Scheherazade Plan of Action
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124720 Aaron Read Lowres
Dead Hart Live Beat by Amy Brown Born in the war year of 1943 in New York, Mickey bearded guitar player who had a voice that finger touched your Hart's parents were drummers. soul and kissed your neck. Jerry stepped up when R & B genius Although he didn't stay around to enjoy Mickey's birth, Pigpen McKernan forgot there were closing times and his dad was a 'rudimental' drummer, a master of establishing checked out of the band and life too early. Bob Weir was there, tempo through percussion and acting as the backbone of an too, the cute one with an edge, who alternated vocals with ensemble. Mickey was raised by his mother, who was what Jerry, and Phil Lesh and hey…they all had their following, but Mickey calls an 'intramural' player, a musician with a true love for this article at least and a sense of Rock history, it is of rhythm and its many artistic expressions. impossible to ignore the impact that Mickey Hart has had on Whether it was in his blood or an imprint of early the world of rhythm and percussion beginning with his days memory, Hart embarked on a lifetime of exploration into the with “The Dead” and continuing with the groups he has either artistry and healing powers of drumming. In 1967, with the joined or founded since Jerry Garcia's challenged heart gave Summer of Love in full blossom, Mickey fell in with a group out in 1995. of musicians from Northern California. They were a free- “ My teacher took me aside when I was in spirited and experimental group of high school and asked, “Do you want to guys who would become his lifelong play drums for the rest of your life?” companions. -
Entre En Seine Le Festival Organisé Par Le Département Est De Retour À La Seine Musicale Du 3 Au 8 Avril
n°mars • avril58 2018 HDS GRAND PARIS le magazinedes du Hauts-de-Seine Département Les Départements unis mag pour défendre leur action REPORTAGE Le CEA de Fontenay met le cap sur la recherche médicale HDS+ À quoi sert le Département ? Notre supplément de 24 pages Chorus entre en Seine Le festival organisé par le Département est de retour à La Seine Musicale du 3 au 8 avril. RETROUVEZ HDSmag SUR TABLETTE et SMARTPHONE |HDSmag|n°58 - mars-avril 2018 sommaire actualité Grand Paris : les Départements vent debout������������������������������12 RD1aunord:grandstravauxsurlesquais��������������������������������������� 14 Nanterre92Show:objectifrecord��������������������������������������������������������15 a Zapping����������������������������������������������������������������������������������������������������������16 G rté -O utierrez G magazine téphanie Reportage Économie CD92/S 12 AprèssareconversionleCEA Hackathontourisme: faitavancerlamédecine�����20 leslauréatsincubent…���������30 International Entretien Cacao:commentHaïtiest SergeAbiteboul montéengamme���������������������26 etGillesDowek������������������������34 culture maire OL D C u Festival Chorus Exposition -L ean J Printempssonore AuCube,uneplongéedans àLaSeineMusicale�����������������38 l’abstractionen3D�����������������44 EA 20 © C 34 © CD92 / Portrait Panorama��������������������������������46 BacharMar-Khalifé�����������������40 Zapping�������������������������������������48 Livre Lesfantômesde PatrickPécherot����������������������42 ire O conseildépartemental av -
WAVES - Culture from Japan Azuma Barbershop in Asakusa Torigoe : Issue Number Autumn 2006 05
WAVES - Culture from Japan Issued by the Japan Foundation Cairo Office Contents Fascinated by Middle Eastern Noble Strings: The Oud Autumn 2006 Issue Number 05 by Yuji Tsunemi Autumn of Appetite - Do Firstling Fish Prolong One's Life?! Book News: Azuma Barbershop in Asakusa Torigoe: Full of Fun with No Expiry Date Event Key Word: Japanese Taiko: An Overview Information The Japanese Language Proficiency Test 2006 Date: (Sun.) 3rd Dec. 2006 Venue: Cairo (according to the level) Eligibility: non-native speaker of Japanese Announcement of Test Results: Beginning of Mar. 2007 Japanese Drums Group: HA YA TO Concert in Cairo Date: (Mon.) 11th Dec. at 8:00p.m. Venue: River Hall - El Sawy Culture Wheel (Tel: 02-7368881 Address: End of 26th of July St., Zamalek, Cairo) Ticket: 15L.E. Available at El Sawy Culture Wheel HA YA TO's Website: http://ha-ya-to.hp.infoseek.co.jp/ (Japanese only) Mieko Miyazaki Koto Concert: the Japanese Folk Instrument & Violin Date: (Mon.) 22nd Jan. 2007 at 8:00p.m. Venue: Small hall of Cairo Opera House For further information, please contact our office. The Japan Foundation Library Two Computers with Internet access are available on a trial basis Opening Hours: Daily from 10:00a.m. to 5: 30p.m. except Fridays and Saturdays Membership only (Annual Fee: Students = 20L.E., Adults = 40L.E.) The Japan Foundation Cairo Office 5F Cairo Center Bldg., 2 Abdel Kader Hamza St. Garden City, Cairo, EGYPT Tel. 02-794-9431/9719 Fax: 02-794-9085 Email: [email protected] Web site: http://www.jfcairo.org/home.html Why don’t you join our e-mail list? The Japan Foundation Cairo Office can send you information on future cultural events by e-mail. -
Bobi Céspedes Band in Concert with Pellejo Seco with Special Guest John Santos
For immediate release: July 18, 2018 Media contact: [email protected] Brava presents Bobi Céspedes Band in Concert with Pellejo Seco with special guest John Santos Saturday, August 18, 2018 Brava Theater Center Tickets $20 – $50 VIP reception – 6:30pm Doors open – 7:00pm Concert – 8:00pm A sonera of the classic Cuban style and a priestess of the Yorùbán diaspora, Gladys “Bobi” Céspedes has been at the forefront of representing and promoting Cuban music in the Bay Area and the United States for over 40 years. Bobi first won international recognition as director and lead singer for Conjunto Céspedes, which was recognized as an early exponent of world music for their unique approach to Cuban dance music, incorporating jazz elements and folkloric idioms with the Cuban son. Bobi Céspedes’ electrifying ensemble features some of the Bay area’s finest Latin Jazz musicians: Musical director, Marco Díaz on piano, trumpet and vocals; bassist Saúl Sierra-Alonso; Julio Pérez on bongos and percussion; José Roberto Hernández on guitar and vocals; Lichi Fuentes on vocals, chekeré, and guiro, and special guest John Santos on Joining Bobi Céspedes on the bill is one of the Bay Area’s most inventive Cuban bands Pellejo Seco, which draws on Afro-Cuban folklore and the latest Havana dance music, Latin jazz and flamenco, bossa nova and jazz/rock fusion. A portion of the theater will be cleared for a dance floor, so come ready to groove to the sounds of Afro-Cuba and beyond! “A Cuban powerhouse of a woman who demonstrates on record and in concert that she is the worthy successor to the throne of Celia Cruz.” – LA Times -- Orisha Oyá Workshop with Bobi Céspedes Sunday, August 19 – 2pm Brava Cabaret Drawing on sacred songs and stories from Yoruba mythology, Bobi Céspedes, will lead a workshop exploring the mystery and significance of Orisha Oyá, who represents the wind. -
Zakir Hussain & Masters of Percussion
CAL PERFORMANCES PRESENTS Sunday, March 23, 2014, 7pm Zellerbach Hall Zakir Hussain & Masters of Percussion with Zakir Hussain tabla Selvaganesh Vinayakram kanjira & ghatam Steve Smith Western drums Niladri Kumar sitar Dilshad Khan sarangi Deepak Bhatt dhol Vijay Chavan dholki and special guest Antonia Minnecola Kathak dancer PROGRAM Tonight’s program will be announced from the stage. There will be one intermission. Cal Performances’ – season is sponsored by Wells Fargo. PLAYBILL ABOUT THE ARTISTS The foremost disciple of his father, the leg- endary Ustad Allarakha, Mr. Hussain was a child prodigy who began his professional career at the age of twelve and had toured internation- ally with great success by the age of 18. He has been the recipient of many awards, grants and honors, including Padma Bhushan (2002), Padma Shri (1988), the Sangeet Natak Akademi Award (1991), Kalidas Samman (2006), the 1999 National Heritage Fellowship Award, the Bay Area Isadora Duncan Award (1998–1999), and Grammy Awards in 1991 and 2009 for Best World Music Album for Planet Drum and Global Drum Project, both collaborations with Mickey Hart. His music and extraordinary con- tribution to the music world were honored in April 2009, with four widely heralded and sold- out concerts in Carnegie Hall’s “Perspectives” series. Also in 2009, Mr. Hussain was named a Susana Millman Susana Member in the Order of Arts and Letters by AKIR HUSSAIN (tabla) is today appreciated France’s Ministry of Culture and Commun - Zboth in the field of percussion and in the ication. Most recently, the National Symphony music world at large as an international phe- Orchestra with Christoph Eschenbach com- nomenon. -
Hamza El Din Escalay (The Water Wheel), Oud Music from Nubia Mp3, Flac, Wma
Hamza El Din Escalay (The Water Wheel), Oud Music From Nubia mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Escalay (The Water Wheel), Oud Music From Nubia Country: US Released: 1998 MP3 version RAR size: 1105 mb FLAC version RAR size: 1503 mb WMA version RAR size: 1114 mb Rating: 4.8 Votes: 613 Other Formats: WMA DXD FLAC AAC APE AA MMF Tracklist Hide Credits The Water Wheel 1 21:30 Composed By – Hamza El Din I Remember 2 11:55 Composed By – Mohammed Abdul Wahab* Song With Tar 3 4:45 Composed By – Traditional Companies, etc. Phonographic Copyright (p) – Nonesuch Records Copyright (c) – Nonesuch Records Copyright (c) – WEA International Inc. Made By – WEA Manufacturing Inc. Designed At – Voodoo Studio, New Orleans Credits Liner Notes [1971] – Elisabeth Warnock Fernea Photography By – Jack Vartoogian Producer – Robert Garfias Recorded By – Daniel C. Grinstead Remastered By – Robert C. Ludwig* Supervised By [Coordinator] – Teresa Sterne Vocals, Oud – Hamza El Din Notes Produced with the cooperation of the Archives of Ethnic Music and Dance, University of Washington, Seattle. Made in U.S.A. by WEA Manufacturing Inc. First released 1971 ℗ 1971 & © 1998 Nonesuch Records for the United States and WEA International Inc. for the world outside the United States. Barcode and Other Identifiers Barcode: 0 7559-72041-2 4 Other: wea mfd olyphant W2074 2 72041-2 01 M1S1 Mastering SID Code: ifpi L001 Mould SID Code: IFPI 2U2T Other versions Category Artist Title (Format) Label Category Country Year Hamza El Escalay / The -
Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events. -
Advance Program Notes Zakir Hussain and Masters of Percussion Monday, March 31, 2014, 8 Pm
Advance Program Notes Zakir Hussain and Masters of Percussion Monday, March 31, 2014, 8 pm These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. ZAKIR HUSSAIN and Masters of Percussion with Selvaganesh Vinayakram (kanjira and ghatam) Steve Smith (western drums) Niladri Kumar (sitar) Dilshad Khan (sarangi) Deepak Bhatt (dhol) Vijay Chavan (dholki) The preeminent classical tabla virtuoso of our time, Zakir Hussain delivers brilliant performances that have established him as a national treasure in his native India and as one of the world’s most esteemed and influential musicians, renowned for his genre-defying collaborations. His playing is marked by uncanny intuition and masterful improvisational dexterity, founded in formidable knowledge and study. Masters of Percussion, an outgrowth of Hussain’s memorable tours with his father, the legendary Ustad Allarakha, has enjoyed successful tours in the West since 1996. Joining the 2014 tour will be Selvaganesh Vinayakram (kanjira and ghatam), Steve Smith (western drums), Niladri Kumar (sitar), Dilshad Khan, (sarangi), Deepak Bhatt (dhol), and Vijay Chavan (dholki). Zakir Hussain appears by arrangement with IMG Artists 152 W. 57th Street, 5th Floor, New York, N.Y. 10019 For more information, please visit www.zakirhussain.com. Artist Biographies Zakir Hussain Zakir Hussain is appreciated both in the field of percussion and in the music world at large as an international phenomenon. A classical tabla virtuoso of the highest order, his consistently brilliant and exciting performances have not only established him as a national treasure in his own country, India, but gained him worldwide fame. -
DOSSIER DE PRESSE 13 Avril 2017 SOMMAIRE
DOSSIER DE PRESSE 13 avril 2017 SOMMAIRE ÉDITO p 3 PROGRAMMATION 2017 p 4 JEUDI 6 JUILLET p 5 VENDREDI 7 JUILLET p 11 CRÉATION HUBERT-FÉLIX THIÉFAINE p 13 SO FRECH SO FRENCH p 19 SAMEDI 8 JUILLET p 20 VITALIC A LA PLAGE p 25 DIMANCHE 9 JUILLET p 29 COLOMBIA VIBRA p 34 PARTENARIATS ARTISTIQUES p 37 EUROCKS SOLIDAIRES p 38 SUR PLACE OU À EMPORTER p 41 SERVICES AUX FESTIVALIERS p 42 BILLETTERIE p 43 LE SITE DU MALSAUCY & LE CAMPING p 44 LES PARTENAIRES DU FESTIVAL p 45 L’ÉQUIPE DU FESTIVAL p 46 INFOS ET CONTACTS PRESSE p 47 Eurock’n 'Roll Circus Enveloppé d’un parfum exquis de début d’été, le festival des Eurockéennes forme un fabuleux espace de liberté, de rencontres et de découvertes. Une bulle d’oxygène salutaire où l’on savoure des pépites musicales comme on se régale de friandises à la belle saison. Une invitation à vivre un immense et joyeux rassemblement ! Cette année, ce ne sont pas 3 mais 4 jours de musiques sans frontières qui vous attendent sur la presqu’île du Malsaucy. 4 jours de partage, de joyeux foutoir, de folie rock, pop, electro et hip-hop pour une fête format XXL. À ciel ouvert, des étendues vertes à la plage en passant par les chapiteaux et les scènes du festival, une foule de curiosités à écouter et à voir se dévoile au cœur d’une République éphémère à la sociabilité amplifiée. 70 artistes composent le casting étoilé de cette 29ème édition qui s’annonce d’ores et déjà comme LE rendez-vous incontournable estival. -
Télécharger La Revue De Presse De the WATER WHEEL
Revue de Presse 02.07.2017 10.05.2017 03.04.2017 03.04.2017 03.04.2017 11.08.2017 Bachar Mar-Khalifé, "The Water Wheel": douce transe autour d’Hamza El Din Cet été, le musicien franco-libanais Bachar Mar-Khalifé parcourt les festivals avec The Water Wheel , une création en hommage au musicien nubien Hamza El Din. Chanson de l’exil, ce concert porté par la voix hypnotique de la chanteuse soudanaise Alsarah, nous amène dans une douce transe. RFI Musique fait le récit d’une rencontre inattendue. Il est près de 16h30 au festival Terres du Son, près de Tours. À cette heure là, c’est presque le début de la journée pour un public qui s’autorise une nouvelle sieste dans l’herbe. Une sieste qui sera bercée ce samedi après-midi là par le concert que le franco-libanais Bachar Mar- Khalifé consacre au chanteur et joueur d’oud, Hamza El Din, et par la voix hypnotique de la chanteuse soudanaise Alsarah. The Water Wheel , "la roue à eau" en français, c’était un disque paru en 1971 par ce musicien nubien qui a longtemps vécu aux États-Unis. C’est aussi le nom de cette création, qui parcourt actuellement les festivals de l’Europe francophone, un concert dont l’intitulé a priori pointu n’a rien à voir avec la connexion immédiate qu’il suscite. Pas besoin d’initiation pour se laisser happer sous quarante degrés, par cette musique volontiers répétitive. Un passeur de la culture nubienne "Hamza El Din est à part, en parallèle de l’histoire musicale, raconte Bachar Mar-Khalifé . -
December 2000
21ST CENTURY MUSIC DECEMBER 2000 INFORMATION FOR SUBSCRIBERS 21ST-CENTURY MUSIC is published monthly by 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. Subscription rates in the U.S. are $84.00 (print) and $42.00 (e-mail) per year; subscribers to the print version elsewhere should add $36.00 for postage. Single copies of the current volume and back issues are $8.00 (print) and $4.00 (e-mail) Large back orders must be ordered by volume and be pre-paid. Please allow one month for receipt of first issue. Domestic claims for non-receipt of issues should be made within 90 days of the month of publication, overseas claims within 180 days. Thereafter, the regular back issue rate will be charged for replacement. Overseas delivery is not guaranteed. Send orders to 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. e-mail: [email protected]. Typeset in Times New Roman. Copyright 2000 by 21ST-CENTURY MUSIC. This journal is printed on recycled paper. Copyright notice: Authorization to photocopy items for internal or personal use is granted by 21ST-CENTURY MUSIC. INFORMATION FOR CONTRIBUTORS 21ST-CENTURY MUSIC invites pertinent contributions in analysis, composition, criticism, interdisciplinary studies, musicology, and performance practice; and welcomes reviews of books, concerts, music, recordings, and videos. The journal also seeks items of interest for its calendar, chronicle, comment, communications, opportunities, publications, recordings, and videos sections. Typescripts should be double-spaced on 8 1/2 x 11 -inch paper, with ample margins. Authors with access to IBM compatible word-processing systems are encouraged to submit a floppy disk, or e-mail, in addition to hard copy. -
Other Minds Records
http://oac.cdlib.org/findaid/ark:/13030/c8wq0984 Online items available Guide to the Other Minds Records Alix Norton, Jay Arms, Madison Heying, Jon Myers, and Kate Dundon University of California, Santa Cruz 2018 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Guide to the Other Minds Records MS.414 1 Contributing Institution: University of California, Santa Cruz Title: Other Minds records Creator: Other Minds (Organization) Identifier/Call Number: MS.414 Physical Description: 399.75 Linear Feet (404 boxes, 15 framed and oversized items) Physical Description: 0.17 GB (3,565 digital files, approximately 550 unprocessed CDs, and approximately 10 unprocessed DVDs) Date (inclusive): 1918-2018 Date (bulk): 1981-2015 Language of Material: English https://n2t.net/ark:/38305/f1zk5ftt Access Collection is open for research. Audiovisual media is unavailable until reformatted. Digital files are available in the UCSC Special Collections and Archives reading room. Some files may require reformatting before they can be accessed. Technical limitations may hinder the Library's ability to provide access to some digital files. Access to digital files on original carriers is prohibited; users must request to view access copies. Contact Special Collections and Archives in advance to request access to audiovisual media and digital files. Publication Rights Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner.