THE BOOKCOLLECTION OF C.F. HULTENHEIM, CAMERA ANTIQUA, IN SELECTION FROM CA 4000 VOLUMES

Books and prints numbered 1 to 113 was exhibited on The Royal Library´s ”Typographia” sept 10,2000-jan 10,2003. An Exhibition of 20 th Century Typography and Graphic Design Compiled and Edited by C.F. Hultenheim.

Litterature: “Typographica, 1900-2000”, Exhibition Catalogue No. 138 The Royal Library Stockholm 2002

1 DANIEL BERKERLY UPDIKE (1860-1941). Printing types, their history, forms and use. A study in survivals. I-II. Full cloth binding. Harvard and Oxford. Printed by the Merrymount Press, Boston 1922. (2).

2 DANIEL BERKERLY UPDIKE (1860-1941). Advertising card for a Boston tea merchant, “The Cup of Human Enjoyment”. Elihu White Foundry New York. In a frame, 15 x 8,5 cm.

4 BRUCE ROGERS ( 1870-1957). Bookplate ”Anne Lyon Haight”. In a frame, 5,5 x 5 cm.

11 JOHN S. FASS (1890-1973). The Hammer Creek Press type specimen book. Number 22 of 100 copies. Paper binding. New York 1954.

12 SAMUEL A. JACOBS (1891-1971). Christmas Tree, E.E. Cummings. Half cloth binding. Published and printed by S.A. Jacobs, New York 1928.

17 RAY NASH (1905-1982). PaGA, Printing & Graphic Arts, 1953-1965. The Stinehour Press, Luneburg. Unbound in box.

22 LEO LIONNI (1910-1999). World Geo-Graphic Atlas. Full cloth binding. CCA, Chicago 1953.

34 THE STINEHOUR PRESS. Goodspeed´s Book Shop, Catalogue 500. Paper binding. Boston 1961.

58 (1891-1975). Ten poems, Alice Meynell 1913-1915. One of 50 copies. Full vellum binding. The Romney Street Press 1915.

61 IAN MORTIMER B. 1934. Johnston Sans. Trial proofs. Transport Museum. Unbound in box. I. M. , Hackney, London 1993.

67 C.VOLMER NORDLUNDE (1888-1970). I bogens tjeneste, Jan Tschichold. Full binding. Nyt Nordisk Forlag, Arnold Busck, Copenhagen 1951.

69 VIGGO NAAE (1899-1973). Moby Dick, Herman Melville. Illustrated with woodcuts. Quarter cloth binding. Gyldendal, Copenhagen 1955. 70 IB ANDERSEN (1907-1969). Den fuldkomne fisker, The compleat angler. Izaak Walton and Charles Cotton. Illustrated by Ib Andersen. Full paper binding. Martins Forlag, Copenhagen 1945.

71 HENRY THEJLS ( 1905-1981). Fredriksborg og det Nationalhistoriske Museum. Otto Andrup. Quarter binding. J.H. Schultz, Copenhagen 1950.

76 ANDERS BILLOW (1890-1964). Gustavianskt, studier kring den gustavianska tidens kulturhistoria tillägnade Sigurd Wallin på hans femtioårsdag. Full paper binding. Nordisk Rotogravyr, Stockholm 1932.

78 CHARLES GL. BEHRENS (1907-1965). Resa till Mocca 1708-1710, Jean de la Roque. Quarter vellum binding. KF Publishers, Stockholm 1953.

95 LARS HALL B. 1938. Goodwin, en hyllning. Bruno Ehrs and Carl Bengtsson. Full binding. Norstedt, Stockholm 1998.

97 PER WERME B. 1939. Murmestarne. Murmestare embetet I Stockholm 1487-1987. Full cloth binding. Byggförlaget, Stockholm 1987.

106 IMRE REINER (1900-1987). Monogram on bookcover of paper, Verlag Zollikofer & Co, St Gallen.

113 MASSIMO VIGNELLI (1931- ). Louis I. Kahn: In the Realm of Architecture, David B. Brownlee, David G. De Long. Full paper binding. Rizzoli International Publications Inc. New York 1991. Modified , Century Expanded.

JACOB JONAS BJÖRNSTÅHL (1731-1779). Resa til Frankrike, Italien, Sweitz, Tyskland, Holland, England, Turkiet och Grekland. 1-6. Full binding. Stockholm 1780-1784. (6)

ANDY WARHOL (1928-1987). Utställningskatalog Moderna museet, Stockholm. Februari-mars 1968. Paper binding. Sydsvenska Dagbladets AB, Malmö 1967-68.

WILLIAM SHAKESPEARE (1564-1616). The Plays of William Shakespeare in fifteen volumes with the corrections and illustrations of various commentators to which are added notes by Samuel Johnson and George Steevens. Fourth edition. Full leather binding. London 1793. (15)

WILLIAM SHAKESPEARE (1564-1616). The Tragedy of Hamlet, Prince of Denmark. With engravings by Eric Gill. Number 520 of 1500 copies. Signed by Gill. Full leather binding. The Limited Editions Club, 1933.

WILLIAM SHAKESPEARE (1564-1616). The Sonnets. Number 35 of 120 copies. Half leather binding. Saul & Lillian Marks, Press, Los Angeles 1974.

WILLIAM SHAKESPEARE (1564-1616). The works of Shakespeare. I-VII. Edited by Herbert Farjeon. Number 1167 of 1600 copies. Full leather binding. Designed by Francis Meynell, printed by Walter Lewis, Cambridge University Press. The Nonesuch Press, New York 1929-33. (7).

WILLIAM SHAKESPEARE (1564-1616). Othello, illustrated by Leonard Baskin. Number 42 of 400 copies on Gehenna-Shakespeare paper. Signed by Baskin. Kennedy galleries. Folio in cover. WILLIAM SHAKESPEARE (1564-1616). King Lear. The comedies histories & tragedies of William Shakespeare. Number 1246 of 1950 copies. Quarter cloth binding. The Press of A. Colish. The Limited Editions Club, New York 1939.

FRANCOISE-MARIE AROUET VOLTAIRE (1694-1778). Oeuvres completes de Voltaire. 1-70. Full binding. De l´imprimerie de la Société Littéraire-Typographique 1784-89. (70)

FRANCOISE-MARIE AROUET VOLTAIRE (1694-1778). La Henriade, poeme suivi de quelques autres poems de Voltaire. Full leather binding. De l´imprimerie de la Société Littéraire-Typograpique 1789.

FRANCOISE-MARIE AROUET VOLTAIRE (1694-1778). The Princess of Babylon. Number 907 of 1500 copies. Half vellum binding. The Nonesuch Press, London 1927.

FRANCOISE-MARIE AROUET VOLTAIRE (1694-1778). Voltaire`s essay on Milton. Desmond Flower, editor. One of 400 copies. Quarter cloth binding. The University Press, Cambridge, 1954.

FRANCOISE-MARIE AROUET VOLTAIRE (1694-1778). Den hivde tyr. Number 34 of 150 copies. Full binding. Scripta, Copenhagen 1952.

JEAN-JAQUES ROUSSEAU ( 1712-1778). The confessions of J.J. Rousseau in an anonymous English version first published in two parts in 1783 & 1790 now revised and completed by A.S.B. Glover. Full leather binding. The Nonesuch Press. London 1938. (2)

ALEXANDER PUSHKIN (1799-1837). Gabriel, a poem in one song. Translated by Max Eastman, illustrated by Kent. Number 91 of 750 copies. Full vellum binding. New York Covici-Friede Publishers 1929.

THE HOLY BIBLE, containing the Old testament and the New translated out of the original tongues and with the former translations diligently compared and revised by His Majesty´s special command. Full leather binding. John Cambridge 1763. Folio.

THE HOLY BIBLE, containing the Old testament and the New with the apocrypha translated out of the original tongues with annotations. Full leather binding. John Baskerville, Birmingham 1769. Folio.

MICHEL DE MONTAIGNE (1533-1592). Essays of Michael Lord of Montaigne. Written by him in French and done into English by John Florio. 1-3. Facsimile. Houghton Mifflin & company, Boston and New York 1902-03. (3)

FRANCOIS- JOACHIM DE BERNIS (1715-1794). La Religion vengée, poëme en dix chants. Quarter leather binding. Parme dans le Palais Royal 1795. Folio.

WILLIAM SOMERVILLE (1675-1742). The Chase, a poem by William Somervile Esq. Full leather binding. Printed by W. and co. London 1796.

OLIVER GOLDSMITH(1730-1774),THOMAS PARNELL( 1679-1718). Poems by Goldsmith and Parnell. Half leather binding. Printed by W. Bulmer, London 1795.

PUBLIUS VERGILIUS( 70 BC-19 BC)Publii Vergilii Maronis Bucolica Georgica et Aeneis. Quarter leather binding. Johan Baskerville, Birmingham 1757. PIERRE APRAXINE. Photographs from The collection of The Gilman Paper Company. Number 459 of 1200 copies. Quarter leather binding. White Oak Press 1985. Folio.

GUSTAVE EIFFEL(1832-1923). La Tour de trois cents mètres. 1-2. Number 47 of 600 copies. Full binding. Editions J.F. Guyot Paris 1989. Folio. (2) In metallcase.

ORIGINAL LEAVES FROM FAMOUS EUROPEAN BOOKS 1470-1794. London Folio Society. Cloth portfolio with descriptions of 12 publications from which the leaves were taken. Original leaves from seminal works (Augustinus, De Civitate dei, Rome 1470 etc).

ORIGINAL LEAVES FROM FAMOUS ENGLISH BOOKS 1523-1905. London Folio Society. Cloth portfolio with descriptions of 12 publications from which the leaves were taken. Original leaves from seminal works (Clarendon´s History, Oxford 1701-04 etc).

THE COLOPHONE, A book collector quarterly, 1930. Four volumes in original cover. (4)

L´ENCYCLOPÉDIE OU DICTIONNAIRE RAISONNÉ DES SCIENCES, I-VI , facsimile, 478 of 3000 copies, full binding. Imprimeries Réunies S.A. a Lausanne 1964-66. Folio. (6)

DAMIANUS MOYLLUS. Alphabetum, facsimile in A Newly discovered treatise on classic letter design. 350 copies. Quarter vellum binding. Paris at The Sign of The Pegasus 1927.

E. E. CUMMINGS ( 1894-1962). Him, number 18 of 160 copies, signed by Cummings. Half vellum binding. Boni & Liveright New York 1927.

E.E. CUMMINGS (1894-1962). Is five. Half binding. Boni & Liveright, New York 1926.

BERNARD DE FONTENELLE (1657-1757). A plurality of worlds. John Glansville´s translation with a prologue by David Garnett. Number 525 of 1200 copies. Full vellum binding. The Nonesuch Press 1929.

STEEN STEENSEN BLICHER (1782-1848). Traekfuglerne, naturconcert. Half leather binding. Den Danske Radeerforening, Helsingör 1914.

RAINER MARIA RILKE (1875-1926). Five prose pieces by Rainer Maria Rilke. Number 84 of 200 copies on Van Gelder Oxhead paper. Quarter leather binding. The Cummington Press, Massachusetts 1943- 47.

GIOVANNI DI BOCCACIO (1313-1375). Trattatello in laude di . Number 38 of 140 copies. Full leather binding. Officina Bodoni, Verona 1955.

GIOVANNI DI BOCCACIO (1313-1375). Die Nymphe von Fiesole, eine erzählung in versen übertragen von Rudolf Hagelstange. Number 29 of 300 copies. Half leather binding. Trajanus Presse, Frankfurt am Main 1957-58.

GIOVANNI DI BOCCACIO (1313-1375). Life of Dante with an introduction and a note of the portraits of Dante. One of 300 copies. Full binding. The De Vinne Press, The Grolier Club, New York 1900.

JAMES THOMSON (1700-1748). The Seasons. Number 409 of 1500 copies. Full binding. The Nonesuch Press, London 1927. JOSEPH CONRAD (1857-1924). The Tremolino. 1000 copies. Full binding. Philip C. Duschnes, New York 1942.

FELICE FELICIANO VERONESE (1433-1479). Alphabetum Romanum. Number 362 of 400 copies. Quarter leather binding. Editiones Officinae Bodoni, Verona 1960.

C.VOLMER NORDLUNDE (1888-1970). Eftertryck, udsendt paa 75-aars dagen den 15. Jni 1963 af en kreds af venner. Paper binding. Nyt Nordisk Forlag Arnold Busck, Copenhagen 1963. With signed card from the friends.

FRANCIS BACON (1561-1626). The essays of Francis Bacon. Number 148 of 270 copies. Half vellum binding. Bremer Presse, Tölz 1920.

ARTUR SAHLÉN (1882-1945). Mellbom i krig skulle draga, en gammal ballad illustrerad med träsnitt av Artur Sahlén. Number 84 of 100 copies. Signed by Sahlén. Quarter vellum binding. Handpresstryckeriet, Stockholm 1929.

THE CURWEN PRESS. A specimen book of types & ornaments in use at The Curwen Press. Number 74 of 135 copies. Full binding. The Fleuron LTD, London 1928.

GEORGE HERBERT ( 1593-1633). The Temple, sacred poems & private ejaculations. Number 1314 of 1500 copies. Full binding. Printed from the manuscript in the Bodleian Library, Nonesuch Press, London 1927.

BUTLERIANA. Number 564 of 800 copies. Quarter leather binding. The Nonesuch Press, Bloomsbury 1932.

MIGUEL DE CERVANTES (1547-1616). Don Quixote de la Mancha, reprinted with twenty-one illustrations by E. McKnight Kauffer. 1-2. Number 1399 of 1475 copies. Full leather binding. The Nonesuch press, London 1930.(2)

JEAN PAUL RAYMOND , CHARLES RICKETTS. Oscar Wilde, recollections. Number 621 of 800 copies. Full binding. The Nonesuch Press, Bloomsbury 1932 .

IRENE WELLINGTON (1904-1984). A fragment from La Naissance du jour. Colette. Written by hand. With letter from Irene Wellington about this volume, dated 1951.

UPOMNEMA PARMENSE IN ADVENTU GUSTAV III SVECIAE REGIS, half leather binding. Ex typographia Regia, Parmae 1784. Folio.

AXEL SALTO (1889-1961). Salto traesnit. Number 44 of 550 copies. Quarter binding. A/S Hoffensbergske Etablissement, Copenhagen 1940.

PAULINE PAUCKER. The working life of Elisabeth Friedlander, New Borders. Number 133 of 325 copies. Half cloth binding. Incline Press, 1998.

SAMUEL TAYLOR COLERIDGE (1772-1834). Selected poems of Coleridge. Number 138 of 500 copies. Full vellum binding. The Nonesuch Press, 1935. BERNARD C. MIDDLETON. Recollections, my life in bookbinding. Number 144 of 200 copies. Quarter leather binding. Bird & Bull Press, Newton 1995.

JOHN MILTON (1608-1674). Paradise lost and Paradise regained, contemporary full vellum binding. John Baskerville, Birmingham 1758. (2)

JOHN MILTON (1608-1674). Poems in english with illustrations by William Blake. Number 5 of 1450 copies. Full vellum binding. The Nonesuch Press, London 1926.

JOHN MILTON (1608-1674). Samson Agonistes, a dramatic poem. Full vellum binding. The stamperia del Santuccio, Florence 1930-31.

ONE HUNDRED TITLE-PAGES 1500-1800. Selected and arranged with an introduction and notes by A.F. Johnson. Number 92 of 100 copies. JohnLane The Bodley Head LTD, London 1928.

THE HOLY BIBLE. Containing The Old and New testament and The Apocrypha. I-XIV. One of 488 numbered sets. Full leather binding. R.H. Hinkley Company, Boston ca 1910. (14)

THE HOLY BIBLE. Containing The Old and New testaments. Full leather binding. Oxford university Press by John Johnson, Oxford 1935. Folio.

DIE VIER EVANGELIEN MARKUS, LUKAS, MATHÄUS UND JOHANNES, uberzetsung von Martin Luther. One of 1000 copies. Full vellum binding. Eugen Diedrichs, Jena 1910.

QUINTUS HORATIUS (65 BC-8 BC). Carmina Libri IV. One of 500 copies. Full binding. Petr. Davies, Curven Press, London 1926.

CARL STERNHEIM (1878-1942). Fairfax. Number 146 of 950 copies. Half vellum binding. Alfred A. Knopf, New York 1923.

PUBLIUS VERGILIUS MARO (70 BC-19 BC). The Georgies of Vergil, translated by R. D. Blackmore. One of 500 copies. Half vellum binding. George W. Jones, The Sign of The Dolphin, London 1931.

PUBLIUS VERGILIUS MARO (70 BC-19 BC). The Georgies of Virgil. Translated by John Dryden, Number 381 of 1200 copies. Quarter leather binding. Richard Ellis for Cheshire House Publishers, New York 1931.

THOMAS MORE (1478-1535). Utopia. Number 512 of 1500 copies. Half vellum binding. The Limited editions club, New York 1934.

CIRCUMFERENCE, VARIETIES OF METAPHYSICAL VERSE 1456-1928. Number 153 of 1050 copies. Half vellum binding. Edited by Genevieve Taggard. Coivici Friede Publishers, New York 1929.

DANTE ALIGHIERI (1265-1321). The Divine comedy. The prose translation by Charles Eliot Norton. One of 300 copies. Full leather binding. Bruce Rogers & The Press of A. Colish, New York 1955.

DANTE ALIGHIERI (1265-1321). La Divina Commedia or The Divine vision of Dante Alighieri in italian & english. Number 1452 of 1475 copies. Full binding. The Nonesuch Press, 1928.

H.G. WELLS (1866-1946). The Time Machine, an invention. Number 1126 of 1200 copies. Full binding. Random House New York 1931. ECCLESIASTES OR THE PREACHER. Number 25 of 335 copies. Full binding. The Riverside Press edition, Houghton Mifflin Co, Boston & New York 1911.

AUGUST STRINBERG (1849-1912). Advent, ein Weihnachtsspiel. Half vellum. Georg Müller, München und Leipzig 1917.

KRISTEN RASMUSSEN. Ex Erotica, det erotiske motiv i exlibris-kunsten. I-II. Number 130 of limited edition. Full leather binding. Copenhagen 1952. (2)

LUDWIG BEMELMANS (1898-1962). Now I lay me down to sleep. Number 239 of 400 copies. Signed by Bemelmans. Full cloth binding. The Viking Press, New York 1943.

CHARLES LAMB (1775-1834). Beauty and the beast or a rough outside with a gentle heart. Number 43 of 100 copies. Full vellum binding. George Redway, London 1886.

CHARLES LAMB (1775-1834). New year´s eve. One of 245 copies. Full binding. Privately printed for George A. Nelson, New York 1929.

HERODOTUS (484 BC-425 BC). Rawlinson´s translation revised and annotated by AW Lawrence.Number 376 of 675 copies. Half leather binding. The Nonesuch Press, Bloomsbury 1935.

IZAAK WALTON (1593-1683). The complete angler, The lives of Donne, Wotton, Hooker, Herbert & Sanderson. Love and truth, Miscellaneous writings. Number 1086 of 1100 copies. Full calf binding. Editor. The Nonesuch Press, Bloomsbury 1929.

LUCIUS APULEIUS. The Transformations of Lucius otherwise known as The Golden ass. Translated by Robert Graves. Number 1018 of 2000 copies. Half vellum binding. Penguin Books, Harmondsworth Middlesex 1950-51.

ALLEN TATE (1899-1979). The Hovering fly and other essays. Number 154 of 245 copies. Half leather binding. The Cummington Press, Cummington 1949.

BETTI CONTE ZACCARIA. Elogio. Full marbled binding. Dalla Stampera Reale. Parma 1790.

AGOSTINO PARADISI (1736-1783). Elogio del Principe Raimondo Montecuccoli. Il Giorno 1775.

EMIL SELMAR (1854-1934). Typografi for sattere korrektörer, forfattare og forlaeggere. Second revised edition. Full leather binding. Gyldendalske Boghandel, Nordisk forlag, Copenhagen 1913.

STUART P. SHERMAN. Men of letters of the British isles, portrait medallions from the life by Theodore Spicer-Simson. Number 220 of 520 copies. Half binding. William Edwin Rudge, New York 1924.

FREDERIC G. KENYON. Ancient books and modern discoveries. One of 350 copies. Half vellum. The Caxton Club, Chicago 1927.

ALFRED LORD TENNYSON (1809-1892). In Memoriam. Number 45 of 2000 copies. Full vellum binding. The Nonesuch Press, London 1933.

TOM KRISTENSEN. En bogorms barndom. Number 799 of 1500 copies. E.W. Lindberg-Pedersens Boghandel, Axelholms Bogtrykkeri A/S, 1953. HANS RUIN (1891-1980). Sju ögonblick och några reflexioner. Number 18 of 350 copies. Full binding. Albert Ekmans fond, Slöjdföreningens skola, Göteborg 1952.

XAVIER DE MAISTRE (1763-1852). Voyage atour de ma Chambre. Number 99 of a limited edition. Half vellum binding. Cambridge, Riverside, Houghton, Mifflin & Co, Boston and New York 1901.

EUCLID. Elements of geometry book 1. With an introduction from an essay by Paul Valéry. One of 500 copies. Full binding. Random House, New York 1944.

T.J. COBDEN-SANDERSON (1840-1922). Credo. One of 250 copies. Full leather binding. The Doves Press, Hammersmith, 1908.

T.J. COBDEN-SANDERSON (1840-1922). The journals of Thomas James Cobden-Sanderson 1879-1922. I-II. Number 141 of 1050 copies. Full cloth binding. W. Lewis, M.A at University Press, Cambridge. Richard Cobden-Sanderson, Thavies Inn 1926. (2)

CHARLES ENSCHEDÉ (1855-1919). Typefoundries in the Netherlands from the fifteenth to the nineteenth century. Number 386 of 1500 copies. Half leather binding. Stichting Museum Enschedé, Haarlem 1978.

EDWARD DE WITT TAYLOR. Types, borders and miscellany of Taylor & Taylor, with historical brevities on their deriviation and use. Number 145 of 330 copies. Signed by de Witt. Half vellum binding. Taylor & Taylor, San Francisco 1939.

THOMAS BEEDOME (ca 1614-1641). Select Poems, divine and humane. Number 1196 of 1200 copies. Full vellum binding. The Nonesuch Press, Bloomsbury 1928.

LUCREZIA BORGIA (1480-1519), PIETRO (1470-1547). Messer Pietro Mio, letters between. Number 35 of 150 copies. Half leather binding. Libanus Press, The Parade, Marlborough 1985.

HARRY CARTER, H.D.L. VERVLIET. Civilté types. Half binding. The Oxford Bibliographical Society, Oxford University Press 1966.

MODERNE DANSK GRAFIK OG LYRIK. Udgivet i anledning af Grafisk Kunstnersamfunds 50-aars jubilaeum. Number 220 of 350 copies. Full leather binding. Gyldendal 1960.

GIAMBATTISTA BODONI (1740-1813). Manuale tipografico. Franco maria Ricci, editor. 1-3. Number 777 of 900 copies. Full leather binding. Parma 1964-65. (3)

FRANCIS MEYNELL (1891-1975). Poems & Pieces 1911 to 1961. Full cloth binding. Limited edition of 750 copies. The Nonesuch Press, London 1961.

AUGUSTE BERNARD (1811-1868). Geofroy Tory, an account of his life and works. Number 323 of 370 copies. Half binding. The Riverside Press for Mifflin Company, Boston and New York 1909.

ESTELLE JUSSIM (1927-2004). Slave to beauty, the eccentric life and controversial career of F. Holland Day. Number 2 of 60 copies. Signed by Jussim. Half leather binding. David R. Godine, Publisher, Boston 1981. JAMES BOSWELL (1740-1795). The Journal of a tour to the Hebrides. Number 168 of 2000 copies. Half leather binding. Sign of the Stone Book for The Limited Editions Club, 1974.

STANLEY MORISON (1889-1967). Fra Luca de Pacoli. One of 390 copies. Half vellum binding. The Grolier Club. The University Press, Cambridge 1933.

FRA LUCA PACIOLI (1445-1514). De Divina Proportione. Number 145 of 280 copies. Half leather binding. Officina Bodoni, Milano 1956.

COLIN FRANKLIN B. 1923. Emery Walker, some light on his theories of printing. One of 500 copies. Half leather binding. Privately printed, Cambridge 1973.

FLOSCULI SENTENTIARUM. Printers, flowers moralised. Number XXXVII of L copies. Signed by Leonard Baskin. Full leather binding. Gehenna Press, Northampton, Massachusetts 1967.

E.R. WEISS (1875-1942). Zum fünfzigsten Geburtstage 12 oktober 1925. Half vellum. Number 389 of 450 copies. Der Insel Verlag, Leipzig 1925. Folio.

PIETRO BEMBO (1470-1547). On Etna, De Aetna liber. Number 83 of 125 copies. Half leather binding. Officina Bodoni, Verona 1969.

CATALOGUE RAISONNÉ OF BOOKS PRINTED AT THE CURWEN PRESS 1920-1923. Number 315 of 400 copies. Full binding. The Medici Society, London 1924.

GEORGE PARKER WINSHIP (1871-1952). The Merrymount Press of Boston, an account of the work of Daniel Berkerly Updike. Number XXI of XXX copies. Half vellum binding. Printed for Herbert Reichner, Vienna 1929.

GEOFFROY TORY (1480-1533). Champ Fleury. Translated into English and annotated by George B. Ives. One of 390 copies. Half vellum binding. Printing House of William Edwin Rudge, The Grolier Club, New York 1927.

JOHN HENEAGE JESSE (1815-1874). Notes by Lady Louisa Stuart on George Selwyn and His contemporaries. Number 209 of 470 copies. Half binding. D.B. Updike, The Merrymount Press, Oxford University Press, Boston 1928.

THOMAS BROWNE (1605-1682). A letter to a friend upon occasion of the death of his intimate friend. One of 750 copies. Half leather binding. The University Press for David R. Godine, Oxford 1971.

ALBRECHT DÜRER (1471-1528). The great procession. One of only 10 copies. Full leather binding. Museum press for The Metropolitan Museum of Art, New York 1919.

AESOP (620 BC-560 BC). Aesop´s fables. Samuel Croxhall´s translation. Number 516 of 1500 copies.Half vellum binding. John Johnson, University Press for The Limited Editions Club, Oxford 1933.

PROSE, E VERSI PER ONORARE LA MEMORIA DI LIVIA DORIA CARAFFA. Engraver Raphael Morghen (1758-1833), late full leather binding. Reale Stamperia, Parma 1784. HOMER (probably 800 BC-701 BC). The Odyssey of Homer. One of 530 copies. Full leather binding. Sir Emery Walker, Wilfred Merton and Bruce Rogers. London 1932.

HOMER (probably 800 BC-701 BC). The Odyssey of Homer. Translated by Alexander Pope. One of 1500 copies. Full cloth binding. Joh. Enschedé, Haarlem for The Limited Editions Club, 1931.

HOMER (probably 800 BC-701 BC). The Iliad of Homer. Translated by Alexander Pope. One of 1500 copies. Full cloth binding. Joh. Enschedé, Haarlem for The Limited Editions Club, 1931.

JUAN DE YCLAR (1515-1590). Arte Subtilissima. Facsimile. Number 128 of 200 copies. Half leather binding. Lion and Unicorn Press, London 1958.

THE STONE WALL BOOK OF SHORT FICTIONS, Robert Coover and Kent Dixon editors. One of 325 copies. The Stone Wall Press, Iowa City 1973.

A MISCELLANY OF TYPE, compiled at Whittington. Number X of XV special copies. Full leather binding. The Wittington Press, 1990.

ARISTOPHANES (446 BC-386 BC). Die Frösche, eine komödie, übertragen von Johann Gustav Droysen. Number 31 of 200 copies. Half vellum binding. Trajanus Presse, Frankfurt 1961.

HENRY DAVID THOREAU (1817-1862). On the duty of Civil Disobedience. One of 300 copies. Full cloth binding. At The Sign of The Chorobates, Carl & Margaret Rollins, New Haven 1928.

HENRY DAVID THOREAU (1817-1862). Walden, or life in the woods. One of 1000 copies. Half binding in cloth. R.R. Donnelley & Sons Company, The Lakeside Press, Chicago 1930.

SPECIMENS: A Stevens-Nelson Paper Catalogue,. Half leather binding. The Stevens-Nelson Paper Corporation, New York.

GIOVANNI DELLA CASA (1503-1556). Galateo of manners & behaviours. Half binding. D.B. Updike, The Merrymount Press, Boston 1914.

ROBERT GRANJON (1513-1589). Sixteenth century type founder and printer. Half vellum binding. Press of George W. Jones, At The Sign of The Dolphin, Mergenthaler Linotype Co, Brooklyn, New York 1931.

GEORGE MOORE (1852-1933). Ulick and Soracha. Number 799 of 1250 copies. Signed by Moore. The Nonesuch Press, London 1926.

GEORGE MOORE (1852-1933). The making of an immortal, a play in one act. Number 423 of 1240 copies. Signed by Moore. Full binding. William Edwin Rudge for The Bowling Green Press, New York 1927.

MARK TWAIN (1835-1910). The adventures of Huckleberry Finn. Number 439 of 1500 copies. Full cloth binding. The Printing office of The Yale University Press for The Limited Editions Club, New York 1933.

POUL MARTIN MÖLLER (1794-1838). Paa Kattegatt. Tegninger af Paul Höyrup. One of 200 copies. Full leather binding. Leif Thomsens bogtrykkeri. 1949. DRIE AMOUREUSE LIEDJES. One of only 50 copies. Full binding. De Tuinwykpers, Haarlem 1960.

DET TRYKTE ORD. Udgivet af Grafisk Cirkel i anledning af 500-aaret for bogtrykkkunstens opfindelse. Number 40 of 125 copies. Full leather binding. Copenhagen 1940.

CARL SANDBURG (1878-1967). Good morning, America. Number of 811 copies, this copie printed on blue paper. Full binding. Signed by Sandburg. Crosby Gaige, New York 1928.

PLATO (427 BC-347 BC). The Phaedo of Plato. Translated into English by Benjamin Jowett. Number 343 of 500 copies. The Golden Cockerel Press, Waltham Saint Lawrence Berkshire 1930.

BRIAN NORTH LEE (1936-2007). Bookplates and labels by Leo Wyatt. One of 300 copies. Quarter cloth binding. The Fleece Press 1988.

MICHAEL TAYLOR, BROCARD SEWELL. Saint Dominic´s Press. A bibliography 1916-1937. Number 60 of 100 copies. Signed by Taylor, Sewell and Falkner. Quarter oasis binding. Slipcase with a facsimile of Daisy and Marguerite and leaves printed at St Dominic´s. The Whittington Press 1995.

EUGENE O´NEILL (1888-1953). The iceman cometh, a play by Eugene O´Neill with drawings and a lithograph by Leonard Baskin. Number 162 of 2000 copies. Signed by Baskin. Full binding. The Limited Editions Club, New York 1982.

CHAMP ROSÉ. Wherein may be discovered the roman letters that were made by Geofroy Tory and printed by him at Paris in book called Champ Fleury. Full binding. The Walpole Printing Office, Peter Pauper Press, New Rochelle 1933.

THE TYPOPHILES WHODUNIT. A private revelation of the hitherto most mysterious origin, development, practices & works of the typophiles. One of 190 copies. New York 1938.

ABRAHAM COWLEY (1618-1667). Anacreon done into English out of the original greek by Abraham Cowley and S.B. 1638. Number 496 of 725 copies. The Nonesuch Press, 1923.

PURE POETRY. An anthology edited by George Moore. One of 1250 copies. Half vellum binding. The Nonesuch Press, Soho 1924.

STEEN STEENSEN BLICHER (1782-1848). Brudstykker af en landsbydegns dagbog. Med traesnitt af Poul Christensen. One of 425 copies. Full leather binding. Selskabet for Grafisk Kunst, Copenhagen 1933.

LAURENCE STERNE (1713-1768). Yoricks empfindsame reise durch Frankreich und Italien. Number 160 of 1850 copies. Full binding. Birkhäuser Verlag, Basel 1954.

ANTONIO DE GUEVARA (1481-1545). The praise and happinesse of the countrie-life. Number 57 of 400 copies. Half leather binding. The Gregynog Press, Newtown 1938.

A CATALOGUE OF THE ALTSCHUL COLLECTION OF GEORGE MEREDITH. In The Yale University Library, compiled by Bertha Coolidge. One of 500 copies. Quarter cloth binding. D.B. Updike, The Merrymount Press, Boston 1931. A HISTORY OF BRITISH BIRDS. The figures engraved on wood by T. Bewick. I-II. Full leather binding. Newcastle 1805.(2)

KARL VOGEL. What is time? One of 214 copies. Signed by Vogel. Quarter cloth binding. 1948.

JOHN SAFFIN (1626-1710). His book 1665-1708, a collection of various matters of divinity law & state affairs epitomiz d´both in verse and prose. Number 180 of 500 copies. Quarter cloth binding. The Harbor Press, New York 1928.

THE ARMS OF YALE UNIVERSITY AND ITS COLLEGES AT NEW HAVEN. Arranged by Bruce Rogers. Handcolored by Rogers. Signed by Rogers. Yale University Press 1948.

THE FIRST CHRISTMAS. As recorded in the second chapter of the Gospel according to St. Matthew. Number 2 of 18 copies. Signed by Fass. Quarter cloth binding. Privately Printed at The Harbor Press by John S. Fass, New York 1925.

PIUS XI (1857-1939). On Christian Marriage in the original latin with English translation. One of 1000 copies. Half binding in leather. D.B. Updike, The Merrymount Press, The Barry Vail Corporation, New York 1931.

PHILIP HOFER (1898-1984). John Howard Benson & his work 1901-1956. One of 425 copies. Quarter cloth binding. The Typophiles, New York 1957.

JACOB KAINEN (1909-2001). George Clymer and The Columbian Press. One of 420 copies. Full cloth binding. The Typophiles, New York 1950.

OWED TO THE BOOK. William E. Lickfield, editor. One of 400 copies. Full cloth binding. The A sentmental Journey through France & Italy. Typophiles, Philadelhia 1957.

LAURENCE STERNE (1713-1768). A sentimental journey through France & Italy by Mr Yorick. Number 127 of 335 copies. Quarter cloth. The Riverside Press, Cambridge for Houghton Mifflin and Company, Boston and New York 1905.

21 ENGRAVINGS THOMAS BEWICK. 1-2. One of 500 copies. Quarter leather binding. The Printing Office of Philip Reed, Chicago 1951. (2)

TRAITÉ DE PAIX ENTRE LE ROY L´EMPEREUR ET L´EMPIRE. Conclu à Vienne, le 18. Novembre 1738. Full paperbinding. De L´Imprimerie Royale, Paris 1739.

DON CLEVELAND NORMAN. The 500th anniversary pictorial census of the Gutenberg Bible. Number 354 of 985 copies. Signed by Norman. Full binding. The Coverdale Press, Chicago 1961. Folio.

A.E. COPPARD (1878-1957). The hundredth story . With engravings by Robert Gibbings. Number 784 of 1000 copies. Quarter binding. The Golden Cockerel Press, 1930.

HARRY DUNCAN. Doors of perception, essays in book typography. One of 325 copies. Signed by Duncan. Quarter leather binding. W. Thomas Taylor, Austin 1983. ANATOLE FRANCE (1844-1924). Putois. Grafisk Cirkel, publication nr 64. Number 44 of 200 copies. Quarter binding. J.H. Schultz Bogtrykkeri. 1947.

MORAL MAXIMS BY THE DUKE DE LA ROCHEFOUCALT. Number 47 of 325 copies. Quarter vellum binding. The Golden Cockerel Press, 1924.

EUGENE FIELD (1850-1895). The Symbol and the Saint. One of 300 copies. Full binding. William Edwin Rudge, Mount Vernon 1924.

FELICE FELICIANO (1433-1479). Ippolito e Lionora. From a manuscript of Felice Feliciano in the Harvard College Library. Number 39 of 200 copies. Full vellum binding. Officina Bodoni, Verona 1970.

THE BOOK OF COMMON PRAYER. An administration of the Sacraments and other rites and ceremonies of The Church according to the use of The Church of England together with the Psalter or Psalms of David. Pointed as they are to be sung or said in churches. Full leather binding. John Baskerwille, Cambridge 1761.

WILLIAM HARVEY (1578-1657). The anatomical exercises of Dr. William Harvey. De Motu Cordis 1628: De Circulatione Sanguinis 1649. Geoffrey Keynes, editor. Number 1284 of 1450 copies. Full leather binding. Joh. Enschedé for The Nonesuch Press, London.

RUTH LOWINSKY. Lovely food, a cookery notebook. With table decorations invented & drawn by Thomas Lowinsky. Number 139 of 500 copies. Quarter cloth binding. The Fanfare Press for The Nonesuch Press, London 1931.

GEORGE MEREDITH (1828-1909). The letters of George Meredith to Alice Meynell with annotations thereto 1896-1907. Quarter cloth binding. Number 815 of 850 copies. The Nonesuch Press, London and San Francisco 1923.

HUMBERT WOLFE (1885-1940). The silver cat and other poems. One of 780 copies. Full binding. William Edwin Rudge, The Bowling Green Press, 1928.

EPICURUS (341 BC-269 BC). The extant remains of the greek text translated by Cyril Bailey. Number 482 of 1500 copies. Full binding. The Limited Editions Club, New York 1947.

THOMAS CARLYLE (1795-1881). Jocelin of Brakelond from past and present. Number 121 of 510 copies. Full binding. William Edwin Rudge, New York 1923.

THOMAS CARLYLE (1795-1881). Sartor resartus: The life & opinions of Herr Teufelsdroeckh. One of 300 copies. Half vellum binding. T.J. Cobden.Sanderson & Emery Walker at The Doves Press. 1907.

GEOFFREY KEYNES (1887-1982). Bibliography of William Hazlitt. Number 597 of 750 copies. Quarter binding. The Nonesuch Press, London 1931.

BERNARD SHAW (1856-1950). Negerpigen der drog ud for at opsöge Gud. Number 77 of 96 copies. Full binding. Grafisk Cirkel, Copenhagen 1943.

UR BIBLIOTEKET, EX LIBRIS. Brödtext från Bri sätteri. Full cloth binding. Rolf i Skövde. Stockholm 1987. THE BOOK OF COMMON PRAYER. And administration of the Sacraments and other rites and ceremonies of the church. One of 500 copies. Full leather binding. Printed for The Commission. D.B. Updike, The Merrymount Press. Boston 1928.

A CATALOGUE OF THE ALTSCHUL COLLECTION OF GEORGE MEREDITH. In The Yale University Library, compiled by Bertha Coolidge. Printers Copy. Quarter binding. D.B. Updike, The Merrymount Press, Boston 1931.

ON TYPE FACES, examples of the use of type for the printing of books. Number 225 of 750 copies. Quarter cloth binding. The Riccardi Press, The Medici Society, London 1923.

HANS REINHART (1880-1963). Der Schatten. Ein nachstück aus Andersen. One of 100 copies. Quarter vellum binding. Officina Bodoni, 1924-25.

JOHN BUNYAN (1628-1688). The Pilgrim´s progress and The Life & death of the badman. Number 398 of 1600 copies. Full binding. The Kynoch Press. Francis Meynell. The Nonesuch Press 1928.

ARISTOPHANES (446 BC-386 BC). Die Vögel. Übertragen von Christian Voigt mit 37 holzstich- illustrationen von Imre Reiner. One of 1500 copies. Signed by Reiner. Full binding. Maximilian- Gesellschaft, Hamburg 1965.

PERRAULT (1628-1703). Histoires ou contes du temps. One of 756 copies. Full paper binding. Tallone, Éditeur-Imprimeur, 1982.

CH. ENSCHEDÉ. Fonderies de Caractères et leur matériel dans les Pays-Bas du XVe au XIXe siècle. Full cloth binding. De Erven F. Bohn, Haarlem 1908. Folio.

WALTER PRICHARD EATON (1878-1957). New York, a series of wood engravings in colour. One of 250 copies. Quarter cloth binding. The Grolier Club, New York 1915.

LILLIAN MARKS. Saul Marks and The Plantin Press, the life & work of a singular man. Number 305 of 350 copies. Quarter binding. The Plantin Press, Los Angeles 1980.

CHARLES HONCE. A Julian Hawthorne collection.Number 8 of 35 copies. Full cloth binding. Signed by Honce. The Golden Eagle Press, New York 1939.

BEATRICE L. WARDE (1900-1969). Bombed but unbeaten, excerpts from the war commentary. One of 850 copies. Quarter cloth binding. The Typophiles for Friends of Freedom, New York 1941.

WILLIAM MAKEPEACE THACKERARY (1811-1863). Mr Browns Letters to a young man about town. Number 277 of 500 copies. Quarter cloth binding. H.O. Houghton & Company for Houghton Mifflin & Company. The Riverside Press 1901.

JOHN DREYFUS. William Caxton and his quincentenary. One of 700 copies. Quarter cloth binding. The Typophiles, New York 1976.

B.F. FOSTER. Foster´s system of penmanship or the art of rapid writing illustrated and explaned. Full binding. Perkins and Marvin & Co, Boston 1835. MARY E. WOOLLEY (1863-1947). Lida Shaw King, an appreciation. One of 600 copies. Quarter cloth binding. D.B. Updike, The Merrymount Press, Boston 1923.

GIOVANNI PICO DELLA MIRANDOLA (1463-1494). A platonick discourse upon love. Edmund G. Gardner, editor. Quarter binding. D.B. Updike, The Merrymount Press, Grant Richards Ltd. Boston 1914.

OSCAR WILDE (1854-1900). Die Ballade von Reading Gaol. Number 838 of 950 copies. Quarter vellum binding. Dietsch & Brückner, Hyperionverlag, Berlin.

ROGER PAYNE. Extracts from the diary. One of 525 copies. Full binding. The Harbour Press, New York 1928.

EDWIN ARLINGTON ROBINSON (1869-1935). The glory of the nightingales. Number 301 of 500 copies. Signed by Arlington Robinson. Full binding. D.B. Updike, the Merrymount Press. The Macmillan Company, New York 1930.

PAUL VI (1897-1978). Allocutio Pro pace, praefatus est U. Thant. Oratio Dominica in CLV. Linguas. 1-2. Number 41 of 700 copies. Signed by Ricci. Full calf binding. Franco Maria Ricci, Bodoni. Parma 1967.Folio (2).

DANIEL B. BIANCHI. Some recollections of The Merrymount Press. One of 100 copies. Full cloth binding. George L. Harding & Roger Levenson, 1976.

MEMORIAL OF THE CELEBRATION OF THE CARNEGIE INSTITUTE AT PITTSBURGH, PA. April 11,12,13 1907. One of 1500 copies. Full cloth binding. The De Vinne press. 1907.

ARTHUR SYMONS (1865-1945). Studies on modern painters. One of 600 copies. Quarter cloth binding. William Edwin Rudge, New York 1925.

HERMAN PÜTERSCHEIN. Paraphs. Number 184 of 540 copies. Signed by Püterschein. Quarter cloth binding. Plimpton Press. Alfred A. Knopf, New York 1928.

CHARLES KELSEY GAINES. Echoes of many moods. Signed by Gaines. One of 100 copies on Navarre paper. Quarter vellum binding. William Edwin Rudge, Mount Vernon, New York 1926.

PHILIP SIDNEY (1554-1586). Certaine sonets written. Number 80 of 430 copies. Quarter vellum binding. The Riverside Press for Houghton, Mifflin and Company, Boston and New York 1904.

POEMS OF ALCMAN, SAPPHO AND IBYCUS. Rendered from the greek by Olga Marx and Ernst Morwitz. One of 950 copies. Full cloth binding. Alfred A. Knopf, New York 1945.

RALP WALDO (1803-1882). Compensation, an essay. Number 325 of 530 copies. Quarter cloth binding. The Riverside Press 1903.

MAX BEERBOHM (1872-1956). The happy hypocrite, a fairy tale for tired men. One of 600 copies. Quarter cloth binding. The Stinehour Press. Bruce Rogers, October House, New Fairfield 1955.

THE FAIRY TALES OF THE BROTHERS GRIMM. Illustrated by Arthur Rackham, translated by Edgar Lucas. Full cloth binding. Constable & Company Ltd, London 1909. ALFRED A. KNOPF (1892-1984). Some random recollections, an informal talk made at The Grolier Club, New York 21 october 1948. One of 1250 copies. Full cloth binding. The Typophiles, New York 1949.

RUDOLPH RUZICKA (1883-1978). Thomas Bewick, engraver. Number 265 of 365 copies. Quarter cloth binding. The Typophiles, New York 1943.

GILBERT WHITE (1720-1793). The natural history of Selborne in the county of Southampton. One of 500 copies. Full cloth binding. Humphrey Milford, London 1937.

ROBERT SMITH SURTEES (1805-1864). The jaunts and jollities of that renowed sporting citizen Mr. John Jorrocks. Illustrated by Gordon Ross. Number 51 of 1500 copies. Signed by Ross. Full binding. D.B. Updike, The Merrymount Press. The Limited Editions Club, New York 1932.

GABRIEL D`ANNUNZIO (1863-1938). Tutte le opere. One of 500 copies. Full paper binding. Officina Bodoni, Verona 1927.

MATRIX 1-15, 17-24, 1981-2004. A review for printers & bibliophiles. Most in full paper binding. Numbered editions. In quarter leather binding: 1981, number XVII, reprinted 1985, 1987, number XCVII, 1988, number LXII, 1990, number V. The Whittington Press. (23).

SAINT-JOHN PERSE. Jord vindar hav. Tolkningar av Erik Lindegren. Privately bound in full leather by Manne Dahlstedt. Albert Bonniers boktryckeri, Stockholm 1960.

JONATHAN SWIFT (1667-1745). Gulliver´s travels. I-II. Number 133 of 480 copies. Half cloth binding. Robert Gibbings, Waltham, Saint Lawrence. The Golden Cockerel Press. 1925. (2).

HERMANN HESSE (1877-1962). Narziss und Goldmund. Privately bound in full leather by Manne Dalstedt. Suhrkamp Verlag, Frankfurt am Main 1977.

ROBERT FROST (1874-1963). The complete poems of Robert Frost. 1-2. Number 1025 of 1500 copies. Signed by Frost. Full cloth binding. The Limited Editions Club, New York 1950.(2).

AXEL FREDENHOLM (1881-1962). Hopisång. Number 70 of 3000 copies. Full binding. Ronzo Boktryckeri AB, Dikter LTs förlag, Stockholm 1955.

HARRY CARTER. Fournier on typefounding. One of 260 copies. Full cloth binding. The Fleuron Books, London 1930.

RICHARD F. BURTON (1821-1890). The Kasîdah of Hâjî Abdû El-Yezdî. One of 925 copies. Quarter binding. Thomas B. Mosher, Portland 1896.

FRANCIS THOMPSON (1859-1907). The hound of heaven. One of 925 copies. Full paper binding. Thomas Bird Mosher, Portland 1926.

DOROTHY PARKER (1893-1967). Sunset gun. First edition. Quarter binding. Boni & Liveright, New York 1928. ISRAEL GOLLANCZ (1863-1930). Pearl, an English poem of the fourteenth century reset in modern english. British Red Cross edition in 650 copies. Quarter cloth binding. The Sign of the Dolphin, London 1918.

DANIEL BERKELEY UPDIKE (1860-1941). Some aspects of printing old and new. One of 75 copies. Signed by Updike. Quarter cloth binding. The Merrymount Press, William Edwin Rudge, New Haven 1941.

JOSIAH HENRY BENTON (1843-1917). John Baskerville, type-founder and printer 1706-1775. Signed by Benton and with letter signed by D.B. Updike. Quarter binding. The Merrymount Press, Boston 1914.

ELLEN TERRY AND BERNARD SHAW, A CORRESPONDENCE. Christopher St. John, editor. Number 882 of 3000 copies. Full cloth binding. D.B. Updike, The Merrymount Press. The Fountain Press, London 1931.

SELDEN ROSE. Wine making for the amateur. Number 13 of 515 copies. Quarter cloth binding. Carl Purington Rollins, The Sign of The Chorobates for The Bacchus Club, New Haven 1930.

LEONARD BASKIN (1922-2000). Ars Anatomica. A medical fantasia, thirteen drawings. Number 1827 of 2500 copies. Signed by Baskin. The Curwen Press for Medicina Rara, New York 1972. Folio cover.

BERTHA COOLIDGE. Some unrecorded letters of Caroline Norton in The Altschul Collection of The Yale University Library. One of 75 copies. Quarter binding. D.B. Updike, The Merrymount Press, Boston 1934.

WALTER RALEIGH (1552-1618). A report of the truth concerning the last sea-fight of the Revenge. Number 106 of 300 copies. Quarter binding. The Riverside Press for Houghton, Mifflin and Company. Cambridge 1902.

WILLIAM HAZLITT (1778-1830). A reply to Z. With an introduction by Charles Whibley. Number 50 of 300 copies. Quarter cloth binding. The Curwen Press for The First Edition Club, London 1923.

BRED IN THE BONE. An anthology. Henry Fischer and Bruce Berlind, editors. Number 29 of 325 copies. Quarter binding. Van Vechten Press, Princeton, New Jersey 1945.

S.T.E. LAWRENCE, BOXWOOD BLOCKMAKER. Wood engravings collected in honour of his eightieth birthday. Number 167 of 250 copies. Quarter cloth binding. The Whittington Press, Andoversford 1980.

THE FOUR GOSPELS. Number 708 of 1500 copies. Quarter vellum binding. Poeschel & Trepte for The Limited Editions Club, Leipzig 1932.

CALLIGRAPHICS-HANDS & FORMS. Rended by twenty-five American scribes for The Typophiles. One of 800 copies. Full cloth binding. New York 1955.

T.M. CLELAND (1880-1964). Harsh words. Full binding. Number 265 of 300 copies. The Marchbanks Press for The Typophiles, New York 1940. PATRICK MAURIES. René Gruau. Number 2893 of 6000 copies. Full cloth binding. Franco Maria Ricci, Milano 1984.

KLINGEN 1917-1920. Axel Salto, editor. Full binding. Cato´s lit, Copenhagen.(3).

KLINGEN 1942. Axel Salto, editor. Number 336 of 685 copies. Signed by Salto. Full binding. Det Hoffensbergske Etablissement, Fischers Forlag, Copenhagen.

THOMAS L. RAYMOND. Stephen Crane. Number 199 of 250 copies. Signed by Raymond. Quarter cloth binding. D.B. Updike, The Merrymount Press. The Carteret Book Club, Newark 1923.

ERNEST DOWSON (1867-1900).The Pierrot of the minute. One of 300 copies. Full paper binding. The Grolier Club, New York 1923.

JOHN W. BEATTY (1869-1941).The relation of art to nature. One of 950 copies. Quarter cloth binding. William Edwin Rudge, New York 1922.

WILLIAM MORRIS (1834-1896).The story of Cupid and Psyche, with illustrations designed by Edward Burne-Jones mostly engraved on wood by . Number 102 of 270 copies. Quarter cloth binding. Clover Hill Editions, London and Cambridge 1974. (2).

JOHN JAMES AUDUBON (1785-1851). The original water-colour paintings by John James Audubon for The Birds of America. 1-2. Michael Joseph Ltd and The Connoisseur, 1966. (2).

IZAAK WALTON (1593-1683). The compleat angler or the contemplative man´s recreation. Being a discourse of fish and fishing for the perusal of anglers. Number 301 of 1500 copies. Quarter vellum binding. The Limited Editions Club, New York 1948.

BEN JONSON. Volpone or the fox, a comedy by Ben Jonson first acted in 1605. Number 1387 of 1500 copies. Quarter cloth binding. The Limited Editions Club, Oxford 1952.

ROBERT BURTON (1577-1640). The anatomy of melancholy. By Democritus Junior with a satyricall preface. 1-2. Number 607 of 750 copies. Quarter vellum binding. The Westminister Press for The Nonesuch Press, London 1925. (2).

WAREN CHAPPELL (1904-1991). A short history of the printed word. Number 72 of 100 copies. Signed by Chappell. A New York Times Book, Alfred A. Knopf, New York 1970.

HONORÉ DE BALZAC (1799-1850). La Fonderie typographique de Laurent, Balzac et Barbier crééé en 1827. Number 404 of 999 copies. Quarter cloth binding. Aux Éditions des Cendres, Paris 1992.

RICHARD LOVELACE (1618-1657). The poems of Richard Lovelace. C.H. Wilkinson, editor. 1-2. One of 400 copies. Quarter cloth binding. The Clarendon Press, Oxford 1925.

JAMES LAVER (1899-1975). A stitch in time or pride prevents a fall. Number 1022 of 1525 copies. Signed by Laver. Full binding in paper over board. Richard clay & Sons, Ltd, The Nonesuch Press, London 1927. JAMES LAVER (1899-1975). Love´s progress or the education of Araminta. Number 1137 of 1525 copies. Full paper binding over board. Walter Lewis, University Press, The Nonesuch Press, Bloomsbury 1929.

A TRUE DESCRIPTION OF ALL TRADES. Published in Franfort in the year 1568 with six illustrations by Jobst Amman. One of 400 copies. Quarter vellum binding. Mergenthaler Linotype Co, Brooklyn , New York 1930.

MARK G. HOLSTEIN. The diversions of a will collector, a dialogue. One of 251 copies. Full paper binding. D.B. Updike, The Merrymount Press, Boston 1929.

ALFRED W. POLLARD (1859-1944). Modern fine printing in England and Mr Bruce Rogers. With a list of books & other pieces of printing designed by Bruce Rogers. One of 275 copies. Full binding. Carl Purington, The Dyke Mill, The Carteret Book Club, Newark 1916.

JOHN DONNE (1572-1631). Love poems. With some account of his life taken from the writings in 1639 of Izaak Walton. Number 350 of 1250 copies. Quarter vellum binding. The Nonesuch Press, Soho 1923.

JOHN DONNE (1572-1631). The love poems of John Donne, selected and edited by Charles Eliot Norton. Number 312 of 535 copies. Quarter vellum binding. The Riverside Press. Houghton, Mifflin & Company, Boston 1905.

WALT WHITMAN (1819-1892). The half-breed and other stories. Now first collected by Thomas Ollive Mabbott, woodcutsa by Allen Lewis. One of 155 copies. Quarter cloth binding. Columbia University Press, New York 1927.

ASCANIO CONDIVI (1525-1574). The life of Michelagnolo Buonarroti. Probably one of 275 copies. Full binding. D.B. Updike, The Merrymount Press, Boston 1904.

WITHOUT PREJUDICE. One hundred letters from Frederick William Rolfe Baron Corvo to John Lane. Cecil Woolf, editor. One of 600 copies. Full binding. The Westerham Press, 1963.

H. HUDSON. Ralph Herne. Number 8 of 950 copies. Quarter cloth binding. Printing house of William Edwin Rudge, Alfred A. Knopf, New York 1923.

WALTER PRICHARD EATON. Newark, a series of engravings on wood by Rudolph Ruzicka. Number 192 of 200 copies. Quarter cloth binding. D.B. Updike, Merrymount Press, The Carteret Book Club, Newark 1917.

THEODORE LOW DE VINNE (1828-1914). The practice of typography. Full binding. The Century Co, New York 1900.

H.N. WERKMAN (1882-1945). Hommage à Werkman, the next call 9. Quarter cloth binding. Der Achalm, Stuttgart 1957-58.

LUCIEN ALPHONSE LEGROS AND JOHN CAMERON GRANT. Typographical printing-surfaces, the technology and mechanism of their production. Full binding. William Clowes & Sons for Longmans, Green and Co, London 1916. (1889-1967). Modern fine printing, an exhibit of printing issued in England, the United States of America, France, Germany, Italy, Switzerland, Czecho-Slovakia, Holland and Sweden during the twentieth century. Number 112 of 1015 copies. Half cloth binding. Ernest Benn, Limited, London 1925. Folio.

STANLEY MORISON (1889-1967). Four centuries of fine printing upwards of six hundred examples of work of presses established during the years 1500 to 1914. Number 334 of 390 copies. Half cloth binding. Ernest Benn, Limited, London. Folio.

OLLE EKSELL B. 1918. Design=Ekonomi. Dagens situation och tendenser. Krasshet, reklam, ekonomi, marketing. Morgondagens design i världsperspektiv. Automationens nya villkor. Full cloth binding. Albert Bonniers Förlag, Stockholm 1964.

HENRIK IBSEN (1828-1906). Hedda Gabler. Skuespil I fire akter. Full binding. Gyldendalske Boghandels Forlag, Graebes Bogtrykkeri, Copenhagen 1890.

LISELUND. Number 495 of 620 copies. Full paper binding. Det Kongelige Akademi for de skönne kunster, Carlsbergfonden, Julius Skrikes Stiftelse, Det Raben Levetzau´ske fond. Copenhagen 1918.

ALPHABET BOOK. Quarter leather binding. Printed by Directeur J. Hostrup Schultz, Copenhagen.

TEGNINGER AF AELDRE NORDISK ARCHITECTUR. Full cloth binding signed Bent Andrée, Anker Kysters Eftf 1973. Copenhagen 1872-1919. Folio(6).

AELDRE NORDISK ARCHITEKTUR. Full cloth binding signed Bent Andrée, Anker Kysters Eftf 1973. Copenhagen 1921-1936. Folio(3).

AELDRE DANSK ARKITEKTUR. Full cloth binding signed Bent Andrée, Anker Kysters Eftf 1973. Copenhagen 1947. Folio.

THE FLEURON, a journal of typography. Oliver Simon, editor. 1, 2, 4, 5, 6, 7. Numbered from limited edition. Full binding. The Curven Press for The Fleuron, London 1923. In box.

RALP NYKVIST AND ANDERS PETERSEN. Karnevalen I Venedig. One of 3000 copies. Full binding. ETC Förlag, Kalejdoskop, 1991.

BAUHAUS 1919-1928. Herbert Bayer, Walter Gropius, Ise Gropius, editors. Full cloth binding. Charles T. Branford Company, Boston 1952.

DAVID GLOTZER. Occasion of grace, poems. One of 25 copies. Signed by Glotzer. Quarter leather binding. The Heron Press, Boston.

MARGARET L. WOODS (1856-1945). Songs, new and old. One of 200 copies. Paper binding. Daniel, Oxford 1896.

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Two boxes with some paper from C.F. Hultenheims lectures and School “Schola Antiqua”.

A small collection of 55 framed diploma, photos and prints. 8 x 6 – 44 x 28 cm.

Printing stone of marble with the text “Telegram”. 37 x 27 cm.