8745. Los Documentos De La Primavera Tragica
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Flamenco Flamenco
FLAMENCO FLAMENCO 01. SYNOPSIS 02. DIRECTOR’S NOTES 03. CARLOS SAURA 04. VITTORIO STORARO 05. CAST & CREW 06. FILM DETAILS 07. THE PRODUCTION COMPANY 01. SYNOPSIS Considered the greatest exponent of the particular way of making musical films of Carlos Saura, Flamenco, flamenco arises, through a journey of light and life, the evolution of the songs, dances and music of this art that, in the director own words, would be heritage of the universe. With the experience and knowledge that Carlos Saura’s films have gained over time, we enter in the roads of the existing talents of this art so alive and dynamic that flamenco is it, to present his new film which uses innovative elements, in the technical field as in the narrative, becoming a unique production. The film shows that there is a powerful new flamenco, of young talents finding their way in our country and beyond our borders, but the reality of this art can not be reflected in the right way without some of the great living masters that we are fortunate to have in Spain. 02. DIRECTOR’S NOTES Carlos Saura It is always difficult to write about the ideas that lead me to create my musical films. It is difficult because the actual scripts I use are barely three or four pages long, where the different dances that have been chosen are in order, with the artist’s name and the space in which the dance might develop. It is even more difficult because part of the stimulus, the fun that always comes with the filming is based – let's face it – on the possibility of improvising in this type of cinema. -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
Refashioning the Sociopolitical in Spanish Modernist Literature (1902-1914)
Refashioning the Sociopolitical in Spanish Modernist Literature (1902-1914) By Ricardo Lopez A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Romance Languages and Literatures and the Designated Emphasis in Critical Theory in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Dru Dougherty, Chair Professor Ivonne del Valle Professor Robert Kaufman Fall 2015 Abstract Refashioning the Sociopolitical in Spanish Modernist Literature (1902-1914) by Ricardo Lopez Doctor of Philosophy in Romance Languages and Literatures with a Designated Emphasis in Critical Theory University of California, Berkeley Professor Dru Dougherty, Chair In this dissertation I argue that the modernist breakthroughs achieved by José Martínez Ruiz’s La voluntad (1902), Ramón del Valle-Inclán’s Sonata de otoño (1902), and Miguel de Unamuno’s Niebla (1914) emerged as a response to the shortsightedness of the revolutionary politics that had taken root in Restoration Spain. I examine how these writers take the historical materials of their sociopolitical world—its tropes and uses of language—and reconstellate them as artworks in which the familiar becomes estranged and reveals truths that have been obscured by the ideological myopia of Spain’s radicalized intellectuals. Accordingly, I demonstrate that the tropes, language, and images that constitute La voluntad, Niebla, and Sonata de otoño have within them a historical sediment that turns these seemingly apolitical works into an “afterimage” of Spain’s sociopolitical reality. Thus I show how sociopolitical critiques materialize out of the dialectic between historical materials and their artistic handling. Although La voluntad, Sonata de otoño, and Niebla seem to eschew political themes, I contend that they are the product of their authors’ keen understanding of the politics of their moment. -
SEPTEMBER 6, 2021 Delmarracing.Com
21DLM002_SummerProgramCover_ Trim_4.125x8.625__Bleed_4.375x8.875 HOME OF THE 2021 BREEDERS’ CUP JULY 16 - SEPTEMBER 6, 2021 DelMarRacing.com 21DLM002_Summer Program Cover.indd 1 6/10/21 2:00 PM DEL MAR THOROUGHBRED CLUB Racing 31 Days • July 16 - September 6, 2021 Day 15 • Thursday August 12, 2021 First Post 2:00 p.m. These are the moments that make history. Where the Turf Meets the Surf Keeneland sales graduates have won Del Mar racetrack opened its doors (and its betting six editions of the Pacific Classic over windows) on July 3, 1937. Since then it’s become West the last decade. Coast racing’s summer destination where avid fans and newcomers to the sport enjoy the beauty and excitement of Thoroughbred racing in a gorgeous seaside setting. CHANGES AND RESULTS Courtesy of Equibase Del Mar Changes, live odds, results and race replays at your ngertips. Dmtc.com/app for iPhone or Android or visit dmtc.com NOTICE TO CUSTOMERS Federal law requires that customers for certain transactions be identi ed by name, address, government-issued identi cation and other relevant information. Therefore, customers may be asked to provide information and identi cation to comply with the law. www.msb.gov PROGRAM ERRORS Every effort is made to avoid mistakes in the of cial program, but Del Mar Thoroughbred Club assumes no liability to anyone for Beholder errors that may occur. 2016 Pacific CHECK YOUR TICKET AND MONIES BEFORE Classic S. (G1) CONFIRMING WAGER. MANAGEMENT ASSUMES NO RESPONSIBLITY FOR TRANSACTIONS NOT COMPLETED WHEN WAGERING CLOSES. POST TIMES Post times for today’s on-track and imported races appear on the following page. -
THE FUNCTION of the CHILD in NOVELS by GALDÓS by Michael
REALIST STRATEGIES: THE FUNCTION OF THE CHILD IN NOVELS BY GALDÓS by Michael Adam Carroll BA, College of the Holy Cross, 2007 MA, University of Colorado at Boulder, 2010 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Spanish and Portuguese 2014 This thesis entitled: Realist Strategies: The Function of the Child in Novels by Galdós written by Michael Adam Carroll has been approved for the Department of Spanish and Portuguese ____________________________ Dr. Ricardo Landeira ____________________________ Dr. Javier Krauel Date______________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Carroll, Michael Adam (Ph.D., Spanish Literature, Department of Spanish and Portuguese) Realist Strategies: The Function of the Child in Novels by Galdós Thesis directed by Professor Ricardo Landeira This dissertation explores the function of the child in the Novelas españolas contemporáneas (1881-97) by Benito Pérez Galdós, Spain’s foremost nineteenth-century author. Children play a central role in the genre of realism, from Charles Dickens, to Emily Brönte, and Henry James. Galdós follows in this tradition, but sets his work apart by placing the child at the margin of the stories he tells, rather than as protagonists. While critics have tended to view these marginalized children as either verifications of social issues contemporary to the novelist or as symbols that underscore themes, this dissertation analyzes children by considering how they socially affect adults and how characters perceive them. -
Helena Araújo, El Devenir Afuera: De La Colonia Al Exilio, De La Confesión a La Auto-Ficción
Sánchez 1 Helena Araújo, el devenir afuera: de la Colonia al exilio, de la confesión a la auto-ficción A dissertation submitted to the Graduate School Of the University of Cincinnati In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In the Department of Romance Languages and Literatures Of the McMicken College of Arts and Sciences By María Clemencia Sánchez B.A., Education and Languages Universidad de Antioquia, Colombia, 1995 M.A., Hispanic Literature University of Cincinnati, 2008 Committee Chair: Dr. Armando Romero Sánchez 2 Abstract Divided into three chapters, my Ph.D. Dissertation, entitled “Helena Araújo, el devenir afuera: de la Colonia al exilio, de la confesión a la auto-ficción,” examines how Araújo’s work is organized around the spatial-temporal discontinuity provoked by the exile of the feminine character. Using Gilles Deleuze’s concept of ‘rhizome’, this dissertation seeks to demonstrate how the feminine character could become-other on the condition that she changes territory by moving from the Colony to the exile. The first chapter is a revision of the symbolic formation of the Colony drawn as a territory of control in a corpus of literary women’s works in Colombia from 18th to 20th centuries. The goal of this revision is to illustrate the symmetry between the confessional narrative modes and the controlling structure of the Colony. The second chapter defines and analyzes the first movement of Araújo’s work: from the Colony to the exile. In this chapter I seek to demonstrate how the exile’s distance changes the representation of a same place. -
GOYA+BUÑUEL. Los Sueños De La Razón
LOS SUEÑOS DE LA RAZÓN Colaboran Organizan GOYA+BUÑUEL. Los sueños de la razón CATÁLOGO EXPOSICIÓN Edita La Fundación Ibercaja y El Gobierno de Aragón desean expresar su Gobierno de Aragón Gobierno de Aragón agradecimiento a las siguientes entidades prestadoras Javier Lambán Montañés Presidente Fundación Bancaria Ibercaja Biblioteca Nacional de España, Madrid María Teresa Pérez Esteban Consejera de Educación, Cultura y Deporte Colección Félix Palacios Remondo, Zaragoza Coordinación Colección Padres Escolapios, Madrid Fundación Bancaria Ibercaja Aixa Álvarez Almazán Colección Real Sociedad Económica Aragonesa de Amigos del País, Zaragoza Honorio Romero Herrero Presidente Diputación de Zaragoza José Luis Rodrigo Escrig Director General Textos Filmoteca Española, Madrid Juan Carlos Sánchez Bielsa Director Obra Social Gonzalo M. Borrás Gualis, José Ignacio Calvo Ruata, Jean-Claude Carrière, Museo de Zaragoza Francisco Javier Lázaro Sebastián, Juan Carlos Lozano, Amparo Martínez Museo Goya. Colección Ibercaja-Museo Camón Aznar, Zaragoza Comisariado Herranz, Jesús Rubio Jiménez, Agustín Sánchez Vidal, Fernando Sanz Museo Lázaro Galdiano, Madrid Ferreruela, Carlos Saura. José Ignacio Calvo Ruata Museo Nacional Centro de Arte Reina Sofía, Madrid © de los textos, sus autores Amparo Martínez Herranz Museo Nacional del Prado, Madrid © de las fotografías, sus autores Museo Thyssen-Bornemisza, Madrid Comité organizador Residencia de Estudiantes, Madrid Traducción Gobierno de Aragón Universidad de Zaragoza, Archivo Histórico Universitario Cillero & -
The Role of Literary Tradition in the Novelistig
THE ROLE OF LITERARY TRADITION IN THE NOVELISTIG TRAJECTORY OF EMILIA PARDO BAZAN DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By ARTHUR ALAN CHANDLER, B. A., M. A, ***** The Ohio State University 1956 Approved by: Adviser Department of Romance Languages ACKNOWLEDGMENTS I should like to thank Professor Stephen Gilman of Harvard University who originally suggested this topic and Professor Gabriel Pradal of The Ohio State University for his guidance through the first three chapters. I am especially grateful to Professors Richard Arraitage, Don L, Demorest and Bruce W. Wardropper, also of The Ohio State University, for their many valuable comments. Professor Carlos Blanco, who graciously assumed direction of this dissertation in its final stages, has provided numerous suggestions for all its chapters. 11 TABLE OF CONTENTS Chapter I. Introduction............................ 1 Chapter II. Naturalism in France and Spain......... 10 Chapter III. First Novels............................ 47 Chapter IV. Los pazos de Ulloa and La madre naturaleza 75 Chapter V. Social and Political Themes............. 116 Chapter VI. The Religious Novels.................... 15# Chapter VII. Recapitulation and Conclusion.......... 206 Bibliography (A)..................................... 219 Bibliography (B)..................................... 221 Autobiography........................................ 230 111 CHAPTER I INTRODUCTION The centenary of the birth of dona Emilia Pardo Bazân (IS5I) has engendered considerable literary criticism regarding the nature and relative importance of her works. Her position in the world of belles lettres has always been partially obscured by the question of Naturalism in Spain. Yet anyone who has read three or four repre sentative novels from her entire literary output realizes that Naturalism is not a dominating feature throughout. -
Video-Windows-Grosse
THEATRICAL VIDEO ANNOUNCEMENT TITLE VIDEO RELEASE VIDEO WINDOW GROSS (in millions) DISTRIBUTOR RELEASE ANNOUNCEMENT WINDOW DISNEY Fantasia/2000 1/1/00 8/24/00 7 mo 23 Days 11/14/00 10 mo 13 Days 60.5 Disney Down to You 1/21/00 5/31/00 4 mo 10 Days 7/11/00 5 mo 20 Days 20.3 Disney Gun Shy 2/4/00 4/11/00 2 mo 7 Days 6/20/00 4 mo 16 Days 1.6 Disney Scream 3 2/4/00 5/13/00 3 mo 9 Days 7/4/00 5 mo 89.1 Disney The Tigger Movie 2/11/00 5/31/00 3 mo 20 Days 8/22/00 6 mo 11 Days 45.5 Disney Reindeer Games 2/25/00 6/2/00 3 mo 8 Days 8/8/00 5 mo 14 Days 23.3 Disney Mission to Mars 3/10/00 7/4/00 3 mo 24 Days 9/12/00 6 mo 2 Days 60.8 Disney High Fidelity 3/31/00 7/4/00 3 mo 4 Days 9/19/00 5 mo 19 Days 27.2 Disney East is East 4/14/00 7/4/00 2 mo 16 Days 9/12/00 4 mo 29 Days 4.1 Disney Keeping the Faith 4/14/00 7/4/00 2 mo 16 Days 10/17/00 6 mo 3 Days 37 Disney Committed 4/28/00 9/7/00 4 mo 10 Days 10/10/00 5 mo 12 Days 0.04 Disney Hamlet 5/12/00 9/18/00 4 mo 6 Days 11/14/00 6 mo 2 Days 1.5 Disney Dinosaur 5/19/00 10/19/00 5 mo 1/30/01 8 mo 11 Days 137.7 Disney Shanghai Noon 5/26/00 8/12/00 2 mo 17 Days 11/14/00 5 mo 19 Days 56.9 Disney Gone in 60 Seconds 6/9/00 9/18/00 3 mo 9 Days 12/12/00 6 mo 3 Days 101.6 Disney Love’s Labour’s Lost 6/9/00 10/19/00 4 mo 10 Days 12/19/00 6 mo 10 Days 0.2 Disney Boys and Girls 6/16/00 9/18/00 3 mo 2 Days 11/14/00 4 mo 29 Days 21.7 Disney Disney’s The Kid 7/7/00 11/28/00 4 mo 21 Days 1/16/01 6 mo 9 Days 69.6 Disney Scary Movie 7/7/00 9/18/00 2 mo 11 Days 1212/00 5 mo 5 Days 157 Disney Coyote Ugly 8/4/00 11/28/00 3 -
Liste Des Juges
Liste des juges Jean-François VANAKEN (Belgique) Norman DESCHUYMERE (Belgique) Walter VAN DEN BROECK (Belgique) Elisabeth FEUZ (Suisse) Aida RIVERA (Colombie) Juan A. GRILLO (Colombie) Horst KLIEBENSTEIN (Allemagne) Istvan CSIK (Allemagne) Siret LEPASAAR (Estonie) Jean-Jacques MORBELLI (France) Jussi LIIMATAINEN (Finlande) Frank KANE (Royaume-Uni) Roger CROOKS (Royaume-Uni) Ildiko MUZSLAI (Hongrie) Manola POGGESI (Italie) Massimo INZOLI (Italie) Sonia FALLETTI-BELLAN (Italie) Andi HUDONO (Indonésie) Yolanda NAGLER-MAGAL (Israël) Michael LEONARD (Irlande) Gloria WAGNER (Luxembourg) Laurent HEINESCHE (Luxembourg) Ruth WAGNER (Luxembourg) Oystein EIKESETH (Norvège) Wenche EIKESETH (Norvège) Gerard JIPPING (Pays-Bas) John WILLIAMS (Pays-Bas) Zeferino Jose Cardoso SILVA (Portugal) Jan GAJEWSKI (Pologne) Malgorzata HALAS (Pologne) Blaz KAVCIC (Slovénie) Marija KAVCIC (Slovénie) Tatjana UREK (Slovénie) Bratislav MILOSEVIC (Serbie) Ozan BELKIS (Turquie) Donavon THOMPSON (Etats Unis d'Amérique) 90th International Dog Show - Chiens exposés par pays. Pays Nombre Country France 1726 France Allemagne 1102 Deutschland Belgique 857 België Pays-Bas 543 Nederland Espagne 150 España Italie 141 Italia Luxembourg 125 Lëtzebuerg Danemark 100 Danmark Suisse 93 Schweiz Royaume-Uni 87 Great Britain Russie 74 Rossijskaja Federazija République tchèque 60 Ceskà republika Pologne 44 Polska Hongrie 27 Magyarország Ukraine 25 Ykpaïha Irlande 22 Éire Roumanie 15 România Autriche 14 Österreich Suède 13 Sverige Portugal 10 Portugal Norvège 8 Norge Slovénie 8 Slovenija Croatie 8 Hrvatska Lettonie 7 Latvija Serbie 4 Srbija Finlande 4 Suomi Bulgarie 3 Balgarija Slovaquie 3 Slovensko Etats Unis d'Amérique 2 United States of America Estonie 2 Eesti Grèce 2 Elláda Montenegro 1 Crna Gora Lituanie 1 Lietuva Total 5281 Total Race/Breed Ring Chiens/Dogs Groupe F.C.I. -
UCLA UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Masculinities at Work: Men, Masculinities, and Employment in the Spanish Popular Comedies of the Late-Francoist and Transition Eras Permalink https://escholarship.org/uc/item/6cp4m291 Author Rivera, Renee Patricia Publication Date 2020 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Masculinities at Work: Men, Masculinities, and Employment in the Spanish Popular Comedies of the Late-Francoist and Transition Eras A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Hispanic Languages and Literatures by Renee Patricia Rivera 2020 © Copyright by Renee Patricia Rivera 2020 ABSTRACT OF THE DISSERTATION Masculinities at Work: Men, Masculinities, and Employment in the Spanish Popular Comedies of the Late-Francoist and Transition Eras by Renee Patricia Rivera Doctor of Philosophy in Hispanic Languages and Literatures University of California, Los Angeles, 2020 Professor María Teresa de Zubiaurre, Chair This dissertation examines the relationship between masculinities and work as it is represented in the Spanish popular comedies of the 1970s. In such films, work represents an important site of tension, not only in the wider struggle in Spain between tradition and modernity, but also in the context of the nation’s changing economic landscape in the late- Francoist period, which saw capitalist reforms, the development of the tourism industry, and the rise of consumer culture. In the context of late Francoism, particularly, with the advent of capitalist reforms, film directors and screenwriters of the 1970s utilized formulaic plots with work-related narrative conflicts as a convenient means to explore the consequences and effects of Spain’s timid economic and social liberalization. -
Dossier Prensa
Carlos Saura, una leyenda viva. Félix Viscarret, un director que quiere SINOPSIS realizar un retrato fílmico del gran SYNOPSIS maestro. Tiene un plan. Le parece brillante. Mostrará al Saura más íntimo a través de conversaciones del genio aragonés con sus 7 hijos. Todos aceptan. Pero a Saura no le gusta mucho hablar del pasado. Viscarret insiste. A Saura le gusta pintar. Y la fotografía. Viscarret no se rinde. Lo intenta. A Saura le gusta pintar. Y la fotografía. Carlos Saura, a living legend. Félix Viscarret, a director who wants to make a film portrait of the great master. He draws up a plan. He thinks it’s brilliant. He will show the intimate side of Saura through conversations of the genius with his 7 children. Everyone accepts. But Saura does not like talking about the past. Viscarret insists. Saura likes to paint. And photography. Viscarret does not give up. He tries again. Saura likes to paint. And photography. NOTAS DEL DIRECTOR DIRECTOR´S NOTES Con una filmografía tan extensa y tan rica como la de Carlos Sau- With a filmography as rich and extensive as that of Carlos Saura, ra, sobre la que lógicamente hay ya tanto escrito y documentado, on who, logically, so much has already been written and docu- esta propuesta no dejaba de ser un reto apasionante. Es un sue- mented, this project was definitely an exciting challenge. It’s a ño de todos los que hacemos cine el intentar mostrar algo nuevo, dream of all those of us who make films to try to show something desconocido o personal en cada proyecto.