TYPOGRAPHERS ON TYPE
AN ILLUSTRATED ANTHOLOGY FROM WILLIAM MORRIS TO THE PRESENT DAY
Edited by Ruari McLean
LUND HUMPHRIES PUBLISHERS LONDON CONTENTS
ACKNOWLEDGEMENTS XI
FOREWORD I
WILLIAM MORRIS Aims in/ounding the Kelmscott Press. 1895. 3
THEODORE LOW DE VINNE Printing in the nineteenth century, igoi. 7
THOMAS JAMES COBDEN-SANDERSON The whole duty of typography. 1900. I do not believe in the doctrine o/William Morris. igo2. n
BRUCE ROGERS The typography o/the Cambridge University Press. 1917. 13
JOSEPH THORP The noblest and most essential o/the cra/ts. 1919. 17
WILLIAM ADDISON DWIGGINS An Investigation into the Physical Properties o/Books. 1919. 22
BERNARD NEWDIGATE On printing poetry. About type-design. Offset printing and illustration. A Blue Book on good printing. 1920-1922. 34
FRANCIS MEYNELL With twenty-Jive soldiers of lead...'. 1923. 41
DANIEL BERKELEY UPDIKE The Seven Champions o/Typography. 1924. 44
JAN TSCHICHOLD The principles o/the neu; typography. 1928. The uiord. 1935. 52
FREDERIC WARDE Printers Ornaments. 1928. 55
EDWARD JOHNSTON On a master craftsman by a scribe who u>orked/or him. 1929. 57
STANLEY MORISON First principles 0/typography. 1930. 61
HARRY CARTER Sanseri/types. 1931. 68 BEATRICE WARDE Printing should be invisible. 1932. 'This is a printing o/fice'. 1940. 73
ELMER ADLER The Making of a Book. 1935. 79
CARL PURINGTON ROLLINS Whither now, Typographer? 1936. 81
FREDERIC W. GOUDY The Trajan Capitals. 1936". 85
ERIC GILL A book is a thing to be read. 1936. gi
PETER BEILENSON The Walpole Printing O/fice, etc. 1938. 96
THOMAS MAITLAND CLELAND My mission is to suppress typography. 1940. 99
FRED ANTHOENSEN The Southivorth-Anthoensen Press. 1943. 101
JOHN DREYFUS Mr Morison as typographer. 1947. 106
GEORGE BERNARD SHAW My interest in typography be/ore the Kelmscott Press. 1949. 109
P. J. CONKWRIGHT University Press book design. 1949 no
JAN VAN KRIMPEN On designing and devising type. 1957. 114
SEM HARTZ On assessing the early ivork of Jan van Krimpen. 1965. 118
PAUL RAND The good old 'NeueTypogra/ie'. 1959. Thegrid system. 1985. 122 WILLIAM GOLDEN It is a very complicated job to produce something simple. 1959. 126 PHILIP HOFER The artist and the book. ig6i. 129
HERBERT SPENCER Printers and designers. igĀ£>3. Pioneers o/modern typography. ig6g. 133 LEONARD BASKIN To colour thought. 1967. 143
RUDOLPH RUZICKA Studies in type design. igo"8. 147
MICHAEL TWYMAN Influence o/printing on the environment in the nineteenth century. 1970. 150
MASSIN The universal language o/mankind. 1970. 152
MILTON GLASER A conversation about design. 1973. 154
ROBERT HARLING Notes on Eric Gill and Perpetua. 1976. 158
JOHN LEWIS Painters and typography. 1978. 161
JOSEPH BLUMENTHAL Printing education. 1982. 163
HERMANN ZAPF Is creative art in design really needed in this day o/electronics? 1983. 164
RODERICK STINEHOUR Computers and printing. 1984. 166
SEYMOUR CHWAST A designer ivho illustrates. 1985. 168
WALTER TRACY Legibility and readability. ig86~. The vocabulary o/type. 1986. 170
SEBASTIAN CARTER Do we need so many neiv types? 1987. 173
GEORGE MACKIE Designing/or on enlightened publisher. ig88. 176
ADRIAN FRUTIGER Light and shadow - black and white. ig8g. 178
GREER ALLEN Library Exhibition catalogues. iggo. 180
MATTHEW CARTER Now we have mutable type. 1990. 182
AFTERWORD - THE BOOK AS OBJECT. I9g5 187