Mustang Daily, May 1, 1997
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Sparkle King Standard
It’s not enough for your instrument to look and sound great, it has to hold up. It has to be able to take the abuse of a 40 show tour and have the same quality of sound at the last show, as it did on your first. www.kingdoublebass.com It’s an old maxim: If you want it done right, do it yourself. SPECIALIZING IN BUILDING CUSTOM UPRIGHT BASSES “When I was touring with an upright bass, I could not keep it together and when I got it to stay together I could not get it loud enough to be heard over the rest of the band. So I decided to make my own,” says Jason Burns of the modest beginnings of what has become one of the hottest companies specializing in building custom upright basses. While touring over the years, Burns developed and refined the product line, which has catapulted his company to the top of the industry. “I gathered input from players like Lee Rocker and Jimbo Wallace, they have been playing on the road and in studios long enough to have a really good idea of what needs to go into the design and crafting of professional quality instruments.” It’s not enough for your instrument to look and sound great, it has to hold up. It has to be able to take the abuse of a 40 show tour and have the same quality of sound at the last show as it did on your first. www.kingdoublebass.com A King instrument is built to last. -
Billboard.Com/Articles/Columns/Rock/8541086/The-Stray-Cats- Lee-Rocker-Pays-Homage-To-His-Influences-On-Dog-House
OCTOBER 29, 2019 Link to article: https://www.billboard.com/articles/columns/rock/8541086/the-stray-cats- lee-rocker-pays-homage-to-his-influences-on-dog-house The Stray Cats' Lee Rocker Pays Homage to His Influences on 'Dog House Shuffle': Premiere 10/29/2019 by Gary Graff Alex Solka Lee Rocker The Stray Cats' Lee Rocker gets all about the upright bass on "Dog House Shuffle," a one-off solo single whose video, premiering exclusively below, pays tribute to the instrument Rocker helped propel into the MTV lexicon during the early '80s. "It's a tribute in a lot of ways," Rocker (nee Leon Drucker) tells Billboard. "It's a song I wrote over the last couple of months. I was thinking about my career with 40 years of Stray Cats and all of that and thinking about the upright bass, which is what started this thing. It takes me back to the opening line of the song -- which is "Took me 'round the world and I changed my name/found a little fortune, found a little fame/Doin' the dog house shuffle" -- which is right out of my story. Dog House is what they call the upright bass, so it's a tribute to the bass itself and a lot of the players that I came up listening to." Some of those players -- including Elvis Presley's Bill Black, Willie Dixon, Fred Maddox, the Tennessee Three's Marshall Grant, Carl Perkins' brother Clayton and Al Rex of Bill Haley & His Comets -- are featured in the "Dog House Shuffle" video, along with cartoon animations and studio footage of Rocker and his band recording the track. -
State of the Campus" Address, See Page 2
The University Echo An Independent Student Newspaper Serving the University Community Since 1906 <& Volumes/Issue 6 The University of Tennessee at Chattanooga Friday, October 1, 1982 Chancellor Obear gives "State of the Campus" address, See page 2. Students elect their 1982 Homecoming queen and class representatives, See page 2. Barry Aslinger/The Echo News 2 The Echo/October 1, 1982 Obear assesses campus goals By Marv Mahonev Echo News Editor In an attempt to open up lines of communications their programs were reviewed. Another better students by gradually tightening up the within the University, Chancellor Frederick Obear accomplishment Obear cited was approval by UTC for enrollment requirements," he stated. He also held the first University Forum on Wednesday, Sept. both a master's degree in environmental studies and suggested a competency test requirement for 28 in the Fine Arts Center. Obear stated the purpose English. These programs, he added, are now awaiting graduation, as well as the degree requirements. of the forum to be "to share information and approval of the UT system. The second goal, Obear stated, is "to continue to impressions and to indicate some directions for the On the topic of administrative affairs, Obear said improve administrative efficiency." This would institution." one of the major accomplishments besides the be accomplished through decentralization and a Obear said that last year, being his first year, was a complete administrative reorganization was an streamlining of procedures without "eroding the year of transition for the university, but it was also one internal reorganization of the business and finance quality of the university." One suggestion Obear of accomplishments. -
This Week the Beatles Anthology, Coming Soon to a TV Set Near You, Is Unlikely to Unleash a New Wave of Beatlemania
E IN RADIO OCTOBER 2 This Week The Beatles Anthology, coming soon to a TV set near you, is unlikely to unleash a new wave of Beatlemania. But for :hose of us old and lucky enough to have been caught up in that British Invasion of '64, it'll be a nice revisit to those times, espec ally with Capitol's release of the first two of six CDs of Beatles rari- ties. For those who missed out on the Beatles in their prime, this is their best shot at the full story. And for the companies involved in the production- Apple Corps, Inc., ABC-TV, and Capitol/EMI-it's a big -backs bonanza. They are taking no chances, how- ever. As we report inside, the total cost of the market- ing of Anthology will be around $20 million. Our package, put together by our managing editor, Ben Fong -Torres, gives you a head start on all the hype, and includes revisits with Paul McCartney, George Harrison, and Yoko Ono; with Top 40 at the height of the craziness, and with Dave Rothstein, a Gavin staffer who's not ashamed that, at 40 -something, he's still a Beatlemaniac. In News, Danny Goldberg (top) takes the helm at Mercury Records. Pearl Jam tops a poll of music executives; Entertairment Weekly offers its own power poll, and music loses Blind Melon's Shannon Hoon (mid- dle). In Rap, we remember hip - `THE BEATLES ANTHOLOGY' hop activist Funken-Klein. an the GO Chart, Lisa Loeb & Nine Stories, Melissa Etheridge (bot- BRINGS THE FAB FOUR BACK.. -
Gretsch Enterprises Ltd
QUALITYQUALITY PRODUCTSPRODUCTS SINCESINCE 18831883 2008 PRODUCT CATALOG G6120-125 CHET ATKINS ANNIVERSARY MODEL CUSTOM SHOP 125TH ANNIVERSARY EDITION 2008 PRODUCT CATALOG Rik Palieri TABLE OF CONTENTS www.banjo.net Photo: Marianna Holzer Custom Shop 4 Amplifiers 10 Brian Setzer Models 14 Chet Atkins Models 20 Dierks Bentley www.dierks.com Professional Collection 28 Photo: www.ashnewell.com Hollow Body Models Billy Duffy –The Cult Marlene Hammerle, Amy Surdu, Professional Collection 40 www.thecult.us Lianna Gore, & Catherine Carrell –Gore Gore Girls Photo: Matt Alexandre/robbsphotos.com www.goregoregirls.com Bass Models Photo: Takashi Sato/ www.satofoto.com Professional Collection Buzz Campbell –Buzz Campbell & Hot Rod Lincoln/ 44 The Lee Rocker Band Solid Body Models www.hotrodlincoln.net / www.leerocker.com Photo: Neil Zlozower Acoustic Models 56 Electromatic® Collection 61 EDITOR Jason Farrell DESIGNER Jeremy Smith CONTRIBUTORS Joe Carducci, Connie Herron, Brian Leach, Mike Lewis, Jeff Owens, Richard McDonald, Joel Meine, Billy Seigle, Rich Seigle and Joe Swierupski Kele Okereke–Bloc Party www.blocparty.com Photo: Randall Michelson LEGAL The trademarks identified in this magazine are owned by Fred W. Gretsch Enterprises Ltd. The following trademarks are not owned by Gretsch guitars: Baldwin®; Cadillac®; DeArmond®; Fishman®, Matrix™, Prefix™; Eminence®; Grand Ole Opry®, Opry®; ® ® Nils Lofgren KT Tunstall Grover , Imperial™, Rotomatic , Sta-Tite™; www.nilslofgren.com www.kttunstall.com Jensen®; RCA®; Seymour Duncan®; TV Jones® Photo: Myles Thorne , Photo: Brian Rasic Power’Tron™; Schaller® and Sperzel®. All Gretsch guitar products are made with Boz Boorer –Morrissey Patrick Stump –Fall Out Boy pride and care and are backed by product- www.bozboorer.com www.falloutboyrock.com Photo: Soloman Walker specific warranties. -
Draft for Approval—To Send out Monday, August 5
DATE: AUGUST 20, 2013 BASS PLAYER LIVE! 2013 NOVEMBER 9 & 10 IN HOLLYWOOD, CA ANNUAL MUSICIANS’ EVENT TO FEATURE NOVEMBER 9 BASS PLAYER LIVE! CONCERT AND AWARDS SHOW PRESENTED BY HARTKE AT THE FONDA THEATER IN HOLLYWOOD EVENT WILL HONOR BLACK SABBATH’S GEEZER BUTLER PLUS THE STRAY CATS’ LEE ROCKER AND “YOUNG GUN” AWARD RECIPIENT TAL WILKENFELD AND FEATURE ALL-STAR LINEUP OF MUSICAL GUESTS INCLUDING COREY TAYLOR, ZAKK WYLDE, KERRY KING, CHARLIE BENANTE, FRANK BELLO, DAVID ELLEFSON, REX BROWN & MORE! Bass Player Live! 2013 is scheduled for November 9 and 10 in Hollywood, CA. The annual event will feature musician clinics and exhibitors at S.I.R. Studios and will be highlighted by the November 9 Bass Player LIVE! Concert & Awards Show presented by Hartke. This all-star concert will take place at the historic Fonda Theatre and will honor heavy metal legend, Black Sabbath’s Geezer Butler and rockabilly bass legend Lee Rocker, while jazz-rock phenom Tal Wilkenfeld will be presented with the “Young Gun” award. Tickets are on sale now at http://bassplayerlive.com. Weekend package tickets that include the concert and awards show along with all clinics and exhibits are available for only $90. Tickets for the Bass Player LIVE! Concert & Awards Show can also be purchased separately as follows: Day Pass for Saturday OR Sunday - $37.50 Day Pass for Saturday AND Sunday - $52.50 Bass Player LIVE Concert general admission - $42.50 Bass Player LIVE Concert balcony seat - $45 All Inclusive Day Pass for both Saturday and Sunday, plus a general admission concert ticket - $90 Note: Each Day Pass purchase includes a complimentary subscription to Bass Player magazine. -
Eisemann Center Presents Lee Rocker of the Stray Cats Sat, Oct. 26, 2019
For Immediate Release Media Contact: Sarah Nesbit 972-744-4612 or [email protected] EISEMANN CENTER PRESENTS LEE ROCKER OF THE STRAY CATS GRAMMY NOMINATED MUSICIAN AND BASS PLAYER HALL OF FAMER SAT, OCT. 26, 2019 at 7:30 PM RICHARDSON, TX – Eisemann Center Presents LEE ROCKER of The Stray Cats at the Eisemann Center, 2351 Performance Drive in Richardson, Texas on Saturday, October 26, 2019 at 7:30 pm in the Hill Performance Hall. LEE ROCKER made his mark singing, playing, standing on, spinning and rocking his giant upright bass as a founding member (along with Brian Setzer and Slim Jim Phantom), of the Grammy nominated music group The Stray Cats, who sold over 10 million albums, garnered 23 gold and platinum certified records, and were music video pioneers of the MTV. The Stray Cat’s worldwide mega hits “Stray Cat Strut”, “Sexy and Seventeen” and “Rock this Town” have become a part of the fabric of rock and roll. The Rock and Roll Hall of Fame has included “Rock this Town” as one of the 500 most important songs in rock. From the cover of the Rolling Stone magazine, to appearing on Saturday Night Live, to headlining the US Festival and touring with the Rolling Stones, LEE ROCKER has seen and done it all. In addition to The Stray Cats and the Rolling Stones, Rocker has toured and performed with George Harrison, Ringo Starr, Willie Nelson, Leon Russell, and John Fogerty. In 1982 Rocker and his father Stanley Drucker, (classical clarinetist) both received Grammy nominations; this was something that has only occurred twice in the history of the Grammy Awards. -
Stray Cats – 03
STRAY CATS – 03. Juli 2019 – Berlin, Columbiahalle – Support: MESSER CHUPS – Text: Holger Ott Eine der wenigen Bands, die noch nicht auf meiner Wunschliste abgehakt ist, gastiert zum 40. Bühnenjubiläum in der Hauptstadt und ich möchte unbedingt bei diesem Ereignis dabei sein. Ja, die STRAY CATS, Mitbegründer des Neo-Rockabilly, haben auch schon einige Jahre auf dem Buckel, sind noch immer mächtig aktiv und locken so enorm viele Fans in die Halle, dass diese zum Bersten gefüllt ist. Wie nicht anders zu erwarten, tummeln sich vor Einlass viele Damen in ausladenden Pettycoats und Herren mit streng angelegter Schmalztolle vor dem Eingang. Es wird ein Fest, geht es mir durch den Kopf, mit sicherlich vielen Tanzeinlagen im Publikum. Ich schaffe es bin in die erste Reihe und bekomme somit nichts davon mit, wie voll und eng es im Saal wird. Also nichts mit Tanzeinlagen, es bleibt aus Platzgründen bei leichten Bewegungen in der Heringsdose. Kurzfristig wurden leider die Fotogenehmigungen gecancelt, somit muss der geschätzte Leser auf coole Bilder verzichten. Sehens- und hörenswert ist das Vorprogramm. Die MESSER CHUPS aus St. Petersburg in Russland geben Musik zum Besten, die natürlich aus den 50ern stammt, so klingt aber mit einer besonderen Note versehen ist. Heute Abend lautet das Thema: wer schafft in kürzester Zeit die meisten Songs. Die MESSER CHUPS dreschen in ihren gewährten dreißig Minuten gefühlte dreißig davon herunter. Wie viele es wirklich sind, habe ich nicht gezählt. Schaffen kann man das, in dem die Ansagen durch Drummer ROCKIN' EUGENE in Geräusche umgewandelt werden. Neben Stöhnen, jaulen und grunzen bringt er auch tatsächlich einige Textwörter im Background zustande. -
An Investigation of the Electric Bass Guitar in Twentieth Century Popular Music and Jazz
An investigation of the electric bass guitar in Twentieth Century popular music and jazz. A thesis presented by David Stratton in partial fulfillment of the requirement for the degree, Master of Arts (Honours). School of Contemporary Arts College of Arts, Education, and Social Sciences University of Western Sydney April 2005 i Abstract The acoustic bass played mostly an accompanying role in popular music during the first half of the Twentieth Century, whereas the arrival of the electric bass guitar in the early 1950s presented new opportunities for acoustic bassists and musicians, composers, producers, engineers, the recording industry and the listening public. The distinctive sound of the electric bass guitar encouraged musicians to explore new timbres. The musicians who embraced the electric bass guitar developed its language, discovering and employing different techniques. The instrument became a catalyst for change and took on a more prominent role, forever changing the sonic landscape of popular music and jazz in the Twentieth Century. ii Acknowledgements I am indebted to the following people for their assistance during the period of my candidature: For technical support I thank Karl Lindbom, Paul Tilley, Clive Lendich, Benjamin Huie, Gary Fredericks and Brendan Read. The musicians who performed with me - Michael Bartolomei, Graham Jesse, Andrew Gander, Craig Naughton, Gordon Rytmeister, Nicholas McBride, Paul Panichi and Matthew Doyle. Kerrie Lester and Nikki Mortimer for granting permission to reproduce the paintings and etching. The musicians with whom I discussed my project, including Herbie Flowers, Carol Kaye, Max Bennett, Steve Hunter, Cameron Undy, Bruce Cale and Sandy Evans who have willingly encouraged me to quote. -
Season Gvr Live! Arts & Entertainment
2017/2018 SEASON GVR LIVE! ARTS & ENTERTAINMENT 1 Welcome to the GVR Live! 2017/2018 Performing Arts Season! This upcoming season is meant to inspire, delight and excite every patron who walks through the doors of the West Center Auditorium. Last season was extremely ambitious and we hope you enjoyed all the brilliant artists that graced our stage. With this new season, we continue the GVR Live! tradition of enhancing our artistic offerings each year with even more sensational talent and performances. Creating each new season is an extraordinary challenge. For each season, it is never our intention to duplicate our previous season. It is our goal to reimagine, recreate and reinvent the GVR Live! season in order to make it an outstanding experience each and every year. Julie Vance The GVR Live! 2017/2018 Performing Arts Season is filled with new artists, Senior Recreation Supervisor, M.A., CPP, CPAE exciting tributes, traditional country, inspiring classics, international flare and so much more! It is important to us to encourage diverse artistic tastes by offering eclectic and unique programming while balancing these styles with familiar musical tastes. We believe we have found that perfect balance this season. We begin our season with the return of Jarabe Mexicano to kick off the festivities at Cocktails in the Courtyard. Our international offerings also include rising stars of the Cuban music scene, Tiempo Libre. We are also very proud to present Flamenco Vivo Carlota Santana who is considered to be one of America’s premier Spanish dance companies. As a compliment to these diverse performances, we are also presenting plenty of rock ‘n’ roll. -
Mccain-Theatre-Brochure.Pdf
2018 – 2019 2018 – 2019 Chick Corea: Vigilette with The Mavericks: 7:30 p.m. Thursday, Feb. 21 Carlitos Del Puerto and Hey! Merry Christmas! ........ 16 7:30 p.m. Friday, Feb. 22 Marcus Gilmore ......................... 4 7:30 p.m. Monday, Nov. 26 2:30 and 7:30 p.m. Saturday, Feb. 23 7:30 p.m. Thursday, Sept. 13 Judy Collins: Sir James Galway, Flute ..... 28 Trevor Noah ................................ 5 Holiday & Hits ............................17 7:30 p.m. Friday, March 8 7:30 p.m. Friday, Sept. 21 7:30 p.m. Friday, Dec. 7 Switchback The Fabulous Thunderbirds STOMP ......................................... 18 (Wareham Opera House) ........... 28 Featuring Kim Wilson ........... 6 7:30 p.m. Tuesday, Jan. 15 7 and 9:30 p.m. Saturday, March 9 7:30 p.m. Thursday, Sept. 27 The Hot Sardines Storm Large & Le Bonheur Black Violin ................................. 7 (Wareham Opera House) ........... 19 (Wareham Opera House) ............29 7:30 p.m. Tuesday, Oct. 2 7 and 9:30 p.m. Friday, Jan. 18 7 and 9:30 p.m. Saturday, March 23 iLuminate ..................................... 8 imPerfect Dancers Company: The Manhattan Transfer 7:30 p.m. Tuesday, Oct. 9 Anne Frank — Words From meets Take 6 — The Summit .............................. 30 Emmylou Harris ........................ 9 the Shadow .......................................22 7:30 p.m. Sunday, March 31 7:30 p.m. Friday, Oct. 12 7:30 p.m. Tuesday, Jan. 29 Diana Krall ................................ 31 DHOAD Gypsies of Legally Blonde — 7:30 p.m. Tuesday, April 2 Rajasthan ................................... 10 The Musical ............................... 23 7:30 p.m. Tuesday, Oct. 16 7:30 p.m. Saturday, Feb. 2 The King and I ........................ -
MEIEA 2015 Color.Indd
Journal of the Music & Entertainment Industry Educators Association Volume 15, Number 1 (2015) Bruce Ronkin, Editor Northeastern University Paul Linden, Associate Editor University of Southern Mississippi David Schreiber, Associate Editor Belmont University Published with Support from The MEIEA Journal is published annually by the Music & Entertain- ment Industry Educators Association (MEIEA) in order to increase public awareness of the music industry and to foster music business education. The MEIEA Journal provides a scholarly analysis of technological, legal, historical, educational, and business trends within the music indus- try and is designed as a resource for anyone currently involved or interest- ed in the music industry. Topics include issues that affect music industry education and the music industry such as curriculum design, pedagogy, technological innovation, intellectual property matters, industry-related legislation, arts administration, industry analysis, and historical perspec- tives. Ideas and opinions expressed in the MEIEA Journal do not necessar- ily reflect those of MEIEA. MEIEA disclaims responsibility for statements of fact or opinions expressed in individual contributions. Permission for reprint or reproduction must be obtained in writing and the proper credit line given. Music & Entertainment Industry Educators Association 1900 Belmont Boulevard Nashville, TN 37212 U.S.A. www.meiea.org The MEIEA Journal (ISSN: 1559-7334) © Copyright 2015 Music & Entertainment Industry Educators Association All rights reserved