DOCSLIB.ORG

May 1990 Magazine Publishers of America

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
May 1990 Magazine Publishers of America Cover Photo by Rick Malkin 18 DON HENLEY As a budding musician, Don Henley may not have planned on someday elevating the world's respect for the word "drummer." But his role as singer/songwriter/drummer for the Eagles, and the success of his subsequent solo albums, have done just that. In this exclusive interview, Don discusses what's involved when words are as important as rhythms to today's drummer. by Robert Santelli Malkin Rick by JASON Photo 24 BONHAM Having a famous parent can be as damaging to one's own career as it can be beneficial. Not so for Jason Bonham, though, simply because he can play. In this feature, Jason describes how he regards—and disregards—timekeeping with his hot new band, Bonham. by Robyn Flans TERRY CLARKE 28 LaFerman As a key creative rhythmic force in the bands of guitarist Jim Hall, big band leaders Joe Roccisano, Toshiko Akiyoshi, and Glenn by Rob McConnell, and mallet master Dave Samuels, Terry Photo Clarke has proven himself one of the most sympathetic and flexible drummers on the jazz circuit. Here Clarke discusses the whys and hows of such a diverse career. by Adam Budofsky WINTER NAMM '90 32 New and exciting drum and percussion gear from January's NAMM show. photo-essay by Rick Van Horn Mauro Aldo by MD TRIVIA CONTEST 108 Photo Win a DW hi-hat stand and bass drum pedals! COLUMNS VOLUME 14, NUMBER 5 EQUIPMENT DEPARTMENTS ROCK THE JOBBING PRODUCT EDITOR'S PERSPECTIVES DRUMMER CLOSE-UP OVERVIEW Combining Drums And The Wedding Gig Ludwig Sticks And 4 Percussion by Earl and Heads by Kenny Aronoff Stephanie Bennett by Rick Van Horn READERS' 46 62 40 PLATFORM 6 ROCK 'N' JAZZ TAKING CARE Yamaha YX330 CLINIC OF BUSINESS Xylophone ASK A PRO by Norman Weinberg Ghost Strokes: Part 1 The Independent 12 42 by Rod Morgenstein Drummer 52 by Michael Lee Briggs IT'S ELECTRONIC 64 QUESTIONABLE Auditioning REVIEW CONCEPTS 14 Luck by Vinnie Appice sYbil by Roy Burns 65 by Norman Weinberg DRUM MARKET 56 44 MASTER CLASS 116 DRUM SOLOIST Portraits In Rhythm: PROFILES Etude #22 PHOTO GALLERY Roy Haynes: UP & COMING by Anthony J. Cirone Elvin Jones "Peau Douce" 68 Johnny Dee by Joost Leijen Transcribed by by Teri Saccone 120 Dave Holland 48 58 SHOW REVIEWS NEWS DRUMMERS' ON TAPE UPDATE INDUSTRY SEMINAR 66 Giant's David Lyndon HAPPENINGS Wesley Pryor Huff, Bob Dalton of It Skidmore Jazz Scholar- by Rick Van Horn Bites, John Stacy, and ship, MD Trivia Win- 54 Hans Perrson of Flesh ner, plus other Indy For Lulu, plus News News A DIFFERENT VIEW 8 112 Jean-Luc Ponty by William F. Miller 60 MODERN DRUMMER EDITOR/PUBLISHER ADVISORY BOARD Ronald Spagnardi Henry Adler, Kenny Aronoff, Louie Bellson, Bill Bruford, Roy ASSOCIATE PUBLISHER Burns, Jim Chapin, Alan Dawson, Dennis DeLucia, Les DeMerle, Isabel Spagnardi Len DiMuzio, Charlie Donnelly, Peter Erskine, Vic Firth, Danny MANAGING EDITOR Gottlieb, Sonny Igoe, Jim Keltner, Rick Van Horn Mel Lewis, Larrie Londin, Peter Magadini, George Marsh, Joe Morello, Andy Newmark, Neil FEATURES EDITOR Peart, Charlie Perry, Dave Samuels, William F. Miller John Santos, Ed Shaughnessy, Steve Smith, Ed Thigpen. On Paying Dues ASSOCIATE EDITOR CONTRIBUTING WRITERS Susan Alexander, Robyn Flans, Adam Budofsky We often hear musicians refer to working your way up from the Simon Goodwin, Karen Ervin depths of the music business as "paying your dues." Most Pershing, Jeff Potter, Teri Saccone, established players, at some point, have had to endure the trials CONTRIBUTING EDITOR Robert Santelli, Robin Tolleson, Lauren Vogel, T. Bruce Wittet. and tribulations of the dues-paying years. Few musicians progress Rick Mattingly on a straight line from their practice rooms to record deals, MODERN DRUMMER Magazine headline status, or the security of studio work. EDITORIAL ASSISTANT (ISSN 0194-4533) is published Dues paying is about those less-than-favorable musical Karen Walsh monthly with an additional issue experiences we seem to encounter along the way, particularly at in July by MODERN DRUMMER the early stages of a musical career. Long, hard nights in the worst Publications, Inc., 870 Pompton ART DIRECTOR Avenue, Cedar Grove, NJ 07009. rooms imaginable (usually owned by a musical genius named Terry Kennedy Second-Class Postage paid at Vito), is just one classic example. Poorly managed tour itineraries, Cedar Grove, N) 07009 and at with questionable accommodations and pay, is another. For some, ASSISTANT ART DIRECTOR additional mailing offices. Copy- the real meaning of paying dues lies in working with bands that right 1990 by Modern Drummer fall beneath their own musical level. A pretty frustrating situation, Scott G. Bienstock Publications, Inc. All rights indeed. reserved. Reproduction without the The successful musician rarely looks back upon all this with ADMINISTRATIVE MANAGER permission of the publisher is any great affection. These aren't exactly the fun years of a Tracy A. Kearns prohibited. musician's life. But what about the positive aspects of paying EDITORIAL/ADVERTISING/ dues? Are there any to speak of? It's difficult to find much favorable ADMINISTRATIVE ASSISTANT ADMINISTRATIVE OFFICES: to say about a time most would prefer to forget, but I do think we Joan C. Stickel Modern Drummer Publications, gain a lot more than we realize from the experience. 870 Pompton Avenue, Cedar These are the years in which we gain that all-important playing Grove, NJ 07009. Tel.: (201) 239- ADVERTISING DIRECTOR experience. It's a perfect opportunity to fine-tune our abilities 4140. Bob Berenson over a period of time. From a musical standpoint, we actually learn as much from the bad experiences as we do from the good. MANUSCRIPTS: Modern Drummer SALES AND MARKETING welcomes manuscripts, however, The dues-paying years are a training ground for the musician, cannot assume responsibility for DIRECTOR comparable to baseball's minor leagues or football's rookie camp. them. Manuscripts must be accom- It's a chance to learn about the real meaning of discipline, Crystal W. Van Horn panied by a self-addressed, musicianship, and professionalism, and develop the character stamped envelope. and maturity we need to progress to the next level. MAIL ROOM SUPERVISOR MUSIC DEALERS: Modern For some, this painful period becomes just too much to bear, Leo Spagnardi and many throw in the towel. But the truly dedicated and talented Drummer is available for resale at players among us rarely opt for that alternative. They somehow bulk rates. Direct correspondence CONSULTANT to Modern Drummer, Dealer find the strength to make it through. The determined ones search TO THE PUBLISHER Service, PO Box 389, Mt. Morris, IL out the positive aspects of every situation, hard as they might be Arnold E. Abramson 61054. Tel.: (800)-334-DRUM or to find at times. They absorb much from the rough years, and 815-734-6013. when things get particularly bleak, they think about what else they might do that could be any better than playing music and SUBSCRIPTIONS: $25.95 per year; $46.95, two years. getting paid for it. Those who make it through also have a much Single copies $2.95. greater appreciation for the upside of the business when the dues SUBSCRIPTION CORRESPONDENCE: Modern Drummer, P.O. Box paying ends. And it does end sooner or later. 480, Mt. Morris, IL 61054-0480. Change of address: Allow at least six Think of paying dues as a personal testing ground, a sacrifice weeks for a change. Please provide both old and new address. Toll Free you need to make before you're given the privilege of doing what Phone: 1-800-435-0715. you want to do most with your life. Look for the benefits you're POSTMASTER: Send address changes to Modern Drummer, P.O. Box deriving from whatever musical situation you find yourself in, 480, Mt. Morris, IL 61054. and then do the very best you can with it. You're probably gaining a lot more ground than you realize. Do this, and I'm sure you'll find those dues-paying years that much easier to endure. A Member Of: Audit Bureau Of Circulations membership applied for. ISSUE DATE: May 1990 Magazine Publishers of America CHARLIE WATTS fortunate reality is that the jazz message was shown as using such a set in the I am writing in regards to your February hasn't been able to project with the impact catalog's "Artist" section. cover article by Rick Mattingly on long- that the pop and rock messages have car- John Perry Penn time Rolling Stones drummer Charlie Watts. ried. As a result, the message-carriers like Houma LA I found it to be both insightful and educa- Frederick have needed vehicles like Modern tional. Charlie is a drummer I have always Drummer to get the word out to the masses. Regarding a letter from M.J., of Stockholm, admired, because of his serious, open- I would have loved having the opportunity Sweden, in your February It's Questionable minded approach to both his drumming to correspond with Frederick, and would department, I thought it should be added and to other drummers. He really seemed have loved even more hearing him play in to the record that Sonor also produced "see- to hold the band together. I was also pleas- person. I'm deeply sorry that neither of those through" drums during the mid '70s into antly surprised to learn that his musical possibilities exists now, but I'm going to do the early '80s. Sonor's acrylic shells were roots are in jazz, and found his knowledge my damndest to get as much of his mes- 6mm thick, with a double-V weld, which on the subject to be very helpful.
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales.
    [Show full text]
  • James Taylor: Making Music and Memories by John Fries
    Pittsburgh Boomers | August 2005 James Taylor: Making Music and Memories By John Fries If you went to high school during the 1970's, as I did, you'll recall a lot of really great music -- on the radio, in the school cafeteria at lunchtime, and on the eight track tapes you punched into your car dashboards at night while driving around. While the musical landscape offered something for everyone, much of it seemed to fall into two distinct categories: straight-ahead rock and top 40 pop. Here in Pittsburgh, we were either tuned to Trevor Ley playing Led Zeppelin or Pink Floyd on 'DVE or listening to the "New Sound of 13Q," which played a wide and eclectic mix of whatever was in the top 40 at the time. The top hits of the day were listed each week in the pocket-sized "hit parades" KQV and 13Q published and provided for free in local record stores. The list could include any combination of rock, power pop, country, rhythm and blues, vocalists, the occasional novelty record, and that 70's radio staple known as the singer-songwriter. Remember them? The mellow music makers who played guitar or piano, wrote meaningful, introspective lyrics, and served up gentle melodies? The singer-songwriter sections of our 45 collections included titles by such artists as Jackson Browne, Neil Young, Carole King, Joni Mitchell, John Denver, Paul Simon and a West Coast band of country rock upstarts called the Eagles. Although they were - and are -- all great artists, James Taylor became the undisputed king of the genre.
    [Show full text]
  • Christopher Cross Biography Christopher Cross Is a Music Icon. in 2011, the Oscar and Five-Time Grammy Winning Artist Is Back W
    Christopher Cross Biography Christopher Cross is a music icon. In 2011, the Oscar and five-time Grammy winning artist is back with an amazingly crafted new album, Doctor Faith. It’s his first album of new and original material in over 12 years. Cross' 1980 self-titled debut album rocketed to the #2 spot. Breaking out as the biggest new star of that year, he virtually defined adult contemporary radio with a series of smoothly sophisticated ballads including the #1 hit, "Sailing." If the charts weren’t evidence enough, at the 1981 Grammy Awards Christopher walked off with an unprecedented and record-setting five Grammys, including Best New Artist and Song of the Year for "Sailing." The self-titled debut album, featuring lead single "Ride Like the Wind," and the massively successful second single "Sailing" made Cross a superstar. In the wake of two more Top 20 hits, "Never Be the Same" and "Say You'll Be Mine,” he soon scored a second #1, as well as an Academy Award, with "Arthur's Theme (Best That You Can Do)," which he co-wrote with Burt Bacharach, Carole Bayer Sager, and Peter Allen for the smash Dudley Moore film Arthur. Christopher's much-anticipated second album Another Page was released in 1983 and produced the hits "All Right," "No Time for Talk," and a Top Ten entry for "Think of Laura. He charted 8 songs into the Billboard Top-40 charts between 1980 and 1983. Four years, two albums, eight hit singles, several world tours, five Grammy's, and one Oscar marked Christopher's meteoric rise to the top.
    [Show full text]
  • FRIDAY the 13TH: the MICROS PLAY MONK (Cuneiform Rune 310)
    Bio information: THE MICROSCOPIC SEPTET Title: FRIDAY THE 13TH: THE MICROS PLAY MONK (Cuneiform Rune 310) Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) http://www.cuneiformrecords.com FILE UNDER: JAZZ / THELONIOUS MONK / THE MICROSCOPIC SEPTET “If the Micros have a spiritual beacon, it’s Thelonious Monk. Like the maverick bebop pianist, they persevere... Their expanding core audience thrives on the group’s impeccable arrangements, terse, angular solos, and devil-may-care attitude. But Monk and the Micros have something else in common as well. Johnston tells a story: “Someone once walked up to Monk and said, “You know, Monk, people are laughing at your music.’ Monk replied, ‘Let ‘em laugh. People need to laugh a little more.” – Richard Gehr, Newsday, New York 1989 “There is immense power and careful logic in the music of Thelonious Sphere Monk. But you might have such a good time listening to it that you might not even notice. …His tunes… warmed the heart with their odd angles and bright colors. …he knew exactly how to make you feel good… The groove was paramount: When you’re swinging, swing some more,” he’d say...” – Vijay Iyer, “Ode to a Sphere,” JazzTimes, 2010 “When I replace Letterman… The band I'm considering…is the Microscopic Septet, a New York saxophone-quartet-plus-rhythm whose riffs do what riffs are supposed to do: set your pulse racing and lodge in your skull for days on end. … their humor is difficult to resist.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • PASIC 2010 Program
    201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space.
    [Show full text]
  • Lightning in a Bottle
    LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved.
    [Show full text]
  • Helena Mace Song List 2010S Adam Lambert – Mad World Adele – Don't You Remember Adele – Hiding My Heart Away Adele
    Helena Mace Song List 2010s Adam Lambert – Mad World Adele – Don’t You Remember Adele – Hiding My Heart Away Adele – One And Only Adele – Set Fire To The Rain Adele- Skyfall Adele – Someone Like You Birdy – Skinny Love Bradley Cooper and Lady Gaga - Shallow Bruno Mars – Marry You Bruno Mars – Just The Way You Are Caro Emerald – That Man Charlene Soraia – Wherever You Will Go Christina Perri – Jar Of Hearts David Guetta – Titanium - acoustic version The Chicks – Travelling Soldier Emeli Sande – Next To Me Emeli Sande – Read All About It Part 3 Ella Henderson – Ghost Ella Henderson - Yours Gabrielle Aplin – The Power Of Love Idina Menzel - Let It Go Imelda May – Big Bad Handsome Man Imelda May – Tainted Love James Blunt – Goodbye My Lover John Legend – All Of Me Katy Perry – Firework Lady Gaga – Born This Way – acoustic version Lady Gaga – Edge of Glory – acoustic version Lily Allen – Somewhere Only We Know Paloma Faith – Never Tear Us Apart Paloma Faith – Upside Down Pink - Try Rihanna – Only Girl In The World Sam Smith – Stay With Me Sia – California Dreamin’ (Mamas and Papas) 2000s Alicia Keys – Empire State Of Mind Alexandra Burke - Hallelujah Adele – Make You Feel My Love Amy Winehouse – Love Is A Losing Game Amy Winehouse – Valerie Amy Winehouse – Will You Love Me Tomorrow Amy Winehouse – Back To Black Amy Winehouse – You Know I’m No Good Coldplay – Fix You Coldplay - Yellow Daughtry/Gaga – Poker Face Diana Krall – Just The Way You Are Diana Krall – Fly Me To The Moon Diana Krall – Cry Me A River DJ Sammy – Heaven – slow version Duffy
    [Show full text]
  • Cool Trombone Lover
    NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J.
    [Show full text]
  • 14Th Annual ACM Honors Celebrates Industry & Studio Recording Winners from 55Th & 56Th ACM Awards
    August 27, 2021 The MusicRow Weekly Friday, August 27, 2021 14th Annual ACM Honors Celebrates SIGN UP HERE (FREE!) Industry & Studio Recording Winners From 55th & 56th ACM Awards If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES 14th Annual ACM Honors Beloved TV Journalist And Producer Lisa Lee Dies At 52 “The Storyteller“ Tom T. Hall Passes Luke Combs accepts the Gene Weed Milestone Award while Ashley McBryde Rock And Country Titan Don looks on. Photo: Getty Images / Courtesy of the Academy of Country Music Everly Passes Kelly Rich To Exit Amazon The Academy of Country Music presented the 14th Annual ACM Honors, Music recognizing the special award honorees, and Industry and Studio Recording Award winners from the 55th and 56th Academy of Country SMACKSongs Promotes Music Awards. Four The event featured a star-studded lineup of live performances and award presentations celebrating Special Awards recipients Joe Galante and Kacey Musgraves Announces Rascal Flatts (ACM Cliffie Stone Icon Award), Lady A and Ross Fourth Studio Album Copperman (ACM Gary Haber Lifting Lives Award), Luke Combs and Michael Strickland (ACM Gene Weed Milestone Award), Dan + Shay Reservoir Inks Deal With (ACM Jim Reeves International Award), RAC Clark (ACM Mae Boren Alabama Axton Service Award), Toby Keith (ACM Merle Haggard Spirit Award), Loretta Lynn, Gretchen Peters and Curly Putman (ACM Poet’s Award) Old Dominion, Lady A and Ken Burns’ Country Music (ACM Tex Ritter Film Award). Announce New Albums Also honored were winners of the 55th ACM Industry Awards, 55th & 56th Alex Kline Signs With Dann ACM Studio Recording Awards, along with 55th and 56th ACM Songwriter Huff, Sheltered Music of the Year winner, Hillary Lindsey.
    [Show full text]
  • November 2009 the Black Page the Black Page November 2009
    NOVEMBER 2009 THE BLACK PAGE THE BLACK PAGE NOVEMBER 2009 4 Yael: by Sean Mitchell 18 Balancing Act: by Jayson Brinkworth A Different Way to Flow: 22 by Ryan Carver 23 Global Educators Database 25 The Final Word Solo drums, beautiful drums, warm drum tones and full-on exhilarating drums. In this double CD, master-mu- sician David Jones has allowed the drums to shine in all their acoustic glory. Not since Gene Krupa in the THE BLACK PAGE is distributed via PDF 1940s or Sandy Nelson in the 1960s to email inboxes worldwide. have drums been this far out front. To get the latest edition click below: David Jones has long been famous www.theblackpage.net for his utilisation of every conceivable Send us your feedback at: [email protected] percussive instrument – yes, even the kitchen sink – to make interesting Sean Mitchell Publisher soundscapes and rhythmic flourishes Jill Schettler Editor in Chief that leave an indelible mark on the Jayson Brinkworth Writer heart and soul of his listeners. Ryan Carver Writer Click below to visit www.davidjonesdrums.com.au EARTH FRIENDLY For international sales outside Australia please click HERE. No Paper,m No Ink, No Waste 2010 THE YEAR OF THE LEGENDS Feature Artists Scott Atkins Skip Hadden Pete Lockett Danny Seraphine Liberty DeVitto Bernard Purdie May 22 - 23, 2010 Jerry Mercer Asani, Ed Mann & Bruce Aitken Savoy Theatre Paul Wertico Glace Bay, Nova Scotia Dylan Mombourquette Canada Chris Sutherland Billy Ward Roxy Petrucci Carmine Appice Special Guest Stars Sean Mitchell, Ben Ross, Moe Hashie, Denny Seiwell Mark Marshall, Todd Mercer, and The Bill Cobham Pete Lockett Cape Breton Percussion Virgil Donati Ensemble.
    [Show full text]