pagoda of Fogong Temple The wooden pagoda in Yingxian, China is the oldest tiered structure in the world. Built in 1056, the nine-story building is 67.31 meters high. With multiple pagoda structures located throughout the world, this was the first wooden structure completed under the Ming (1368–1644) and Qing Dynasties (1644-1912). -
Simsons Eselskinnbacken Versuch Einer Bibelexegese Zu Ri 15,16
Simsons Eselskinnbacken Versuch einer Bibelexegese zu Ri 15,16 von Gabriel Foco Wien 1993 1 1 INHALTSVERZEICHNIS 1 INHALTSVERZEICHNIS ........................................................................................................... 2 2 ABKÜRZUNGEN ......................................................................................................................... 7 3 HEBRÄISCHER TEXT................................................................................................................ 9 4 TEXTKRITIK V. 16A-A: ............................................................................................................ 9 4.1 Textvarianten: ................................................................................................................................ 11 4.1.1 Septuaginta: ...................................................................................................................................... 11 4.1.2 Vulgata: ............................................................................................................................................. 12 4.1.3 Targum: ............................................................................................................................................. 12 4.1.4 Peschitta: .......................................................................................................................................... 13 4.2 Auswertung: .................................................................................................................................. -
Japón En Córdoba De Un Paso Al Otro Lado Del Mundo Antonio Míguez Santa Cruz Y E
Japón en Córdoba De un paso al otro lado del mundo Antonio Míguez Santa Cruz y E. Macarena Torralba García (Coords.) Japón en Córdoba Autor Nombre Apellido Título: Japón en Córdoba: De un paso al otro lado del mundo Colección: Japón en Córdoba Proyecto desarrollado por: Asociación Cultural Akiba-Kei y Universidad de Reservados todos los derechos. El con- Córdoba tenido de esta obra se halla protegido por Coordinación: Antonio Míguez Santa la ley, que establece penas de prisión y Cruz y E. Macarena Torralba García /o multa, además de las correspondientes Diseño y Maquetación: E. Macarena indemnizaciones a los autores por daños Torralba García y perjuicios, para quienes reproduzcan, Diseño de Portada: E. Macarena Torral- plagien, distribuyan o comuniquen públi- ba García camente, en todo o en parte, la presente Edición: Asociación Cultural Akiba-Kei y obra académica. Lo anterior también se Universidad de Córdoba extiende a su transformación, interpre- tación, o ejecución fijada en cualquier © de los textos: los autores tipo de soporte, e incluso a una eventual ISBN: 13 978-84-697-8549-2 comunicación oral a través de cualquier Depósito legal: CO 2535-2017 medio sin la preceptiva autorización. 2 Japón en Córdoba De un paso al otro lado del mundo Antonio Míguez Santa Cruz y E. Macarena Torralba García (Coords) Editan Asociación Cultural Akiba-Kei y Universidad de Córdoba Japón en Córdoba Autor Nombre Apellido Autores Antonio Míguez Santa Cruz Sandra Carrascosa Urbán Ismael Cristóbal Montero Díaz E. Macarena Torralba García Carolina Plou Anadón Manuel De Moya Martínez Andrés Camacho López Diego Bejarano Palma Raúl Fortes Guerrero Jose Montaño Muñoz Analia Lorena Meo Alejandro Pizarro Carrasco 5 Índice Presentación 9 Antonio Míguez Santa Cruz y E. -
The Architectural Legacy of Japanese America
National Park Service U.S. Department of the Interior A National Historic Landmarks Theme Study ASIAN AMERICAN PACIFIC ISLANDER ISLANDER AMERICAN PACIFIC ASIAN Finding a Path Forward ASIAN AMERICAN PACIFIC ISLANDER NATIONAL HISTORIC LANDMARKS THEME STUDY LANDMARKS HISTORIC NATIONAL NATIONAL HISTORIC LANDMARKS THEME STUDY Edited by Franklin Odo Use of ISBN This is the official U.S. Government edition of this publication and is herein identified to certify its authenticity. Use of 978-0-692-92584-3 is for the U.S. Government Publishing Office editions only. The Superintendent of Documents of the U.S. Government Publishing Office requests that any reprinted edition clearly be labeled a copy of the authentic work with a new ISBN. Library of Congress Cataloging-in-Publication Data Names: Odo, Franklin, editor. | National Historic Landmarks Program (U.S.), issuing body. | United States. National Park Service. Title: Finding a Path Forward, Asian American and Pacific Islander National Historic Landmarks theme study / edited by Franklin Odo. Other titles: Asian American and Pacific Islander National Historic Landmarks theme study | National historic landmark theme study. Description: Washington, D.C. : National Historic Landmarks Program, National Park Service, U.S. Department of the Interior, 2017. | Series: A National Historic Landmarks theme study | Includes bibliographical references and index. Identifiers: LCCN 2017045212| ISBN 9780692925843 | ISBN 0692925848 Subjects: LCSH: National Historic Landmarks Program (U.S.) | Asian Americans--History. | Pacific Islander Americans--History. | United States--History. Classification: LCC E184.A75 F46 2017 | DDC 973/.0495--dc23 | SUDOC I 29.117:AS 4 LC record available at https://lccn.loc.gov/2017045212 For sale by the Superintendent of Documents, U.S. -
Garden Reflections Designed Artfully, Still Water Features Mirror Plantings and Provide an Air of Tranquility in a Garden
For ~ fower cJUU ~ all of us. Apit 16,May 30. The Epcot® International Flower & Garden Festival is a blooming riot of flower power, Enjoy millions of blossoms and phenomenal international gardens, plus interactive workshops and demonstrations with famous green thumbs from Disney and around the world, At night there 's music from the '60s and '70s followed by IllumiNations, It's great fun for the serious gardener and flower children of all ages! For gourmet brunch packages call us at 407·WDW·DINE and check out www,disneyworld,com for some flower power on the web, Guest Appearances by Home &Garden Television Personalities __________ • April 16-17, Kathy Renwald • April 23-24 , Erica Glasener • April 30-May 1, Gary Alan • May 7-8.Kitty Bartholomew . May 14-15, TBD • May 21-22, Paul James . May 28-29, Jim Wilson Included with regular Epcot. admission, Brunch packages sold separately, Guest appearances and entertainment subject to change. © Disney NEA 10060 Southern Living . & ~ co n t e n t s Volume 78, Number 2 March/Apri l 1999 DEPARTMENTS Commentary 4 Dianthus 24 Members' Forum 5 by Rand B. Lee (!(wanzan) chen7) bulb resource) provenance. Often overshadowed by their showy hybrid cousins) the lesmt-known species pinks haJ7e a sedate charm News from AHS 7 all theilt own that)s well worth cultivating. AHS wins award) Plant a Row for the Hungry) Rockefeller Center Tree ProJect) fossilized flowers. Reflecting Gardens 30 by Molly Dean Focus 10 Thltoughout the ages) landscapers have used the Be sun-smaltt while you garden. powelt of watelt to uni.b and enhance many elements Offshoots 14 ofgal tden design. -
Studiereis U-BASE 2018 Traditionele Houten Pagodes En Hun Onverwoestbaarheid Voor Aardbevingen
Studiereis U-BASE 2018 Traditionele houten pagodes en hun onverwoestbaarheid voor aardbevingen Afgelopen juli vertrokken 23 studenten Structural en Building Engineering van de studievereniging U-BASE en 2 professoren van de TU Delft richting Japan voor een studiereis. Tijdens deze reis zijn de steden Tokyo, Osaka, Kobe en Kyoto aangedaan. Er zijn veel interessante en unieke Japanse bouwwerken bezocht, waaronder meerdere pagodes. Aardbevingsbestendigheid stond tijdens deze reis uiteraard hoog in het vaandel. De werking en onverwoestbaarheid van deze pagodes wat betreft aardbevingsbestendigheid heeft veel indruk gemaakt op de studenten en de bevindingen zullen in dit artikel verder worden toegelicht. Traditionele Japanse tempels zijn vaak gebouwd in de stijl van een pagode. Dit is een torenvormig, houten gebouw dat uit verschillende, steeds kleiner wordende verdiepingen bestaat en waarbij elke verdieping haar eigen dak heeft. De pagode is altijd een losstaand gebouw zodat de gelovige er als ritueel omheen kan lopen uit respect voor de relikwieën die binnen worden bewaard. De eerste pagodes werden gebouwd tijdens de opkomst van het boeddhisme in China en Japan in de zesde eeuw na Christus. De oudste pagode in Japan is de Horyu-Ji tempel in Tokyo uit 607 na Christus en is ongeveer 38 meter hoog. De hoogste pagode in Japan is de Toji pagode in Kyoto en dit is tevens ook het hoogste houten gebouw in Japan. Deze bijna 55 meter hoge toren werd gebouwd in de Edo-periode in het jaar 1643. (Tarantola, 2011) Figuur 1: Horyu-Ji Tempel (Japan Deluxe Tours) Figuur 2: Toji Tempel (Wordpress) In de afgelopen 1400 jaar zijn er slechts twee tempels ingestort, dit ondanks het feit dat Japan geteisterd wordt door tyfoons en aardbevingen. -
International Aspects of the History of Earthquake Engineering
International Aspects Of the History of Earthquake Engineering Part I February 12, 2008 Draft Robert Reitherman Executive Director Consortium of Universities for Research in Earthquake Engineering This draft contains Part I: Acknowledgements Chapter 1: Introduction Chapter 2: Japan The planned contents of Part II are chapters 3 through 6 on China, India, Italy, and Turkey. Oakland, California 1 Table of Contents Acknowledgments .......................................................................................................................i Chapter 1 Introduction ................................................................................................................1 “Earthquake Engineering”.......................................................................................................1 “International” ........................................................................................................................3 Why Study the History of Earthquake Engineering?................................................................4 Earthquake Engineering History is Fascinating .......................................................................5 A Reminder of the Value of Thinking .....................................................................................6 Engineering Can Be Narrow, History is Broad ........................................................................6 Respect: Giving Credit Where Credit Is Due ..........................................................................7 The Importance -
Draft Landmark Designation Report
DRAFT LANDMARK DESIGNATION REPORT Peace Pagoda & Peace Plaza Peace Plaza, Japantown Draft Article 10 Landmark Designation Report submitted to the Historic Preservation Commission, XXXXXXXX City and County of San Francisco Planning Department Landmark No. Edwin M. Lee, Mayor John Rahaim, Director XXX Cover: Peace Pagoda, 2013. The Historic Preservation Commission (HPC) is a seven-member body that makes recommendations to the Board of Supervisors regarding the designation of landmark buildings and districts. The regulations governing landmarks and landmark districts are found in Article 10 of the Planning Code. The HPC is staffed by the San Francisco Planning Department. This Draft Landmark Designation Report is subject to possible revision and amendment during the initiation and designation process. Only language contained within the Article 10 designation ordinance, adopted by the San Francisco Board of Supervisors, should be regarded as final. CONTENTS OVERVIEW ................................................................................................................................................................. 3 BUILDING DESCRIPTION ....................................................................................................................................... 4 Peace Pagoda ........................................................................................................................................................... 4 Peace Plaza .............................................................................................................................................................. -
Akutagawa and the Kirishitanmono: the Exoticization of A
AKUTAGAWA AND THE KIRISHITANMONO: THE EXOTICIZATION OF A BARBARIAN RELIGION AND THE ACCLAMATION OF MARTYRDOM by PEDRO T. BASSOE A THESIS Presented to the Department of East Asian Languages and Literatures and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2012 THESIS APPROVAL PAGE Student: Pedro T. Bassoe Title: Akutagawa and the Kirishitanmono: The Exoticization of a Barbarian Religion and the Acclamation of Martyrdom This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of East Asian Languages and Literatures by: Dr. Jason P. Webb Chair Dr. Thomas Glynne Walley Member Dr. Mark Unno Member and Kimberly Andrews Espy Vice President for Research & Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2012 ii © 2009 Pedro T. Bassoe iii THESIS ABSTRACT Pedro Thiago Ramos Bassoe Master of Arts Department of East Asian Languages and Literatures June 2012 Title: Akutagawa and the Kirishitanmono: The Exoticization of a Barbarian Religion and the Acclamation of Martyrdom Akutagawa Ryūnosuke, one of the most widely read and translated authors of the Taishō period, wrote some two dozen short stories centered on the theme of Christianity during his brief career. In this paper, I examine these works, known as kirishitanmono, both in the context of the author’s oeuvre and the intellectual environment of his day. The kirishitanmono are examined for a pervasive use of obscure language and textual density which serves to exoticize Christianity and frame it as an essentially foreign religion. -
Originality of Central Column in Japanese Pagoda
Archi-Cultural Translations through the Silk Road 608 2nd International Conference, Mukogawa Women’s Univ., Nishinomiya, Japan, July 14-16, 2012 Proceedings ORIGINALITY OF CENTRAL COLUMN IN JAPANESE PAGODA Fumie Ooi Mukogawa Women’s University, Japan Keywords: Central-column, Pillar 1), Shim-bashira 2), Pagoda Introduction The Japanese word ‘tou’, means ‘tower’, is derived from ‘stupa’ in the ancient Indian language, Sanskrit. A stupa is a Buddhist pagoda. Buddhism has been part of Japanese culture since the 6th century and was transmitted to Japan from India through China and the Korean peninsula (Table 1). There are about two hundred and ten wooden pagodas in Japan, and almost all have. However, it has no structural purpose. It is surrounded by a small room situated between it and the ‘roban’ which is the lowest part of the ‘sohrin’ (Fig. 1). Therefore, it is not joined to another part of the surrounding structures [1]. The pillar is not an element of the building, but is symbolic of something. We can see pillars all around the world still now. In Japan, it is thought as a source of space, and used as counting gods unit. The purpose of this paper is to list pagodas and pillars in related countries, and to clear the needs researches. This is the groundwork for the final investigation. My final goal is to elucidate the reason for the wooden central column in Japanese pagodas. Previous research Studies from a variety of fields, e.g., philosophy, religion, archaeology, and history, have been done on the shim-bashira. There are also studies on the structural effect of pagodas in general. -
The Historical Development of Japanese Capital Cities, Their Houses, Temples, and Gardens
The Historical Development of Japanese Capital Cities, their Houses, Temples, and Gardens Henrik Falck Linköping University 2004-06-06 Summary Japanese buildings are traditionally built according to the post and lintel principle. They are most often made of wood. Exterior and interior partitioning is flexible and is achieved by screens or shutters. Corridors connect the buildings of a complex. Japanese gardens emerged from the rearrangement of natural clusters of stone in roped-off sacred Shinto shrine areas. The Japanese garden has six basic compositional elements, which are described in the ancient book, the Sakuteiki. Basic prototypes are implemented by intensifying and recreating nature. The capitals of Heijō-kyō and Heian-kyō were established in the 8th century based on a Chinese model. They were arranged in a grid of city blocks. Merchants lived in townhouses in the city and commerce was carried out on the markets. The Shinden Style is the building style preferred by the Heian aristocracy. Its grounds usually occupy two city blocks north-south and features a pond as well as numerous other features, and a complex of buildings and corridors. The interior is fairly open and flexible through the use of screens. Temples began to be built as Buddhism had been introduced from the mainland. Japanese Buddhist temples have features such as a pagoda, which varies in form. Tōdaiji and Byōdōin are prime examples of the temples of this time. During Medieval times a new style of building called the Great Buddha Style was introduced from China. This style is simple yet dignified and suited for building massive structures in short time.