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Sparkle King Standard
It’s not enough for your instrument to look and sound great, it has to hold up. It has to be able to take the abuse of a 40 show tour and have the same quality of sound at the last show, as it did on your first. www.kingdoublebass.com It’s an old maxim: If you want it done right, do it yourself. SPECIALIZING IN BUILDING CUSTOM UPRIGHT BASSES “When I was touring with an upright bass, I could not keep it together and when I got it to stay together I could not get it loud enough to be heard over the rest of the band. So I decided to make my own,” says Jason Burns of the modest beginnings of what has become one of the hottest companies specializing in building custom upright basses. While touring over the years, Burns developed and refined the product line, which has catapulted his company to the top of the industry. “I gathered input from players like Lee Rocker and Jimbo Wallace, they have been playing on the road and in studios long enough to have a really good idea of what needs to go into the design and crafting of professional quality instruments.” It’s not enough for your instrument to look and sound great, it has to hold up. It has to be able to take the abuse of a 40 show tour and have the same quality of sound at the last show as it did on your first. www.kingdoublebass.com A King instrument is built to last. -
Mustang Daily, May 1, 1997
Opinion Outer Limits Remebering the You've heard of Silicon Valley. You may know W hat in the heck is this guy doing? You'll Holocaust. about the Northwest's Silicon Forest. But what only find out if you turn to Arts Weekly. about Silicon Beach? It could happen...soon. H if 4 8 A1 __ X bc.1. IFORNIA POLYTECHNIC STATE UNIVERSITY SAN LUIS OBISPO f M U S m N G D a i i y MAY 1, 1997 VOLUME LXI, No. 110 THURSDAY Academic Senate salvages * . •‘■-■I credit/no credit grading By Mary Hodley According to the resolution’s rationale, M Daily Staff Writer some credit/ no credit units should be allowed because “students may explore Samuel Aborne, a civil engineering unfamiliar areas of the curriculum or freshman, said he wanted to see 500 stu enroll in challenging courses without S#;' dents attend Tuesday’s Academic Senate undue risk to their grade point average.” meeting in support of credit/ no credit Neel “Bubba” Murarka, a computer sci grading. ence freshman, asked, “With only one class Instead, about five showed up, but cred that you can take credit/ no credit, what it/ no credit grading was salvaged anyway. are you exploring?” And, for the first time at Cal Poly, students The sixteen-unit limit averages one will be allowed to take four units of major four-unit class a year, assuming a student or support classes credit/ no credit. graduates in four years. If Tuesday’s resolution had been voted Aborne and Murarka would have liked down students would have, in the fall 1998, to see more credit/ no credit units allowed. -
Billboard.Com/Articles/Columns/Rock/8541086/The-Stray-Cats- Lee-Rocker-Pays-Homage-To-His-Influences-On-Dog-House
OCTOBER 29, 2019 Link to article: https://www.billboard.com/articles/columns/rock/8541086/the-stray-cats- lee-rocker-pays-homage-to-his-influences-on-dog-house The Stray Cats' Lee Rocker Pays Homage to His Influences on 'Dog House Shuffle': Premiere 10/29/2019 by Gary Graff Alex Solka Lee Rocker The Stray Cats' Lee Rocker gets all about the upright bass on "Dog House Shuffle," a one-off solo single whose video, premiering exclusively below, pays tribute to the instrument Rocker helped propel into the MTV lexicon during the early '80s. "It's a tribute in a lot of ways," Rocker (nee Leon Drucker) tells Billboard. "It's a song I wrote over the last couple of months. I was thinking about my career with 40 years of Stray Cats and all of that and thinking about the upright bass, which is what started this thing. It takes me back to the opening line of the song -- which is "Took me 'round the world and I changed my name/found a little fortune, found a little fame/Doin' the dog house shuffle" -- which is right out of my story. Dog House is what they call the upright bass, so it's a tribute to the bass itself and a lot of the players that I came up listening to." Some of those players -- including Elvis Presley's Bill Black, Willie Dixon, Fred Maddox, the Tennessee Three's Marshall Grant, Carl Perkins' brother Clayton and Al Rex of Bill Haley & His Comets -- are featured in the "Dog House Shuffle" video, along with cartoon animations and studio footage of Rocker and his band recording the track. -
This Week the Beatles Anthology, Coming Soon to a TV Set Near You, Is Unlikely to Unleash a New Wave of Beatlemania
E IN RADIO OCTOBER 2 This Week The Beatles Anthology, coming soon to a TV set near you, is unlikely to unleash a new wave of Beatlemania. But for :hose of us old and lucky enough to have been caught up in that British Invasion of '64, it'll be a nice revisit to those times, espec ally with Capitol's release of the first two of six CDs of Beatles rari- ties. For those who missed out on the Beatles in their prime, this is their best shot at the full story. And for the companies involved in the production- Apple Corps, Inc., ABC-TV, and Capitol/EMI-it's a big -backs bonanza. They are taking no chances, how- ever. As we report inside, the total cost of the market- ing of Anthology will be around $20 million. Our package, put together by our managing editor, Ben Fong -Torres, gives you a head start on all the hype, and includes revisits with Paul McCartney, George Harrison, and Yoko Ono; with Top 40 at the height of the craziness, and with Dave Rothstein, a Gavin staffer who's not ashamed that, at 40 -something, he's still a Beatlemaniac. In News, Danny Goldberg (top) takes the helm at Mercury Records. Pearl Jam tops a poll of music executives; Entertairment Weekly offers its own power poll, and music loses Blind Melon's Shannon Hoon (mid- dle). In Rap, we remember hip - `THE BEATLES ANTHOLOGY' hop activist Funken-Klein. an the GO Chart, Lisa Loeb & Nine Stories, Melissa Etheridge (bot- BRINGS THE FAB FOUR BACK.. -
JROCK Houston - [email protected]
Magazine Staf Credits Interviews JROCK Houston - [email protected] KATZ – [email protected] Graphics: Leith Taylor - [email protected] Text Editor: Leith Taylor Copyright 2011. Chaotic Rifs Magazine September 2011 - Issue 19 2 Warrant’s Jani Lane Tribute …….6 Phil Soussan……8 WARRANT DRUMMER James Kottak……10 Counterfeit Molly……19 The Influence……20 Be The Ant……22 Live Wire – David Grant……24 Head Cat……28 Wings In Motion CD Review……33 Don Jamieson……34 Jaison In LA……40 Copyright 2011. Chaotic Rifs Magazine September 2011 - Issue 19 3 Talkback By JRock Houston Jani Lane is just the latest of many Rockers to leave the world way too young. I thought in light of this that this month's TALKBACK SECTON would take a look back at some other Rockers who checked out way too young. Let's take a trip down memory lane: 12/1/93 - Singer: Ray Gillian dies from Aids related complications. While he never appeared on record with Black Sabbath he was briefly a member of Black Sabbath's touring band when he briefly replaced legendary Singer: Glenn Hughes in the band. Following his gig with Sabbath Gillen briefly worked w/Ex Thin Lizzy/Whitesnake Guitarist: John Sykes in Blue Murder but eventually Gillen left Blue Murder and formed BadLands w/Ex Ozzy Osbourne/Ratt Guitarist: Jake E. Lee. Badlands released two albums before Gillen decided to leave because of friction that developed between Lee and Gillen. After Ray Gillen's death BADLANDS released a 3rd and final album called DUSK which was an album's worth of material of unreleased studio outakes. -
Stray Cats Strut Into Carpenter
Stray Cats Strut Into Carpenter Combine 1500 tapping feet, a last encore. They can just move the sold out performance, and a pul- crowd. sating popular beat, and you've got Cats members Brian Setzer, Lee the Stray Cats rocking this town. Rocker, and Slim Jim Phantom Tickets to the Cats' perfor- don't have the heavy metal sound, mance at Carpenter Sports Build- but a more basic, 1950's dance ing on November 20, were no easy music style. Setzer does most of thing to come by. When tickets the vocals for the group while went on sale two weeks before, Phantom plays a single snare, bass they were sold out in less than drum and cymbal and Rocker three hours. plays an acoustic stand-up bass. Why are the Stray Cats such a Their performance included hot group? Maybe it's their combi- songs such as "Baby Blue," "Built nation of early rock 4n' roll music For Speed," "Rock This Town," and contemporary new wave that's and "Stray Cat Strut." The New- the key. Then again, maybe it's the ark crowd immediately jumped to way the Cats can make an audi- its feet and didn't stop dancing un- ence dance, jump and sing from til the several encores ended. the first echo of sound to the very by Anne Giacoma 204 Features Live From Newark ... It's Joe Piscopo Easy audience rapport and a all of his fans unfortunate enough constant repertoire of humorous to live in Newark. Highlighting antics characterized Joe Piscopo's Piscopo's performance was a September performance at Mitch- tongue-in-cheek Tom Snyder im- ell Hall. -
Gretsch Enterprises Ltd
QUALITYQUALITY PRODUCTSPRODUCTS SINCESINCE 18831883 2008 PRODUCT CATALOG G6120-125 CHET ATKINS ANNIVERSARY MODEL CUSTOM SHOP 125TH ANNIVERSARY EDITION 2008 PRODUCT CATALOG Rik Palieri TABLE OF CONTENTS www.banjo.net Photo: Marianna Holzer Custom Shop 4 Amplifiers 10 Brian Setzer Models 14 Chet Atkins Models 20 Dierks Bentley www.dierks.com Professional Collection 28 Photo: www.ashnewell.com Hollow Body Models Billy Duffy –The Cult Marlene Hammerle, Amy Surdu, Professional Collection 40 www.thecult.us Lianna Gore, & Catherine Carrell –Gore Gore Girls Photo: Matt Alexandre/robbsphotos.com www.goregoregirls.com Bass Models Photo: Takashi Sato/ www.satofoto.com Professional Collection Buzz Campbell –Buzz Campbell & Hot Rod Lincoln/ 44 The Lee Rocker Band Solid Body Models www.hotrodlincoln.net / www.leerocker.com Photo: Neil Zlozower Acoustic Models 56 Electromatic® Collection 61 EDITOR Jason Farrell DESIGNER Jeremy Smith CONTRIBUTORS Joe Carducci, Connie Herron, Brian Leach, Mike Lewis, Jeff Owens, Richard McDonald, Joel Meine, Billy Seigle, Rich Seigle and Joe Swierupski Kele Okereke–Bloc Party www.blocparty.com Photo: Randall Michelson LEGAL The trademarks identified in this magazine are owned by Fred W. Gretsch Enterprises Ltd. The following trademarks are not owned by Gretsch guitars: Baldwin®; Cadillac®; DeArmond®; Fishman®, Matrix™, Prefix™; Eminence®; Grand Ole Opry®, Opry®; ® ® Nils Lofgren KT Tunstall Grover , Imperial™, Rotomatic , Sta-Tite™; www.nilslofgren.com www.kttunstall.com Jensen®; RCA®; Seymour Duncan®; TV Jones® Photo: Myles Thorne , Photo: Brian Rasic Power’Tron™; Schaller® and Sperzel®. All Gretsch guitar products are made with Boz Boorer –Morrissey Patrick Stump –Fall Out Boy pride and care and are backed by product- www.bozboorer.com www.falloutboyrock.com Photo: Soloman Walker specific warranties. -
Draft for Approval—To Send out Monday, August 5
DATE: AUGUST 20, 2013 BASS PLAYER LIVE! 2013 NOVEMBER 9 & 10 IN HOLLYWOOD, CA ANNUAL MUSICIANS’ EVENT TO FEATURE NOVEMBER 9 BASS PLAYER LIVE! CONCERT AND AWARDS SHOW PRESENTED BY HARTKE AT THE FONDA THEATER IN HOLLYWOOD EVENT WILL HONOR BLACK SABBATH’S GEEZER BUTLER PLUS THE STRAY CATS’ LEE ROCKER AND “YOUNG GUN” AWARD RECIPIENT TAL WILKENFELD AND FEATURE ALL-STAR LINEUP OF MUSICAL GUESTS INCLUDING COREY TAYLOR, ZAKK WYLDE, KERRY KING, CHARLIE BENANTE, FRANK BELLO, DAVID ELLEFSON, REX BROWN & MORE! Bass Player Live! 2013 is scheduled for November 9 and 10 in Hollywood, CA. The annual event will feature musician clinics and exhibitors at S.I.R. Studios and will be highlighted by the November 9 Bass Player LIVE! Concert & Awards Show presented by Hartke. This all-star concert will take place at the historic Fonda Theatre and will honor heavy metal legend, Black Sabbath’s Geezer Butler and rockabilly bass legend Lee Rocker, while jazz-rock phenom Tal Wilkenfeld will be presented with the “Young Gun” award. Tickets are on sale now at http://bassplayerlive.com. Weekend package tickets that include the concert and awards show along with all clinics and exhibits are available for only $90. Tickets for the Bass Player LIVE! Concert & Awards Show can also be purchased separately as follows: Day Pass for Saturday OR Sunday - $37.50 Day Pass for Saturday AND Sunday - $52.50 Bass Player LIVE Concert general admission - $42.50 Bass Player LIVE Concert balcony seat - $45 All Inclusive Day Pass for both Saturday and Sunday, plus a general admission concert ticket - $90 Note: Each Day Pass purchase includes a complimentary subscription to Bass Player magazine. -
Eisemann Center Presents Lee Rocker of the Stray Cats Sat, Oct. 26, 2019
For Immediate Release Media Contact: Sarah Nesbit 972-744-4612 or [email protected] EISEMANN CENTER PRESENTS LEE ROCKER OF THE STRAY CATS GRAMMY NOMINATED MUSICIAN AND BASS PLAYER HALL OF FAMER SAT, OCT. 26, 2019 at 7:30 PM RICHARDSON, TX – Eisemann Center Presents LEE ROCKER of The Stray Cats at the Eisemann Center, 2351 Performance Drive in Richardson, Texas on Saturday, October 26, 2019 at 7:30 pm in the Hill Performance Hall. LEE ROCKER made his mark singing, playing, standing on, spinning and rocking his giant upright bass as a founding member (along with Brian Setzer and Slim Jim Phantom), of the Grammy nominated music group The Stray Cats, who sold over 10 million albums, garnered 23 gold and platinum certified records, and were music video pioneers of the MTV. The Stray Cat’s worldwide mega hits “Stray Cat Strut”, “Sexy and Seventeen” and “Rock this Town” have become a part of the fabric of rock and roll. The Rock and Roll Hall of Fame has included “Rock this Town” as one of the 500 most important songs in rock. From the cover of the Rolling Stone magazine, to appearing on Saturday Night Live, to headlining the US Festival and touring with the Rolling Stones, LEE ROCKER has seen and done it all. In addition to The Stray Cats and the Rolling Stones, Rocker has toured and performed with George Harrison, Ringo Starr, Willie Nelson, Leon Russell, and John Fogerty. In 1982 Rocker and his father Stanley Drucker, (classical clarinetist) both received Grammy nominations; this was something that has only occurred twice in the history of the Grammy Awards. -
February 2021 Page 1
Basin Street Regulars • The Central Coast Hot Jazz Society February 2021 Page 1 February 28th Sunday Event 2 PM Basin Street Regulars Presents: Gino and the Lone Gunmen Gino and the Lone Gunmen is a three- piece band that performs a rockin’ mix of Jazz, Rockabilly, Swing, Blues, Country and Vintage Rock and Roll. Their song catalog includes rockin’ and swingin’ original music as well as your favorites, including everything from Elvis and Buddy Holly to the Cavern Club days of the Beatles. Gino Meregillano is a Southern California The show will be Livestreamed from the guitarist. He comes from a musical family. His Cardinal gazebo on Sunday, February 28th,, first professional stage performance was at beginning at 2:00 p.m. To catch the show, go the age of fourteen. He has thirty years of to Facebook and search for Basin Street experience on guitar, vocals, bass, mandolin Regulars or go to: https://www.facebook.com/ and ukulele playing live, touring, song writing, BasinStreetRegulars/ You will be able to recording and teaching music. He has a watch as soon as we go Live at around 1:50 professional endorsement by Gretsch Guitars. p.m. You will need to have or create a Gino has performed with many top acts Facebook page to view this event live on such as Guana Batz, Hancox, Levi Dexter, Facebook. For information about how to get Rip Masters, Ray Campi, the Rocketz., Cash on Facebook, the next feature. In Hand, and Dave Bennett and the Memphis The show will also be streamed on Speed Kings. -
Stray Cats – 03
STRAY CATS – 03. Juli 2019 – Berlin, Columbiahalle – Support: MESSER CHUPS – Text: Holger Ott Eine der wenigen Bands, die noch nicht auf meiner Wunschliste abgehakt ist, gastiert zum 40. Bühnenjubiläum in der Hauptstadt und ich möchte unbedingt bei diesem Ereignis dabei sein. Ja, die STRAY CATS, Mitbegründer des Neo-Rockabilly, haben auch schon einige Jahre auf dem Buckel, sind noch immer mächtig aktiv und locken so enorm viele Fans in die Halle, dass diese zum Bersten gefüllt ist. Wie nicht anders zu erwarten, tummeln sich vor Einlass viele Damen in ausladenden Pettycoats und Herren mit streng angelegter Schmalztolle vor dem Eingang. Es wird ein Fest, geht es mir durch den Kopf, mit sicherlich vielen Tanzeinlagen im Publikum. Ich schaffe es bin in die erste Reihe und bekomme somit nichts davon mit, wie voll und eng es im Saal wird. Also nichts mit Tanzeinlagen, es bleibt aus Platzgründen bei leichten Bewegungen in der Heringsdose. Kurzfristig wurden leider die Fotogenehmigungen gecancelt, somit muss der geschätzte Leser auf coole Bilder verzichten. Sehens- und hörenswert ist das Vorprogramm. Die MESSER CHUPS aus St. Petersburg in Russland geben Musik zum Besten, die natürlich aus den 50ern stammt, so klingt aber mit einer besonderen Note versehen ist. Heute Abend lautet das Thema: wer schafft in kürzester Zeit die meisten Songs. Die MESSER CHUPS dreschen in ihren gewährten dreißig Minuten gefühlte dreißig davon herunter. Wie viele es wirklich sind, habe ich nicht gezählt. Schaffen kann man das, in dem die Ansagen durch Drummer ROCKIN' EUGENE in Geräusche umgewandelt werden. Neben Stöhnen, jaulen und grunzen bringt er auch tatsächlich einige Textwörter im Background zustande. -
An Investigation of the Electric Bass Guitar in Twentieth Century Popular Music and Jazz
An investigation of the electric bass guitar in Twentieth Century popular music and jazz. A thesis presented by David Stratton in partial fulfillment of the requirement for the degree, Master of Arts (Honours). School of Contemporary Arts College of Arts, Education, and Social Sciences University of Western Sydney April 2005 i Abstract The acoustic bass played mostly an accompanying role in popular music during the first half of the Twentieth Century, whereas the arrival of the electric bass guitar in the early 1950s presented new opportunities for acoustic bassists and musicians, composers, producers, engineers, the recording industry and the listening public. The distinctive sound of the electric bass guitar encouraged musicians to explore new timbres. The musicians who embraced the electric bass guitar developed its language, discovering and employing different techniques. The instrument became a catalyst for change and took on a more prominent role, forever changing the sonic landscape of popular music and jazz in the Twentieth Century. ii Acknowledgements I am indebted to the following people for their assistance during the period of my candidature: For technical support I thank Karl Lindbom, Paul Tilley, Clive Lendich, Benjamin Huie, Gary Fredericks and Brendan Read. The musicians who performed with me - Michael Bartolomei, Graham Jesse, Andrew Gander, Craig Naughton, Gordon Rytmeister, Nicholas McBride, Paul Panichi and Matthew Doyle. Kerrie Lester and Nikki Mortimer for granting permission to reproduce the paintings and etching. The musicians with whom I discussed my project, including Herbie Flowers, Carol Kaye, Max Bennett, Steve Hunter, Cameron Undy, Bruce Cale and Sandy Evans who have willingly encouraged me to quote.