The Bookcollection of C.F. Hultenheim, Camera Antiqua, in Selection from Ca 4000 Volumes

Total Page:16

File Type:pdf, Size:1020Kb

The Bookcollection of C.F. Hultenheim, Camera Antiqua, in Selection from Ca 4000 Volumes THE BOOKCOLLECTION OF C.F. HULTENHEIM, CAMERA ANTIQUA, IN SELECTION FROM CA 4000 VOLUMES Books and prints numbered 1 to 113 was exhibited on The Royal Library´s ”Typographia” sept 10,2000-jan 10,2003. An Exhibition of 20 th Century Typography and Graphic Design Compiled and Edited by C.F. Hultenheim. Litterature: “Typographica, 1900-2000”, Exhibition Catalogue No. 138 The Royal Library Stockholm 2002 1 DANIEL BERKERLY UPDIKE (1860-1941). Printing types, their history, forms and use. A study in survivals. I-II. Full cloth binding. Harvard and Oxford. Printed by the Merrymount Press, Boston 1922. (2). 2 DANIEL BERKERLY UPDIKE (1860-1941). Advertising card for a Boston tea merchant, “The Cup of Human Enjoyment”. Elihu White Foundry New York. In a frame, 15 x 8,5 cm. 4 BRUCE ROGERS ( 1870-1957). Bookplate ”Anne Lyon Haight”. In a frame, 5,5 x 5 cm. 11 JOHN S. FASS (1890-1973). The Hammer Creek Press type specimen book. Number 22 of 100 copies. Paper binding. New York 1954. 12 SAMUEL A. JACOBS (1891-1971). Christmas Tree, E.E. Cummings. Half cloth binding. Published and printed by S.A. Jacobs, New York 1928. 17 RAY NASH (1905-1982). PaGA, Printing & Graphic Arts, 1953-1965. The Stinehour Press, Luneburg. Unbound in box. 22 LEO LIONNI (1910-1999). World Geo-Graphic Atlas. Full cloth binding. CCA, Chicago 1953. 34 THE STINEHOUR PRESS. Goodspeed´s Book Shop, Catalogue 500. Paper binding. Boston 1961. 58 FRANCIS MEYNELL (1891-1975). Ten poems, Alice Meynell 1913-1915. One of 50 copies. Full vellum binding. The Romney Street Press 1915. 61 IAN MORTIMER B. 1934. Johnston Sans. Trial proofs. London Transport Museum. Unbound in box. I. M. Imprint, Hackney, London 1993. 67 C.VOLMER NORDLUNDE (1888-1970). I bogens tjeneste, Jan Tschichold. Full binding. Nyt Nordisk Forlag, Arnold Busck, Copenhagen 1951. 69 VIGGO NAAE (1899-1973). Moby Dick, Herman Melville. Illustrated with woodcuts. Quarter cloth binding. Gyldendal, Copenhagen 1955. 70 IB ANDERSEN (1907-1969). Den fuldkomne fisker, The compleat angler. Izaak Walton and Charles Cotton. Illustrated by Ib Andersen. Full paper binding. Martins Forlag, Copenhagen 1945. 71 HENRY THEJLS ( 1905-1981). Fredriksborg og det Nationalhistoriske Museum. Otto Andrup. Quarter binding. J.H. Schultz, Copenhagen 1950. 76 ANDERS BILLOW (1890-1964). Gustavianskt, studier kring den gustavianska tidens kulturhistoria tillägnade Sigurd Wallin på hans femtioårsdag. Full paper binding. Nordisk Rotogravyr, Stockholm 1932. 78 CHARLES GL. BEHRENS (1907-1965). Resa till Mocca 1708-1710, Jean de la Roque. Quarter vellum binding. KF Publishers, Stockholm 1953. 95 LARS HALL B. 1938. Goodwin, en hyllning. Bruno Ehrs and Carl Bengtsson. Full binding. Norstedt, Stockholm 1998. 97 PER WERME B. 1939. Murmestarne. Murmestare embetet I Stockholm 1487-1987. Full cloth binding. Byggförlaget, Stockholm 1987. 106 IMRE REINER (1900-1987). Monogram on bookcover of paper, Verlag Zollikofer & Co, St Gallen. 113 MASSIMO VIGNELLI (1931- ). Louis I. Kahn: In the Realm of Architecture, David B. Brownlee, David G. De Long. Full paper binding. Rizzoli International Publications Inc. New York 1991. Modified Bodoni, Century Expanded. JACOB JONAS BJÖRNSTÅHL (1731-1779). Resa til Frankrike, Italien, Sweitz, Tyskland, Holland, England, Turkiet och Grekland. 1-6. Full binding. Stockholm 1780-1784. (6) ANDY WARHOL (1928-1987). Utställningskatalog Moderna museet, Stockholm. Februari-mars 1968. Paper binding. Sydsvenska Dagbladets AB, Malmö 1967-68. WILLIAM SHAKESPEARE (1564-1616). The Plays of William Shakespeare in fifteen volumes with the corrections and illustrations of various commentators to which are added notes by Samuel Johnson and George Steevens. Fourth edition. Full leather binding. London 1793. (15) WILLIAM SHAKESPEARE (1564-1616). The Tragedy of Hamlet, Prince of Denmark. With engravings by Eric Gill. Number 520 of 1500 copies. Signed by Gill. Full leather binding. The Limited Editions Club, 1933. WILLIAM SHAKESPEARE (1564-1616). The Sonnets. Number 35 of 120 copies. Half leather binding. Saul & Lillian Marks, Plantin Press, Los Angeles 1974. WILLIAM SHAKESPEARE (1564-1616). The works of Shakespeare. I-VII. Edited by Herbert Farjeon. Number 1167 of 1600 copies. Full leather binding. Designed by Francis Meynell, printed by Walter Lewis, Cambridge University Press. The Nonesuch Press, New York 1929-33. (7). WILLIAM SHAKESPEARE (1564-1616). Othello, illustrated by Leonard Baskin. Number 42 of 400 copies on Gehenna-Shakespeare paper. Signed by Baskin. Kennedy galleries. Folio in cover. WILLIAM SHAKESPEARE (1564-1616). King Lear. The comedies histories & tragedies of William Shakespeare. Number 1246 of 1950 copies. Quarter cloth binding. The Press of A. Colish. The Limited Editions Club, New York 1939. FRANCOISE-MARIE AROUET VOLTAIRE (1694-1778). Oeuvres completes de Voltaire. 1-70. Full binding. De l´imprimerie de la Société Littéraire-Typographique 1784-89. (70) FRANCOISE-MARIE AROUET VOLTAIRE (1694-1778). La Henriade, poeme suivi de quelques autres poems de Voltaire. Full leather binding. De l´imprimerie de la Société Littéraire-Typograpique 1789. FRANCOISE-MARIE AROUET VOLTAIRE (1694-1778). The Princess of Babylon. Number 907 of 1500 copies. Half vellum binding. The Nonesuch Press, London 1927. FRANCOISE-MARIE AROUET VOLTAIRE (1694-1778). Voltaire`s essay on Milton. Desmond Flower, editor. One of 400 copies. Quarter cloth binding. The University Press, Cambridge, 1954. FRANCOISE-MARIE AROUET VOLTAIRE (1694-1778). Den hivde tyr. Number 34 of 150 copies. Full binding. Scripta, Copenhagen 1952. JEAN-JAQUES ROUSSEAU ( 1712-1778). The confessions of J.J. Rousseau in an anonymous English version first published in two parts in 1783 & 1790 now revised and completed by A.S.B. Glover. Full leather binding. The Nonesuch Press. London 1938. (2) ALEXANDER PUSHKIN (1799-1837). Gabriel, a poem in one song. Translated by Max Eastman, illustrated by Rockwell Kent. Number 91 of 750 copies. Full vellum binding. New York Covici-Friede Publishers 1929. THE HOLY BIBLE, containing the Old testament and the New translated out of the original tongues and with the former translations diligently compared and revised by His Majesty´s special command. Full leather binding. John Baskerville Cambridge 1763. Folio. THE HOLY BIBLE, containing the Old testament and the New with the apocrypha translated out of the original tongues with annotations. Full leather binding. John Baskerville, Birmingham 1769. Folio. MICHEL DE MONTAIGNE (1533-1592). Essays of Michael Lord of Montaigne. Written by him in French and done into English by John Florio. 1-3. Facsimile. Houghton Mifflin & company, Boston and New York 1902-03. (3) FRANCOIS- JOACHIM DE BERNIS (1715-1794). La Religion vengée, poëme en dix chants. Quarter leather binding. Parme dans le Palais Royal 1795. Folio. WILLIAM SOMERVILLE (1675-1742). The Chase, a poem by William Somervile Esq. Full leather binding. Printed by W. Bulmer and co. London 1796. OLIVER GOLDSMITH(1730-1774),THOMAS PARNELL( 1679-1718). Poems by Goldsmith and Parnell. Half leather binding. Printed by W. Bulmer, London 1795. PUBLIUS VERGILIUS( 70 BC-19 BC)Publii Vergilii Maronis Bucolica Georgica et Aeneis. Quarter leather binding. Johan Baskerville, Birmingham 1757. PIERRE APRAXINE. Photographs from The collection of The Gilman Paper Company. Number 459 of 1200 copies. Quarter leather binding. White Oak Press 1985. Folio. GUSTAVE EIFFEL(1832-1923). La Tour de trois cents mètres. 1-2. Number 47 of 600 copies. Full binding. Editions J.F. Guyot Paris 1989. Folio. (2) In metallcase. ORIGINAL LEAVES FROM FAMOUS EUROPEAN BOOKS 1470-1794. London Folio Society. Cloth portfolio with descriptions of 12 publications from which the leaves were taken. Original leaves from seminal works (Augustinus, De Civitate dei, Rome 1470 etc). ORIGINAL LEAVES FROM FAMOUS ENGLISH BOOKS 1523-1905. London Folio Society. Cloth portfolio with descriptions of 12 publications from which the leaves were taken. Original leaves from seminal works (Clarendon´s History, Oxford 1701-04 etc). THE COLOPHONE, A book collector quarterly, 1930. Four volumes in original cover. (4) L´ENCYCLOPÉDIE OU DICTIONNAIRE RAISONNÉ DES SCIENCES, I-VI , facsimile, 478 of 3000 copies, full binding. Imprimeries Réunies S.A. a Lausanne 1964-66. Folio. (6) DAMIANUS MOYLLUS. Alphabetum, facsimile in A Newly discovered treatise on classic letter design. 350 copies. Quarter vellum binding. Paris at The Sign of The Pegasus 1927. E. E. CUMMINGS ( 1894-1962). Him, number 18 of 160 copies, signed by Cummings. Half vellum binding. Boni & Liveright New York 1927. E.E. CUMMINGS (1894-1962). Is five. Half binding. Boni & Liveright, New York 1926. BERNARD DE FONTENELLE (1657-1757). A plurality of worlds. John Glansville´s translation with a prologue by David Garnett. Number 525 of 1200 copies. Full vellum binding. The Nonesuch Press 1929. STEEN STEENSEN BLICHER (1782-1848). Traekfuglerne, naturconcert. Half leather binding. Den Danske Radeerforening, Helsingör 1914. RAINER MARIA RILKE (1875-1926). Five prose pieces by Rainer Maria Rilke. Number 84 of 200 copies on Van Gelder Oxhead paper. Quarter leather binding. The Cummington Press, Massachusetts 1943- 47. GIOVANNI DI BOCCACIO (1313-1375). Trattatello in laude di Dante. Number 38 of 140 copies. Full leather binding. Officina Bodoni, Verona 1955. GIOVANNI DI BOCCACIO (1313-1375). Die Nymphe von Fiesole, eine erzählung in versen übertragen von Rudolf Hagelstange. Number 29 of 300 copies. Half leather binding. Trajanus Presse, Frankfurt am Main 1957-58. GIOVANNI DI BOCCACIO
Recommended publications
  • NEWSLETTER 43 Antikvariat Morris · Badhusgatan 16 · 151 73 Södertälje · Sweden [email protected] |
    NEWSLETTER 43 antikvariat morris · badhusgatan 16 · 151 73 södertälje · sweden [email protected] | http://www.antikvariatmorris.se/ [dwiggins & goudy] browning, robert: In a Balcony The Blue Sky Press, Chicago. 1902. 72 pages. 8vo. Cloth spine with paper label, title lettered gilt on front board, top edge trimmed others uncut. spine and boards worn. Some upper case letters on title page plus first initial hand coloured. Introduction by Laura Mc Adoo Triggs. Book designs by F. W. Goudy & W. A. Dwiggins. Printed in red & black by by A.G. Langworthy on Van Gelder paper in a limited edition. This is Nr. 166 of 400 copies. Initialazed by Langworthy. One of Dwiggins first book designs together with his teacher Goudy. “Will contributed endpapers and other decorations to In a Balcony , but the title page spread is pure Goudy.” Bruce Kennett p. 20 & 28–29. (Not in Agner, Ransom 19). SEK500 / €49 / £43 / $57 [dwiggins] wells, h. g.: The Time Machine. An invention Random House, New York. 1931. x, 86 pages. 8vo. Illustrated paper boards, black cloth spine stamped in gold. Corners with light wear, book plate inside front cover (Tage la Cour). Text printed in red and black. Set in Monotype Fournier and printed on Hamilton An - dorra paper. Stencil style colour illustrations. Typography, illustra - tions and binding by William Addison Dwiggins. (Agner 31.07, Bruce Kennett pp. 229–31). SEK500 / €49 / £43 / $57 [bodoni] guarini, giovan battista: Pastor Fido Impresso co’ Tipi Bodoniani, Crisopoli [Parma], 1793. (4, first 2 blank), (1)–345, (3 blank) pages. Tall 4to (31 x 22 cm).
    [Show full text]
  • SOPHIE SCHNEIDEMAN RARE BOOKS Catalogue 21
    SOPHIE SCHNEIDEMAN RARE BOOKS Catalogue 21 Sophie Schneideman RARE BOOKS CATALOGUE ILLUSTRATED & PRIVATE PRESS BOOKS, ARTISTS’ BOOKS, BOOKBINDINGS, ART We prefer to give customers on our mailing list the opportunity to buy books from catalogues before we put items up for sale on our website. Items in this catalogue will be posted onto www.ssrbooks.com a week or so after the catalogue has been sent out and in many cases there will be additional photographs to view there. If you are interested in buying or selling rare books, need a valuation or just honest advice please contact me at: SCHNEIDEMAN GALLERY Open by appointment days a week or by chance – usually Mon-Fri –. The gallery is open on Saturday – but if you want to view the books please let me know in advance. Portobello Road, London, w sa [email protected] www.ssrbooks.com WE ARE PROUD TO BE A MEMBER OF THE ABA, PBFA & ILAB AND ARE PLEASED TO FOLLOW THEIR CODES OF CONDUCT Prices are in sterling and payment to Sophie Schneideman Rare Books by bank transfer, cheque or credit card is due upon receipt. All books are sent on approval and can be returned within days by secure means if they have been wrongly or inadequately described. Postage is charged at cost. EU members,, please quote your vat/tva number when ordering. The goods shall legally remain the property of Sophie Schneideman Rare Books until the price has been discharged in full. Printed in Great Britain by Henry Ling Ltd, Dorchester Designed in Adobe Jenson by Geoff Green Book Design, Cambridge Adobe Jenson is based on the designs of Nicholas Jenson’s typeface, first cut in .
    [Show full text]
  • Andre Benard Annexes These.Pdf
    THÈSE DE DOCTORAT DE L’ÉCOLE NORMALE SUPÉRIEURE DE CACHAN Présentée par Monsieur Bernard André Pour obtenir le grade de DOCTEUR DE L’ÉCOLE NORMALE SUPÉRIEURE DE CACHAN Domaine : Sciences de l’éducation Sujet de la thèse : UTILISATION DES PROGICIELS IDENTIFICATION D’OBSTACLES ET STRATÉGIES DE FORMATION ANNEXES Nom du Laboratoire : UMR STEF/ENS CACHAN/INRP 61, avenue du Président Wilson, 94235 Cachan cedex (France) Sommaire Annexe 1 : analyse de la revue EPI Chapitre 2 section 2.1.3. p. 52 ................................. 5 re Annexe 2 : chapitre 2, 2.2.1. p. 80 Enquête auprès des étudiants de DEUG 1 année en Sciences et Techniques des Activités Physiques et Sportives de Paris 1 ....................... 28 Annexe 3 Histoire du traitement de texte chapitre 6, p. 194 .......................................... 57 Annexe 4 Chapitre 4 typographie et dactylographie (chapitre 4 p. 150)........................ 65 Annexe 5 Conseils typographiques aux dactylos de Charles Dellion (chapitre 4 p. 149) ........................................................................................................................................ 87 Annexe 6 Traitement automatique des traces dans les fichiers .................................... 117 Annexe 7 Polices de caractères sous Windows utilisables dans Word......................... 133 Annexe 8 Exemples de mises en forme posant des problèmes de visibilité et de lisibilité (voir chapitre 8) ............................................................................................................ 205 Annexe 1 : analyse de la revue EPI Chapitre 2 section 2.1.3. p. 52 Annexe 1 : analyse de la revue EPI Page d’accueil de l’Association EPI : http://www.epi.asso.fr/association/epi_presentation.htm L'association EPI Enseignement Public et Informatique L'association Enseignement Public et Informatique, association pionnière fondée en 1971, continue de militer pour l'évolution du service public d'enseignement et de formation à la promotion duquel elle reste attachée.
    [Show full text]
  • Number 184 Fall 2012 Visit Printinghistory.Org for the Latest Chapter News
    Inside this issue Making Faces 8 Conference Reports 2 Walking Tour of Printer Row 9 Keynote Address 4 New and Returning Members 10 Number 184 Fall 2012 Visit printinghistory.org for the latest chapter news Reports from the 2012 Annual Conference With 127 members attending, the 37th Annual Conference of The American Printing History Association was a rousing success. Hosted by the newly charted Inland Chapter, “At the Crossroads: Living Letterform Traditions,” held October 12–13 at Columbia College Chicago Center for Book and Paper Arts, featured 14 thoughtful presentations, demonstrations in the CBPA print studio, a Book Fair, and Pop-up Museums featuring highlights from the collections of the Hamilton Wood Type Museum, the Newberry Library the Platen Press Museum. Attendees (apprised of events by a hand- some printed program) also toured historic Printer’s Row and were treated to a screening of the film Making Faces. Congratulations to the Inland Chap- ter on a stellar job: Program Committee Co-chairs Celene Aubry, Martha Chiplis and Paul Gehl; Chapter President April Sheridan; Treasurer Greg Prickman and Columbia College Student Board: Hannah King, Kate Morgan, Jenna Rodriguez and Claire Sammons. Thanks also to APHA VP for programs Kitty Maryatt. This issue of theNewsletter features reports on the conference events written by APHA members. The APHA Trustee Richard Kegler, loot in hand, talks with Inland Chapter member David Peat at the Conference Book Fair. Photo: Erin Beckloff. editor thanks them for their excellent work. Panel One and identification. To catalog the Peat’s Press Col- collection in 1965, 300 years after the original cast- David Peat “Just My Type: Unusual 19th Century Types” lection, from 1963–78 he printed a One Line Speci- ing.
    [Show full text]
  • Emily Finer Dombey in Zhitomir for MLR Sept 2018
    Emily Finer, University of St Andrews Dombey in Zhitomir, Pip in Taganrog: Reading Dickens ‘as if for life’ in Russia Abstract Many Russian writers have been eager to demonstrate their intense childhood attachment to the novels of Charles Dickens. This essay focuses on the narrative strategies used by Vladimir Korolenko (1853-1921) and Nelli Morozova (1924-2015) in their autobiographies to convey the importance of reading Dickens in their formation as writers. It argues that David Copperfield offers a useful model for understanding how Korolenko and Morozova write about reading, and that, rather than distancing Dickens and his characters from their global readership, translations increase proximity and facilitate empathetic readings. Dombey in Zhitomir, Pip in Taganrog: Reading Dickens ‘as if for life’ in Russia It is not surprising that authors describe their early immersion in fictional worlds as positive and even therapeutic in their autobiographies. This essay examines three autobiographical texts, from England, the Russian Empire, and the Soviet Union, focusing on the narrative strategies used to write about childhood reading. In David Copperfield (1850), Charles Dickens describes Davey’s early interaction with novels as an experience both escapist and comforting.1 Vladimir Korolenko’s short autobiographical story, ‘My First Acquaintance with Dickens’ (1912), portrays his first encounter with a translation of Dombey and Son as a catalyst in his development as a reader.2 Nelli Morozova structures her entire 1 Charles Dickens, David Copperfield (London: Nonesuch Press, 1937), p. 54. 2 V. Korolenko, Moe pervoe znakomstvo s Dikkensom (1912) in Sobranie sochinenii v 6 tomakh (Moscow: Emily Finer Page 1 autobiography, My Passion for Dickens: A Family Chronicle (1990), around readings and re- readings of Dickens’s novels in Russian.3 All represent their relationships with characters or authors to be as valuable as actual friendships, to have the potential to be sustained over a lifetime.
    [Show full text]
  • The Heart of London: Charles Dickens and Social Reform
    The Heart of London Charles Dickens and Social Reform HEART OF LONDON, THERE IS A MORAL IN THY EVERY STROKE! as I look on at thy indomitable working, which neither death, nor press of life, nor grief, nor gladness out of doors will influence one jot, I seem to hear a voice within thee which sinks into my heart, bidding me, as I elbow my way among the crowd, have some thought for the meanest wretch that passes, and, being a man, to turn away with scorn and pride from none that bear the human shape. Master Humphrey's Clock (1840) THE LIFE of Charles Dickens (1812-1870) spanned much of the century transformed by the Industrial Revolution, and he witnessed the results, both positive and negative, that impacted England and especially his beloved London. Thousands of people who migrated from rural areas to the capital found a city almost entirely without social infrastructure and lacking the central organization needed to manage such urban necessities as police, fire control, water and sewage, and roads and bridges. The traditional parish oversight was quickly overwhelmed, and it would be the end of the century before many of these problems were properly addressed. The atmosphere, however, was one of progress and the possibilities of reform. Education and therefore literacy were seen as the means to improve the lives of the masses, and the mechanization of printing provided the means to distribute an increasing amount of reading material. The periodical press boomed, generating dailies, weeklies and monthlies that distributed fiction and non-fiction to a voracious reading public.
    [Show full text]
  • Uni International 300 N
    INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete.
    [Show full text]
  • Christine Macgregor's Illustrated Private Press Books
    Christine Macgregor's Illustrated Private Press Books MAUREEN PRICHARD We are waiting impatiently for the telegram which will tell us [Molly] is through her second trial safely.1 With these words Robert Barr Smith (1824-1915) heralded the imminent arrival into this world of his fifth grandchild. The child, named Christine Margaret, was born on 23 January 1890 at Ballengeich, the house her parents were renting at Torrens Park, just two weeks after her grandfather wrote these words. She was the child — the second of six — of Joanna and Robert Barr Smith's son Tom, and his wife Mary Isobel (Molly).2 Christine Barr Smith's grandfather was reckoned in some quarters to be the richest man in Australia. He was certainly one of this state's greatest benefac- tors. One small but relevant example of Robert Barr Smith's generosity is repre- sented in the Library of the University of Adelaide. It was named after him in 1899 in recognition of amounts totalling £9,000 that he had given to it in the previous twenty years, solely for the purpose of the acquisition of books. In all he gave to the University of Adelaide over £21,000 before he died. Christine's fa- ther carried on in his father's footsteps; in all, his gifts to the Library alone to- talled over £55,000, the bulk of that used to finance the original library building. Tom Elder Barr Smith's children inherited the habit of generous giving and service. They also inherited their grandparent's habit of collecting. Joanna Barr Smith (along with her children) was a great accumulator of Morris 8c Co.
    [Show full text]
  • Editorial Comments
    164 TUGboat, Volume 39 (2018), No. 3 Editorial comments first issue; the second part, covering the growth of the TEX user and developer community, will appear Barbara Beeton early next year in the second topical issue. Passings: In addition to the published proceedings, the Patricia Monohon discussions and several ancillary interviews have been (30 May 1941{6 April 2018) recorded and transcribed. This material is (or will Vytas Statulevicius (yJuly 2018) be, when ready) posted online at https://history. computer.org/annals/dtp/. What I've read so far Patricia Monohon was a long-time member of TUG, is fascinating. The history \extras" by and about the and served on the board from 1997 through 2002. Seybolds, father (John) and son (Jonathan), reveal More importantly, she was responsible for moving how much easier we have it now that computers are the TUG office from Providence to San Francisco so much larger and faster. in 1993, and remained in charge of the office until I've been privileged to be involved at the AMS 1997. During that period she was instrumental in in efforts to bring the Society's publications from selecting the sites for the annual meetings in Santa traditional typesetting to full composition by com- Barbara (1994) and San Francisco (1997). Patricia puter, and many of the names that appear in these also proposed the site for the 2003 meeting on the recollections are familiar to me | I've even worked Big Island, Hawaii, and served on the organizing in various contexts with some of them. (For example, committee.
    [Show full text]
  • Oak Knoll Books
    OAK KNOLL spring SALE LARGE DISCOUNTS ON Antiquarian & Publishing BOOKS ABOUT BOOKS 1-4 BOOKS 20% OFF 5-9 BOOKS 30% OFF 10-25 BOOKS 40% OFF 26-99 BOOKS 45% OFF 100+ BOOKS 50% OFF CATALOGUE M562 Titles may be combined for discount. Thus, by ordering one copy each of five differ- ent titles you will receive a 30% discount. This applies equally to the trade as well as to our private and library customers. We have multiple copies of some of these items, so if interested, please ask. All books are subject to prior sale and must be ordered at the same time. These discounts will only be offered through JULY 15, 2009. For mailing within the United States please add $7.50 for the first book and $1.00 for each additional volume. Canada- First item $8.00, additional items by weight and ser- vice. All other- First item $9.00, additional items by weight and service. We accept Visa, MasterCard, American Express, and Discover. Orders are regularly shipped within seven working days of their receipt. OAK KNOLL BOOKS . 310 Delaware Street, New Castle, DE 19720, USA Phone: 1-(800) 996-2556 . Fax: (302) 328-7274 [email protected] . www.oakknoll.com ANTIQUARIAN 1. (Abbey, J.R.) CATALOGUE OF HIGHLY IMPORTANT MODERN FRENCH ILLUSTRATED BOOKS AND BINDINGS FORMING PART V OF THE CELEBRATED LIBRARY OF THE LATE MAJOR J.R. ABBEY. London: Sotheby & Co., 1970, small 4to., stiff paper wrappers. 179 pages. $ 55.00 S-K 1184. Foldout frontispiece and 62 other full-page plates. Some plates in color.
    [Show full text]
  • Merrymount Press Records: Finding Aid
    http://oac.cdlib.org/findaid/ark:/13030/c8j96csq No online items Merrymount Press Records: Finding Aid Finding aid prepared by Diann Benti and Kate Peck. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © January 2020 The Huntington Library. All rights reserved. Merrymount Press Records: mssMerrymount 1 Finding Aid Overview of the Collection Title: Merrymount Press Records Dates (inclusive): 1893-1950 Collection Number: mssMerrymount Creator: Merrymount Press Extent: 364 boxes and 236 volumes (439.92 linear feet) Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection consists of the business records of the Merrymount Press of Boston, Massachusetts, and papers of its owner Daniel Berkeley Updike (1860-1941). The Press, which operated for 45 years, was known for its excellence in typography and design, especially in the field of decorative printing and bookmaking. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. Preferred Citation [Identification of item]. Merrymount Press Records, The Huntington Library, San Marino, California.
    [Show full text]
  • The Work of Bruce Rogers Noted in the Catalo Ue Has Been Arran Ed in Chronolo Ica O D G G G L R Er
    P HOTO BY WM . H . EULER T HE WO RK O F BRUC E RO G ERS JACK O F ALL TRADES 2 MASTER O F O N E A CATALOGUE O F AN E X H I B IT I O N ARRAN G E D BY T H E AM E R I CAN I N ST ITUT E O F GRAP H I C ART S AN D TH E GRO L I E R C LUB O F N E W Y O RK C B Y D . B PD I K E W ITH AN I NTRO D U T I O N . U M A L ETT E R F ROM J O H N T . C CUT C H E O N AN D AN ADD R E S S BY MR . RO G E R S NEW Y ORK O X FORD UNIVERSITY PRESS 1 9 3 9 O I BY O O U N EW O INC . C PYRIGHT, 9 39 , XF RD NIVERSITY PRESS , Y RK , PRINTED IN T HE UNITED STATES O F AMERICA P R E F A C E THIS catalogue was prepared to accompany an exhibition o The Work o Bruce Ro ers arran ed b a oint com f f g , g y j mittee of The ri merican Institute of Graphic d rts and — B ai an F d ick . The Grolier Club David Silve, Ch rm , re er nt and F B H . Ke red Car r . W Adams r Melbert . , y ” y, y ” , ic a d It was shown at the house o The Grolier er W r e .
    [Show full text]