Adobe Type Library Online Adobe Font Folio™ 9.0 Adobe Type Basics Adobe Type Library Reference Book Adobe Type Manager® Deluxe
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Introducing Opentype Ab
UBS AG ab Postfach CH-8098 Zürich Tel. +41-44-234 11 11 Brand Management Visual Identity Stephanie Teige FG09 G5R4-Z8S Tel. +41-1-234 59 09 Introducing OpenType Fax +41-1-234 36 41 [email protected] July 2005 www.ubs.com OpenType is a new font format developed collaboratively by Adobe and Microsoft. OpenType enhances the TrueType and PostScript technologies and extends their capabilities. Most fonts today are released in the OpenType format, now considered the industry standard. The resulting new generation of UBSHeadline and Frutiger fonts offers improved typographic and layout features. 1. What is OpenType? Frutiger is not always Frutiger Due to the wide variety of Frutiger styles available world- A single font format wide, be sure to install and use only the client-specific UBS OpenType provides a single universally acceptable font licensed version of this font. Do not use any other versions format that can be used on any major operating system of Frutiger to create UBS media. and in any application. Using the client-specific UBS Frutiger guarantees access to Macintosh Windows UBS-relevant cuts. It also prevents changes to kerning and line-break in comparison to random Frutiger styles. UBSHeadline, Frutiger UBSHeadline, Frutiger (PostScript) (TrueType) Linotype Frutiger UBS Frutiger Frutiger LT 45 Light Frutiger 45 Light Macintosh and Frutiger LT 46 Light Italic Frutiger 45 Light Italic Windows Frutiger LT 55 Roman Frutiger 55 Roman Frutiger LT 56 Italic Frutiger 55 Roman Italic UBSHeadline, Frutiger Frutiger LT 65 Bold Frutiger 45 Light Bold (OpenType) Frutiger LT 75 Black Frutiger 55 Roman Bold Frutiger LT 47 Light Condensed Frutiger 47 Light CN Unicode OpenType supports Unicode, which allows much larger Comparison of common Linotype Frutiger versus UBS client- character sets – more than 65,000 glyphs per font in many specific Frutiger. -
New Black Face: Neuland and Lithos As “Stereotypography” by Rob Giampietro
New Black Face: Neuland and Lithos as “Stereotypography” by Rob Giampietro “The Neuland Question comes up regularly, and alas w∂hout much resolution....” –Jonathan Hoefl er 3 4 5 The “Neuland Question” to which of a religious life to his countrymen. delicately interlocking serifs com- Jonathan Hoefl er refers involves not Having experimented w∂h the art of monly used in black letter typography. just Neuland, a “display” typeface calligraphy shortly before enlisting, The result, a font composed of heavy hand-carved in 1923 by Rudolf Koch Koch returned to the art after WWI black forms, was visible from great (fi g. 1), but also Lithos, another “dis- with the intention of making bold, no- distances and easily distinguishable play” typeface digitally created in ticeable typefaces that would shout to from lighter-weight typefaces on a 1989 by Carol Twombly (fi g. 2). other Germans that f∞lowing God’s page. These qual∂ies made Neuland path would help them fi nd comfort suitable to advertising. Koch even at- 1 from the trauma of war. Yale Univer- tempted to set a classifi ed ad in Neu- sity Printer John Gambell suggests land at the end of the German speci- 2 that Koch designed the face with the men book (fi g. 5). The Question can be put simply: How intent of making a modern version of By the time Neuland reached the did these two typefaces come to signi- the German black letter (or black face) United States, its distributor, the Con- fy Africans and African-Americans, style. Black letter fonts were used at tinental Typefounder’s Association, regardless of how a designer uses the time for the setting of important had little interest in Neuland’s uses as them, and regardless of the purpose texts, especially Bibles and church- a modern black letter, and the speci- for which their creators originally in- related documents. -
Adobe Licensing AVL Chart
Adobe Buying Programs Comparison Guide for Education Enterprise Term Value Incentive Plan (VIP) License Agreement (ETLA) Subscription licensing with term-length Tailored for your enterprise-wide needs options and loyalty rewards in a 3-year agreement Customer profile Institutions that want flexibility to meet evolving needs and access A 3-year agreement with cloud and desktop offerings designed to the latest Adobe apps, tools, and services; available for nonprofits for large organizations, including education institutions and school districts License type Subscription Term Agreement term 1 to 4 years 3 years Discounts Available through VIP Select Negotiable Products Adobe Creative Cloud for education, Adobe Acrobat Pro DC, Creative Cloud for enterprise, Adobe Document Cloud for enterprise, (See full list on following page) Adobe Stock, Adobe Captivate, Adobe Presenter, Adobe Presenter Adobe Stock for enterprise, Adobe Captivate, Adobe Presenter Video Express Access to new product features Access to new features and upgrades as soon as they’re released Access to new features and upgrades as soon as they’re released License management Online tool to easily manage licenses, users, and deployment Online tool to easily manage licenses, users, and deployment Support Support included; varies by product Support included; varies by product How to buy Adobe Authorized Education Reseller or select Adobe call centers Contact your Adobe Account Executive Cumulative Licensing Program (CLP) Transactional Licensing Program (TLP) Volume licensing program -
Quick Start Every Effort Has Been Made to Ensure That the Information in We Welcome You to Visit Our Web Site: This Document Is Complete, Accurate, and Up-To-Date
Quick Start Every effort has been made to ensure that the information in We welcome you to visit our web site: this document is complete, accurate, and up-to-date. Oki Data http://www.okidata.com assumes no responsibility for the results of errors beyond its control. Oki Data also cannot guarantee that changes in OKI is a registered trademarks/marques déposées/marcas software and equipment made by other manufacturers and registradas, and OKICOLOR is a trademark of Oki Electric referred to in this guide will not affect the applicability of the Industry Company, Ltd. information in it. Mention of software products manufactured Adobe, Acrobat, Acrobat Reader, Illustrator, PageMaker, by other companies does not necessarily constitute Photoshop, PostScript and Type Manager are trademarks of endorsement by Oki Data. Adobe Systems Inc., which may be registered in certain Copyright 1999 Oki Data Americas, Inc. All rights reserved. jurisdictions. CorelDRAW is a registered trademark of Corel Corporation. Energy Star is a registered trademark of the First edition September, 1999. United States Environmental Protection Agency. HP and PCL Written and produced by the Oki Data Training & are registered trademarks of Hewlett-Packard. Macintosh is a Publications Department. Please address any comments on trademark of Apple Computer, Inc., registered in the U.S. and this publication other countries. Macromedia and FreeHand are registered • by mail to: trademarks of Macromedia, Inc. PANTONE is a registered Training & Publications Department trademark of Pantone, Inc. QuarkXPress is a registered Oki Data Americas, Inc. trademark of Quark, Inc. and all applicable affiliated 2000 Bishops Gate Blvd. companies. Windows is either a registered trademark or a Mt. -
Font HOWTO Font HOWTO
Font HOWTO Font HOWTO Table of Contents Font HOWTO......................................................................................................................................................1 Donovan Rebbechi, elflord@panix.com..................................................................................................1 1.Introduction...........................................................................................................................................1 2.Fonts 101 −− A Quick Introduction to Fonts........................................................................................1 3.Fonts 102 −− Typography.....................................................................................................................1 4.Making Fonts Available To X..............................................................................................................1 5.Making Fonts Available To Ghostscript...............................................................................................1 6.True Type to Type1 Conversion...........................................................................................................2 7.WYSIWYG Publishing and Fonts........................................................................................................2 8.TeX / LaTeX.........................................................................................................................................2 9.Getting Fonts For Linux.......................................................................................................................2 -
How to Build a Newton Font on Macos X
How To build a Newton Font on MacOS X by Paul Guyot <[email protected]> 16th April 2004 1 Introduction This How-To explains how to port a MacOS font to NewtonOS on MacOS X. Porting fonts rely on old Apple font tools and therefore on Classic. We (the DCL Group) are currently investigating a method to port fonts without relying on these tools, but some features of these old tools we need are apparently not available in MacOS X Font Tools. Important Note : Fonts are copyrightable and usually copyrighted. Please make sure that porting a font is compatible with the license you were granted on it. This tutorial supposes that you have basic knowledge of MacOS X, that you know what the Terminal is, but it does not require that you have a long experience with the tools involved. We may use terms that would require a definition or a clarification. Most unusual terms used here are defined in the Newton Glossary1. Do not hesitate to send me corrections or ask me for clarifications if required. This tutorial will guide through porting Gill Sans. The font book application shows this font: 1http://www.splorp.com/newton/glossary/ 1 Newton Fonts How-To 2 This font actually exists in 6 forms: • Gill Sans Regular • Gill Sans Bold • Gill Sans Italic • Gill Sans Bold Italic • Gill Sans Light • Gill Sans Light Italic This font can be ported as two Newton font packages (Gill Sans and Gill Sans Light). The Gill Sans package will include regular (or plain), bold, italic and bold-italic forms and the Gill Sans Light package will include regular and italic forms. -
Adobe Trademark Database for General Distribution
Adobe Trademark List for General Distribution As of May 17, 2021 Please refer to the Permissions and trademark guidelines on our company web site and to the publication Adobe Trademark Guidelines for third parties who license, use or refer to Adobe trademarks for specific information on proper trademark usage. Along with this database (and future updates), they are available from our company web site at: https://www.adobe.com/legal/permissions/trademarks.html Unless you are licensed by Adobe under a specific licensing program agreement or equivalent authorization, use of Adobe logos, such as the Adobe corporate logo or an Adobe product logo, is not allowed. You may qualify for use of certain logos under the programs offered through Partnering with Adobe. Please contact your Adobe representative for applicable guidelines, or learn more about logo usage on our website: https://www.adobe.com/legal/permissions.html Referring to Adobe products Use the full name of the product at its first and most prominent mention (for example, “Adobe Photoshop” in first reference, not “Photoshop”). See the “Preferred use” column below to see how each product should be referenced. Unless specifically noted, abbreviations and acronyms should not be used to refer to Adobe products or trademarks. Attribution statements Marking trademarks with ® or TM symbols is not required, but please include an attribution statement, which may appear in small, but still legible, print, when using any Adobe trademarks in any published materials—typically with other legal lines such as a copyright notice at the end of a document, on the copyright page of a book or manual, or on the legal information page of a website. -
Create Adobe® PDF Files for Print and Press
How to Create Adobe PDF Files for Print and Press Adobe Acrobat® at work Create PDF files for online publishing ® Create Adobe PDF Files Create PDF files for printing for Print and Press Create PDF files for press Create PDF files for presentation Create PDF files from paper documents Create PDF forms Adobe Acrobat 4 Edition Collaborate with PDF Adobe Systems Incorporated 345 Park Avenue, San Jose, CA 95110-2704 USA World Wide Web www.adobe.com How to Create Adobe PDF Files for Print and Press Adobe Acrobat® at work Create PDF files for online publishing ® Create Adobe PDF Files Create PDF files for printing for Print and Press Create PDF files for press Create PDF files for presentation Create PDF files from paper documents Create PDF forms Adobe Acrobat 4 Edition Collaborate with PDF Adobe Systems Incorporated 345 Park Avenue, San Jose, CA 95110-2704 USA World Wide Web www.adobe.com How to Create Adobe PDF Files for Print and Press Adobe Acrobat 4 Edition This book was created using Adobe Illustrator®, Adobe PageMaker®, Adobe Photoshop®, and font software from the Adobe Type Library. Adobe, the Adobe logo, AdobePS, Adobe Type Manager, Acrobat, Acrobat Exchange, ATM, Distiller, PostScript Extreme, FrameMaker, Illustrator, InDesign, PageMaker, Photoshop, PostScript, and PostScript 3 are trademarks of Adobe Systems Incorporated. Microsoft and Windows are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. Apple, Macintosh, and TrueType are trademarks of Apple Computer, Inc., registered in the United States and other countries. UNIX is a registered trademark of the Open Group. -
Kepler Italic
Brioso™ Pro a® a abcdefghijklmnopqrst An Adobe® Original Brioso Pro a umanistic Composition aily abcdefghijklmnopqrst © Adobe Systems Incorporated. Al rights reserved. uvwxyz For more information about OpenType please refer to Adobe’s web site at www.adobe.com/type/opentype. is document was designed to be viewed on-screen or printed duplex and assemled as a booklet. Adobe Originals Adobe Systems Incorporated introduces Brioso Pro, a new font soware package in the growing library of Adobe Originals typefaces, designed ecicaly for today’s digital technology. Since the inception of the Adobe Originals program in , Adobe Originals typefaces have been consistently recognized for their quality, originality, and praicality. They combine the power of PostScript® lanuage soware and the most sophisticated electronic design tools with the spirit of crasmanship that has inspired type designers since Gutenberg. Comprising both new designs and revivals of classic typefaces, Adobe Originals font soware has set a standard for typographic excelence. What is OpenType? Developed jointly by Adobe and Microso, OpenType is a highly versatile new font le format that represents a signicant advance in type functionality on Windows® and Mac OS computers. Perhaps most exciting for designers and typographers is that OpenType fonts offer extendedlayout features that bring unprecedented control and sophistication to contemporary typography. Because OpenType can incorporate al glyphs for a ecic style and weight into a single font, the need for separate expert, alternate, swash, non-Latin, and related glyph sets is eliminated. In aplications which suport OpenType layout features, such as Adobe’s InDesign® soware, glyphs are grouped according to their use. -
J. Andrew Coombs (SBN 123881) [email protected] Annie S
Case 4:09-cv-01089-CW Document 15 Filed 06/11/09 Page 1 of 13 1 J. Andrew Coombs (SBN 123881) [email protected] 2 Annie S. Wang (SBN 243027) [email protected] 3 J. Andrew Coombs, A Prof. Corp. 517 East Wilson Avenue, Suite 202 4 Glendale, California 91206 Telephone: (818) 500-3200 5 Facsimile: (818) 500-3201 6 Attorneys for Plaintiff Adobe Systems Incorporated 7 Kimbra Lee Baker a/k/a Kim Baker 8 16173 Suffolk Dr. Spring Lake, MI 49456 9 Defendant, in pro se 10 UNITED STATES DISTRICT COURT 11 NORTHERN DISTRICT OF CALIFORNIA (OAKLAND) 12 Adobe Systems Incorporated, ) Case No. C09-01089 CW 13 ) Plaintiff, ) PERMANENT INJUNCTION AND 14 v. ) DISMISSAL WITH PREJUDICE ) 15 Margie Clark, Kimbra Lee Baker a/k/a Kim ) Baker, and Does 2 – 10, inclusive, ) 16 ) Defendants. ) 17 18 The Court, having read and considered the Joint Stipulation for Permanent Injunction and Dismissal with Prejudice that has been executed by Plaintiff Adobe Systems Incorporated 19 (“Plaintiff”) and Defendant Kimbra Lee Baker a/k/a Kim Baker (“Defendant”) in this action, and 20 good cause appearing therefore, hereby: 21 ORDERS that based on the Parties’ stipulation and only as to Defendant, her successors, 22 heirs, and assignees, this Injunction shall be and is hereby entered in the within action as follows: 23 1) This Court has jurisdiction over the parties to this action and over the subject matter hereof 24 pursuant to 17 U.S.C. § 101 et seq., 15 U.S.C. § 1051, et seq., 15 U.S.C. § 1121, and 28 U.S.C. -
The Impact of the Historical Development of Typography on Modern Classification of Typefaces
M. Tomiša et al. Utjecaj povijesnog razvoja tipografije na suvremenu klasifikaciju pisama ISSN 1330-3651 (Print), ISSN 1848-6339 (Online) UDC/UDK 655.26:003.2 THE IMPACT OF THE HISTORICAL DEVELOPMENT OF TYPOGRAPHY ON MODERN CLASSIFICATION OF TYPEFACES Mario Tomiša, Damir Vusić, Marin Milković Original scientific paper One of the definitions of typography is that it is the art of arranging typefaces for a specific project and their arrangement in order to achieve a more effective communication. In order to choose the appropriate typeface, the user should be well-acquainted with visual or geometric features of typography, typographic rules and the historical development of typography. Additionally, every user is further assisted by a good quality and simple typeface classification. There are many different classifications of typefaces based on historical or visual criteria, as well as their combination. During the last thirty years, computers and digital technology have enabled brand new creative freedoms. As a result, there are thousands of fonts and dozens of applications for digitally creating typefaces. This paper suggests an innovative, simpler classification, which should correspond to the contemporary development of typography, the production of a vast number of new typefaces and the needs of today's users. Keywords: character, font, graphic design, historical development of typography, typeface, typeface classification, typography Utjecaj povijesnog razvoja tipografije na suvremenu klasifikaciju pisama Izvorni znanstveni članak Jedna je od definicija tipografije da je ona umjetnost odabira odgovarajućeg pisma za određeni projekt i njegova organizacija s ciljem ostvarenja što učinkovitije komunikacije. Da bi korisnik mogao odabrati pravo pismo za svoje potrebe treba prije svega dobro poznavati optičke ili geometrijske značajke tipografije, tipografska pravila i povijesni razvoj tipografije. -
Postscript Printer Description (PPD)
PostScript Printer Description File Format POSTSCRIPTR Specification Software From Adboe Adobe Developer Support Version 4.3 9 February 1996 Adobe Systems Incorporated Adobe Developer Technologies 345 Park Avenue San Jose, CA 95110 http://partners.adobe.com/ PN LPS5003 Copyright 1987-1996 by Adobe Systems Incorporated. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written consent of the publisher. Any software referred to herein is furnished under license and may only be used or copied in accordance with the terms of such license. PostScript is a registered trademark of Adobe Systems Incorporated. All instances of the name PostScript in the text are references to the PostScript language as defined by Adobe Systems Incorporated unless otherwise stated. The name PostScript also is used as a product trademark for Adobe Systems’ implementation of the PostScript language interpreter. Any references to a “PostScript printer,” a “PostScript file,” or a “PostScript driver” refer to printers, files, and driver programs (respectively) which are written in or support the PostScript language. The sentences in this book that use “PostScript language” as an adjective phrase are so constructed to reinforce that the name refers to the standard language definition as set forth by Adobe Systems Incorporated. PostScript, the PostScript logo, Display PostScript, Adobe, and the Adobe logo are trademarks of Adobe Systems Incorporated which may be registered in certain jurisdictions. Apple, AppleTalk, LaserWriter, and Macintosh are registered trademarks of Apple Computer, Inc.