November 2009 the Black Page the Black Page November 2009

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November 2009 the Black Page the Black Page November 2009 NOVEMBER 2009 THE BLACK PAGE THE BLACK PAGE NOVEMBER 2009 4 Yael: by Sean Mitchell 18 Balancing Act: by Jayson Brinkworth A Different Way to Flow: 22 by Ryan Carver 23 Global Educators Database 25 The Final Word Solo drums, beautiful drums, warm drum tones and full-on exhilarating drums. In this double CD, master-mu- sician David Jones has allowed the drums to shine in all their acoustic glory. Not since Gene Krupa in the THE BLACK PAGE is distributed via PDF 1940s or Sandy Nelson in the 1960s to email inboxes worldwide. have drums been this far out front. To get the latest edition click below: David Jones has long been famous www.theblackpage.net for his utilisation of every conceivable Send us your feedback at: [email protected] percussive instrument – yes, even the kitchen sink – to make interesting Sean Mitchell Publisher soundscapes and rhythmic flourishes Jill Schettler Editor in Chief that leave an indelible mark on the Jayson Brinkworth Writer heart and soul of his listeners. Ryan Carver Writer Click below to visit www.davidjonesdrums.com.au EARTH FRIENDLY For international sales outside Australia please click HERE. No Paper,m No Ink, No Waste 2010 THE YEAR OF THE LEGENDS Feature Artists Scott Atkins Skip Hadden Pete Lockett Danny Seraphine Liberty DeVitto Bernard Purdie May 22 - 23, 2010 Jerry Mercer Asani, Ed Mann & Bruce Aitken Savoy Theatre Paul Wertico Glace Bay, Nova Scotia Dylan Mombourquette Canada Chris Sutherland Billy Ward Roxy Petrucci Carmine Appice Special Guest Stars Sean Mitchell, Ben Ross, Moe Hashie, Denny Seiwell Mark Marshall, Todd Mercer, and The Bill Cobham Pete Lockett Cape Breton Percussion Virgil Donati Ensemble. Alan White John Morrison Legends Award 2010 Carmine Appice, Alan White, Jerry Steve Wilton Mercer, Roxy Petrucci, Virgil Donati Dom Famularo Click below to visit www.capebretoninternationaldrumfestival.com by Sean Mitchell Photo - Mat Evanz: www.matevanz.com wise man once said, “Noth- Yael, as a child growing up, how did ing you can do, but you can the love of drumming develop for you? learn how to be you in time; What were the musical influences in A your life when drumming first entered it’s easy.” Enter a free-spirited drum- the picture? mer with a million ideas and only a humble set of hands and feet with I was always intrigued by rhythm and which to express herself. had one beat or another going on in Often the very best perform- my head. My parents had an 8-track ers don’t really have to say anything player in the car. I’d say motown, Ste- at all. It’s not so much about how vie Wonder, Jackson 5, The Supremes, or what they say but rather how Ray Charles, James Brown, and Janis they make you feel. As we enter a Joplin were the popular ones in their new millennium and the dawn of a collection; American music and funky new age of thought, you can thank drummers. Only in my introduction to the deity that holds your faith (and Led Zeppelin I heard the drum reso- the name you choose to give it) that nate through me simply because of the Yael’s DrumAddict: The Love Project mix and the magic of how Bonham lays Journey has come to fruition. down a groove. To this day, it’s like the first time I ever heard it. Every time it The Love Project Journey is, inspired me to get a Ludwig kit immedi- what I have come to believe to be, ately and play to the records repeatedly a true masterpiece. One that mar- over and over again. I had one cymbal ries music, video, audio, graphic de- and eventually a set of hats for a couple sign and photography. An artistic solid years. statement made from kindred spir- its wanting only to forge something Your newest project DrumAddict: The truly demiurgic on the canvas of si- Love Project Journey, is a very eclectic lence. A project so unique that future one in that you utilize some culturally generations will be able to listen to a specific sounds/instruments with some piece of art that dared to stand on very modern as well as classical sound- it’s own and be the anthem our kind scapes. How has the music of these cul- could never categorize. tures and genres influenced you? If we absolutely had to bestow a label on DrumAddict: The Love Proj- I’ve been working with the guys in my ect Journey, it could be said in two newest project for quite a while now, words; truly original. though the level it’s at now is definitely new to all of us. It’s quite surreal. I’ve been tight with Nik (Chinbou- kas) since the early 90’s and Yury (Ani- sonyan) since moving to Los Angeles in 2000. The three of us have been in and out of many projects together and col- laborated over the years on multiple re- cords, soundtracks and live shows. Dur- ing the making of this project, for ex- ample, I recorded drums for Nik in New York when he produced Chris Caffery’s Pins and Needles. Same for Yury when I recorded some tracks on George Lynch’s latest release, but that was again back in LA. My music life with these boys has been nutty. Nik and Yury are my east and west coast co-producers and co-engineers on The Love Project. Yury started out on violin (Armenian/Russian influences), Nik with Greek music all around, and me, I was born in Tel-Aviv. My dad was born in Cairo, and my mom was born in Casablanca. All different countries, but the actual sound of the music resonat- ed the same vibe in all of us. It made me hungry. Basically the way I see it we are comparative to one big mutt, full of love for music that needed a home. We are united outside the box of one musical Photo - Amir Magal: www.amirimage.com direction or a single style of expression. There is a whole world full of sound and each other for many years, so the com- color and I found the guys to bring it fort is there, and we will definitely con- forward, who help me see it more clearly tinue to work together given the oppor- each time. I co-produced and arranged tunity. We use anything and anyone we all the music with Nik and Yury along dig and that can play. If it sounds good, with a couple other amazingly talented chances are we want to record it. musicians: Lucia, Dave, and Yariv on The whole Love Project DVD a couple tracks. We’ve all worked with thing came about kind of organically. While we were making the Love Project CD, we filmed all the sessions, from east to west. Again using any tools I can get my hands on, from the camera on my MacBook to my little HDV to having my friends in film bring their monster equipment down for some sessions; the sweeter the idea, the more people that were interested in hopping on board. We were able to be selective and I was lucky enough to play with one of the most talented musicians ever and best friend, Roy Mayorga (StoneSour, Amebix) on a track we call “YaelaYorga” It ex- poses us on a whole other level. This has led to a unique drummers’ per- spective DVD documentary film entitled The Love Project Journey and has been submitted and advanced in some instances for the 2010 Sundance, Slamdance, Cannes, and Zero film festivals. Would you categorize yourself as a metal drummer? What was it about metal that drew New from DW DVD, you to that genre? The Love Project Journey. Studio and touring drummer Yael takes drummers on an inspiring rhyth- mic journey that has no boundaries. I wouldn’t personally categorize myself as a This is a groundbreaking must-see metal drummer, but if that’s what the gig calls DVD for everyone in the band! There’s no better holiday gift for a drummer for, I have the hat. I’ve worn it many times as than pure inspiration. DW DVDs are not the I’ve played my share of “metal drummer” gigs. instructional videos of the past, they’re a look inside a drummer’s head, their dreams, I’ve recorded quite a few metal-esque tracks their story, their life. Get your favorite drummer what they really want this holiday in my day. I don’t do it on a daily basis any- season, get them a DW DVD. more, so I try keep those metal chops in check for when I need them. It’s like snowboarding or riding a bike; I need a minute but then I get the bug again and it’s on! You need to be in shape to play metal 24/7, and blast beats from hell aren’t always my favorite item on the menu these days. I prefer the play-what-feels-good WWW.ALFRED.COM/DW category. If it’s metal that day, that’s cool, but Photo: Cory Strassburger - www.alieanna.com I like to have options. As for who turned DW drums) and of course Nirvana! me on to metal drumming, it’s endless: Bottom line, what drew me to metal Sabbath, Ozzy, Dio, Motorhead, Metal- music is the release; the energy that lica, Venom, Testament, Maiden, Judas goes back and forth from player to au- Priest, Anthrax, King Diamond, etc. dience is quite intense.
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