Top of Page Interview Information--Different Title
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Chronology of All Artists' Appearances with the Chamber
75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 Season, 1938 – 1939 Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 Season, 1939 – 1940 The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 Season, 1940 – 1941 Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian PianoString Quartet The Coolidge Quartet th 4 Season, 1941 – 1942 The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 Season, 1942 – 1943 The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 Season, 1943 – 1944 The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 Season, 1944 – 1945 The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 Season, 1945 – 1946 The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 Season, 1946 – 1947 The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 Season, 1947 – 1948 Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 Season, 1948 – 1949 The Alma Trio -
Scheherazade Plan of Action
Alonzo King LINES Ballet presents an extraordinary new collaboration between three celebrated artists - choreographer Alonzo King, architect Christopher Haas, and percussionist Mickey Hart Alonzo King LINES Ballet Spring Season April 15-24, 2011 Novellus Theater at Yerba Buena Center for the Arts 700 Howard Street, San Francisco www.linesballet.org Michael Montgomery and Keelan Whitmore featured with one of Christopher Haas’ original sets, photo by RJ Muna SAN FRANCISCO, CA—February xx, 2011—Alonzo King LINES Ballet is pleased to present a groundbreaking new collaboration bringing together a trio of celebrated artists: choreographer Alonzo King, architect Christopher Haas, and percussionist Mickey Hart. This new work will have its world premiere during Alonzo King LINES Ballet’s 2011 Spring Home season, at the Novellus Theater at Yerba Buena Center for the Arts, April 15-24, 2011. King, Haas and Hart join together to create a new piece that explores our relationship with space – physical space and infinite space. The original soundscore by the Grammy-award winning Hart, is based on his recent collaborations with Nobel Laureate George Smoot, draws on the harmonics of the cosmos itself, gathering light waves from the vibrations of heavenly bodies and converting them into layers of sound. Architect Haas, formerly a collaborator with world-renown Swiss architects Herzog &de Meuron, and one of the lead architects of San Francisco’s MH deYoung Museum, has created an interactive built environment, partnering the dancers with transformable architectural surroundings crafted from inexpensive, ordinarily overlooked materials such as recycled cardboard and elastic chord, his sets strike an intriguing kinetic balance between linear and organic forms, and the extraordinary dancers of Alonzo King LINES Ballet grace the stage with incomparable physical artistry. -
Elizabeth Sprague Coolidge Foundation Collection [Finding Aid]
Elizabeth Sprague Coolidge Foundation Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 1980 Revised 2014 Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu012012 LC Online Catalog record: http://lccn.loc.gov/2012562124 Processed by the Music Division of the Library of Congress Collection Summary Title: Elizabeth Sprague Coolidge Foundation Collection Span Dates: 1894-1953 Bulk Dates: (bulk 1920-1953) Call No.: ML29 Creator: Coolidge, Elizabeth Sprague, 1864-1953 Extent: 56,680 items ; 109 containers ; 48.50 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Elizabeth Sprague Coolidge was a composer, pianist, and patron of music. In 1925, she created the Elizabeth Sprague Coolidge Foundation at the Library of Congress in support of chamber music. The collection contains Coolidge's correspondence to and from many of the prominent musical artists of the first half of the twentieth century. Extensive correspondence between Coolidge and Library of Congress librarians and administrators is also included. The remaining materials in the collection, including photographs, scrapbooks, business papers, programs, publicity materials, iconography, realia, and clippings, are available for research and will be incorporated into the finding aid at a later date. Music manuscripts of works commissioned by Elizabeth Sprague Coolidge or the Elizabeth Sprague Coolidge Foundation in the Library of Congress comprise a substantial portion of the collection and are cataloged individually. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. -
Concert Program
FLAGLER MUSEUM THE STRADIVARI QUARTET February 7, 2012 7:30 p.m. Sponsored by WILLIAM R. KENAN, JR. CHARITABLE TRUST THE STRADIVARI QUARTET Xiaoming Wang Soyoung Yoon Lech Antonio Uszynski Maja Weber violin violin viola cello PROGRAM String Quartet in G minor, D. 173 FRANZ SCHUBERT Allegro con brio Andantino Menuetto: Allegro vivace Allegro String Quartet No. 4 BÉLA BARTÓK Allegro Prestissimo, con sordino Non troppo lento Allegretto pizzicato Allegro molto INTERMISSION String Quartet in A minor, Op. 51, No. 2 JOHANNES BRAHMS Allegro non troppo Andante moderato Quasi Minuetto, moderato Chamber music, as we know it, began in the Baroque era with early trio sonatas, and some of history’s greatest composers used chamber music as a vehicle to create their most profound and important works. Others used the medium as an outlet for fun and lighthearted entertainment. The music was traditionally performed in homes. The Flagler name has long been associated with great music, as Henry and Mary Lily Flagler frequently hosted musical performances in Whitehall’s elaborate Music Room. The Flagler Museum Music Series captures the spirit of traditional chamber music, and welcomes world renowned performers to the finest chamber music venue in South Florida. Here, performers and visitors can experience chamber music as it was intended in a gracious and intimate setting. Due to its intimate nature, chamber music has been described as “the music of friends.” Consequently it is frowned upon to use stages and amplifying devices. The audio devices you will see tonight record the performance for national public radio broadcast and archival purposes. -
Cypress String Quartet American Album Notes by Richard Aldag A
Cypress String Quartet American Album Notes by Richard Aldag A fusion of divergent cultural influences has created a rich palette from which American composers may draw. From the ritual music of Native Americans, to African American slave songs and spirituals, New England shape note singing, and varied European, Latin American, and Asian musical traditions, indelible influences abound in American classical music. With the expansion of the nation from coast to coast accomplished and the horrors of the Civil War behind them, American composers found their voices – as individuals and as a collective group – toward the turn of the 20 th century. Along the way, the string quartet emerged as a vital resource for artistic expression. The collection on this CD represents one viewpoint of the journey that American classical music has taken from the late-19th century to the early 21 st century, through the lens of the string quartet. The influences and stylistic differences may vary, but the music is timeless and American. The Call The journey begins with the Bohemian composer Antonín Dvořák (1841-1904), whose String Quartet in F, Op. 96 “American,” is universally acknowledged as the first great string quartet composed in the United States. As a proponent of the European nationalist movement of the second half of the 19 th century, Dvořák had created a substantial body of music inspired by the rhythms and folk tunes of his homeland. In 1891, Dvořák was recruited to serve as Director of the National Conservatory of Music, an institution that had been founded by the prominent New York socialite and philanthropist Jeanette Thurber. -
Marshall University Music Department Presents
Marshall University Marshall Digital Scholar All Performances Performance Collection Fall 11-7-2008 Marshall University Music Department Presents, Music Alive Series, Graffe trS ing Quartet, Štĕpán Graffe, violin, Lukáš Bednařik, violin, Lukáš Cybulski, viola, Michal Hreno, violoncello, with, Michiko Otaki, piano Michiko Otaki Štĕpán Graffe Lukáš Bednařik Lukáš Cybulski Follow this and additional works at: http://mds.marshall.edu/music_perf Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Otaki, Michiko; Graffe, Štĕpán; Bednařik, Lukáš; and Cybulski, Lukáš, "Marshall University Music Department Presents, Music Alive Series, Graffe trS ing Quartet, Štĕpán Graffe, violin, Lukáš Bednařik, violin, Lukáš Cybulski, viola, Michal Hreno, violoncello, with, Michiko Otaki, piano" (2008). All Performances. 752. http://mds.marshall.edu/music_perf/752 This Recital is brought to you for free and open access by the Performance Collection at Marshall Digital Scholar. It has been accepted for inclusion in All Performances by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. DEPARTMENT of MUSIC Program String Quartet in g min.or, Franz Joseph Haydn op. 74, no. 3 ("Rider") (1732-1809) Allegro moderate MUSIC Largo assai Menuetto: Allegretto Finale: Allegro con brio presents the Quintet for Piano and Strings Robert Schumann Music Alive Series in E-flat major, op. 44 (1810-1856) Allegro brillante In modo d'una marcia GRAFFE STRING QUARTET Scherzo: Molto vivace Stepan Graffe, violin Allegro ma non troppo Lukas Bednarik, violin Lukas Cybulski, viola Michiko Otaki, piano Michal Hreno, violoncello with Michiko Otaki, piano Friday, November 7, 2008 Exclusive Management for the First Presbyterian Church GRAFFE QUARTET and MICHIKO OTAKI: 12:00 p.m. -
Přejeme Všem Čtenářům Radostné Prázdniny! Hodiny Strachu (4) – Stroj a Pravda Helena Friedlová
Ráda se přejídám čokoládou... říká v rozhovoru naše paní učitelka – Soňa Olivová Kolik vám je let? 50. Jak dlouho už učíte na této škole? Na této škole učím šestnáctým rokem. Jaký je váš oblíbený film? Moje oblíbené jsou pohádky, nejoblíbenější pohádkou je asi Lotrando a Zubejda. Kdo je váš oblíbený herec a herečka? Jako herečka paní Maciuchová a z mužů Hrušínský. Jaké máte koníčky? Někdy si přečtu knížku, ale to musím mít hodně velkou náladu. Potom náš pes a ráda chodím na procházky ven. Pokud se dostanem o prázdninách i třeba na hory. A potom je to především rodina. Jaké je vaše oblíbené jídlo a pití? Piji neslazenou minerálku, dříve, když to bylo vzácné, tak jsem nepohrdla i troškou coca-coly. Z alkoholických nápojů mám ráda, když je ten nápoj sladší. Na jídlo mám ráda v podstatě všechno, ale může být i něco se zeleninou. Jaká je vaše oblíbená barva? V zimě se ladím do tmavších tónů, takže třeba nějaká hnědá, černá, šedá, ale i béžová. A v létě chodím barevně oblečená. Oblékám se také podle počasí. Máte ještě nějaké jiná zvířata? Máme čivavu. Moje dcera má ještě zlatého retrívra, takže někdy chodím ven i s tímhle velkým hafanem. Jaký předmět nejraději učíte? Občanskou a rodinnou výchovu. Jakou hudbu ráda posloucháte? Mám ráda šanson nebo muzikál. Z čeho máte největší strach? Největší strach mám z válek. Ale i z toho, že by v lidské populaci převážili ti špatní, ti zlí. Kde jste se narodila? V Opavě. Kde jste byla nejdál? Na Malorce a na Korfu. Jaký byl váš největší trapas? Největší trapas tady ve škole byl ten, když jsme končili lyžařský výcvik a já jsem v autobuse ještě děti poučovala, aby se učily, protože bylo před vysvědčením, no a v autobuse mi na horním schodu ujela noha a sjela jsem po zadnici až dolů, kde stálo ještě spousta děti, které chtěly do autobusu nastoupit. -
JACQUES-LOUIS MONOD CANTUS CONTRA CANTUM I Merja Sargon, Soprano; Chamber Orchestra Conducted by Jacques-Louis Monod
JACQUES-LOUIS MONOD CANTUS CONTRA CANTUM I Merja Sargon, soprano; chamber orchestra conducted by Jacques-Louis Monod JACQUES-LOUIS MONOD (b. Paris, France), studied at the Conservatoire Nationale de Musique Paris, the Juilliard School of Music and the Hochschule fur Musik and Konservatorium of West Berlin. He holds a Doctorate of Musical Arts from Columbia University, where he has taught for a number of years, has been a guest lecturer at Princeton and Harvard Universities and is an Associate Professor at Barnard College. He has conducted major orchestras in North and Central America, Scandinavia, Eastern and Western Europe, where he was primarily associated with the BBC Third Program. As a pianist and conductor, he has performed world premieres of works by, among others, Schoenberg, Berg, Webern, Stravinsky, Babbitt, numerous first performances of works by Berger, Carter, Dallapiccola, Gerhard, Hoffmann, Ives, Krenek, Leibowitz, Philippot, and Varese and gave the first all Webern concerts in Paris and New York (1951). He made first recordings of works by Schoenberg, Berg, Webern, Schnabel and Carter for Dial, Classic, Epic, Metronome, Columbia, and his last recording for CRI was Shifrin's Three Pieces for Orchestra. For his compositions, he has received a citation from the National Institute of Arts and Letters, a Dorothy Spivack Grant and a Martha Baird Rockefeller Grant. He is the President of the Guild of Composers, Inc., and of the Rene Leibowitz Association, a permanent representative of the A. Zemlinsky International Composition Prize, and the Director of Publications of Boelke-Bomart, Inc. and Mobart Music Publications. He writes: “My CANTUS CONTRA CANTUM I, (1972) is a song cycle in one movement for woman's voice and chamber ensemble. -
IV. Kammermusik
IV. Kammermusik Abe, Keiko Martin Grubinger jun. / Martin Grubinger sen. / The Wave Leonhard Schmidinger / Sabine Pirker / Rainer 22. Sep. 2009 Furthner (Multipercussion), Ismael Barrios (Latin Percussion), Sebastian Lanser (Drum Set), Heiko Jung (E-Bass) The Percussive Planet Ensemble, Martin 8. Dez. 2013 Grubinger (Mulitpercussion) Martin Grubinger jun. / Martin Grubinger sen. / Prism Rhapsody Leonhard Schmidinger / Sabine Pirker / Rainer 22. Sep. 2009 Furthner (Multipercussion), Ismael Barrios (Latin Percussion), Sebastian Lanser (Drum Set), Heiko Jung (E-Bass) Abreu, Zequinha de Tico Tico (Arr.: Enrique Crespo) German Brass 27. Mai 2009 Albéniz, Isaac Granada aus Suite española, German Brass 27. Mai 2009 op. 47 (Arr.: Enrique Crespo) Tango , op. 165/2 Mischa Maisky (Violoncello), Lily Maisky 10. März 2011 (Klavier) Albioni, Tommaso Sonate in h-Moll, op. 1/8 Rinaldo Alessandrini (Leitung, Cembalo), 8. Feb. 2007 Concerto Italiano Bach, Johann Sebastian Sinfonia aus Wir danken dir, Gott, wir danken dir, BWV 29 German Brass 27. Mai 2009 (Arr.: Matthias Höfs) German Brass 14. Juni 2012 Suite Nr. 2 f. Flöte u. Streicher in h-Moll, BWV 1067 London Baroque 12. März 1991 Suite Nr. 5 f. Streicher in g- London Baroque 12. März 1991 Moll, BWV 1070 Rinaldo Alessandrini (Leitung, Cembalo), 8. Feb. 2007 Sonate in C-Dur, BWV 1037 Concerto Italiano Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/1 Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/3 Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/4 Kontrapunkt aus Die Kunst der Minguet Quartett 8. Nov. 2012 Fuge , BWV 1080/10 Triosonate Nr. -
Entre En Seine Le Festival Organisé Par Le Département Est De Retour À La Seine Musicale Du 3 Au 8 Avril
n°mars • avril58 2018 HDS GRAND PARIS le magazinedes du Hauts-de-Seine Département Les Départements unis mag pour défendre leur action REPORTAGE Le CEA de Fontenay met le cap sur la recherche médicale HDS+ À quoi sert le Département ? Notre supplément de 24 pages Chorus entre en Seine Le festival organisé par le Département est de retour à La Seine Musicale du 3 au 8 avril. RETROUVEZ HDSmag SUR TABLETTE et SMARTPHONE |HDSmag|n°58 - mars-avril 2018 sommaire actualité Grand Paris : les Départements vent debout������������������������������12 RD1aunord:grandstravauxsurlesquais��������������������������������������� 14 Nanterre92Show:objectifrecord��������������������������������������������������������15 a Zapping����������������������������������������������������������������������������������������������������������16 G rté -O utierrez G magazine téphanie Reportage Économie CD92/S 12 AprèssareconversionleCEA Hackathontourisme: faitavancerlamédecine�����20 leslauréatsincubent…���������30 International Entretien Cacao:commentHaïtiest SergeAbiteboul montéengamme���������������������26 etGillesDowek������������������������34 culture maire OL D C u Festival Chorus Exposition -L ean J Printempssonore AuCube,uneplongéedans àLaSeineMusicale�����������������38 l’abstractionen3D�����������������44 EA 20 © C 34 © CD92 / Portrait Panorama��������������������������������46 BacharMar-Khalifé�����������������40 Zapping�������������������������������������48 Livre Lesfantômesde PatrickPécherot����������������������42 ire O conseildépartemental av -
WAVES - Culture from Japan Azuma Barbershop in Asakusa Torigoe : Issue Number Autumn 2006 05
WAVES - Culture from Japan Issued by the Japan Foundation Cairo Office Contents Fascinated by Middle Eastern Noble Strings: The Oud Autumn 2006 Issue Number 05 by Yuji Tsunemi Autumn of Appetite - Do Firstling Fish Prolong One's Life?! Book News: Azuma Barbershop in Asakusa Torigoe: Full of Fun with No Expiry Date Event Key Word: Japanese Taiko: An Overview Information The Japanese Language Proficiency Test 2006 Date: (Sun.) 3rd Dec. 2006 Venue: Cairo (according to the level) Eligibility: non-native speaker of Japanese Announcement of Test Results: Beginning of Mar. 2007 Japanese Drums Group: HA YA TO Concert in Cairo Date: (Mon.) 11th Dec. at 8:00p.m. Venue: River Hall - El Sawy Culture Wheel (Tel: 02-7368881 Address: End of 26th of July St., Zamalek, Cairo) Ticket: 15L.E. Available at El Sawy Culture Wheel HA YA TO's Website: http://ha-ya-to.hp.infoseek.co.jp/ (Japanese only) Mieko Miyazaki Koto Concert: the Japanese Folk Instrument & Violin Date: (Mon.) 22nd Jan. 2007 at 8:00p.m. Venue: Small hall of Cairo Opera House For further information, please contact our office. The Japan Foundation Library Two Computers with Internet access are available on a trial basis Opening Hours: Daily from 10:00a.m. to 5: 30p.m. except Fridays and Saturdays Membership only (Annual Fee: Students = 20L.E., Adults = 40L.E.) The Japan Foundation Cairo Office 5F Cairo Center Bldg., 2 Abdel Kader Hamza St. Garden City, Cairo, EGYPT Tel. 02-794-9431/9719 Fax: 02-794-9085 Email: [email protected] Web site: http://www.jfcairo.org/home.html Why don’t you join our e-mail list? The Japan Foundation Cairo Office can send you information on future cultural events by e-mail. -
Download Booklet
SCHUMANN Piano Quintet • Piano Quartet Märchenerzählungen Fine Arts Quartet Xiayin Wang, Piano Robert Schumann (1810–1856) movement and the liveliness of the Scherzo. The masterful Members of the Fine Arts Quartet perform Schumann’s Piano Quintet in E flat major, Op. 44 • Piano Quartet in E flat major, Op. 47 writing of the Piano Quartet is some of Schumann’s best. optional version of Märchenerzählungen which replaces the The work was completed in October 1842 and concluded clarinet with the violin. The work was composed in October Märchenerzählungen, Op. 132 Schumann’s creative burst of chamber music. It was written 1853, some ten years after his concentrated period of for Count Matvei, an obviously accomplished amateur cellist, chamber music and dangerously close to his suicide attempt Central to Schumann’s music is the reflection of his so- tempo marking indicates, “in the manner of a march”. In this but given its première by professional musicians in Leipzig in 1854, although that grim detail of Schumann’s life is not called split personality, that is, the free and happy Florestan case, we have a kind of universal funeral march not intended on 8th December, 1844. The pianist was Clara Schumann. evident in the warm and even happy spirit of the work. The side and the restrained and pensive Eusebius side of his as a tribute to an individual but one for humanity itself and In his fascinating essay included in Schumann and His first movement, for example, with its light-hearted arpeggios character. How much this reflects his own mental illness its frailties.