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This Is the First General Monograph on Ancient Greek Dress in English to Be Published in More Than a Century. by Applying Modern Cambridge University Press 978-1-107-05536-0 - Body, Dress, and Identity in Ancient Greece Mireille M. Lee Frontmatter More information BODY, DRESS, AND IDENTITY IN ANCIENT GREECE This is the fi rst general monograph on ancient Greek dress in English to be published in more than a century. By applying modern dress theory to the ancient evidence, this book reconstructs the social meanings attached to the dressed body in ancient Greece. Whereas many scholars have focused on individual aspects of ancient Greek dress, from the perspectives of liter- ary, visual, and archaeological sources, this volume synthesizes the diverse evidence and off ers fresh insights into this essential aspect of ancient society. Intended to be accessible to nonspecialists as well as classicists, students as well as academic professionals, this book will fi nd a wide audience. Mireille M. Lee is Assistant Professor of History of Art and Classical Studies at Vanderbilt University. She has published widely on various aspects of ancient Greek dress. She has held fellowships from the Center for Advanced Study in the Visual Arts, the American Council of Learned Societies, the Center for Hellenic Studies, the Packard Foundation for the Humanities, and the Whiting Foundation. Her research and teaching focus on gender issues in antiquity and the modern world. She is currently at work on her next book, on the social meanings surrounding ancient Greek mirrors. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-05536-0 - Body, Dress, and Identity in Ancient Greece Mireille M. Lee Frontmatter More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-05536-0 - Body, Dress, and Identity in Ancient Greece Mireille M. Lee Frontmatter More information BODY, DRESS, AND IDENTITY IN ANCIENT GREECE MIREILLE M. LEE Assistant Professor, Vanderbilt University © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-05536-0 - Body, Dress, and Identity in Ancient Greece Mireille M. Lee Frontmatter More information 32 Avenue of the Americas, New York NY 10013-2473, USA Cambridge University Press is part of the University of Cambridge. It furthers the University’s mission by disseminating knowledge in the pursuit of education, learning, and research at the highest international levels of excellence. www.cambridge.org Information on this title: www.cambridge.org/9781107055360 © Mireille M. Lee 2015 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2015 Printed in the United States of America A catalog record for this publication is available from the British Library. Library of Congress Cataloging in Publication data Lee, Mireille M. Body, dress, and identity in ancient Greece / Mireille M. Lee, Vanderbilt University. p. cm. Includes bibliographical references. ISBN 978-1-107-05536-0 (hardback) 1. Clothing and dress – Greece – History. 2. Greece – Civilization – Classical infl uences. 3. Clothing and dress – Symbolic aspects. 4. Human body – Social aspects. I. Title. GT550.L44 2015 391.00938–dc23 2014026551 ISBN 978-1-107-05536-0 Hardback Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party Internet Web sites referred to in this publication and does not guarantee that any content on such Web sites is, or will remain, accurate or appropriate. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-05536-0 - Body, Dress, and Identity in Ancient Greece Mireille M. Lee Frontmatter More information For my teachers, with gratitude. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-05536-0 - Body, Dress, and Identity in Ancient Greece Mireille M. Lee Frontmatter More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-05536-0 - Body, Dress, and Identity in Ancient Greece Mireille M. Lee Frontmatter More information CONTENTS List of Tables page viii List of Figures ix Acknowledgments xv INTRODUCTION 1 1. ANCIENT GREEK DRESS AND MODERN DRESS THEORY 10 2. BODIES IN ANCIENT GREECE 33 3. BODY MODIFICATION 54 4. GARMENTS 89 5. ACCESSORIES 127 6. THE BODY AS DRESS 172 7. SOCIAL CONTEXTS OF DRESS 198 CONCLUSION 230 Notes 233 Bibliography 317 Index 351 vii © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-05536-0 - Body, Dress, and Identity in Ancient Greece Mireille M. Lee Frontmatter More information TABLES 1.1. Classifi cation system for types of dress and their properties page 22 1.2. The target groups of stylistic messages 26 viii © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-05536-0 - Body, Dress, and Identity in Ancient Greece Mireille M. Lee Frontmatter More information FIGURES 0.1. Sappho and Alcaeus , Sir Lawrence Alma-Tadema, 1881. page 2 0.2. Front cover of Goddess: The Classical Mode , by Harold Koda, published by The Metropolitan Museum of Art, New York, 2003. 2 1.1. Dandr é -Bardon, Costume des anciens peuples, à l’usage des artistes , 1784, pl. 70. 12 1.2. Hope, Costume of the Ancients , 1812, pl. 63. 13 1.3. Barker, “Domestic Costumes of the Athenian Woman in the Fifth and Fourth Centuries B.C.,” AJA 26 (1922), pl. 7. 15 1.4. Heuzey, Historie du costume antique, d’apr è s des é tudes sur le mod è le vivant , 1922, frontispiece. 15 1.5. Bieber, Griechische Kleidung , 1928 (repr. 1977), pl. 43.3. 16 2.1. White-ground kylix , Tarquinia Painter, ca. 480 BCE , British Museum D4, London. 35 2.2. Marble grave stele depicting mother with children and brothers, signed by the Parian sculptor Parion, ca. 460 BCE , Archaeological Museum of Agios Kirikos 134, Ikaria. 39 2.3. Red-fi gure chous , ca. 420 BCE , Agora Excavations P21227, Athens. 39 2.4. “Aristodikos” kouros , from Mesogeia, Attica, ca. 510–500 BCE , National Archaeological Museum 3938, Athens. 40 2.5. Doryphoros (Spear-bearer), Polykleitos, Roman copy of Greek original of ca. 450 BCE , Minneapolis Institute of Art 86.6, Minneapolis. 42 2.6. Red-fi gure krateriskos , ca. 430–420 BCE, L. Kahil, “L’Art é mis de Brauron: Rites et myst è re,” AntK 20 (1977), pl. 19. 44 2.7. Red-fi gure kylix , Foundry Painter, ca. 480 BCE , Antikensammlung, Staatliche Museen F 2294, Berlin. 50 3.1. Red-fi gure krater , Euphronios, ca. 510 BCE , Antikenmuseum, Staatliche Museen F 2180, Berlin. 58 3.2. Red-fi gure kylix , Codrus Painter, ca. 430 BCE , British Museum E83, London. 60 3.3. Scraper from Ephesos, Roman copy of Greek original bronze of ca. 330 BCE , Kunsthistorisches Museum, Antikensammlung VI 3168, Vienna. 60 3.4. Red-fi gure stamnos , Group of Polygnotos, ca. 475–425 BCE , Staatliche Antikensammlungen und Glyptothek 2411, Munich. 61 ix © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-05536-0 - Body, Dress, and Identity in Ancient Greece Mireille M. Lee Frontmatter More information x FIGURES 3.5. Black-fi gure white-ground alabastron , Diosphos Painter, ca. 525–475 BCE , Schloss Fasanerie AV 16, Adolphseck. 63 3.6. Corinthian lekanis containing cosmetic pigments, ca. 380/70, 3rd Ephorate of Prehistoric and Classical Antiquities – Kerameikos Museum 10539, Athens. 68 3.7. Red-fi gure pyxis , unattributed, ca. 420–410 BCE , Mus é e du Louvre, CA 2262, Paris. 70 3.8. Red-fi gure lekanis , Marsyas Painter, ca. 370–360 BCE , State Hermitage Museum UO-32, St. Petersburg. 71 3.9. Red-fi gure kylix , Wedding Painter, ca. 470 BCE , Musee Vivenel 1090, Compi è gne. 73 3.10. Tondo of red-fi gure kylix , Briseis Painter, ca. 480–460 BCE , Museo Nazionale Tarquiniese XXXX0.4434, Tarquinia. 73 3.11. Red-fi gure hydria , Phintias, ca. 510 BCE , Staatliche Antikensammlungen und Glyptothek 2421, Munich. 77 3.12. Red-fi gure pelike , Geras Painter, ca. 480–470, Mus é e du Louvre, G234, Paris. 78 3.13. Tondo of red-fi gure kylix in the manner of Onesimos, ca. 500 BCE , University of Mississippi Museum 77.3.112, Oxford, Mississippi. 80 3.14. Red-fi gure bell- krater , Dinos Painter, ca. 430–420 BCE , Harvard Art Museums/Arthur M. Sackler Museum, Anonymous Loan, 9.1988. 80 3.15. Marble grave stele of Xanthippos and his daughters, ca. 420 BCE , British Museum, GR 1805.7-3.183, London. 83 3.16. Red-fi gure column- krater , Pan Painter, ca. 470 BCE , Staatliche Antikensammlungen und Glyptothek 2378, Munich. 85 3.17. Red-fi gure skyphos , Pistoxenos Painter, ca. 480 BCE , Staatliches Museum KG 708, Schwerin. 85 3.18. Red-fi gure pelike , Pan Painter, ca. 460 BCE , National Archaeological Museum 9683, Athens. 87 4.1. Attic black-fi gure lekythos , Amasis Painter, ca. 550–530 BCE , The Metropolitan Museum of Art, Fletcher Fund, 1931 (31.11.10), New York. 92 4.2. “Peplos” kore , ca. 530 BCE , Acropolis Museum 679, Athens. 94 4.3. Terra cotta fi gurine from the sanctuary of Artemis Mounichia, late fourth century BCE , Archaeological Museum of Piraeus, 5383. 97 4.4. Red-fi gure hydria, Group of London E230, ca. 370–350 BCE , British Museum E230, London. 99 4.5. Diagram of the arrangement of the peplos . 101 4.6. Figure K, east pediment, temple of Zeus at Olympia, ca. 460 BCE . 102 4.7. Red-fi gure lekythos , Achilles Painter, ca. mid-fi fth cent. BCE , Museo Archeologico Regionale Paolo Orsi 21186, Syracuse. 103 4.8.
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