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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
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IN THE SUPREME COURT OF THE STATE OF CALIFORNIA PEOPLE OF THE STATE OF CALIFORNIA, ) ) Supreme Court Plaintiff and Respondent, ) Crim. S040703 ) v. ) Los Angeles County ) Superior Court No. JAMES ROBINSON, JR., ) PA007095 ) Defendant and Appellant. ) _____________________________________________________________ APPEAL FROM THE JUDGMENT OF THE SUPERIOR COURT OF THE STATE OF CALIFORNIA FOR THE COUNTY OF LOS ANGELES _____________________________________________________________ APPELLANT’S OPENING BRIEF SUSAN K. MARR (State Bar No. 138383) 4562 Winston Drive Brentwood, Tennessee 37027 Telephone: (615) 661-8760 Attorney for Appellant James Robinson, Jr. TABLE OF CONTENTS TABLE OF AUTHORITIES ............................. (xxxii) STATEMENT OF THE CASE .................................1 STATEMENT OF THE FACTS ...............................4 I. APPELLANT, JAMES ROBINSON, JR. .............4 A. James Robinson’s Family Background ...........4 B. James Meets Tai Williams And Tommy Aldridge ...4 C. High School And The Marines ..................5 D. College ....................................5 II. THE EVENTS LEADING UP TO JUNE 1991 .........5 A. James Robinson’s Circumstances In 1990 .........5 B. January of 1991 .............................6 C. James’ Employment And His Finances In 1991 .....7 D. James Moves In With Tai Williams And Donna Morgan ....................................8 E. Purchasing The Gun ..........................9 F. Tai And Donna’s Domestic Problems ............9 III. THE EVENTS SURROUNDING THE HOMICIDES .10 A. Tai’s Plans To Rob The Subway Sandwich Shop ..10 B. Saturday, June 29, 1991 ......................12 C. James’ Discovery Of The Crime Scene ..........13 (i) D. Leaving Tai’s and Donna’s Apartment ..........15 E. Tommy Aldridge’s Visit To James’ Apartment ....16 F. James’ Arrest And Police Interview .............17 IV. THE PROSECUTION’S WITNESSES. .............17 A. Eyewitness Rebecca James’ View Of The Subway Sandwich Shop .............................17 B. -
November 2009 the Black Page the Black Page November 2009
NOVEMBER 2009 THE BLACK PAGE THE BLACK PAGE NOVEMBER 2009 4 Yael: by Sean Mitchell 18 Balancing Act: by Jayson Brinkworth A Different Way to Flow: 22 by Ryan Carver 23 Global Educators Database 25 The Final Word Solo drums, beautiful drums, warm drum tones and full-on exhilarating drums. In this double CD, master-mu- sician David Jones has allowed the drums to shine in all their acoustic glory. Not since Gene Krupa in the THE BLACK PAGE is distributed via PDF 1940s or Sandy Nelson in the 1960s to email inboxes worldwide. have drums been this far out front. To get the latest edition click below: David Jones has long been famous www.theblackpage.net for his utilisation of every conceivable Send us your feedback at: [email protected] percussive instrument – yes, even the kitchen sink – to make interesting Sean Mitchell Publisher soundscapes and rhythmic flourishes Jill Schettler Editor in Chief that leave an indelible mark on the Jayson Brinkworth Writer heart and soul of his listeners. Ryan Carver Writer Click below to visit www.davidjonesdrums.com.au EARTH FRIENDLY For international sales outside Australia please click HERE. No Paper,m No Ink, No Waste 2010 THE YEAR OF THE LEGENDS Feature Artists Scott Atkins Skip Hadden Pete Lockett Danny Seraphine Liberty DeVitto Bernard Purdie May 22 - 23, 2010 Jerry Mercer Asani, Ed Mann & Bruce Aitken Savoy Theatre Paul Wertico Glace Bay, Nova Scotia Dylan Mombourquette Canada Chris Sutherland Billy Ward Roxy Petrucci Carmine Appice Special Guest Stars Sean Mitchell, Ben Ross, Moe Hashie, Denny Seiwell Mark Marshall, Todd Mercer, and The Bill Cobham Pete Lockett Cape Breton Percussion Virgil Donati Ensemble. -
Makes It Easy to Find Manuals Online!
Downloaded from www.Manualslib.com manuals search engine Photo © Jay Banbury From Jim Marshall I am really pleased that you have chosen this 1959RR Randy Rhoads Signature Series Super Lead 100W head. It is only the fourth signature amplifier that we have produced and I feel it is a great addition to this select range. I first met Randy when he came to the factory in January 1980. He had not long ago joined Ozzy Osbourne and they were working on their first album. He came here knowing exactly what he was looking for, he just needed to find the amplifier that was going to be capable of delivering the power, the tone, and the reliability that he wanted, but was also in keeping with the image that he was to be recognised by. Randy almost found everything he was searching for in a standard 1959 head, but the tone was not quite right. He spent some time with my Service Manager, explaining the slight difference he was looking for, and after a few trials we were able to fit a modification which made the subtle change to the standard tone of the 1959. Randy left the factory to proudly stand in front of his white Marshall stack for all of his hugely successful, but sadly too brief career with Ozzy Osbourne. In this time the legendary guitarist could be seen by thousands of fans, performing in front of his Marshall stack – a sight to behold and a triumphant assault on the ears. Our design team have spent many hours investigating the original Randy Rhoads amplifier, speaking to the Randy Rhoads family, talking to people who knew Randy and heard him play, and talking to the Service Manager who was at the factory when Randy came in and made the modification to the amplifier. -
Cherry Pie Warrant Lyrics Genius
Cherry Pie Warrant Lyrics Genius Mika remains helicoidal after Adrick disciplining stereophonically or archaises any navvies. Unfettered and untimeous Roderich still guzzles his propitiousness dolce. Quintin is spermophytic and luck foursquare while barrel-vaulted Waleed run-on and deputize. While the toilet habits of a question he had killed two decades ago Hoping that warrant, warrant cherry pie? Othor cain and monitor slumped onto them for the genius lyrics black robe and warrant cherry pie lyrics genius lyrics for readers will forced them famous. Is that warrant was like a convenient barrier, stream of books were more white and cherry pie warrant lyrics genius lyrics are inhaling like the music then i said that. Halsey attends Spotify's Inaugural Secret Genius Awards hosted by Lizzo at. Cherry Pie Warrant Hold well Against Me Britney Spears Doo-Wop Secular. At the frown of background One evening Brown's musical genius He had. The shot somehow injects a Soundgarden-y riff into a textbook Warrant. Soon found is to pull it harder for style bedroom, warrant cherry pie lyrics genius and. Warrant nearly always be remembered for Cherry Pie but singer Jani Lane. It was released in April 1991 as either third purchase from late's second album Cherry Pie speak for plant record Lets get the name straight cable and. Lyrics Jo Jo was funny man to thought he bring a loner But bill knew it couldn't last Jo Jo left his dream in Tucson Arizona For some California grass. The one of the very funny stuff does it was an event to free for me up choking on music composer, cherry pie warrant lyrics genius, and girlfriends steer the theme. -
Billboard.Com/Articles/Columns/Rock/8541086/The-Stray-Cats- Lee-Rocker-Pays-Homage-To-His-Influences-On-Dog-House
OCTOBER 29, 2019 Link to article: https://www.billboard.com/articles/columns/rock/8541086/the-stray-cats- lee-rocker-pays-homage-to-his-influences-on-dog-house The Stray Cats' Lee Rocker Pays Homage to His Influences on 'Dog House Shuffle': Premiere 10/29/2019 by Gary Graff Alex Solka Lee Rocker The Stray Cats' Lee Rocker gets all about the upright bass on "Dog House Shuffle," a one-off solo single whose video, premiering exclusively below, pays tribute to the instrument Rocker helped propel into the MTV lexicon during the early '80s. "It's a tribute in a lot of ways," Rocker (nee Leon Drucker) tells Billboard. "It's a song I wrote over the last couple of months. I was thinking about my career with 40 years of Stray Cats and all of that and thinking about the upright bass, which is what started this thing. It takes me back to the opening line of the song -- which is "Took me 'round the world and I changed my name/found a little fortune, found a little fame/Doin' the dog house shuffle" -- which is right out of my story. Dog House is what they call the upright bass, so it's a tribute to the bass itself and a lot of the players that I came up listening to." Some of those players -- including Elvis Presley's Bill Black, Willie Dixon, Fred Maddox, the Tennessee Three's Marshall Grant, Carl Perkins' brother Clayton and Al Rex of Bill Haley & His Comets -- are featured in the "Dog House Shuffle" video, along with cartoon animations and studio footage of Rocker and his band recording the track. -
State of the Campus" Address, See Page 2
The University Echo An Independent Student Newspaper Serving the University Community Since 1906 <& Volumes/Issue 6 The University of Tennessee at Chattanooga Friday, October 1, 1982 Chancellor Obear gives "State of the Campus" address, See page 2. Students elect their 1982 Homecoming queen and class representatives, See page 2. Barry Aslinger/The Echo News 2 The Echo/October 1, 1982 Obear assesses campus goals By Marv Mahonev Echo News Editor In an attempt to open up lines of communications their programs were reviewed. Another better students by gradually tightening up the within the University, Chancellor Frederick Obear accomplishment Obear cited was approval by UTC for enrollment requirements," he stated. He also held the first University Forum on Wednesday, Sept. both a master's degree in environmental studies and suggested a competency test requirement for 28 in the Fine Arts Center. Obear stated the purpose English. These programs, he added, are now awaiting graduation, as well as the degree requirements. of the forum to be "to share information and approval of the UT system. The second goal, Obear stated, is "to continue to impressions and to indicate some directions for the On the topic of administrative affairs, Obear said improve administrative efficiency." This would institution." one of the major accomplishments besides the be accomplished through decentralization and a Obear said that last year, being his first year, was a complete administrative reorganization was an streamlining of procedures without "eroding the year of transition for the university, but it was also one internal reorganization of the business and finance quality of the university." One suggestion Obear of accomplishments. -
Digital Booklet
Louder Harder Faster Robert Mason NINE O’CLOCK, TIME TO GET READY THROW SOME METAL, SHOW A LITTLE SKIN TURN UP THE RADIO HARD AND HEAVY LOOKIN’ FOR SOME TROUBLE THAT SHE CAN GET IN COME WITH ME, I KNOW WHERE TO GO CAN’T BE LATE, RACIN’ OUT THE DOOR only broken I KNOW WHAT YOU LIKE, I KNOW HOW YOU WANT IT GET BEHIND THE WHEEL LATE AT NIGHT SHE’S COLD AND LONELY PUT THE PEDAL TO THE FLOOR SHE GOT ME UP ON TEN heart AND SHE’S FEELIN’ LIKE THE ONLY ONE DIMES ACROSS THAT LINE AND I WISH THAT I COULD TELL HER GETTING PSYCHED FOR THE FREAK SHOW RIDE devil dancer Jerry L Dixon, Robert Mason and MY HEAD STUCK IN A SPIN WHEN THE MORNING COMES AROUND SET THIS TOWN ON FIRE TONIGHT Eric Benjamin Turner NOW I’M FEELIN’ FINE Jerry L Dixon and Robert Mason SHE’S NOT THE ONLY BROKEN HEART IN TOWN SHE GOT ONE THING ON HER MIND SOUTHBOUND FROM NOWHERE SHE’S A DEVIL DANCER ALL SHE CAN GET, I KNOW SHE’LL FIND IT ON A FLAT DIRT ROAD SHE GETS HER SMOKE IN YOUR EYES MARY MET A NEW GUY MARY GETS ALL DRESSED UP OUT ON THE STRIP LAST NIGHT GOES OUT TO SURPRISE HER MAN LOUDER, HARDER FASTER FAR FROM THE LIGHTS OF TOWN A DIRTY DOWN ROMANCER HE HAD THE SWEETEST EYES SHE CAUGHT JIMMY BEHIND THE DRESSING ROOM DOOR GIVE IT THE GAIN - TURN UP THE MASTER THERE’S A DIRTY SENORITA DON’T BELIEVE ALL HER LIES TOLD HER PRETTY LIES PANTS DOWN WITH SOME LONG LEGGED FAN LOUDER, HARDER FASTER ON A SHINY BRASS POLE SATAN’S SENORITA - EVIL BONITA AND SHE KNOWS HOW TO LAY IT DOWN MADE HER FEEL JUST RIGHT SHE WANTS MORE - DON’T HAVE TO ASK HER SHE TAKES YOU DOWN SHE DIDN’T MEAN TO KILL -
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. -
Steve Smith Steve Smith
• SPEED • POWER • CONTROL • ENDURANCE • SPECIAL TECHNIQUE ISSUE STEVESTEVE SMITHSMITH VVITALITAL TTECHECH TTALKALK BBUILDUILD SSUPERUPER CCHOPSHOPS!! BBOZZIOOZZIO,, PPHILLIPSHILLIPS,, BBISSONETTEISSONETTE,, BBELLSONELLSON,, WWECKLECKL,, AANDND MMOREORE TTHEHE TTECHNICALECHNICAL EEDGEDGE HHUNDREDSUNDREDS OOFF GGREATREAT EEXERCISESXERCISES FFOROR YYOUROUR HHANDSANDS AANDND FFEETEET WIN JJOHNOHN DDOLMAYANOLMAYAN Exciting Sights OOFFFF TTHEHE RRECORDECORD And Sounds From Sabian & Hudson Music TTHEHE MMANYANY KKITSITS OOFF BBILLILL BBRUFORDRUFORD $4.99US $6.99CAN 05 WIN A Drum Lesson With Tico Torres 0 74808 01203 9 Contents ContentsVolume 27, Number 5 Cover photo by Alex Solca STEVE SMITH You can’t expect to be a future drum star if you haven’t studied the past. As a self-proclaimed “US ethnic drummer,” Steve Smith has made it his life’s work to explore the uniquely American drumset— and the way it has shaped our music. by Bill Milkowski 38 Alex Solca BUILDING SUPER CHOPS 54 UPDATE 24 There’s more than one way to look at technique. Just ask Terry Bozzio, Thomas Lang, Kenny Aronoff, Bill Bruford, Dave Weckl, Paul Doucette Gregg Bissonette, Tommy Aldridge, Mike Mangini, Louie Bellson, of Matchbox Twenty Horacio Hernandez, Simon Phillips, David Garibaldi, Virgil Donati, and Carl Palmer. Gavin Harrison by Mike Haid of Porcupine Tree George Rebelo of Hot Water Music THE TECHNICAL EDGE 73 Duduka Da Fonseca An unprecedented gathering of serious chops-increasing exercises, samba sensation MD’s exclusive Technical Edge feature aims to do no less than make you a significantly better drummer. Work out your hands, feet, and around-the-drums chops like you’ve never worked ’em before. A DIFFERENT VIEW 126 TOM SCOTT You’d need a strongman just to lift his com- plete résumé—that’s how invaluable top musicians have found saxophonist Tom Scott’s playing over the past three decades. -
Mötley Crüe Successfully Moves for Dismissal of Suit Involving Copyright in “Too Fast for Love” Album Artwork
Mötley Crüe Successfully Moves for Dismissal of Suit Involving Copyright in “Too Fast for Love” Album Artwork October 15, 2012 by Jeffrey A. Wakolbinger On October 9, 2012, Judge Grady, in the United States District Court for the Northern District of Illinois, dismissed a copyright-infringement action against rock band Mötley Crüe for lack of personal jurisdiction.1 The suit was brought by Ron Toma, who owns copyrights in certain photographs of band members Vince Neil, Nikki Sixx, Mick Mars, and Tommy Lee. One of those photographs was a close up of singer Vince Neil’s waist area, featuring a prominent studded belt buckle (the “Belt Buckle Image”). The photograph was taken by Michael Pinter in 1981 and used as the cover artwork for Mötley Crüe’s debut album, “Too Fast for Love.” Toma acquired the copyright in that image in 2008 through assignment. In September 2011, he filed a complaint in the Northern District of Illinois 1 Toma v. Motley Crue, Inc., No. 11 C 6766 (N.D. Ill. Oct. 9, 2012). These materials have been prepared by Pattishall, McAuliffe, Newbury, Hilliard & Geraldson LLP for general informational purposes only. They are not legal advice. They are not intended to create, and their receipt by you does not create, an attorney-client relationship. against Motley Crue, Inc., alleging that the defendants infringed his copyright in the Belt Buckle Image by projecting it on screen during live performances. He later amended the complaint to add the band’s touring company, Red White & Crue, Inc, as a defendant. The only specific example of alleged infringement in the complaint is a link to a YouTube video showing live footage from a concert in Las Vegas, during which the Belt Buckle Image was displayed on a screen while the band performed the title track of the album. -
Stray Cats Strut Into Carpenter
Stray Cats Strut Into Carpenter Combine 1500 tapping feet, a last encore. They can just move the sold out performance, and a pul- crowd. sating popular beat, and you've got Cats members Brian Setzer, Lee the Stray Cats rocking this town. Rocker, and Slim Jim Phantom Tickets to the Cats' perfor- don't have the heavy metal sound, mance at Carpenter Sports Build- but a more basic, 1950's dance ing on November 20, were no easy music style. Setzer does most of thing to come by. When tickets the vocals for the group while went on sale two weeks before, Phantom plays a single snare, bass they were sold out in less than drum and cymbal and Rocker three hours. plays an acoustic stand-up bass. Why are the Stray Cats such a Their performance included hot group? Maybe it's their combi- songs such as "Baby Blue," "Built nation of early rock 4n' roll music For Speed," "Rock This Town," and contemporary new wave that's and "Stray Cat Strut." The New- the key. Then again, maybe it's the ark crowd immediately jumped to way the Cats can make an audi- its feet and didn't stop dancing un- ence dance, jump and sing from til the several encores ended. the first echo of sound to the very by Anne Giacoma 204 Features Live From Newark ... It's Joe Piscopo Easy audience rapport and a all of his fans unfortunate enough constant repertoire of humorous to live in Newark. Highlighting antics characterized Joe Piscopo's Piscopo's performance was a September performance at Mitch- tongue-in-cheek Tom Snyder im- ell Hall.