Introducing Opentype Ab
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Prepared for Leslie Cabarga's "Learn Fontlab Fast" Book* PC Truetype
Prepared for Leslie Cabarga's "Learn FontLab Fast" book* PC TrueType / OpenType TT (Also known as: Data-fork TrueType, Windows TrueType, TrueType-flavored OpenType, TTF) Pros: Works on Windows, Linux and Mac OS X. May contain up to 65,535 characters, supports Unicode and can contain OpenType layout features, making the format suitable for multilingual fonts, non-latin fonts and advanced typographic features (such as automatic ligatures, small caps). TrueType hinting allows precise control in small screen sizes, can also contain bitmaps. Can include embedding rights information defining whether or not the font may be attached to electronic documents. Cons: Does not work on Mac OS 8/9; not completely cross-platform. May cause output problems on ten-year-old PostScript output and printing devices. The designer usually needs to convert the outlines from beziers which may introduce slight changes in the shape. When converted back to beziers (e.g. in Illustrator), the resulting curves have superfluous points. Manual TrueType hinting is laborious to create. The multilingual and advanced typography features only work with new OpenType-savvy applications, otherwise just the basic character set is available. For font families, requires two versions of the family name within each font: the first may contain any number of styles; the second "mini-family" may contain only four styles. OpenType PS (Also known as: OpenType-CFF, PostScript-flavored OpenType, OTF) Pros: Works on Windows, Linux, Mac OS 8.6, 9, and OS X. Uses the bezier curve system preferred by designers and used in drawing apps such as Illustrator and Freehand so letterforms can be drawn precisely and outlines need not be converted. -
Advanced Printer Driver Ver.4.13
Advanced Printer Driver for South Asia Ver.4 TM Printer Manual APD Overview Descriptions of the APD features. Using the APD Descriptions of simple printings and useful functions. Reference Descriptions of property seings of the printer driver. TM Flash Logo Setup Utility Ver.3 Descriptions of how to set and use the TM Flash Logo Setup Utility Ver3. Restrictions Descriptions of restrictions on use of the APD. Printer Specification Descriptions of the specifications of TM-T81. M00024103-2 Rev. D Cautions • No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of Seiko Epson Corporation. • The contents of this document are subject to change without notice. Please contact us for the latest information. • While every precaution has taken in the preparation of this document, Seiko Epson Corporation assumes no responsibility for errors or omissions. • Neither is any liability assumed for damages resulting from the use of the information contained herein. • Neither Seiko Epson Corporation nor its affiliates shall be liable to the purchaser of this product or third parties for damages, losses, costs, or expenses incurred by the purchaser or third parties as a result of: accident, misuse, or abuse of this product or unauthorized modifications, repairs, or alterations to this product, or (excluding the U.S.) failure to strictly comply with Seiko Epson Corporation’s operating and maintenance instructions. • Seiko Epson Corporation shall not be liable against any damages or problems arising from the use of any options or any consumable products other than those designated as Original EPSON Products or EPSON Approved Products by Seiko Epson Corporation. -
Opentype Installation Basics for Context
The PracTEX Journal TPJ 2005 No 02, 2005-04-15 Rev. 2005-04-16 OpenType installation basics for ConTEXt Adam T. Lindsay To make a sweeping generalization, ConTEXt tends to attract people who are in- terested in customizing their own documents. While LATEX’s use is dominated by pre-cooked document layouts, using templates for academic publishing, ConTEXt seems to attract those people looking for just a little bit more flexibility. It is not surprising, then, that many ConTEXt users – both professional and personal users – tire of dealing with the default Computer Modern font family, and look to install their own fonts in order to imbue their documents with their own personality. Font purchasing has been a tricky business. Fonts have traditionally been avail- able in two different formats (PostScript and TrueType) for each of two different platforms (different encapsulating file formats for PC and Mac). Periodically, mod- ern updates to those font formats have appeared, promising new features with that new technology (e.g., Multiple Masters, GX), only to have withered and died in the marketplace. So designers and others who buy fonts may tire of the frac- tured market of multiple font formats, but they should understandably be a little leery of new font formats. It is within this environment that the OpenType font format was conceived. It attempts to unify TrueType and PostScript imaging models, and unifies the file formats so that there is one file designed to work on any platform. It unifies across many encodings by utilizing Unicode as the native font encoding. It unifies across expert encodings, small caps fonts, and other fonts with alternative glyphs by in- troducing OpenType features, which allow fairly sophisticated glyph replacement procedures. -
Font HOWTO Font HOWTO
Font HOWTO Font HOWTO Table of Contents Font HOWTO......................................................................................................................................................1 Donovan Rebbechi, elflord@panix.com..................................................................................................1 1.Introduction...........................................................................................................................................1 2.Fonts 101 −− A Quick Introduction to Fonts........................................................................................1 3.Fonts 102 −− Typography.....................................................................................................................1 4.Making Fonts Available To X..............................................................................................................1 5.Making Fonts Available To Ghostscript...............................................................................................1 6.True Type to Type1 Conversion...........................................................................................................2 7.WYSIWYG Publishing and Fonts........................................................................................................2 8.TeX / LaTeX.........................................................................................................................................2 9.Getting Fonts For Linux.......................................................................................................................2 -
How to Build a Newton Font on Macos X
How To build a Newton Font on MacOS X by Paul Guyot <[email protected]> 16th April 2004 1 Introduction This How-To explains how to port a MacOS font to NewtonOS on MacOS X. Porting fonts rely on old Apple font tools and therefore on Classic. We (the DCL Group) are currently investigating a method to port fonts without relying on these tools, but some features of these old tools we need are apparently not available in MacOS X Font Tools. Important Note : Fonts are copyrightable and usually copyrighted. Please make sure that porting a font is compatible with the license you were granted on it. This tutorial supposes that you have basic knowledge of MacOS X, that you know what the Terminal is, but it does not require that you have a long experience with the tools involved. We may use terms that would require a definition or a clarification. Most unusual terms used here are defined in the Newton Glossary1. Do not hesitate to send me corrections or ask me for clarifications if required. This tutorial will guide through porting Gill Sans. The font book application shows this font: 1http://www.splorp.com/newton/glossary/ 1 Newton Fonts How-To 2 This font actually exists in 6 forms: • Gill Sans Regular • Gill Sans Bold • Gill Sans Italic • Gill Sans Bold Italic • Gill Sans Light • Gill Sans Light Italic This font can be ported as two Newton font packages (Gill Sans and Gill Sans Light). The Gill Sans package will include regular (or plain), bold, italic and bold-italic forms and the Gill Sans Light package will include regular and italic forms. -
Opentype Postscript Fonts with Unusual Units-Per-Em Values
Luigi Scarso VOORJAAR 2010 73 OpenType PostScript fonts with unusual units-per-em values Abstract Symbola is an example of OpenType font with TrueType OpenType fonts with Postscript outline are usually defined outlines which has been designed to match the style of in a dimensionless workspace of 1000×1000 units per em Computer Modern font. (upm). Adobe Reader exhibits a strange behaviour with pdf documents that embed an OpenType PostScript font with A brief note about bitmap fonts: among others, Adobe unusual upm: this paper describes a solution implemented has published a “Glyph Bitmap Distribution Format by LuaTEX that resolves this problem. (BDF)” [2] and with fontforge it’s easy to convert a bdf font into an opentype one without outlines. A fairly Keywords complete bdf font is http://unifoundry.com/unifont-5.1 LuaTeX, ConTeXt Mark IV, OpenType, FontMatrix. .20080820.bdf.gz: this Vle can be converted to an Open- type format unifontmedium.otf with fontforge and it Introduction can inspected with showttf, a C program from [3]. Here is an example of glyph U+26A5 MALE AND FEMALE Opentype is a font format that encompasses three kinds SIGN: of widely used fonts: 1. outline fonts with cubic Bézier curves, sometimes Glyph 9887 ( uni26A5) starts at 492 length=17 referred to CFF fonts or PostScript fonts; height=12 width=8 sbX=4 sbY=10 advance=16 2. outline fonts with quadratic Bézier curve, sometimes Bit aligned referred to TrueType fonts; .....*** 3. bitmap fonts. ......** .....*.* Nowadays in digital typography an outline font is almost ..***... the only choice and no longer there is a relevant diUer- .*...*. -
Steps to Install Your New Font
Steps to Install your new font: • Go to Control Panel. Click on your Start button and select Settings > Control Panel (or Open My Computer then Control Panel) • Go to your Fonts folder. Open (Doubleclick) the Fonts folder. • Go to Install New Font. Select File | Install New Font. Check the Font FAQ if your Install New Font command is missing. • Find the directory/folder with the font(s) you want to install. Use the Folders: and Drives: windows to move to the folder on your hard drive, a disk, or CD where your new TrueType or OpenType fonts are located. • Find the font(s) you want to install. TrueType fonts have the extension .TTF and an icon that is a dog-eared page with two overlapping Ts and require only this one file for installation and use. OpenType fonts have the extension .TTF or .OTF and a little icon with an O and require only this one file for installation and use. Highlight the TrueType or OpenType font to install from the List of fonts window. • Install the font(s). Click OK. This completes your TrueType or OpenType font installation. Tips: 1. Put Installed Fonts on Your Hard Drive. If you are going to install TrueType or OpenType fonts from a CD be sure the 'Copy fonts to folder' box is checked; otherwise, fonts may not be available to use if the CD is not in the drive at all times. 2. Use the Right Fonts for Windows. There are slight differences in the TrueType fonts designed for each OS therefore Mac and Windows users cannot share TrueType fonts. -
Glossary 1 Terms Used in Graphic Design and Printing
Computer Presentation of Data 121 GLOSSARY 1 GLOSSARY 1 TERMS USED IN GRAPHIC DESIGN AND PRINTING Words in italics are separately defmed. alphabet length The space occupied by the 26 lowercase letters in a given typeface and size, when they are set in a single line without spaces. alphanumerics Letters and numbers, as opposed to other kinds of symbol. artwork Text or graphics presented in a form suitable for reproduction. In desktop publishing, the artwork is usu ally in the form of output from a laser printer. ascender Thepartofalowercase letter, such as 'd' or'h', that rises above the x-height. asymmetrical layout A page layout that has no central axis. Typically, both headings and text would be ranged left. back-edge In a bound document, the edge of the page nearest to the binding. baseline An imaginary horizontal line with which the bases of most lowercase letters (i.e. those without descenders) are aligned. baseline-to-baseline measurement The measurement (usually in points) from the baseline of one line of type to the baseline of the next. See also: linefeed. body size The term originates from metal type and it refers to the size of the 'body' on which each character is cast. The body size, usually measured in points, is the vertical di mension of the surfaces carrying the characters. With digital type there is no physical body, so the term has little relevance. See also: point size. brightness The subjective impression caused by the lumi nance of an object. cap. height See: capital-letter height. capital-letter height The height of the capital letters in a given typeface and size, measured from the baseline to the capita/line. -
The Selnolig Package: Selective Suppression of Typographic Ligatures*
The selnolig package: Selective suppression of typographic ligatures* Mico Loretan† 2015/10/26 Abstract The selnolig package suppresses typographic ligatures selectively, i.e., based on predefined search patterns. The search patterns focus on ligatures deemed inappropriate because they span morpheme boundaries. For example, the word shelfful, which is mentioned in the TEXbook as a word for which the ff ligature might be inappropriate, is automatically typeset as shelfful rather than as shelfful. For English and German language documents, the selnolig package provides extensive rules for the selective suppression of so-called “common” ligatures. These comprise the ff, fi, fl, ffi, and ffl ligatures as well as the ft and fft ligatures. Other f-ligatures, such as fb, fh, fj and fk, are suppressed globally, while making exceptions for names and words of non-English/German origin, such as Kafka and fjord. For English language documents, the package further provides ligature suppression rules for a number of so-called “discretionary” or “rare” ligatures, such as ct, st, and sp. The selnolig package requires use of the LuaLATEX format provided by a recent TEX distribution, e.g., TEXLive 2013 and MiKTEX 2.9. Contents 1 Introduction ........................................... 1 2 I’m in a hurry! How do I start using this package? . 3 2.1 How do I load the selnolig package? . 3 2.2 Any hints on how to get started with LuaLATEX?...................... 4 2.3 Anything else I need to do or know? . 5 3 The selnolig package’s approach to breaking up ligatures . 6 3.1 Free, derivational, and inflectional morphemes . -
INTRODUCTORY CONCEPTS Desktop Publishing Terms Overview
INTRODUCTORY CONCEPTS Desktop Publishing Terms Overview GOAL: Produce a reference guide demonstrating desktop publishing (DTP) terms. Crosswalk Measurable Learner to Show-Me Instructional Activities Assessment Objectives Standards Define terms related to desktop CA1, 2.1 Accurately define at least 15 Use the Desktop Publishing Terms publishing. A1 alphabetized desktop publishing terms to assessment to evaluate the definitions Import text files and word CA1, 2.1 be used as a reference guide. Students provided of each term. Also evaluate processing documents into will select terms from a listing generated the ability to demonstrate the specified publications. C2 by the instructor or other provided terms; the use of appropriate desktop Set margins. B1 CA1, 2.1 source(s). The terms will be displayed publishing layout and design with text, Create columns. B2 CA1, 2.1 in an appropriate easy-to-read format graphics, columns, and gutters Set guttering. B3 CA1, 2.1 according to DTP concepts. Each effectively manipulated; the use of Create an effective focal point. CA1, 2.1 definition is to demonstrate the term appropriately selected graphics to B6 used, e.g., drop cap will begin with a represent definitions; proper font Utilize pasteboard. B7 CA1, 2.1 drop cap. Effective DTP layout and selection and sizing; and the use of the Import graphics from various CA3, 2.7 design are to be used in margins, focal number of terms and graphics specified. sources (e.g., software-specific point, columns and gutters, etc. A The ability to provide an error-free library, other applications, minimum of 5 related graphics are to be document will also be assessed. -
Adobe Type Library Online Adobe Font Folio™ 9.0 Adobe Type Basics Adobe Type Library Reference Book Adobe Type Manager® Deluxe
Adobe offers one of the largest collections of high-quality typefaces in the world, bringing you the combination of typographic excellence with the convenience of round-the-clock availability. Whether you're communicating via print, web, video, or ePaper®, Adobe Type gives you the power to create, manage and deliver your message with the richness and reliability you've come to expect from Adobe. The Adobe Type Library Online Adobe Font Folio™ 9.0 Adobe Type Basics Adobe Type Library Reference Book Adobe Type Manager® Deluxe The Adobe Type Library Online With more than 2,750 typefaces from internationally renowned foundries, such as Adobe, Agfa Monotype, ITC, and Linotype, as well as award-winning individual type designers and distinguished design studios, the Adobe Type Library offers one of the largest collections of high-quality type in the world. Choose from thousands of fonts in the PostScript® Type 1 format, offered in broad range of outstanding designs and exciting styles. And now you can also select from hundreds of fonts in the new OpenType® format, which offers improved cross-platform document portability, richer linguistic support, powerful typographic capabilities, and simplified font management. Whether you're publishing to print, web, video, or ePaper, Adobe typefaces work seamlessly with most popular software applications. Best of all, you can access any of the high-quality Adobe typefaces you need, anytime you need them, directly from the Adobe web site. You can browse, preview, purchase and immediately download any font from the online Adobe Type Library at your convenience - day or night. Simply visit http://www.adobe.com/type in North America, or at the Adobe Download Centre at http://downloadcentre.adobe.com in many other regions of the world, including Europe, Australia, Hong Kong, Singapore, and more to come. -
Desktop Publishing: Page Layout Design Introduction
M2: Desktop Publishing Objectives Desktop Publishing: Page Layout Design Introduction Discrete Documents Course: Master of Arts Softwares Course Name: Computer and Information Technology Course Code: HIND4014 Basic Tools Semester: II File Extension Session: 2019-20 Desktop Publishing Software: Adobe Pagemaker Mr. Joynath Mishra Introduction Assistant Professor (Guest) Importance Computer Science and Information Technology Coverpage Creation Mahatma Gandhi Central University Poster Creation Motihari, Bihar Exercise References April 6, 2020 . Outline M2: Desktop Publishing 1 Objectives Objectives 2 Introduction Introduction Discrete 3 Discrete Documents Documents Softwares 4 Softwares Basic Tools File Extension 5 Basic Tools Desktop Publishing Software: Adobe 6 File Extension Pagemaker Introduction Importance 7 Desktop Publishing Software: Adobe Pagemaker Introduction Coverpage Creation Importance Poster Creation Coverpage Creation Poster Creation Exercise References 8 Exercise 9 References . Objectives M2: Desktop Publishing Objectives Introduction Discrete Documents Softwares Objectives Basic Tools Study on Context of Desktop Publishing File Extension Importance of Desktop Publishing Desktop Publishing Study on creation of title/cover page, advertisement Software: Adobe Pagemaker Introduction Importance Coverpage Creation Poster Creation Exercise References . Introduction M2: Desktop Publishing Introduction Objectives Desktop publishing is a process to produce organized soft copy format of text and graphics in a single page/platform.