CSS Font Stacks by Classification
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Century 100 Years of Type in Design
Bauhaus Linotype Charlotte News 702 Bookman Gilgamesh Revival 555 Latin Extra Bodoni Busorama Americana Heavy Zapfino Four Bold Italic Bold Book Italic Condensed Twelve Extra Bold Plain Plain News 701 News 706 Swiss 721 Newspaper Pi Bodoni Humana Revue Libra Century 751 Boberia Arriba Italic Bold Black No.2 Bold Italic Sans No. 2 Bold Semibold Geometric Charlotte Humanist Modern Century Golden Ribbon 131 Kallos Claude Sans Latin 725 Aurora 212 Sans Bold 531 Ultra No. 20 Expanded Cockerel Bold Italic Italic Black Italic Univers 45 Swiss 721 Tannarin Spirit Helvetica Futura Black Robotik Weidemann Tannarin Life Italic Bailey Sans Oblique Heavy Italic SC Bold Olbique Univers Black Swiss 721 Symbol Swiss 924 Charlotte DIN Next Pro Romana Tiffany Flemish Edwardian Balloon Extended Bold Monospaced Book Italic Condensed Script Script Light Plain Medium News 701 Swiss 721 Binary Symbol Charlotte Sans Green Plain Romic Isbell Figural Lapidary 333 Bank Gothic Bold Medium Proportional Book Plain Light Plain Book Bauhaus Freeform 721 Charlotte Sans Tropica Script Cheltenham Humana Sans Script 12 Pitch Century 731 Fenice Empire Baskerville Bold Bold Medium Plain Bold Bold Italic Bold No.2 Bauhaus Charlotte Sans Swiss 721 Typados Claude Sans Humanist 531 Seagull Courier 10 Lucia Humana Sans Bauer Bodoni Demi Bold Black Bold Italic Pitch Light Lydian Claude Sans Italian Universal Figural Bold Hadriano Shotgun Crillee Italic Pioneer Fry’s Bell Centennial Garamond Math 1 Baskerville Bauhaus Demian Zapf Modern 735 Humanist 970 Impuls Skylark Davida Mister -
Cloud Fonts in Microsoft Office
APRIL 2019 Guide to Cloud Fonts in Microsoft® Office 365® Cloud fonts are available to Office 365 subscribers on all platforms and devices. Documents that use cloud fonts will render correctly in Office 2019. Embed cloud fonts for use with older versions of Office. Reference article from Microsoft: Cloud fonts in Office DESIGN TO PRESENT Terberg Design, LLC Index MICROSOFT OFFICE CLOUD FONTS A B C D E Legend: Good choice for theme body fonts F G H I J Okay choice for theme body fonts Includes serif typefaces, K L M N O non-lining figures, and those missing italic and/or bold styles P R S T U Present with most older versions of Office, embedding not required V W Symbol fonts Language-specific fonts MICROSOFT OFFICE CLOUD FONTS Abadi NEW ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Abadi Extra Light ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic or bold styles provided. Agency FB MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Agency FB Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic style provided Algerian MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ 01234567890 Note: Uppercase only. No other styles provided. Arial MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ -
Typography One Typeface Classification Why Classify?
Typography One typeface classification Why classify? Classification helps us describe and navigate type choices Typeface classification helps to: 1. sort type (scholars, historians, type manufacturers), 2. reference type (educators, students, designers, scholars) Approximately 250,000 digital typefaces are available today— Even with excellent search engines, a common system of description is a big help! classification systems Many systems have been proposed Francis Thibaudeau, 1921 Maximillian Vox, 1952 Vox-ATypI, 1962 Aldo Novarese, 1964 Alexander Lawson, 1966 Blackletter Venetian French Dutch-English Transitional Modern Sans Serif Square Serif Script-Cursive Decorative J. Ben Lieberman, 1967 Marcel Janco, 1978 Ellen Lupton, 2004 The classification system you will learn is a combination of Lawson’s and Lupton’s systems Black Letter Old Style serif Transitional serif Modern Style serif Script Cursive Slab Serif Geometric Sans Grotesque Sans Humanist Sans Display & Decorative basic characteristics + stress + serifs (or lack thereof) + shape stress: where the thinnest parts of a letter fall diagonal stress vertical stress no stress horizontal stress Old Style serif Transitional serif or Slab Serif or or reverse stress (Centaur) Modern Style serif Sans Serif Display & Decorative (Baskerville) (Helvetica) (Edmunds) serif types bracketed serifs unbracketed serifs slab serifs no serif Old Style Serif and Modern Style Serif Slab Serif or Square Serif Sans Serif Transitional Serif (Bodoni) or Egyptian (Helvetica) (Baskerville) (Rockwell/Clarendon) shape Geometric Sans Serif Grotesk Sans Serif Humanist Sans Serif (Futura) (Helvetica) (Gill Sans) Geometric sans are based on basic Grotesk sans look precisely drawn. Humanist sans are based on shapes like circles, triangles, and They have have uniform, human writing. -
Dynamic and Interactive R Graphics for the Web: the Gridsvg Package
JSS Journal of Statistical Software MMMMMM YYYY, Volume VV, Issue II. http://www.jstatsoft.org/ Dynamic and Interactive R Graphics for the Web: The gridSVG Package Paul Murrell Simon Potter The Unversity of Auckland The Unversity of Auckland Abstract This article describes the gridSVG package, which provides functions to convert grid- based R graphics to an SVG format. The package also provides a function to associate hyperlinks with components of a plot, a function to animate components of a plot, a function to associate any SVG attribute with a component of a plot, and a function to add JavaScript code to a plot. The last two of these provides a basis for adding interactivity to the SVG version of the plot. Together these tools provide a way to generate dynamic and interactive R graphics for use in web pages. Keywords: world-wide web, graphics, R, SVG. 1. Introduction Interactive and dynamic plots within web pages are becomingly increasingly popular, as part of a general trend towards making data sets more open and accessible on the web, for example, GapMinder (Rosling 2008) and ManyEyes (Viegas, Wattenberg, van Ham, Kriss, and McKeon 2007). The R language and environment for statistical computing and graphics (R Development Core Team 2011) has many facilities for producing plots, and it can produce graphics formats that are suitable for including in web pages, but the core graphics facilities in R are largely focused on static plots. This article describes an R extension package, gridSVG, that is designed to embellish and transform a standard, static R plot and turn it into a dynamic and interactive plot that can be embedded in a web page. -
Suggested Fonts List
Suggested Fonts List This is a list of some fonts our designers have available to use when designing your book. This is only a sample of some of the most popular fonts; they have thousands of others to choose from as well. For your convenience, we have marked each font as being appropriate for body text or display text. Body Text fonts are meant for the main body text of your book—paragraphs, lists, etc. These fonts are designed to be easier on the eyes for smoother reading. Display Text fonts are meant for chapter titles, subtitles, etc. They are often “fancier” fonts, such as script or handwriting. We advise against using these as main body text, as they are intended for short strings of text and can become difficult to read in long paragraphs. Last updated 6/6/2014 B = Body Text: Fonts meant for the main body text of your book. D = Display Text: Fonts meant for chapter titles, etc. We advise against using these as main body text, as they are intended for short strings of text and can become difficult to read in long paragraphs. Font Name Font Styles Font Sample BD Abraham Lincoln Regular The quick brown fox jumps over the lazy dog. 1234567890 Adobe Caslon Pro Regular The quick brown fox jumps over the lazy dog. Italic 1234567890 Semibold Semibold Italic Bold Bold Italic Adobe Garamond Pro Regular The quick brown fox jumps over the lazy dog. Italic 1234567890 Semibold Semibold Italic Bold Bold Italic Adobe Jenson Pro Light The quick brown fox jumps over the lazy dog. -
Serif Fonts Vol 2
Name Chaparral Pro Basic Latin ! " # $ % & ' ( ) * + , - . / 0 1 2 3 4 5 6 7 8 9 : ; < = > ? @ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [ \ ] ^ _ ` a b c d e f g h i j k l m n o p q r s t u v w x y z { | } ~ 24 Te quick brown fox jumps over the lazy dog 18 Te quick brown fox jumps over the lazy dog 12 Te quick brown fox jumps over the lazy dog 10 Te quick brown fox jumps over the lazy dog 8 Te quick brown fox jumps over the lazy dog Name Chaparral Pro Bold Basic Latin ! " # $ % & ' ( ) * + , - . / 0 1 2 3 4 5 6 7 8 9 : ; < = > ? @ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [ \ ] ^ _ ` a b c d e f g h i j k l m n o p q r s t u v w x y z { | } ~ 24 Te quick brown fox jumps over the lazy dog 18 Te quick brown fox jumps over the lazy dog 12 Te quick brown fox jumps over the lazy dog 10 Te quick brown fox jumps over the lazy dog 8 Te quick brown fox jumps over the lazy dog Name Chaparral Pro Bold Italic Basic Latin ! " # $ % & ' ( ) * + , - . / 0 1 2 3 4 5 6 7 8 9 : ; < = > ? @ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [ \ ] ^ _ ` a b c d e f g h i j k l m n o p q r s t u v w x y z { | } ~ 24 Te quick brown fox jumps over the lazy dog 18 Te quick brown fox jumps over the lazy dog 12 Te quick brown fox jumps over the lazy dog 10 Te quick brown fox jumps over the lazy dog 8 Te quick brown fox jumps over the lazy dog Name Chaparral Pro Italic Basic Latin ! " # $ % & ' ( ) * + , - . -
Opentype Postscript Fonts with Unusual Units-Per-Em Values
Luigi Scarso VOORJAAR 2010 73 OpenType PostScript fonts with unusual units-per-em values Abstract Symbola is an example of OpenType font with TrueType OpenType fonts with Postscript outline are usually defined outlines which has been designed to match the style of in a dimensionless workspace of 1000×1000 units per em Computer Modern font. (upm). Adobe Reader exhibits a strange behaviour with pdf documents that embed an OpenType PostScript font with A brief note about bitmap fonts: among others, Adobe unusual upm: this paper describes a solution implemented has published a “Glyph Bitmap Distribution Format by LuaTEX that resolves this problem. (BDF)” [2] and with fontforge it’s easy to convert a bdf font into an opentype one without outlines. A fairly Keywords complete bdf font is http://unifoundry.com/unifont-5.1 LuaTeX, ConTeXt Mark IV, OpenType, FontMatrix. .20080820.bdf.gz: this Vle can be converted to an Open- type format unifontmedium.otf with fontforge and it Introduction can inspected with showttf, a C program from [3]. Here is an example of glyph U+26A5 MALE AND FEMALE Opentype is a font format that encompasses three kinds SIGN: of widely used fonts: 1. outline fonts with cubic Bézier curves, sometimes Glyph 9887 ( uni26A5) starts at 492 length=17 referred to CFF fonts or PostScript fonts; height=12 width=8 sbX=4 sbY=10 advance=16 2. outline fonts with quadratic Bézier curve, sometimes Bit aligned referred to TrueType fonts; .....*** 3. bitmap fonts. ......** .....*.* Nowadays in digital typography an outline font is almost ..***... the only choice and no longer there is a relevant diUer- .*...*. -
Web Typography │ 2 Table of Content
Imprint Published in January 2011 Smashing Media GmbH, Freiburg, Germany Cover Design: Ricardo Gimenes Editing: Manuela Müller Proofreading: Brian Goessling Concept: Sven Lennartz, Vitaly Friedman Founded in September 2006, Smashing Magazine delivers useful and innovative information to Web designers and developers. Smashing Magazine is a well-respected international online publication for professional Web designers and developers. Our main goal is to support the Web design community with useful and valuable articles and resources, written and created by experienced designers and developers. ISBN: 978-3-943075-07-6 Version: March 29, 2011 Smashing eBook #6│Getting the Hang of Web Typography │ 2 Table of Content Preface The Ails Of Typographic Anti-Aliasing 10 Principles For Readable Web Typography 5 Principles and Ideas of Setting Type on the Web Lessons From Swiss Style Graphic Design 8 Simple Ways to Improve Typography in Your Designs Typographic Design Patterns and Best Practices The Typography Dress Code: Principles of Choosing and Using Typefaces Best Practices of Combining Typefaces Guide to CSS Font Stacks: Techniques and Resources New Typographic Possibilities with CSS 3 Good Old @Font-Face Rule Revisted The Current Web Font Formats Review of Popular Web Font Embedding Services How to Embed Web Fonts from your Server Web Typography – Work-arounds, Tips and Tricks 10 Useful Typography Tools Glossary The Authors Smashing eBook #6│Getting the Hang of Web Typography │ 3 Preface Script is one of the oldest cultural assets. The first attempts at written expressions date back more than 5,000 years ago. From the Sumerians cuneiform writing to the invention of the Gutenberg printing press in Medieval Germany up to today՚s modern desktop publishing it՚s been a long way that has left its impact on the current use and practice of typography. -
The New Font Project: TEX Gyre
Hans Hagen, Jerzy Ludwichowski, Volker Schaa NAJAAR 2006 47 The New Font Project: TEX Gyre Abstract metric and encoding files for each font. We look for- In this short presentation, we will introduce a new ward to an extended TFM format which will lift this re- project: the “lm-ization” of the free fonts that come striction and, in conjunction with OpenType, simplify with T X distributions. We will discuss the project E delivery and usage of fonts in TEX. objectives, timeline and cross-lug funding aspects. We especially look forward to assistance from pdfTEX users, because the pdfTEX team is working on the implementation on the support for OpenType Introduction fonts. An important consideration from Hans Hagen: “In The New Font Project is a brainchild of Hans Ha- the end, even Ghostscript will benefit, so I can even gen, triggered mainly by the very good reception imagine those fonts ending up in the Ghostscript dis- of the Latin Modern (LM) font project by the TEX tribution.” community. After consulting other LUG leaders, The idea of preparing such font families was sug- Bogusław Jackowski and Janusz M. Nowacki, aka gested by the pdfTEX development team. Their pro- “GUST type.foundry”, were asked to formulate the pro- posal triggered a lively discussion by an informal ject. group of representatives of several TEX user groups — The next section contains its outline, as prepared notably Karl Berry (TUG), Hans Hagen (NTG), Jerzy by Bogusław Jackowski and Janusz M. Nowacki. The Ludwichowski (GUST), Volker RW Schaa (DANTE)— remaining sections were written by us. who suggested that we should approach this project as a research, technical and implementation team, and Project outline promised their help in taking care of promotion, integ- ration, supervising and financing. -
Running Head: SF VS. ARIAL: WORDS, NUMBERS, ANALYTIC THINKING
Running head: SF VS. ARIAL: WORDS, NUMBERS, ANALYTIC THINKING 1 2 3 4 5 6 7 8 9 Sans Forgetica font may help memory for words but not for numbers, nor does it help analytical 10 thinking 11 12 Lucy Cui a, Jereth Liu b, and Zili Liu a 13 Dept. of Psychology, UCLA, Los Angeles, USA a 14 Geffen Academy at UCLA, Los Angeles, USA b 15 16 Corresponding author: L. Cui, Pritzker Hall, UCLA, Los Angeles, CA 90095; [email protected] 17 18 19 20 21 22 23 24 SF VS. ARIAL: WORDS, NUMBERS, ANALYTIC THINKING 2 1 Abstract 2 Recently, the new Sans Forgetica (SF) typeface, designed to promote desirable difficulty, has 3 captured the attention of many researchers. Here, we investigate whether SF improves memory 4 for words, memory for numbers, and analytical thinking. In Experiment 1A, participants studied 5 words in Arial and SF and then completed an old-new recognition test where words retained 6 their study fonts. While participants correctly identified significantly more words as ‘old’ in SF 7 than in Arial condition, this difference can be explained by a higher tendency to respond ‘old’ for 8 words in SF than Arial. In Experiment 1B, participants studied words in Arial and SF and then 9 completed an old-new recognition test on those words in either Arial or SF. Participants had 10 significantly higher sensitivity indexes (d’) when words were tested in SF than in Arial, but no 11 other effect was found for d’ or correct identifications. Experiment 2 had a 2 (font: Arial vs. -
Free Download Arial Unicode Ms.Ttf
Free download arial unicode ms.ttf click here to download www.doorway.ru Arial Unicode MS font preview. www.doorway.ru Arial Unicode MS font preview. Download font - MB. At www.doorway.ru, find an amazing collection of thousands of FREE fonts for Windows and Mac. Arial Unicode MS ( downloads) Free For Personal Use. Download arial unicode ms font free at www.doorway.ru, database with web fonts, truetype and opentype fonts for Windows, Linux and. Typographic info for the Arial Unicode MS font family. Purchase & Download Microsoft fonts for personal, professional or business use on. Download the Arial Unicode MS free font. Mac, Linux; ✓ for programs: Microsoft Word, Photoshop, etc; ✓ free download. Arial Unicode www.doorway.ru, MB. Download Unavailable. Arial Create a Logo Using Arial Unicode MS You may need to extract www.doorway.ru files from www.doorway.ru archive file before installing the font. Description: Where can you get the Arial Unicode MS font? Resolution: www.doorway.ru file (the Arial Unicode MS font) needs to be in the PC's. Download Arial Unicode MS Regular For Free, View Sample Text, Rating And More On www.doorway.ru View and Download Arial Unicode MS Version CartoCSS port of Toner. Contribute to stamen/toner-carto development by creating an account on GitHub. toner-carto/fonts/www.doorway.ru Fetching contributors Cannot retrieve contributors at this time. Download History. executable file MB. View Raw. Arial Unicode MS Regular truetype font page. Coolest truetype fonts. Best free fonts download. View font details, character map, custom preview, downloads, file contents Arial Unicode by Agfa Monotype Corporation TTF, 22 MB, Font File, download . -
Hoefler Text Eruieruieruieruieruieruieu
HOEFLER TEX T eruieruieruieruieruieruieu Regular 30 pt Hoefler Text eruieruieruieruieruieruieu Copyright © 2014 by Kristina Davis All rights reserved. Typography Source: Wikipedia Italic 14 pt, Regular 12 pt Hoefler Text WRI tt EN AN D DESIGNE D BY KRIS T INA DAVIS Regular 36, 18, 12 pt CON T EN T S Hoefler Text 7 History 8 Type variations 14 Ligatures 15 Features BY 17 Colophon KRIS T INA DAVIS Regular 48, 13 eruieruieruieruieruieruieu HIS T ORY Hoefler Text is a contemporary serif Antiqua font that was designed for Apple Computer to demonstrate advanced type technologies. Hoefler Text was created to allow the composition of complex typography; as such it takes cues from a range of classic fonts, such as Garamond and Janson. It was designed by Jonathan Hoefler in 1991. A version of Hoefler Text has been included with every version of Mac OS since System 7.5. Regular 54, 11 7 Hoefler Text Regular ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklm nopqrstuvwxyz 1234567890 8 Regular 24, 16 Hoefler Text Italic ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklm nopqrstuvwxyz 1234567890 Italic 24, 16 9 Hoefler Text Black ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklm nopqrstuvwxyz 1234567890 10 Black 24, 16 Hoefler Text Black Italic ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklm nopqrstuvwxyz 1234567890 Black Italic 24, 16 11 12 Hoefler Text Symbols ! @ # $ % & ? © ¶ ® § ™ = + { } [ ] 3/4 1/2 1/3 Ornaments ABCDEFGHIJKLMNOPQRSTTTTTTT abcdefghijklmnopqrstuvwxyz 1234TTT890 Regular 24, 16 13 Ligatures Œ œ ff fi fl ffi ffl st 14 Regular 36, 24 eruieruieruieruieruieruieu FEA T URES Hoefler Text incorporates automatic ligatures, the round and long s, real small capitals, old style figures and swashes. Hoefler Text also has a matching ornament font.