Imaginary Voyages INTRODUCTION
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Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, Non-Member; $1.35, Member) JOURNAL CIT Arizona English Bulletin; V15 N1 Entire Issue October 1972
DOCUMENT RESUME ED 091 691 CS 201 266 AUTHOR Donelson, Ken, Ed. TITLE Science Fiction in the English Class. INSTITUTION Arizona English Teachers Association, Tempe. PUB DATE Oct 72 NOTE 124p. AVAILABLE FROMKen Donelson, Ed., Arizona English Bulletin, English Dept., Ariz. State Univ., Tempe, Ariz. 85281 ($1.50); National Council of Teachers of English, 1111 Kenyon Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, non-member; $1.35, member) JOURNAL CIT Arizona English Bulletin; v15 n1 Entire Issue October 1972 EDRS PRICE MF-$0.75 HC-$5.40 PLUS POSTAGE DESCRIPTORS Booklists; Class Activities; *English Instruction; *Instructional Materials; Junior High Schools; Reading Materials; *Science Fiction; Secondary Education; Teaching Guides; *Teaching Techniques IDENTIFIERS Heinlein (Robert) ABSTRACT This volume contains suggestions, reading lists, and instructional materials designed for the classroom teacher planning a unit or course on science fiction. Topics covered include "The Study of Science Fiction: Is 'Future' Worth the Time?" "Yesterday and Tomorrow: A Study of the Utopian and Dystopian Vision," "Shaping Tomorrow, Today--A Rationale for the Teaching of Science Fiction," "Personalized Playmaking: A Contribution of Television to the Classroom," "Science Fiction Selection for Jr. High," "The Possible Gods: Religion in Science Fiction," "Science Fiction for Fun and Profit," "The Sexual Politics of Robert A. Heinlein," "Short Films and Science Fiction," "Of What Use: Science Fiction in the Junior High School," "Science Fiction and Films about the Future," "Three Monthly Escapes," "The Science Fiction Film," "Sociology in Adolescent Science Fiction," "Using Old Radio Programs to Teach Science Fiction," "'What's a Heaven for ?' or; Science Fiction in the Junior High School," "A Sampler of Science Fiction for Junior High," "Popular Literature: Matrix of Science Fiction," and "Out in Third Field with Robert A. -
Voyages Towards Utopia: Mapping Utopian Spaces in Early-Modern French Prose
Voyages Towards Utopia: Mapping Utopian Spaces in Early-Modern French Prose By Bonnie Griffin Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in French Literature March 31st, 2020 Nashville, TN Approved: Holly Tucker, PhD Lynn Ramey, PhD Paul Miller, PhD Katherine Crawford, PhD DEDICATIONS To my incredibly loving and patient wife, my supportive family, encouraging adviser, and dear friends: thank you for everything—from entertaining my excited ramblings about French utopia, looking at strange engravings of monsters on maps with me, and believing in my project. You encouraged me to keep working and watched me create my life’s most significant work yet. ii ACKNOWLEDGEMENTS I would like to thank my adviser and mentor Holly Tucker, who provided me with the encouragement, helpful feedback, expert time-management advice, and support I needed to get to this point. I am also tremendously grateful to my committee members Lynn Ramey, Paul Miller, and Katie Crawford. I am indebted to the Robert Penn Warren Center for the Humanities, for granting me the necessary space, time, and resources to prioritize my dissertation. I wish to thank the Department of French and Italian, for taking a chance on a young undergrad. I also wish to acknowledge the Vanderbilt University Special Collections team of archivists and librarians, for facilitating my access to the texts that would substantially inform and inspire my studies, as well as the Beinecke Rare Book and Manuscript Library. I also wish to thank Laura Dossett and Nathalie Debrauwere-Miller for helping me through the necessary processes involved in preparing for my defense. -
THEOLOGICAL ISSUES in POST-APOCALYPTIC FICTION and CORMAC Mccarthy's the ROAD a Thesis Submitted
“EVER IS NO TIME AT ALL”: THEOLOGICAL ISSUES IN POST-APOCALYPTIC FICTION AND CORMAC McCARTHY’S THE ROAD A Thesis submitted to the Faculty of The School of Continuing Studies and of The Graduate School of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Studies By Zachary Christian Swartz, B.A. Georgetown University Washington D.C. December 3, 2009 “EVER IS NO TIME AT ALL”: THEOLOGICAL ISSUES IN POST-APOCALYPTIC FICTION AND CORMAC McCARTHY’S THE ROAD Zachary Christian Swartz, B.A. Mentor: William O’Brien, Ph.D. ABSTRACT As a sub-genre of science fiction, post-apocalyptic fiction typically presents a scenario in which human life continues after some cataclysmic event has decimated the world’s population. Its aims are thus congruent with those of biblical apocalyptic literature, which characteristically promises that the current world will be destroyed and replaced with one that is new and reserved only for the steadfast and the faithful. This thesis explores science fiction’s compatibility with biblical apocalyptic literature and examines how post-apocalyptic fiction has become one of the most relevant modern genres for serious theological consideration. To this end, this thesis considers the literary influences of science fiction and biblical apocalyptic literature, the ideas and imagery of the biblical book of Revelation, and the theological significance of Cormac McCarthy’s The Road , a representative work of post-apocalyptic fiction. Such an examination reveals the ways in which post- apocalyptic fiction utilizes the themes and symbols of biblical and apocalyptic literature to present similar warnings, similar promises, and similar appeals to steadfast faith. -
On the Folk Circuit, Actor Jeff Daniels Aims to Be Fingerpickin' Good
on the Leno show/ Singing some song that nobody On the folk circuit, knows/ He’s got an Oscar, now he’s got a guitar/ Just actor Jeff Daniels like that, he’s a rock-and-roll star.” So it’s meant as a compliment to say that you’d likely aims to be never guess it was Daniels playing if you heard one of fingerpickin’ good his folk tunes on the radio. People tend to get a “a bit of shock,” when they hear him for the first time, says Daniels, an able By Lauren Daley GLOBE CORRESPONDENT fingerpicker who has a Martin guitar named after him AUGUST 02, 2018 (the Martin OM Jeff Daniels Custom Signature Edition), nine albums on Spotify, and a penchant for mixing witty wordplay with serious heartache. His jukebox heartbreaker “She Don’t Love Me,” for example, is straight from the John Prine school of songwriting (“It’s not that she don’t love me, she just don’t like me anymore.”) The Emmy- and Golden Globe-winning, Tony- nominated actor is known to fans, depending on the fan, as the guy from “Something Wild” or “Dumb and Dumber” or “The Squid and the Whale” or “Terms of Endearment” or HBO’s “The Newsroom” . The genre-blurring list goes on. Daniels recently earned two more Emmy nods — supporting actor in a limited series in the Netflix western “Godless,” and lead actor in a limited series in Hulu’s “The Looming Tower.” LUKE PLINE Jeff Daniels Yet bonafide musicians, it would seem, have welcomed Daniels into their tribe: He’s shared the When you hear that an actor is venturing into music, stage with Lyle Lovett, John Hiatt, Joe Ely, Guy Clark, you don’t expect to be wowed. -
Sting in the Tale Music Credits
composer Allan Zavod Music Fairlight Performances Allan Zavod Music Recorded at Music & Effects Sound Laboratory Melbourne Scoring Engineers Doron Kipen Mark Ingram Composer Allan Zavod: At one time, Allan Zavod's web site could only be found at the Wayback Machine here, with Zavod's wiki, here, replicated much of the information on his original website. Subsequently, Zavod’s eponymous website revived, and could be found here. Googling his name also produced much information, performances on YouTube, etc. Zavod's website provided this CV up to 2001, and a credit listing: Often described as a keyboard wizard Allan Zavod a graduate of Melbourne Conservatorium was discovered by Duke Ellington who after hearing him playing jazz piano arranged for him to study at Berklee School of Music where he later held a post as professor of music. Based in the USA for 20 years he played, recorded and toured with many music greats including Glen Miller Orchestra, Woody Herman Orchestra, Maynard Ferguson Big Band, Cab Calloway, Jean Luc-Ponty and George Benson, culminating in a 1984 world tour with the legendary Frank Zappa. America’s music bible "Downbeat Magazine" named Zavod one of the USA’s Top 10 Keyboardists of the 80’s. He has received grants and commissions to compose, orchestrate and perform original works throughout the world. Representing Australia in 1987 he won the Asia Broadcasting Union Popular Song Contest in Kuala Lumper viewed by an audience exceeding 800 million. In 1988 the Australia Council commissioned him to compose "Concerto Australiana" a classical/jazz fusion three movement work for piano, orchestra and jazz ensemble which was performed at the Bicentennial Australia Day Celebrations, live on ABC television at the Sydney Opera House. -
Ed 322 064 Title Institution Pub Date Pub Type Edrs Price
DOCUMENT RESUME ED 322 064 SO 030 096 TITLE National Endowment for the Humanities: 24th Annual Report. INSTITUTION National Endowment for the Humanities (NFAH), Washington, D.C. PUB DATE 89 NOTE 194p. PUB TYPE Reports - Descriptive (141) -- Books (010) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Annual Reports; FederalPrograms; *Grants; *Humanities; HumanitiesInstruction; *Public Agencies IDENTIFIERS *National Endowment forthe Humanities ABSTRACT The National Endowment for the Humanities was established in 1965 as an independent, grant-making agency of the U.S. government. The Endowment supports scholarly research, education, and public programs in the humanities. This report lists federal funds obligated for grants made in fiscal year 1989 through the Endowment's five divisions: Education Programs, Fellowships and Seminars, General Programs, Research Programs, and State Programs; and two offices: the Office of Challenge Grants and the Office of Preservation. Grant listings are preceded by a brief introduction describing the nature and purposes of the programs administered by each division. The grants themselves are listed in alphabetical order according to each grant-making program. Among the other materials presented in the report are a list of Endowment panelists in fiscal year 1959, the recipients of the Charles Frankel Prize, and the financial report for fiscal year 1989. (DB) ********************************************************************* Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** ILY1.01 SO NATIONAL ENDOWMENT FOR THE HUMANITIES 24TH ANNUAL REPORT 1989 BEST COPY AVAILABLE National Endowment for the humanities Washington, D.C. 20506 ISSN 8755-5492 4 NATIONAL ENDOWMENT FOR THE HUMANITIES 24TH ANNUAL REPORT 1989 2 ik:A' .-°\ It1)71:14q4, ! s' : 9, ce4.4,1 0.4,4T,-....41 .T , bi: ti, . -
Jean-Luc Ponty Cosmic Messenger Mp3, Flac, Wma
Jean-Luc Ponty Cosmic Messenger mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Cosmic Messenger Country: Brazil Released: 1978 Style: Fusion, Jazz-Rock MP3 version RAR size: 1504 mb FLAC version RAR size: 1533 mb WMA version RAR size: 1467 mb Rating: 4.1 Votes: 490 Other Formats: VQF TTA FLAC AUD AIFF MMF APE Tracklist A1 Cosmic Messenger 4:38 A2 The Art Of Happiness 4:33 A3 Don't Let The World Pass You By 6:23 A4 I Only Feel Good With You 3:05 B1 Puppets' Dance 3:40 B2 Fake Paradise 5:41 B3 Ethereal Mood 4:03 B4 Egocentric Molecules 5:44 Companies, etc. Pressed By – Specialty Records Corporation Recorded At – Cherokee Studios Recorded At – Chateau Recorders Mixed At – Chateau Recorders Mastered At – Sterling Sound Produced For – JLP Productions Inc. Published By – YTNOP Music Published By – Jean-Luc Ponty Manufactured By – Atlantic Recording Corporation Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Atlantic Recording Corporation Credits Composed By, Orchestrated By – Jean-Luc Ponty Design Concept – Claudia Ponty Drums, Percussion – Casey Scheuerell Electric Bass – Ralphe Armstrong Engineer [Assistant] – Brian Leshon, Chris Gregg, Rick Collins, Russ Bracher* Engineer, Mixed By – Ed. E. Thacker* Guitar – Joaquin Lievano*, Peter Maunu Keyboards – Allan Zavod Mastered By [Mastering Engineer] – Greg Calbi Painting – Daved Levitan Photography By [Back Cover Photo] – Gary Heery Photography By [Inner Sleeve] – Sam Emerson Producer – Jean-Luc Ponty Violin [Electric], Keyboards – Jean-Luc Ponty Notes Label variation, pressed at Specialty Products, Olyphant, Pennsylvania ("SP"-suffix matrix on labels). Recorded at Cherokee Studios, Hollywood, California, and Chateau Recorders, North Hollywood, California. -
What's Blazz? Planned 24 Page Issue to 30 Recreation Building Lawn
PUBLISHED' 101ST YEAR TH CAMP SINCE OF ALLEGHENY COLLEGE 1876 VOL 101, NOo 22 MEADVILLE, PENNSYLVANIA Wednesday, May 3, 197 4 Sun Day Celebrates Solar Energy by yJanet Spencer tions, concerts and other pro- heny's celebration includes a grams will take place in com- Solar Fair on the Campus Center Allegheny College will par- munities in all 50 states. On an front lawn throughout the after- ticipate in Sun Day, an inter- international level, Sun Day noon. WARC will broadcast sun national celebration of solar activities are planned in 19 songs from the C.C. lawn. energy, on Wednesday, May 3. countries, and representatives of Commercial and honlemade The purpose of Sun Day is to 65 other nations have expressed solar products will be exhibited. focus on solar technology. interest in participating in Sun On display will be a large solar Sun Day conferences, Day programs. collector which is ready for energy fairs, solar demonstra- The lighter side of Alleg- installation next week in an Indiana, Pa. home. Smaller solar products such as watches and ASG Fu nds Etre calculators also will be demon- strated. additional $200 should be spent In an otherwise uneventful Information booths, a on an experimental first issue. meeting, Allegheny Student bake sale, live music, and Sun The funding was passed in a 21-7 Government spent nearly the Day buttons and T-shirts will all vote. entire forty minute meeting last contribute to the Solar Fair fun. A new addition to ASG Sunday discussing the budgeting At 6:00 free ice cream was the distribution of a calen- of an additional $200 for Sundaes will be served in the dar detailing the student gov- publishing the first issue of the C.C. -
The Lion in the Pi T by Kevin R
Students Sit in Eustis REL S to Issue Statement in Ap ril by Nick Mencher President Strider met with a delegation of four students on Monday afternoon while a group of stu- dents sat talking and studying in the hall outside his office on the third floor of Eustis. The sit-in was con- vened to impress the President with the importance of the problem of student representation in the decision- making process here at Colby. About thirty students particip ated in the demonstration. The representatives of the protesting students Evan Stover, Rob Lenk , Ehry Groothoff , and Jeff Gotts- feld , met with the President for nearly an hour. Dean Dean Smith and Dean Jenson were also present at the closed meeting. Before thejneeting began, members of the dele- gation outlined the points they planned to bring up to Strider. The group planned to ask for a public statement by the President at the conclusion of the meeting to the effect that he recognized the existance of a problem re- garding student representation, and a statement from the faculty and administartion by this Friday on their view Students wait outside President Strider's office. (photo by Susie Gernert) of what the student's role should be in the enactment of college academic policy. faculty make the decisions. But he feels there's room means. It was very vague.'! Strider also said in regard After the meeting ended at 3:30, President Strider for change." to the question of whether he thought a problem exist- announced to the students, "I have agreed as soon as The suggestions for change, taken from the notice ed involving student participaiton in the school's deci- I have time to prepare a statement of the student role circulated by the Common Sense Group, were: firstly, sion making process, "It is the degree that there's a prob in the decision making process. -
Culp, Mary Beth, Ed. Thematic Units in Teaching English and The
DOCUMENT RESUME ED 119 181 CS 202 401 AUTHOR Spann, Sylvia, Ed.; Culp, Mary Beth, Ed. TITLE Thematic Units in Teaching English and the Humanities. INSTITUTION National Council of Teachers of English, Urbana, PUB" DATE 75 NOTE 180p.; Some material removed due to copyright restrictions prior to pagination AVAILABLE FROM National Council of Teachers of English, 1111 Kenyon Rd., Urbana, Illinois 61801 (Stock No. 53739--loose leaf $4.95 non-members, $4.50 member; Stock No. 53720--with binder $6.95 non-member, $6.50 member) EDRS PRICE MF-$0.83 HC-$10.03 Plus Postage DESCRIPTORS Death; *English Instruction; Film Production; Folk Culture; *Humanities Instruction; Lesson Plans; Literary Genres; Mass Media; Older Adults; Poetry; Secondary Education; Teaching Guides; *Thematic Approach IDENTIFIERS Utopia ABSTRACT This book is dedicated to the use of a humanistic, thematic approach to the teaching of English. The chapters deals with such topics as teaching poetry, teaching American folklore and tradition, and helping students achieve greater self-knowledge and self-understanding through using the "speaking voice" in oral and written communication. The book also contains units on filmmaking, media and the representation of life, death, utopia, the concept of the hero, individual conscience versus established authority, growing old, the world of the occult, sports literature, and the future. Each unit is written by a different teacher and contains the teacher's comments on the unit as well as an overview, the general objectives of the unit, and measures for evaluating the objectives of the unit. A daily lesson plan is delineated and resources for the unitsare listed. -
Jean-Luc Ponty Imaginary Voyage Mp3, Flac, Wma
Jean-Luc Ponty Imaginary Voyage mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Imaginary Voyage Country: Brazil Released: 1977 Style: Jazz-Rock, Space Rock, Fusion MP3 version RAR size: 1217 mb FLAC version RAR size: 1333 mb WMA version RAR size: 1569 mb Rating: 4.3 Votes: 700 Other Formats: ADX AAC MP4 VOC ASF AAC MMF Tracklist A1 New Country 3:07 A2 The Gardens Of Babylon 5:06 A3 Wandering On The Milky Way (Violin Solo) 1:50 A4 Once Upon A Dream 4:08 A5 Tarantula 4:04 Imaginary Voyage (19:55) B1 Part I 2:22 B2 Part II 4:05 B3 Part III 5:28 B4 Part IV 8:00 Companies, etc. Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Atlantic Recording Corporation Produced For – J.L.P. Productions, Inc. Published By – Ytnop Music Recorded At – Kendun Recorders Mixed At – Paramount Studios Mastered At – Atlantic Studios Pressed By – Specialty Records Corporation Manufactured By – Atlantic Recording Corporation Credits Design Concept, Design – Bill Harvey* Electric Bass – Tom Fowler Electric Guitar, Acoustic Guitar – Daryl Stuermer Engineer – Larry Hirsch Engineer [Assistant] – Burt Szerlip Keyboards [Electric], Piano [Acoustic] – Allan Zavod Management [Personal Management] – Michael Davenport Management [Road Manager] – Chase Williams Mastered By – George Piros Percussion – Mark Craney Photography By [Cover Photo] – Peter D'Aprix Producer, Arranged By, Composed By, Violin [Electric, Acoustic], Organ, Synthesizer [Background Synthesizers] – Jean-Luc Ponty Notes Published by Ytnop Music (BMI) Recorded at Kendun Studios, Burbank, California - July and August 1976. Mixed at Paramount Studios, Los Angeles, California - August 1976. Mastered at Atlantic Recording Studios. -
Mémoire Violon Jazz Surligné
Missemer Perrine Mémoire DEM 2017/18 Le violon dans l’histoire du Jazz de g. a d. : Stephane Grappelli, Eddie South, Didier Lockwood Le violon dans l’histoire du Jazz Perrine MISSEMER Page !1 Missemer Perrine Mémoire DEM 2017/18 Index: Introduction:……………………………… 4 Une définition du Jazz Pourquoi le violon? Origines:…………………………………. 5 Blues…………………………………………….. 5 violonistes de reference……………………………… 6 Country…………………………………………. 8 old time……………………………………………………. 8 western swing…………………………………………… 10 bluegrass ………………………………………………… 10 violonistes de référence………………………………. 11 violonistes contemporains……………………………. 13 Swing:……………………………………… 15 jazz symphonique……………………………………………… 15 jazz manouche………………………………………………….. 16 premiers violonistes solistes de jazz……………………… 18 violonistes contemporains issus du swing……………… 27 BeBop:…………………………………….. 36 Violonistes de référence……………………………………… 36 Le violon dans l’histoire du Jazz Perrine MISSEMER Page !2 Missemer Perrine Mémoire DEM 2017/18 Jazz modal:……………………………… 40 violonistes de reference……………………………………… 41 violonistes contemporains………………………………… 42 Free jazz:………………………………… 44 violonistes de reference……………………………………. 45 Jazz contemporain………………………… 48 violonistes contemporains………………………………… 49 Jazz Fusion:……………………………. 51 Jazz Funk…………………………………….. 51 Hip hop…………………………………………………….. 54 Latin Jazz…………………………………………… 55 Jazz brésilien………………………………………………. 55 Tango………………………………………………………… 57 Jazz Rock…………………………………………. 58 Violonistes de référence……………………………… 58 Jazz métissé…………………………………… 60 Historique du violon électrique……. 64 Conclusion……………………………….