DOCSLIB.ORG

Beyazperdede on Screen

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Beyazperdede on Screen Pera Film’in, Goya: Zamanının Tanığı sergisine paralel olarak Goya gerçekleşen Goya: Beyazperdede programı, sanatçı Francisco de Goya’nın (1746-1828) hayatı ve eserlerine yönelik görsel ve Bir Dahi Kadar 28 Nisan / Aprıl anlatılı bir yolculağa çıkarıyor. Program için seçilen filmler şöyle; Deli 15 Temmuz / July sinematik renklerin ustası Carlos Saura’dan tutkulu bir anlatı, Crazy Lıke Goya Bordeaux’da; Robert Hughes’dan detaylı bir görsel ve en- 2012 telektüel belgesel, Goya: Bir Dahi Kadar Deli; Goya ile Alba Dü- a Genıus şesi arasındaki aşk üzerine kurgusal bir hikâye, başrolün- Yönetmen Director Robert Hughes de Ava Gardner’ın oynadığı Çıplak Maya; 20. yüzyıl Amerikan Oyuncular Cast Leon Golub, operasının en etkili bestecilerinden Gian Carlo Menotti’den Robert Hughes Goya ve hayatı üzerine bir opera, ve son olarak TVE’nin 1984 İngiltere United Kingdom, 2007, 75’, renkli color yapımı etkileyici TV mini-serisi: Goya. Program, film dili üzerin- İngilizce; Türkçe altyazıyla den farklı janrları ve Avrupa resminin en benzersiz sanatçıların- English with Turkish subtitles dan ve modern resmin öncülerinden Francisco de Goya’ya dair sıradışı bakış açılarının hakim olduğu hikâyeleri etraflı bir biçim- Şöhretli sanat eleştirmeni Robert Hughes tarafından yazılan ve de ele alıyor. sunulan film, Francisco de Goya Goya’nın dünyasını araştırıyor; Pera Film’s Goya: On Screen program parallel to the exhibition saray ressamı, hicivci ve savaş dönüşüm. İspanya’da Goya’nın Goya: Witness of His Time presents a visual and narrative jour- Bordeaux’da muhabiri olarak, aynı zamanda memleketi Aragon’a gidiyor, kendi benliğinin -delilik, korku ve Madrid’de eserlerinin ney into the life and works of the artist Francisco de Goya Goya ın sergilenmekte olduğu galeri, (1746-1828). The selected films are: a passionate narrative di- dehşetin- topografyasının izini Bordeaux süren biri olarak eriştiği başarıları saray ve kiliseleri ziyaret ediyor. rected by the master of cinematic colors Carlos Saura, his Goya sıralıyor. Aynı zamanda Goya’nın Hughes, New York’ta kendisiyle in Bordeaux; a detailed visual and intellectual documentary by Yönetmen Director Carlos Saura aralarında Witches in the Air Goya’ya yönelik hayranlığını Robert Hughes, Goya: Crazy Like a Genius; a fictional, imagina- Oyuncular Cast Francisco Rabal, (Havadaki Cadılar), The Third of paylaşan Amerikalı ressam Leon tive story exploring the love between Goya and the Duchess of José Coronado, Dafne Fernández May (Mayısın Üçü) ve The Dream Golub ile konuşuyor ve bir güncel İspanya Spain, 1999, 107’, renkli color sanatçının bu İspanyol ustanın Alba – The Naked Maja starring Ava Gardner; an opera based of Reason (Aklın Rüyası) ile erken İspanyolca; Türkçe altyazıyla dönem eser ve portrelerini yapıtına dair perspektifini ortaya on Goya and his life by Gian Carlo Menotti, one of the most in- Spanish with Turkish subtitles koyuyor. th örneklemek üzere The Duchess fluential composers of American opera of 20 century and of Alba (Alba Düşesi), The Nude lastly the 1984 production of TVE’s impressive miniseries: Bordeaux, 1828, 82 yaşındaki Maja (Çıplak Maya) ve The Film, written and presented by Goya yaşamını sürgünde Bordeaux, 1828, the 82-year-old Clothed Maja’nın (Giysili Maya) renowned art critic Robert Goya. Overall, the program through the language of film ex- sürdürmektedir. Genç sevgilisi Spanish artist Goya is living in da bulunduğu başyapıtlarının Hughes, explores the world of plores different genres, stories with extraordinary viewpoints Leocadia ile Leocadia’nın kızı exile. His younger lover Leocadia ayrıntılı birer görsel ve entelektüel Francisco Goya; charting his concentrating on one of the most unique artists of European genç ve yetenekli sanatçı and her daughter Rosarito, an analizini sunuyor. Hughes, achievements as a court painter, Rosarito, Goya’nın hastalığının painting and a pioneer of modern painting: Francisco de Goya. aspiring artist, take care of him in Goya’nın yapıtlarındaki satirist and war reporter, as well son aşamalarında ona bakmakta; his final illness; Goya himself is değişikliklere dair içgörü sağlıyor; as a topographer of the inner self Goya da litografileri üzerine working on lithographs and aydınlıktan karanlığa doğru bir - of madness, fear and despair. çalışmakta ve dostları olan diğer socializing with fellow radical This documentary offers a sürgünler ile görüşmektedir. exiles. Over the course of the last detailed visual and intellectual Ömrünün son aylarında Goya, months of his life, Goya recounts analysis of Goya masterpieces, hayat hikâyesini Rosarito ile his life story to Rosarito. He including Witches in the Air, The paylaşır. Bourbon’ların recalls his entrance into the Third of May and The Dream of hakimiyetindeki göz alıcı glittering Madrid court of the Reason, as well as examples of Madrid’e ilk gelişini, sağır Bourbons, the illness that led to his early work and portraiture olmasına neden olan hastalığını, his early deafness, his love affair such as The Duchess of Alba, The entrikalarla zehirlenerek ölecek with the Duchess of Alba, who Nude Maja and The Clothed olan Alba Düşesi ile yaşadığı aşk dies poisoned by conspirators, Maja. Hughes gives an insight BEYAZPERDEDE macerasını, İspanya’nın the French invasion of Spain and into the enormous changes that Fransızlar tarafından işgali ve the Peninsular War. Meanwhile took place in Goya’s work in the Yarımada Savaşı’nı his major works, including his course of his life; the shift from hatırlamaktadır. Bu sırada, III. portraits for Charles III’s court, light to dark. In Spain, he travels Charles için yaptığı portreleri, ON SCREEN the Caprichos series of etchings, to Goya’s native Aragon and in Caprichos serisi gravürleri, Siyah the Black paintings, and the Madrid he is seen visiting resimleri ve Disasters of War Disasters of War series, are galleries, palaces and churches (Savaşın Felaketleri) serisi de brought to life in on-screen where Goya’s works are on dahil olmak üzere başlıca eserleri tableaux. display. In New York, Hughes calls perdede tekrar hayata getiriliyor. on the American painter, Leon The screening of this film is in Golub, who shares his fascination Bu filmin gösterimi Cervantes collaboration with the Cervantes for Goya, and elicits a Enstitüsü desteğiyle Institute. contemporary artist’s perspective gerçekleştiriliyor. on the Spanish master’s work. Gian Carlo Menotti, who would The life and times of Francisco de 31 Mayıs May 4 Temmuz July have celebrated his 100th Goya served as the basis for this Perşembe Thursday Çarşamba Wednesday birthday in the summer of 2011, memorable 6-episode miniseries. 19:00 Çıplak Maja 19:00 Çıplak Maja had a crucial influence on the Appropriately produced by TVE Naked Maja Naked Maja history of 20th century opera. He and filmed on historical location, wrote his first opera at the age of it is a spectacle of interest not 2 Haziran June 7 Temmuz July eleven and remained committed just for art lovers or Goya Cumartesi Saturday Cumartesi Saturday to this great art form for the rest connoisseurs, but for anyone into 17:00 Menotti: Goya, Opera 14:00 Menotti: Goya, Opera of his life. His Amelia al Ballo, well-crafted drama. Goya was a first performed in 1937, was an witness of the Napoleonic wars 3 Haziran June 8 Temmuz July example of the elements that and of a nation in arms resisting Pazar Sunday Pazar Sunday were to bring him fame and the aggression with undismayed 13:00 Goya: Mini Seri, 14:00 Goya Bordeaux’da heart and soul. He was that lasting popularity: grand 1 .ve 2. Bölümler Goya in Bordeaux melodies, dense orchestration ancient paradox of the artist: an Mini-series, Parts 1 & 2 and an unerring sense of the extremely sensitive individual bir ulusun, kalbi ve ruhuyla acı 15:00 11 Temmuz July dramatic. “What is important for who also was a bullfighting Goya: Mini Seri, çeken bir tanığıydı. Sanatçılara 3 .ve 4. Bölümler Çarşamba Wednesday me is to see living, singing people mahsus o antik çelişkinin bir aficionado. He was a womanizer Mini-series, Parts 3 & 4 19:00 Goya: Bir Dahi Kadar Deli on the stage,” he once said and ürünüydü: Hem çok duygulu bir in his own aesthetic and 17:00 wrote all the libretti for his own birey, hem de sıkı bir boğa güreşi impassioned way; he was friends Goya: Mini Seri, Crazy Like a Genius Menottı: Goya works. One can imagine the meraklısı. Kendisine has o estetik with kings and poets, and a 5 .ve 6. Bölümler conversation about music in ve coşkulu haliyle namlı bir victim of social and political Mini-series, Parts 5 & 6 14 Temmuz July Opera particular modern music that çapkın, kralların ve şairlerin prejudices. This series, Cumartesi Saturday The slow pacing of this fanciful Çıplak Maya took place when Menotti invited dostu, toplumsal ve politik undoubtedly succeeds in 6 Haziran June 14:00 Goya: Mini Seri, tale about the life and one Yönetmenler Directors Kasper Bech Domingo to dinner in 1977. It önyargıların bir kurbanı. Seri, honestly portraying him. Çarşamba Wednesday 1 .ve 2. Bölümler The Naked reputed love of Francisco Goya Holten, Karin Veitl, Thomas wasn’t long before the crucial Goya’nın dürüst bir portresini 16:00 Goya Bordeaux’da Mini-series, Parts 1 & 2 makes for an uneven drama. Bogensberger Maja question was raised: Gian Carlo, sunuyor. Goya in Bordeaux 16:00 Goya: Mini Seri, Anthony Franciosa is the artist, Oyuncular Cast Plácido Domingo, why don’t you write an opera for 3 .ve 4. Bölümler and Ava Gardner plays his Michelle Breedt, Iride Martinez, me? As they thought about topic, 28 Nisan Aprıl - 15 Temmuz July 2012 9 Haziran June Yönetmen Director Henry Koster paramour, the Duchess of Alba. Christian Gerhaher Mini-series, Parts 3 & 4 Avusturya Austria, 2004, 101’, Domingo mentioned the life of Oyuncular Cast Ava Gardner, While the Prime Minister of Spain Cumartesi Saturday 18:00 Goya: Mini Seri, Anthony Franciosa, Amedeo Nazzari renkli color the great Spanish artist Francisco 12:00 Goya: Bir Dahi Kadar Deli 5 .ve 6.
Load more

Recommended publications
  • Flamenco Flamenco
    FLAMENCO FLAMENCO 01. SYNOPSIS 02. DIRECTOR’S NOTES 03. CARLOS SAURA 04. VITTORIO STORARO 05. CAST & CREW 06. FILM DETAILS 07. THE PRODUCTION COMPANY 01. SYNOPSIS Considered the greatest exponent of the particular way of making musical films of Carlos Saura, Flamenco, flamenco arises, through a journey of light and life, the evolution of the songs, dances and music of this art that, in the director own words, would be heritage of the universe. With the experience and knowledge that Carlos Saura’s films have gained over time, we enter in the roads of the existing talents of this art so alive and dynamic that flamenco is it, to present his new film which uses innovative elements, in the technical field as in the narrative, becoming a unique production. The film shows that there is a powerful new flamenco, of young talents finding their way in our country and beyond our borders, but the reality of this art can not be reflected in the right way without some of the great living masters that we are fortunate to have in Spain. 02. DIRECTOR’S NOTES Carlos Saura It is always difficult to write about the ideas that lead me to create my musical films. It is difficult because the actual scripts I use are barely three or four pages long, where the different dances that have been chosen are in order, with the artist’s name and the space in which the dance might develop. It is even more difficult because part of the stimulus, the fun that always comes with the filming is based – let's face it – on the possibility of improvising in this type of cinema.
    [Show full text]
  • Westminsterresearch the Artist Biopic
    WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies.
    [Show full text]
  • Un Pintor De Película: Francisco De Goya En El Cine
    UN PINTOR DE PELÍCULA: FRANCISCO DE GOYA EN EL CINE EVA OTERO VÁZQUEZ Universidade de Santiago de Compostela Resumen: Quizá sea Francisco de Goya el pintor español más internacional de todos los tiempos. Su vida y su obra han influido en expresiones artísticas diversas y, dentro de ellas, el cine nos ofrece varios planteamientos frente a la figura del pintor, convirtiéndolo en protagonista o secundario en función del argumento de la película. A lo largo de estas páginas nos aproximaremos a su personalidad partiendo de aquellos aspectos biográficos que han tenido una mayor repercusión en el llamado Séptimo Arte y que, a modo de ejemplo, destacamos en dos producciones españolas de estreno prácticamente simultáneo: Volavérunt (Bigas Luna, 1999) y Goya en Burdeos (Carlos Saura, 1999). Palabras clave: Cine, pintura, biopic, Francisco de Goya. Abstract: Francisco de Goya might be the most international Spanish painter ever. His life and works have influenced diverse artistic expressions; among them, the film industry offers us several approaches regarding the figure of the painter, becoming the main or secondary character depending on the plot of the film. Through out these pages, we will get closer to his personality, beginning with those biographic aspects which have had a bigger repercussion on the so-called the cinema; and that, as an example, we highlight in two Spanish productions almost released at the same time: Volavérunt (Bigas Luna, 1999) y Goya en Burdeos (Carlos Saura, 1999). Key words: Cinema, painting, biopic, Francisco de Goya. FRANCISCO DE GOYA Y LUCIENTES: APROXIMACIÓN A pesar de ser uno de los artistas más estudiados y divulgados, no contamos con un currículum exacto de Goya.
    [Show full text]
  • Goya and the War of Independence: a View of Spanish Film Under Franco (1939-1958)
    GOYA AND THE WAR OF INDEPENDENCE: A VIEW OF SPANISH FILM UNDER FRANCO (1939-1958) Diana Callejas Universidad Autónoma de Madrid At the end of the 1950´s, and with the Franco regimen solidly established in power, Spanish society would commemorate, without excessive display, the 150-year anniversary of the 1808 War of Independence. This conflict had brought the defenders of the monarchy into confrontation against those of liberal constitutionalism, and the conservative tradition against the ideals of progress. For many historians and intellectuals of the era, the war symbolized the authentic redefining landmark of Spain. It was an expression both of a people, who with their minimal military resources were capable of overthrowing the most powerful imperial force of the time, Napoleon, and of the extremely radical opposition to the pressure imposed by foreign ideals. The substantial volume of movies about Goya and the War of Independence in Spanish cinema demands a needed reflection on the importance of this topic. The characteristics found both in the image of Goya, a key figure in Spanish culture who fused in his work the secular and the sacred, and also in the War, a conflict characterized by traditional social change, will be decisive references when this time period on the big screen. They will serve additionally as metaphors in subsequent years. Few studies exist on this topic, and there are fewer still that treat the Franco period; hence, this article offers fundamental insight on how to interpret a period of such change in the Spain’s cultural and ideological history. Understanding this time period is essential to understanding the evolution and development of this view in a year such as 2008, a year which marks the 200-year anniversary of the War of Independence and consequently that of May 2, a date inextricably linked in today’s society with the life and work of Francisco de Goya.
    [Show full text]
  • George P. Johnson Negro Film Collection LSC.1042
    http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections.
    [Show full text]
  • Inventing Goya
    Inventing Goya Joseph R. Jones The Encounters conference took place because in 1898 or thereabouts, one great Spanish artist encountered the work of another, and the result of that encounter has become an object of study and admiration for everyone present. We are allotting most of our time today to the music of one of these two geniuses, but it is appropriate to take half an hour to remember the great painter who inspired the music, and whose very name now stands for a troubled and colorful time in Spain’s history. To quote Granados’ librettist, Periquet: “The word “Goya” is not only a surname but the symbol of a period of farces and tragedy, tonadillas and riots, bullfights and aristocrats, true love and dalliances.”1 Granados and Periquet were both, as we know, obsessed with Goya’s art. But they were also fascinated by the personality of the artist. They considered him to be not only the consummate painter of Spain in all its aspects, even its darkest, but also the incarnation their country’s eternal values of manliness, loyalty, honesty, and patriotism. They made Goya a character in their first tonadilla, “La maja de Goya,” and Granados clearly planned to include him in the opera Goyescas. We know this because when the composer began to consider turning his piano suite into an opera, he jotted down, in notebooks that still survive, four different story lines, in which he describes his hero as “famous artist, lover of duchess” or “artist and student.” In one set of notes, he describes the opening scene as showing the arrival of Diego de Goya y Lucientes (identified by his initials) in a carriage, a calesa, which recalls the original and now puzzling title of the opera, Goyesca.
    [Show full text]
  • Gromyko Says Soviet Peace Effort Serious
    reiDAT, MAT a, ItM iHattflivatifr Eoenfng H^nilb Average M Iy Net Priae Ror The WMther F ar the Week Ewtod Fameoat at D. •. Weatimr The , Lady of UA Moat Holy Tha following otfloisra base . H m L Baaus will May for 4aii^ don as outllibd^ Un the Blbls at 1 IT" To «fH : M m a Moumo tnrels 'has albctad alaotod by S t Rridget’o Ing at tha Brltlah Chni Scribner N am ^ Tim. 2:1,1. ‘V aaBBWMit the fonowiiur^oers for the com­ Motben CSrete; Mn. Daniel urte- iamortW nighi from 8 to 1. The p n m m wIB ba 'cUmAxod tliie BftsfBasa. Fair a a i eabTiN ing yeal^blrs. Joaaph tumon- chlo, leader; Mra Paul Lefrancola, Parley Official by the talk, "A Paradbe Earth H a v in g < ■ 111 tmt«T branch bf the deeta, leader; Mrs. Mary Law to-Ieader; Mra. Hobart Tungk, Mbs Elaina W. JohnsOB of Vor- ’Through God’a Kingdom," dellv- toe A hat sight. laofwtotog MsaOMae tifi, «4M W«ftM<tay.at 2 mild Suadayf Moake oo-Iea^; Mcs. James Oer- secretary; Mra. Julius R andal, BOB and George A. Kingsbury Jr. RaginaM Scribner, preaiding ared by Frank Spaell, district su­ a P a r t y ? of irrsBiBtisu W r« bcfaf btudiMaa »MMon, rfty. secretaryM ra Bdiwln Lroje* treasurer; Mrs. Richard McMahon, ' Oovantry wilt bt imitM In mar- pervisor for New England. Manehe$t^r-—A Cit^ of VUloga Charm „ ba fbllBind tor a lEajrtlme party tomorrow at 2 p.M. ta the minister of tha Mancbaebr con­ fsrtbaW httaltlbbon Itacruiu aitd ■ki.
    [Show full text]
  • Read Ebook {PDF EPUB} the Double Lives of Francisco De Goya, by Noel Bertram Gerson the Double Lives of Francisco De Goya, [Gerson, Noel Bertram] on Amazon.Com
    Read Ebook {PDF EPUB} The double lives of Francisco de Goya, by Noel Bertram Gerson The double lives of Francisco de Goya, [Gerson, Noel Bertram] on Amazon.com. *FREE* shipping on qualifying offers. The double lives of Francisco de Goya Title: The double lives of Francisco de Goya, Author(s): Noel Bertram Gerson ISBN: 0-448-01377-0 / 978-0-448-01377-0 (USA edition) Publisher: Grosset & Dunlap AbeBooks.com: The double lives of Francisco de Goya, (9780448013770) by Gerson, Noel Bertram and a great selection of similar New, Used and Collectible Books available now at great prices. The double lives of Francisco de Goya, by Gerson, Noel Bertram and a great selection of related books, art and collectibles available now at AbeBooks.com. Gerson, Noel Bertram THE DOUBLE LIVES OF FRANCISCO DE GOYA New York Grosset &amp; Dunlap 1973 1st Edition 1st Printing 8.40 X 5.70 X 1.20 inches 248 Hardcover Book condition is Very Good; with a Very The double lives of Francisco de Goya,: Gerson, Noel Bertram: Amazon.com.mx: Libros. Saltar al contenido principal ... Juvenil Literatura y Ficción Libros de texto Negocios e Inversiones Tienda de Comics Tienda Kindle Edwards, prolific and professional biographer that he is, knows he needs a peg to hang a book on &#8212; in this case Goya as an artistic Dr. Jekyll and Mr. Hyde. Goya was, it seems, ""two different men, one inspired by God, the other a subject of Satan,"" although it is not clear what power was behind him when he bent his knee to his King and lovely ladies.
    [Show full text]
  • GOYA+BUÑUEL. Los Sueños De La Razón
    LOS SUEÑOS DE LA RAZÓN Colaboran Organizan GOYA+BUÑUEL. Los sueños de la razón CATÁLOGO EXPOSICIÓN Edita La Fundación Ibercaja y El Gobierno de Aragón desean expresar su Gobierno de Aragón Gobierno de Aragón agradecimiento a las siguientes entidades prestadoras Javier Lambán Montañés Presidente Fundación Bancaria Ibercaja Biblioteca Nacional de España, Madrid María Teresa Pérez Esteban Consejera de Educación, Cultura y Deporte Colección Félix Palacios Remondo, Zaragoza Coordinación Colección Padres Escolapios, Madrid Fundación Bancaria Ibercaja Aixa Álvarez Almazán Colección Real Sociedad Económica Aragonesa de Amigos del País, Zaragoza Honorio Romero Herrero Presidente Diputación de Zaragoza José Luis Rodrigo Escrig Director General Textos Filmoteca Española, Madrid Juan Carlos Sánchez Bielsa Director Obra Social Gonzalo M. Borrás Gualis, José Ignacio Calvo Ruata, Jean-Claude Carrière, Museo de Zaragoza Francisco Javier Lázaro Sebastián, Juan Carlos Lozano, Amparo Martínez Museo Goya. Colección Ibercaja-Museo Camón Aznar, Zaragoza Comisariado Herranz, Jesús Rubio Jiménez, Agustín Sánchez Vidal, Fernando Sanz Museo Lázaro Galdiano, Madrid Ferreruela, Carlos Saura. José Ignacio Calvo Ruata Museo Nacional Centro de Arte Reina Sofía, Madrid © de los textos, sus autores Amparo Martínez Herranz Museo Nacional del Prado, Madrid © de las fotografías, sus autores Museo Thyssen-Bornemisza, Madrid Comité organizador Residencia de Estudiantes, Madrid Traducción Gobierno de Aragón Universidad de Zaragoza, Archivo Histórico Universitario Cillero &
    [Show full text]
  • Video-Windows-Grosse
    THEATRICAL VIDEO ANNOUNCEMENT TITLE VIDEO RELEASE VIDEO WINDOW GROSS (in millions) DISTRIBUTOR RELEASE ANNOUNCEMENT WINDOW DISNEY Fantasia/2000 1/1/00 8/24/00 7 mo 23 Days 11/14/00 10 mo 13 Days 60.5 Disney Down to You 1/21/00 5/31/00 4 mo 10 Days 7/11/00 5 mo 20 Days 20.3 Disney Gun Shy 2/4/00 4/11/00 2 mo 7 Days 6/20/00 4 mo 16 Days 1.6 Disney Scream 3 2/4/00 5/13/00 3 mo 9 Days 7/4/00 5 mo 89.1 Disney The Tigger Movie 2/11/00 5/31/00 3 mo 20 Days 8/22/00 6 mo 11 Days 45.5 Disney Reindeer Games 2/25/00 6/2/00 3 mo 8 Days 8/8/00 5 mo 14 Days 23.3 Disney Mission to Mars 3/10/00 7/4/00 3 mo 24 Days 9/12/00 6 mo 2 Days 60.8 Disney High Fidelity 3/31/00 7/4/00 3 mo 4 Days 9/19/00 5 mo 19 Days 27.2 Disney East is East 4/14/00 7/4/00 2 mo 16 Days 9/12/00 4 mo 29 Days 4.1 Disney Keeping the Faith 4/14/00 7/4/00 2 mo 16 Days 10/17/00 6 mo 3 Days 37 Disney Committed 4/28/00 9/7/00 4 mo 10 Days 10/10/00 5 mo 12 Days 0.04 Disney Hamlet 5/12/00 9/18/00 4 mo 6 Days 11/14/00 6 mo 2 Days 1.5 Disney Dinosaur 5/19/00 10/19/00 5 mo 1/30/01 8 mo 11 Days 137.7 Disney Shanghai Noon 5/26/00 8/12/00 2 mo 17 Days 11/14/00 5 mo 19 Days 56.9 Disney Gone in 60 Seconds 6/9/00 9/18/00 3 mo 9 Days 12/12/00 6 mo 3 Days 101.6 Disney Love’s Labour’s Lost 6/9/00 10/19/00 4 mo 10 Days 12/19/00 6 mo 10 Days 0.2 Disney Boys and Girls 6/16/00 9/18/00 3 mo 2 Days 11/14/00 4 mo 29 Days 21.7 Disney Disney’s The Kid 7/7/00 11/28/00 4 mo 21 Days 1/16/01 6 mo 9 Days 69.6 Disney Scary Movie 7/7/00 9/18/00 2 mo 11 Days 1212/00 5 mo 5 Days 157 Disney Coyote Ugly 8/4/00 11/28/00 3
    [Show full text]
  • Dossier Prensa
    Carlos Saura, una leyenda viva. Félix Viscarret, un director que quiere SINOPSIS realizar un retrato fílmico del gran SYNOPSIS maestro. Tiene un plan. Le parece brillante. Mostrará al Saura más íntimo a través de conversaciones del genio aragonés con sus 7 hijos. Todos aceptan. Pero a Saura no le gusta mucho hablar del pasado. Viscarret insiste. A Saura le gusta pintar. Y la fotografía. Viscarret no se rinde. Lo intenta. A Saura le gusta pintar. Y la fotografía. Carlos Saura, a living legend. Félix Viscarret, a director who wants to make a film portrait of the great master. He draws up a plan. He thinks it’s brilliant. He will show the intimate side of Saura through conversations of the genius with his 7 children. Everyone accepts. But Saura does not like talking about the past. Viscarret insists. Saura likes to paint. And photography. Viscarret does not give up. He tries again. Saura likes to paint. And photography. NOTAS DEL DIRECTOR DIRECTOR´S NOTES Con una filmografía tan extensa y tan rica como la de Carlos Sau- With a filmography as rich and extensive as that of Carlos Saura, ra, sobre la que lógicamente hay ya tanto escrito y documentado, on who, logically, so much has already been written and docu- esta propuesta no dejaba de ser un reto apasionante. Es un sue- mented, this project was definitely an exciting challenge. It’s a ño de todos los que hacemos cine el intentar mostrar algo nuevo, dream of all those of us who make films to try to show something desconocido o personal en cada proyecto.
    [Show full text]
  • T T-\Yf-T Dissertation U I V L L Information Service University Microfilms Intemational a Bell & Howell Information Company 300 N
    INFORMATiOîi TO USERS This reproduction was made from .1 copy of a manuscript sent to us for publication and microfilming. While the most advanced te.:hnology has been used to pho­ tograph and reproduce this manuscript, tfje quality of the reproduction is heavily dependent upon the quality of the material submitted. Pages in any manuscript may have indistinct print. In all cases the best available copy has been Aimed. The following explariation of techniques is provided to help clarify notations which may appear on this reproduction. 1. Manuscripts may not always be complete. When it is not possible to obtain missing pages, a note appears to indicate this. 2. When copyrighted materials are removed from the manuscript, a note ap­ pears to indicate this. 3. Oversize materials (maps, drawings, and charts) are photographed by sec­ tioning the original, beginning at the upper left hand comer and continu­ ing from left to right in equal sections with small overlaps. E%ach oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or in black and white paper format. • 4. Most photographs reproduce acceptably on positive microfilm or micro- Oche but lack clarity on xerographic copies made from the microAlm. Fbr an additional charge, all photographs are available in black and white standard 35mm slide format.* «For more information about black and white slides or enlarged paper reproductions, please contact the Dissertatlona Customer Services Department. T T-\yf-T Dissertation U i V l l Information Service University Microfilms Intemational A Bell & Howell Information Company 300 N.
    [Show full text]