Opentype Postscript Fonts with Unusual Units-Per-Em Values
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Open Source License Report on the Product
OPEN SOURCE LICENSE REPORT ON THE PRODUCT The software included in this product contains copyrighted software that is licensed under the GPLv2, GPLv3, gSOAP Public License, jQuery, PHP License 3.01, FTL, BSD 3-Clause License, Public Domain, MIT License, OpenSSL Combined License, Apache 2.0 License, zlib/libpng License, , . You may obtain the complete corresponding source code from us for a period of three years after our last shipment of this product by sending email to: [email protected] If you want to obtain the complete corresponding source code with a physical medium such as CD-ROM, the cost of physically performing source distribution might be charged. For more details about Open Source Software, refer to eneo website at www.eneo-security.com, the product CD and manuals. GPLv2: u-Boot 2013.07, Linux Kernel 3.10.55, busybox 1.20.2, ethtool 3.10, e2fsprogs 1.41.14, mtd-utils 1.5.2, lzo 2.05, nfs-utils 1.2.7, cryptsetup 1.6.1, udhcpd 0.9.9 GPLv3: pwstrength 2.0.4 gSOAP Public License: gSOAP 2.8.10 jQuery License: JQuery 2.1.1, JQuery UI 1.10.4 PHP: PHP 5.4.4 FTL (FreeType License): freetype 2.4.10 BSD: libtirpc 0.2.3, rpcbind 0.2.0, lighttpd 1.4.32, hdparm 9,45, hostpad 2, wpa_supplicant 2, jsbn 1.4 Public Domain: sqlite 3.7.17 zlib: zlib 1.2.5 MIT:pwstrength 2.0.4, ezxml 0.8.6, bootstrap 3.3.4, jquery-fullscreen 1.1.5, jeditable 1.7.1, jQuery jqGrid 4.6.0, fullcalendar 2.2.0, datetimepicker 4.17.42, clockpicker 0.0.7, dataTables 1.0.2, dropzone 3.8.7, iCheck 1.0.2, ionRangeSlider 2.0.13, metisMenu 2.0.2, slimscroll 1.3.6, sweetalert 2015.11, Transitionize 0.0.2 , switchery 0.0.2, toastr 2.1.0, animate 3.5.0, font-awesome 4.3.0, Modernizr 2.7.1 pace 1.0.0 OpenSSL Combined: openssl 1.0.1h Apache license 2.0: datepicker 1.4.0, mDNSResponder 379.32.1 wish), that you receive source reflect on the original authors' GNU GENERAL PUBLIC code or can get it if you want it, reputations. -
Introducing Opentype Ab
UBS AG ab Postfach CH-8098 Zürich Tel. +41-44-234 11 11 Brand Management Visual Identity Stephanie Teige FG09 G5R4-Z8S Tel. +41-1-234 59 09 Introducing OpenType Fax +41-1-234 36 41 [email protected] July 2005 www.ubs.com OpenType is a new font format developed collaboratively by Adobe and Microsoft. OpenType enhances the TrueType and PostScript technologies and extends their capabilities. Most fonts today are released in the OpenType format, now considered the industry standard. The resulting new generation of UBSHeadline and Frutiger fonts offers improved typographic and layout features. 1. What is OpenType? Frutiger is not always Frutiger Due to the wide variety of Frutiger styles available world- A single font format wide, be sure to install and use only the client-specific UBS OpenType provides a single universally acceptable font licensed version of this font. Do not use any other versions format that can be used on any major operating system of Frutiger to create UBS media. and in any application. Using the client-specific UBS Frutiger guarantees access to Macintosh Windows UBS-relevant cuts. It also prevents changes to kerning and line-break in comparison to random Frutiger styles. UBSHeadline, Frutiger UBSHeadline, Frutiger (PostScript) (TrueType) Linotype Frutiger UBS Frutiger Frutiger LT 45 Light Frutiger 45 Light Macintosh and Frutiger LT 46 Light Italic Frutiger 45 Light Italic Windows Frutiger LT 55 Roman Frutiger 55 Roman Frutiger LT 56 Italic Frutiger 55 Roman Italic UBSHeadline, Frutiger Frutiger LT 65 Bold Frutiger 45 Light Bold (OpenType) Frutiger LT 75 Black Frutiger 55 Roman Bold Frutiger LT 47 Light Condensed Frutiger 47 Light CN Unicode OpenType supports Unicode, which allows much larger Comparison of common Linotype Frutiger versus UBS client- character sets – more than 65,000 glyphs per font in many specific Frutiger. -
Uniform Rendering of XML Encoded Mathematical Content with Opentype Fonts
i \eutypon24-25" | 2011/1/21 | 8:58 | page 11 | #15 i i i Εὔτυπon, τεῦχος 24-25 — >Okt¸brioc/October 2010 11 Uniform Rendering of XML Encoded Mathematical Content with OpenType Fonts Apostolos Syropoulos 366, 28th October Str. GR-671 00 Xanthi Greece E-mail: asyropoulos at yahoo dot com The new OpenType MATH font table contains important information that can be used to correctly and uniformly render mathematical con- tent (e.g., mathematical formulae, equations, etc.). Until now, all sys- tems in order to render XML encoded mathematical content employed some standard algorithms together with some standard sets of TrueType and/or Type 1 fonts, which contained the necessary glyphs. Unfortu- nately, this approach does not produce uniform results because certain parameters (e.g., the thickness of the fraction line, the scale factor of superscripts/subscripts, etc.) are system-dependant, that is, their exact values will depend on the particular setup of a given system. Fortunately, the new OpenType MATH table can be used to remedy this situation. In particular, by extending renderers so as to be able to render mathemat- ical contents with user-specified fonts, the result will be uniform across systems and platforms. In other words, the proposed technology would allow mathematical content to be rendered the same way ordinary text is rendered across platforms and systems. 1 Introduction The OpenType font format is a new cross-platform font file format developed jointly by Adobe and Microsoft. OpenType fonts may contain glyphs with ei- ther cubic B´eziersplines (used in PostScript fonts) or with quadratic B´ezier splines (used in TrueType fonts). -
CSS Font Stacks by Classification
CSS font stacks by classification Written by Frode Helland When Johann Gutenberg printed his famous Bible more than 600 years ago, the only typeface available was his own. Since the invention of moveable lead type, throughout most of the 20th century graphic designers and printers have been limited to one – or perhaps only a handful of typefaces – due to costs and availability. Since the birth of desktop publishing and the introduction of the worlds firstWYSIWYG layout program, MacPublisher (1985), the number of typefaces available – literary at our fingertips – has grown exponen- tially. Still, well into the 21st century, web designers find them selves limited to only a handful. Web browsers depend on the users own font files to display text, and since most people don’t have any reason to purchase a typeface, we’re stuck with a selected few. This issue force web designers to rethink their approach: letting go of control, letting the end user resize, restyle, and as the dynamic web evolves, rewrite and perhaps also one day rearrange text and data. As a graphic designer usually working with static printed items, CSS font stacks is very unfamiliar: A list of typefaces were one take over were the previous failed, in- stead of that single specified Stempel Garamond 9/12 pt. that reads so well on matte stock. Am I fighting the evolution? I don’t think so. Some design principles are universal, independent of me- dium. I believe good typography is one of them. The technology that will let us use typefaces online the same way we use them in print is on it’s way, although moving at slow speed. -
Opentype Installation Basics for Context
The PracTEX Journal TPJ 2005 No 02, 2005-04-15 Rev. 2005-04-16 OpenType installation basics for ConTEXt Adam T. Lindsay To make a sweeping generalization, ConTEXt tends to attract people who are in- terested in customizing their own documents. While LATEX’s use is dominated by pre-cooked document layouts, using templates for academic publishing, ConTEXt seems to attract those people looking for just a little bit more flexibility. It is not surprising, then, that many ConTEXt users – both professional and personal users – tire of dealing with the default Computer Modern font family, and look to install their own fonts in order to imbue their documents with their own personality. Font purchasing has been a tricky business. Fonts have traditionally been avail- able in two different formats (PostScript and TrueType) for each of two different platforms (different encapsulating file formats for PC and Mac). Periodically, mod- ern updates to those font formats have appeared, promising new features with that new technology (e.g., Multiple Masters, GX), only to have withered and died in the marketplace. So designers and others who buy fonts may tire of the frac- tured market of multiple font formats, but they should understandably be a little leery of new font formats. It is within this environment that the OpenType font format was conceived. It attempts to unify TrueType and PostScript imaging models, and unifies the file formats so that there is one file designed to work on any platform. It unifies across many encodings by utilizing Unicode as the native font encoding. It unifies across expert encodings, small caps fonts, and other fonts with alternative glyphs by in- troducing OpenType features, which allow fairly sophisticated glyph replacement procedures. -
Surviving the TEX Font Encoding Mess Understanding The
Surviving the TEX font encoding mess Understanding the world of TEX fonts and mastering the basics of fontinst Ulrik Vieth Taco Hoekwater · EuroT X ’99 Heidelberg E · FAMOUS QUOTE: English is useful because it is a mess. Since English is a mess, it maps well onto the problem space, which is also a mess, which we call reality. Similary, Perl was designed to be a mess, though in the nicests of all possible ways. | LARRY WALL COROLLARY: TEX fonts are mess, as they are a product of reality. Similary, fontinst is a mess, not necessarily by design, but because it has to cope with the mess we call reality. Contents I Overview of TEX font technology II Installation TEX fonts with fontinst III Overview of math fonts EuroT X ’99 Heidelberg 24. September 1999 3 E · · I Overview of TEX font technology What is a font? What is a virtual font? • Font file formats and conversion utilities • Font attributes and classifications • Font selection schemes • Font naming schemes • Font encodings • What’s in a standard font? What’s in an expert font? • Font installation considerations • Why the need for reencoding? • Which raw font encoding to use? • What’s needed to set up fonts for use with T X? • E EuroT X ’99 Heidelberg 24. September 1999 4 E · · What is a font? in technical terms: • – fonts have many different representations depending on the point of view – TEX typesetter: fonts metrics (TFM) and nothing else – DVI driver: virtual fonts (VF), bitmaps fonts(PK), outline fonts (PFA/PFB or TTF) – PostScript: Type 1 (outlines), Type 3 (anything), Type 42 fonts (embedded TTF) in general terms: • – fonts are collections of glyphs (characters, symbols) of a particular design – fonts are organized into families, series and individual shapes – glyphs may be accessed either by character code or by symbolic names – encoding of glyphs may be fixed or controllable by encoding vectors font information consists of: • – metric information (glyph metrics and global parameters) – some representation of glyph shapes (bitmaps or outlines) EuroT X ’99 Heidelberg 24. -
CM-Super: Automatic Creation of Efficient Type 1 Fonts from Metafont
CM-Super: Automatic creation of efficient Type 1 fonts from METAFONT fonts Vladimir Volovich Voronezh State University Moskovsky prosp. 109/1, kv. 75, Voronezh 304077 Russia [email protected] Abstract In this article I describe making the CM-Super fonts: Type 1 fonts converted from METAFONT sources of various Computer Modern font families. The fonts contain a large number of glyphs covering writing in dozens of languages (Latin-based, Cyrillic-based, etc.) and provide outline replacements for the original METAFONT fonts. The CM-Super fonts were produced by tracing the high resolution bitmaps generated by METAFONT with the help of TEXtrace, optimizing and hinting the fonts with FontLab, and applying cleanups and optimizations with Perl scripts. 1 The idea behind the CM-Super fonts There exist free Type 1 versions of the original CM The Computer Modern (CM) fonts are the default fonts, provided by Blue Sky Research, Elsevier Sci- ence, IBM Corporation, the Society for Industrial and most commonly used text fonts with TEX. Orig- inally, CM fonts contained only basic Latin letters, and Applied Mathematics (SIAM), Springer-Verlag, and thus covered only the English language. There Y&Y and the American Mathematical Society, but are however a number of Computer Modern look- until not long ago there were no free Type 1 versions alike METAFONT fonts developed which cover other of other “CM look-alike” fonts available, which lim- languages and scripts. Just to name a few: ited their usage in PDF and PostScript target docu- ment formats. The CM-Super fonts were developed • EC and TC fonts, developed by J¨orgKnappen, to cover this gap. -
Using Fonts Installed in Local Texlive - Tex - Latex Stack Exchange
27-04-2015 Using fonts installed in local texlive - TeX - LaTeX Stack Exchange sign up log in tour help TeX LaTeX Stack Exchange is a question and answer site for users of TeX, LaTeX, ConTeXt, and related Take the 2minute tour × typesetting systems. It's 100% free, no registration required. Using fonts installed in local texlive I have installed texlive at ~/texlive . I have installed collectionfontsrecommended using tlmgr . Now, ~/texlive/2014/texmfdist/fonts/ has several folders: afm , cmap , enc , ... , vf . Here is the output of tlmgr info helvetic package: helvetic category: Package shortdesc: URW "Base 35" font pack for LaTeX. longdesc: A set of fonts for use as "dropin" replacements for Adobe's basic set, comprising: Century Schoolbook (substituting for Adobe's New Century Schoolbook); Dingbats (substituting for Adobe's Zapf Dingbats); Nimbus Mono L (substituting for Abobe's Courier); Nimbus Roman No9 L (substituting for Adobe's Times); Nimbus Sans L (substituting for Adobe's Helvetica); Standard Symbols L (substituting for Adobe's Symbol); URW Bookman; URW Chancery L Medium Italic (substituting for Adobe's Zapf Chancery); URW Gothic L Book (substituting for Adobe's Avant Garde); and URW Palladio L (substituting for Adobe's Palatino). installed: Yes revision: 31835 sizes: run: 2377k relocatable: No catdate: 20120606 22:57:48 +0200 catlicense: gpl collection: collectionfontsrecommended But when I try to compile: \documentclass{article} \usepackage{helvetic} \begin{document} Hello World! \end{document} It gives an error: ! LaTeX Error: File `helvetic.sty' not found. Type X to quit or <RETURN> to proceed, or enter new name. -
Optimization of Fontconfig Library Optimization of Fontconfig Library
Michal Srb OPTIMIZATION OF FONTCONFIG LIBRARY OPTIMIZATION OF FONTCONFIG LIBRARY Michal Srb Bachelor's Thesis Spring 2017 Information Technology Oulu University of Applied Sciences ABSTRACT Oulu University of Applied Sciences Degree Programme in Information Technology, Internet Services Author: Michal Srb Title of the bachelor’s thesis: Optimization of Fontconfig Library Supervisor: Teemu Korpela Term and year of completion: Spring 2017 Number of pages: 39 + 1 appendix Fontconfig is a library that manages a database of fonts on Linux systems. The aim of this Bachelor's thesis was to explore options for making it respond faster to application's queries. The library was identified as a bottleneck during the startup of graphical applications. The typical usage of the library by applications was analyzed and a set of standalone benchmarks were created. The library was profiled to identify hot spots and multiple optimizations were applied to it. It was determined that to achieve an optimal performance, a complete rewrite would be necessary. However, that could not be done while staying backward compatible. Nevertheless, the optimizations applied to the existing fontconfig yielded significant performance improvements, up to 98% speedups in benchmarks based on the real-world usage. Keywords: fontconfig, optimization, benchmarking, profiling 3 CONTENTS 1 INTRODUCTION 6 2 BACKGROUND 7 1.1 Motivation 7 1.2 Fontconfig 8 1.2.1 Function 9 1.2.2 Configuration 11 2 ANALYSIS 12 2.1 Main entry functions 12 2.1.1 FcFontMatch 12 2.1.2 FcFontSort 14 2.1.3 -
The Selnolig Package: Selective Suppression of Typographic Ligatures*
The selnolig package: Selective suppression of typographic ligatures* Mico Loretan† 2015/10/26 Abstract The selnolig package suppresses typographic ligatures selectively, i.e., based on predefined search patterns. The search patterns focus on ligatures deemed inappropriate because they span morpheme boundaries. For example, the word shelfful, which is mentioned in the TEXbook as a word for which the ff ligature might be inappropriate, is automatically typeset as shelfful rather than as shelfful. For English and German language documents, the selnolig package provides extensive rules for the selective suppression of so-called “common” ligatures. These comprise the ff, fi, fl, ffi, and ffl ligatures as well as the ft and fft ligatures. Other f-ligatures, such as fb, fh, fj and fk, are suppressed globally, while making exceptions for names and words of non-English/German origin, such as Kafka and fjord. For English language documents, the package further provides ligature suppression rules for a number of so-called “discretionary” or “rare” ligatures, such as ct, st, and sp. The selnolig package requires use of the LuaLATEX format provided by a recent TEX distribution, e.g., TEXLive 2013 and MiKTEX 2.9. Contents 1 Introduction ........................................... 1 2 I’m in a hurry! How do I start using this package? . 3 2.1 How do I load the selnolig package? . 3 2.2 Any hints on how to get started with LuaLATEX?...................... 4 2.3 Anything else I need to do or know? . 5 3 The selnolig package’s approach to breaking up ligatures . 6 3.1 Free, derivational, and inflectional morphemes . -
4.4. Is Unicode Font Available? 14 4.4.1
1 Contents 1. Introduction 3 1.1. Who we are 3 1.2. The UNESCO and IYIL initiative 4 2. Process overview 4 2.1. Language Status Workflow 5 2.2. Technology Implementation Workflow 6 3. Language Status 7 3.1. Is language currently used by a community? 7 3.2. Is language intended for active community use? 7 3.2.1. Revitalize language 7 3.3. Is language in a public registry? 8 3.4. Is language written? 8 3.4.1. Develop written form 8 3.4.2. Document language 8 3.4.2.1. Language is documented 8 3.4.2.2. Language is not documented 9 3.5. Does language use a consistent writing system? 9 3.5.1. Are the characters used already supported? 9 3.6. Is writing supported by a standard? 10 3.6.1. Submit character proposals 10 3.6.2. Develop standard 11 3.7. Proceed to implementation 11 4. Language Technology Implementation Workflow 11 4.1 Note on technology for text in digital systems 11 4.2. Definitions for implementing digital support 12 4.3. Standard language code available? 13 4.3.1. Apply for language code 13 4.4. Is Unicode font available? 14 4.4.1. Create font 14 4.5. Is font available on devices? 14 4.5.1. Manual install or ask vendors for support 14 4.6. Does device have input support? 15 4.7. Is input supported by third party apps or devices? 15 4.7.1. Develop input method 15 4.8. Does device have Unicode data support? 16 This work is licensed under a Creative Commons Attribution 4.0 International License 2 5. -
Download Font Forge for Free Download Font Forge for Free
download font forge for free Download font forge for free. We recommend that you start by reading Design With FontForge before moving on to the documentation on this page. Get help. Ask a question on the mailing list if you're stuck and the documentation and a websearch didn't provide any answers. Get libre. FontForge is a free and open source font editor brought to you by a community of fellow type lovers. You can donate to support the project financially. Get involved. Anyone can help! You don't have to be a programmer. If you want to help but don't know where then join the developer list and introduce yourself. FontForge on Mac OS X. FontForge is a UNIX application, so it doesn’t behave 100% like a normal Mac Application. OS X 10.12 or later is required. 1. Install XQuartz. Without XQuartz, FontForge will open a Dock icon but not load any further. Open Finder and look in your /Applications/Utilities/ folder for the XQuartz app. If you don’t have it then download and install: direct link to XQuartz-2.8.1.dmg. Log out and log back in to ensure it works correctly. Just this first time, start XQuartz from Applications/Utilities/XQuartz.app , go to the X11 menu, Preferences, Input, and turn off the Enable keyboard shortcuts under X11 or Enable key equivalents under X11 preference item. FontForge will start XQuartz automatically for you next time. 2. Install FontForge. For users of OS X 10.10 and later, download and install FontForge 2017-07-31.