Dynamic and Interactive R Graphics for the Web: the Gridsvg Package
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Toward the Discovery and Extraction of Money Laundering Evidence from Arbitrary Data Formats Using Combinatory Reductions
Toward the Discovery and Extraction of Money Laundering Evidence from Arbitrary Data Formats using Combinatory Reductions Alonza Mumford, Duminda Wijesekera George Mason University [email protected], [email protected] Abstract—The evidence of money laundering schemes exist undetected in the electronic files of banks and insurance firms scattered around the world. Intelligence and law enforcement analysts, impelled by the duty to discover connections to drug cartels and other participants in these criminal activities, require the information to be searchable and extractable from all types of data formats. In this overview paper, we articulate an approach — a capability that uses a data description language called Data Format Description Language (DFDL) extended with higher- order functions as a host language to XML Linking (XLink) and XML Pointer (XPointer) languages in order to link, discover and extract financial data fragments from raw-data stores not co- located with each other —see figure 1. The strength of the ap- Fig. 1. An illustration of an anti-money laundering application that connects proach is grounded in the specification of a declarative compiler to multiple data storage sites. In this case, the native data format at each site for our concrete language using a higher-order rewriting system differs, and a data description language extended with higher-order functions with binders called Combinatory Reduction Systems Extended and linking/pointing abstractions are used to extract data fragments based on (CRSX). By leveraging CRSX, we anticipate formal operational their ontological meaning. semantics of our language and significant optimization of the compiler. Index Terms—Semantic Web, Data models, Functional pro- II. -
O'reilly Xpath and Xpointer.Pdf
XPath and XPointer John E. Simpson Publisher: O'Reilly First Edition August 2002 ISBN: 0-596-00291-2, 224 pages Referring to specific information inside an XML document is a little like finding a needle in a haystack. XPath and XPointer are two closely related Table of Contents languages that play a key role in XML processing by allowing developers Index to find these needles and manipulate embedded information. By the time Full Description you've finished XPath and XPointer, you'll know how to construct a full Reviews XPointer (one that uses an XPath location path to address document Reader reviews content) and completely understand both the XPath and XPointer features it Errata uses. 1 Table of Content Table of Content ............................................................................................................. 2 Preface............................................................................................................................. 4 Who Should Read This Book?.................................................................................... 4 Who Should Not Read This Book?............................................................................. 4 Organization of the Book............................................................................................ 5 Conventions Used in This Book ................................................................................. 5 Comments and Questions ........................................................................................... 6 Acknowledgments...................................................................................................... -
Annotea: an Open RDF Infrastructure for Shared Web Annotations
Proceedings of the WWW 10th International Conference, Hong Kong, May 2001. Annotea: An Open RDF Infrastructure for Shared Web Annotations Jos´eKahan,1 Marja-Riitta Koivunen,2 Eric Prud’Hommeaux2 and Ralph R. Swick2 1 W3C INRIA Rhone-Alpes 2 W3C MIT Laboratory for Computer Science {kahan, marja, eric, swick}@w3.org Abstract. Annotea is a Web-based shared annotation system based on a general-purpose open RDF infrastructure, where annotations are modeled as a class of metadata.Annotations are viewed as statements made by an author about a Web doc- ument. Annotations are external to the documents and can be stored in one or more annotation servers.One of the goals of this project has been to re-use as much existing W3C technol- ogy as possible. We have reacheditmostlybycombining RDF with XPointer, XLink, and HTTP. We have also implemented an instance of our system using the Amaya editor/browser and ageneric RDF database, accessible through an Apache HTTP server. In this implementation, the merging of annotations with documents takes place within the client. The paper presents the overall design of Annotea and describes some of the issues we have faced and how we have solved them. 1Introduction One of the basic milestones in the road to a Semantic Web [22] is the as- sociation of metadata to content. Metadata allows the Web to describe properties about some given content, even if the medium of this content does not directly provide the necessary means to do so. For example, ametadata schema for digital photos [15] allows the Web to describe, among other properties, the camera model used to take a photo, shut- ter speed, date, and location. -
CSS Font Stacks by Classification
CSS font stacks by classification Written by Frode Helland When Johann Gutenberg printed his famous Bible more than 600 years ago, the only typeface available was his own. Since the invention of moveable lead type, throughout most of the 20th century graphic designers and printers have been limited to one – or perhaps only a handful of typefaces – due to costs and availability. Since the birth of desktop publishing and the introduction of the worlds firstWYSIWYG layout program, MacPublisher (1985), the number of typefaces available – literary at our fingertips – has grown exponen- tially. Still, well into the 21st century, web designers find them selves limited to only a handful. Web browsers depend on the users own font files to display text, and since most people don’t have any reason to purchase a typeface, we’re stuck with a selected few. This issue force web designers to rethink their approach: letting go of control, letting the end user resize, restyle, and as the dynamic web evolves, rewrite and perhaps also one day rearrange text and data. As a graphic designer usually working with static printed items, CSS font stacks is very unfamiliar: A list of typefaces were one take over were the previous failed, in- stead of that single specified Stempel Garamond 9/12 pt. that reads so well on matte stock. Am I fighting the evolution? I don’t think so. Some design principles are universal, independent of me- dium. I believe good typography is one of them. The technology that will let us use typefaces online the same way we use them in print is on it’s way, although moving at slow speed. -
Advanced XHTML Plug-In for Iserver
Advanced XHTML Plug-in for iServer Semester work Stefan Malaer <[email protected]> Prof. Dr. Moira C. Norrie Dr. Beat Signer Global Information Systems Group Institute of Information Systems Department of Computer Science 12th October 2005 Copyright © 2005 Global Information Systems Group. Abstract The iServer architecture is an extensible cross-media information platform enabling links between arbitrary typed objects. It provides some fundamental link concepts and is based on a plug-in mechanism to support various media types. The goal of this semester work was to develop a XHTML plug-in for iServer which enables links from XHTML documents to other XHTML documents as well as parts of them. The resulting iServext is a Firefox extension for iServer which provides visualization and authoring functionality for XHTML links. Furthermore, we investigated research in the area of link augmentation and provide an overview of recent technologies. iii iv Contents 1 Introduction 1 2 Augmented Linking 3 2.1 Need for augmented linking ........................... 3 2.1.1 Current link model ............................ 3 2.1.2 Approaches for link augmentation ................... 5 2.2 Related work .................................... 6 2.2.1 Chimera .................................. 6 2.2.2 Hyper-G/Hyperwave ........................... 6 2.2.3 Distributed Link Service ......................... 6 2.2.4 DHM/WWW and Extend Work ..................... 6 2.2.5 HyperScout ................................. 7 2.2.6 Link Visualization with DHTML ..................... 7 2.2.7 Amaya project ............................... 8 2.3 Link integration and authoring ......................... 9 2.4 Link visualization .................................. 11 2.4.1 Today’s link visualization ......................... 11 2.4.2 Possible presentations of link information .............. 11 2.4.3 Examples of link visualization ..................... -
Bibliography of Erik Wilde
dretbiblio dretbiblio Erik Wilde's Bibliography References [1] AFIPS Fall Joint Computer Conference, San Francisco, California, December 1968. [2] Seventeenth IEEE Conference on Computer Communication Networks, Washington, D.C., 1978. [3] ACM SIGACT-SIGMOD Symposium on Principles of Database Systems, Los Angeles, Cal- ifornia, March 1982. ACM Press. [4] First Conference on Computer-Supported Cooperative Work, 1986. [5] 1987 ACM Conference on Hypertext, Chapel Hill, North Carolina, November 1987. ACM Press. [6] 18th IEEE International Symposium on Fault-Tolerant Computing, Tokyo, Japan, 1988. IEEE Computer Society Press. [7] Conference on Computer-Supported Cooperative Work, Portland, Oregon, 1988. ACM Press. [8] Conference on Office Information Systems, Palo Alto, California, March 1988. [9] 1989 ACM Conference on Hypertext, Pittsburgh, Pennsylvania, November 1989. ACM Press. [10] UNIX | The Legend Evolves. Summer 1990 UKUUG Conference, Buntingford, UK, 1990. UKUUG. [11] Fourth ACM Symposium on User Interface Software and Technology, Hilton Head, South Carolina, November 1991. [12] GLOBECOM'91 Conference, Phoenix, Arizona, 1991. IEEE Computer Society Press. [13] IEEE INFOCOM '91 Conference on Computer Communications, Bal Harbour, Florida, 1991. IEEE Computer Society Press. [14] IEEE International Conference on Communications, Denver, Colorado, June 1991. [15] International Workshop on CSCW, Berlin, Germany, April 1991. [16] Third ACM Conference on Hypertext, San Antonio, Texas, December 1991. ACM Press. [17] 11th Symposium on Reliable Distributed Systems, Houston, Texas, 1992. IEEE Computer Society Press. [18] 3rd Joint European Networking Conference, Innsbruck, Austria, May 1992. [19] Fourth ACM Conference on Hypertext, Milano, Italy, November 1992. ACM Press. [20] GLOBECOM'92 Conference, Orlando, Florida, December 1992. IEEE Computer Society Press. http://github.com/dret/biblio (August 29, 2018) 1 dretbiblio [21] IEEE INFOCOM '92 Conference on Computer Communications, Florence, Italy, 1992. -
CSS Contenu / Mise En Forme 3 Séparer Contenu, Site Mise En Forme, Web Document Object Et Actions
Langages du Web 1 Langages du Web CSS Contenu / Mise en forme 3 Séparer contenu, Site mise en forme, Web Document Object et actions. DOM Model Cascading Style JS JavaScript Sheet CSS HyperText Markup Language HTML francois.piat@univ‐fcomte.fr CSS Cascading Style Sheet 4 Feuille de style en cascade : séparer contenu et forme. Pas d'attributs de mise en forme dans le code HTML CSS ≠ HTML. Un "mécanisme" avec sa propre syntaxe Contrôle précis de la mise en page et de la mise en forme Code HTML plus simple et plus court CCS 1 : décembre 1996 Propriétés de mise en forme et de rendu typographique CSS 2 : mai 1998 70 nouvelles propriétés (ex : positionnement à l'écran) Cascade : plusieurs de feuilles de styles mises en oeuvre CSS 2.1 : septembre 2009 ‐ Recommandation : 7 juin 2011 Supprime des parties de CSS 2 / corrections suivant les implémentations CSS 3 : en développement http://www.w3.org/Style/CSS/current‐work#roadmap francois.piat@univ‐fcomte.fr 2 Langages du Web CSS Contenu / Mise en forme 5 1994 1997 1999 2005 Maintenant JS JS HTML HTML CSS JS CSS HTML HTML JS HTML HTML "The Web technology stack is a complete mess." Ian Hickson – 08/01/2013 - http://html5doctor.com/interview-with-ian-hickson-html-editor/ francois.piat@univ‐fcomte.fr CSS Code CSS 6 h1 { background: url(images/trait.png) no‐repeat; color: #be7e11; font‐size: 28px; font‐weight: bold; width: 590px; } #bcContenu li .avatar { font: 16px/1.8 Arial, Verdana, sans‐serif; height: 50px; margin‐left: ‐60px; width: 50px; } francois.piat@univ‐fcomte.fr 3 Langages du -
The New Font Project: TEX Gyre
Hans Hagen, Jerzy Ludwichowski, Volker Schaa NAJAAR 2006 47 The New Font Project: TEX Gyre Abstract metric and encoding files for each font. We look for- In this short presentation, we will introduce a new ward to an extended TFM format which will lift this re- project: the “lm-ization” of the free fonts that come striction and, in conjunction with OpenType, simplify with T X distributions. We will discuss the project E delivery and usage of fonts in TEX. objectives, timeline and cross-lug funding aspects. We especially look forward to assistance from pdfTEX users, because the pdfTEX team is working on the implementation on the support for OpenType Introduction fonts. An important consideration from Hans Hagen: “In The New Font Project is a brainchild of Hans Ha- the end, even Ghostscript will benefit, so I can even gen, triggered mainly by the very good reception imagine those fonts ending up in the Ghostscript dis- of the Latin Modern (LM) font project by the TEX tribution.” community. After consulting other LUG leaders, The idea of preparing such font families was sug- Bogusław Jackowski and Janusz M. Nowacki, aka gested by the pdfTEX development team. Their pro- “GUST type.foundry”, were asked to formulate the pro- posal triggered a lively discussion by an informal ject. group of representatives of several TEX user groups — The next section contains its outline, as prepared notably Karl Berry (TUG), Hans Hagen (NTG), Jerzy by Bogusław Jackowski and Janusz M. Nowacki. The Ludwichowski (GUST), Volker RW Schaa (DANTE)— remaining sections were written by us. who suggested that we should approach this project as a research, technical and implementation team, and Project outline promised their help in taking care of promotion, integ- ration, supervising and financing. -
The Fontspec Package Font Selection for XƎLATEX and Lualatex
The fontspec package Font selection for XƎLATEX and LuaLATEX Will Robertson and Khaled Hosny [email protected] 2013/05/12 v2.3b Contents 7.5 Different features for dif- ferent font sizes . 14 1 History 3 8 Font independent options 15 2 Introduction 3 8.1 Colour . 15 2.1 About this manual . 3 8.2 Scale . 16 2.2 Acknowledgements . 3 8.3 Interword space . 17 8.4 Post-punctuation space . 17 3 Package loading and options 4 8.5 The hyphenation character 18 3.1 Maths fonts adjustments . 4 8.6 Optical font sizes . 18 3.2 Configuration . 5 3.3 Warnings .......... 5 II OpenType 19 I General font selection 5 9 Introduction 19 9.1 How to select font features 19 4 Font selection 5 4.1 By font name . 5 10 Complete listing of OpenType 4.2 By file name . 6 font features 20 10.1 Ligatures . 20 5 Default font families 7 10.2 Letters . 20 6 New commands to select font 10.3 Numbers . 21 families 7 10.4 Contextuals . 22 6.1 More control over font 10.5 Vertical Position . 22 shape selection . 8 10.6 Fractions . 24 6.2 Math(s) fonts . 10 10.7 Stylistic Set variations . 25 6.3 Miscellaneous font select- 10.8 Character Variants . 25 ing details . 11 10.9 Alternates . 25 10.10 Style . 27 7 Selecting font features 11 10.11 Diacritics . 29 7.1 Default settings . 11 10.12 Kerning . 29 7.2 Changing the currently se- 10.13 Font transformations . 30 lected features . -
CVAA Support Within the Kaltura Player Toolkit Last Modified on 06/21/2020 4:25 Pm IDT
CVAA Support within the Kaltura Player Toolkit Last Modified on 06/21/2020 4:25 pm IDT The Twenty-First Century Communications and Video Accessibility Act of 2010 (CVAA) focuses on ensuring that communications and media services, content, equipment, emerging technologies, and new modes of transmission are accessible to users with disabilities. All Kaltura players that use the Kaltura Player Toolkit are now CVAA compliant by default and are based on on Twenty-First Century Communications and Video Accessibility Act of 2010 (CVAA). The player includes capabilities for editing the style and display of captions and can be modified by the end user. The closed captions styling editor includes easy to use markup and testing controls. The Kaltura Player v2 delivers a great keyboard input experience for users and a seamless browser-managed experience for better integration with web accessibility tools. This is in addition to including the capability of turning closed captions on or off. Features The Kaltura Player v2 CVAA features include: Studio support - Enable options menu Captions types: XML, SRT/DFXP, VTT(outband) Displaying and changing fonts in 64 color combinations using eight standard caption colors currently required for television sets. Adjusting character opacity Ability to adjust caption background in eight specified colors. Copyright ©️ 2019 Kaltura Inc. All Rights Reserved. Designated trademarks and brands are the property of their respective owners. Use of this document constitutes acceptance of the Kaltura Terms of Use and Privacy Policy. 1 Ability to adjust character edge (i.e., non, raised, depressed, uniform or drop shadow). Ability to adjust caption window color and opacity. -
Table of Contents
CentralNET Business User Guide Table of Contents Federal Reserve Holiday Schedules.............................................................................. 3 About CentralNET Business ......................................................................................... 4 First Time Sign-on to CentralNET Business ................................................................. 4 Navigation ..................................................................................................................... 5 Home ............................................................................................................................. 5 Balances ........................................................................................................................ 5 Balance Inquiry Terms and Features ........................................................................ 5 Account & Transaction Inquiries .................................................................................. 6 Performing an Inquiry from the Home Screen ......................................................... 6 Initiating Transfers & Loan Payments .......................................................................... 7 Transfer Verification ................................................................................................. 8 Reporting....................................................................................................................... 8 Setup (User Setup) ....................................................................................................... -
Identity & Style Guide
IDENTITY & STYLE GUIDE KELLER WILLIAMS IDENTITY & STYLE GUIDE 08.20 THE PURPOSE OF THIS GUIDE Keller Williams believes that real estate is a local business, driven by individual agents and the market share they’ve earned. This conviction is at the core of everything we do and why we will remain forever committed to being a powerful platform upon which agents can build their brand, grow their business, and fund big lives for themselves and their families. Because you are a stakeholder in Keller Williams’ success, we ask that you carefully review the information contained within this guide in order to ensure that your marketing materials are in compliance with our brand’s established guidelines – guidelines that will help protect you legally and create a strong, unifying standard; reflective of the world’s largest and most powerful real estate franchise. The Keller Williams brand is an asset to your business only if we safeguard it. Thank you for helping with this effort and being part of the Keller Williams family. KELLER WILLIAMS IDENTITY & STYLE GUIDE 08.20 KELLER WILLIAMS IDENTITY & STYLE GUIDE 1.0 Compliance Overview 5.0 Primary Logo Standards 1.1 Market Center DBA Logo 5.1 Primary Logo 1.2 Ownership Statement 5.2 Informal Logos 1.3 Local Regulations 5.3 Surrounding Space Restrictions 5.4 Size Restrictions 2.0 Marketing - Signage 5.5 Unacceptable Executions 2.1 Yard Signs - Structure 2.2 Yard Signs - Examples 6.0 Colors 2.3 Yard Signs - Team-Branded Examples 6.1 Color Palette 2.4 Reception Area Signage 6.2 Market Center DBA Logo - Full-Color