Giovanni Hidalgo
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
WREK Grabs Top Honor in Creative Loafing
Friday, OctoberNEWS 5, 2007 Technique • Friday, October 5, 2007 • 1 “The South’s Liveliest College Newspaper” After much antici- pation, Halo 3 is worth the wait. Volume 93, Issue 11 28 pages Page 15 ONLINE www.nique.net TECHNIQUEServing Georgia Tech since 1911 WREK grabs top honor in Creative Loafi ng By Denisse Gonzalez at all. Usually a radio station of for Best Overall Radio Station than the in-your-face popular Contributing Writer our caliber just goes for best non- in Atlanta. stations. Listeners are thankful commercial radio station, but To Th omas Shanks, a fi fth- for our eff orts to provide diverse Taped to the door leading out to step up and year Computer and interesting music, sports and of the WREK radio station offi ces go above and Science and community affairs program- is a sign that reads “What did you beyond 99X, “...to step up E l e c t r i c a l ming,” Shanks said. do today to make WREK awe- Project 96.1, and go beyond... Engineering In addition to sports and some?” On Sept. 26, the 110 staff and all these major, win- public affairs programming, members who work to make the other commer- all these other ning the title WREK broadcasts rock, rhythm station “awesome” were rewarded cial radio sta- commercial radio was overdue. and blues, classical music, jazz by Creative Loafi ng critics, who tions is really Shanks, who and a number of specialty shows, named WREK Best Overall monumental,” stations is really has been an including Indian Masala, featur- Radio Station in the newspaper’s Petrick said. -
RUMBA-MENU-WEBSITE-AUGUST.Pdf
Open Hours 12PM TO 1AM Club Vista Mare, Unit 6, Palm Jumeirah 12PM TO 3AM(THURSDAY- FRIDAY) SALUDSALUD MIMI FAMILIAFAMILIA About BITES LALA TRADICIONTRADICION Empanadas de Ropa Vieja 4pcs (G)(D) 60 RUMBARUMBA Homemade pastry, shredded beef, bone marrow aioli CUBANACUBANA Tostones y Enchilados 4pcs (S)(D) 55 Crispy green plantain, shrimps, diabla sauce Daiquiri 45 White rum, fresh lemon juice, fresh CUBANCUBAN Croquetas 5pcs (D)(G) 65 sugarcane juice, maraschino Veal brisket, turkey ham, cheese, jalapeño aioli Mojito 48 BARBAR && Camarones Rellenos 5pcs (G)(S)(D) 70 White rum, fresh lemon juice, Prawns, veal bacon, cream cheese, panko, coriander, chipotle mayo mint leaves, fresh sugarcane juice, soda water KITCHENKITCHEN Picada Cubana (V)(G)(D) 98 Tostones, yuca frita, potato croquettes, black beans empanada, Cuba Libre 45 sweet potato flautas Rumba is not just a White rum, coca-cola, fresh lemon dance rhythm, it’s a juice, spices way of life. A lifestyle concept that OROORO VERDEVERDE embodies many shapes. From Guacamole Habanero 65 dining and bar experiences Smoked habanero chili, red onion, coriander, to lounge, cigar, terrace and lime, mix chips beach, Rumba erupts in a Guacamole Tradicional 59 spontaneous gathering of White onion, tomato, coriander, lime, mix chips lively colors, traditional Cuban cuisine and the syncopated Guacamole Rumba (D) 89 rhythms of music and dance. Skirt steak, manchego cheeese, green tomatillo, roasted zucchini seed, red onion, coriander, lime, mix chips CONVERT ANAKENA WHITE OR RED WINE TO SANGRIA 1 LITRE -
Proud Activist Kirsten Ussery Is Detroit Dynamo
FREE | SEPT. 29, 2011 | VOL. 1939 2011 | VOL. 29, | SEPT. EXCLUSIVE CHAT WITH FIrst OPENLY GAY BISHOP AIDS WALK MICHIGAN RAISES MORE THAN $100K GlorIA EstefAN TALKS TARGET GAFFE, NEW CD PROUD ACTIVIst COME OUT, KIrsteN USSERY IS DETROIT DYNAMO step UP PRIDESOURCE.COM 2 Between The Lines • September 29, 2011 9.29.2011 10 15 19 Cover story Life 6 | From closeted activist to Detroit dynamo 15 | Gloria Reaches Out to the Gays Kirsten Ussery urges people of In this exclusive chat, the Queen of Latin color to come out and step up Pop talks conservative upbringing, gay BTL photo: Andrew Potter marriage and Target controversy News 18 | ‘Ordinary’ gays in ‘extraordinary’ musical Relationships examined in new 5 | Speak Out Kalamazoo musical Progress is possible 19 | Hear Me Out 7 | First openly gay bishop talks death threats, Erasure succeeds with new sound. Plus: 9/11 Tori Amos’ best album in years 9 | Partner benefits for state employees 20 | Happenings Featured: Vienna Teng on Oct. 7 at could cost $600K The Power Center in Ann Arbor 11 | AIDS Walk Michigan raises more than 21 | Curtain Calls $100K Reviews of “Unlocking Desire” and “A Day in Hollywood/A Night in Ukraine” 12 | Police probe bullying after 14-year-old commits suicide 13 | State Equality Dinner award winners Rear View announced 22 | Dear Jody 23 | Horoscopes Opinions 24 | Puzzle 8 | BTL Editorial GOP’s argument against partner benefits is cheap 25 | Classifieds 8 | Thinking Out Loud Who are you calling a hater? 27 | Deep Inside Hollywood 10 | S/he said Politics, discrimination 10 | Heard on Facebook We’re sad to report that a New York teen who made an “It Gets Better” video committed suicide. -
Scheherazade Plan of Action
Alonzo King LINES Ballet presents an extraordinary new collaboration between three celebrated artists - choreographer Alonzo King, architect Christopher Haas, and percussionist Mickey Hart Alonzo King LINES Ballet Spring Season April 15-24, 2011 Novellus Theater at Yerba Buena Center for the Arts 700 Howard Street, San Francisco www.linesballet.org Michael Montgomery and Keelan Whitmore featured with one of Christopher Haas’ original sets, photo by RJ Muna SAN FRANCISCO, CA—February xx, 2011—Alonzo King LINES Ballet is pleased to present a groundbreaking new collaboration bringing together a trio of celebrated artists: choreographer Alonzo King, architect Christopher Haas, and percussionist Mickey Hart. This new work will have its world premiere during Alonzo King LINES Ballet’s 2011 Spring Home season, at the Novellus Theater at Yerba Buena Center for the Arts, April 15-24, 2011. King, Haas and Hart join together to create a new piece that explores our relationship with space – physical space and infinite space. The original soundscore by the Grammy-award winning Hart, is based on his recent collaborations with Nobel Laureate George Smoot, draws on the harmonics of the cosmos itself, gathering light waves from the vibrations of heavenly bodies and converting them into layers of sound. Architect Haas, formerly a collaborator with world-renown Swiss architects Herzog &de Meuron, and one of the lead architects of San Francisco’s MH deYoung Museum, has created an interactive built environment, partnering the dancers with transformable architectural surroundings crafted from inexpensive, ordinarily overlooked materials such as recycled cardboard and elastic chord, his sets strike an intriguing kinetic balance between linear and organic forms, and the extraordinary dancers of Alonzo King LINES Ballet grace the stage with incomparable physical artistry. -
Changuito, El Misterioso
Changuito, el misterioso Rafael Lam | Maqueta Sergio Berrocal Jr. En Cuba han existido, entre muchos, otros percusionistas que residieron en el exterior, muchas estrellas: Mongo Santamaría, el Patato Valdés, Orestes Vilató, Candito Camero, Walfredo de los Reyes, Carlos Vidal Bolado. Pero, en La Habana, hay que hablar de tres percusionistas de marca mayor, de grandes ligas: Chano Pozo, rey de las congas; Tata Guines, estrella de la tumbadora y José Luis Quintana “Changuito”, rey de las pailas. Changuito cumplió años el 18 de enero, no hubo fiesta grande, unas cervezas heladas (frías) y masitas de cerdo. El pailero mayor pasó la raya de los sesenta años de vida profesional. Cuando se hable de Premio Nacional de la Música, hay que recordar a los grandes. Changuito, ¿dónde comenzaste en la música? Empiezo a tocar influido por el ambiente en mi casa, mi papá era músico y ya a los cinco años yo estaba metido en la percusión, también me ayudó mucho Roberto Sánchez Calderín, formaba piquetes con mis amigos, estuve en el grupo Cabeza de Perro, y ya en 1956 responsablemente sustituía a mi padre en la orquesta del cabaret Tropicana y en la Orquesta Habana Jazz. Cuando aquello se empezaba temprano. Le hice una suplencia a mi padre en el cabaret Tropicana. ¿Después de esas experiencias qué hiciste en todos estos años, antes de 1959? Estuve trabajando con la Orquesta de Gilberto Valdés, Quinteto José Tomé, Artemisa Souvenir, Habana Rítmica 7. ¿A partir de 1959 qué haces? Comencé con el grupo Los Bucaneros que, en aquellos tiempos tenía mucha aceptación del público joven. -
Quantum Leap Stormdrum 3 Manual
Quantum Leap Stormdrum 3 Virtual Instrument Users’ Manual QUANTUM LEAP STORMDRUM 3 VIRTUAL INSTRUMENT The information in this document is subject to change without notice and does not rep- resent a commitment on the part of East West Sounds, Inc. The software and sounds described in this document are subject to License Agreements and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by East West Sounds, Inc. All product and company names are ™ or ® trademarks of their respective owners. Solid State Logic (SSL) Channel Strip, Transient Shaper, and Stereo Compressor licensed from Solid State Logic. SSL and Solid State Logic are registered trademarks of Red Lion 49 Ltd. © East West Sounds, Inc., 2013. All rights reserved. East West Sounds, Inc. 6000 Sunset Blvd. Hollywood, CA 90028 USA 1-323-957-6969 voice 1-323-957-6966 fax For questions about licensing of products: [email protected] For more general information about products: [email protected] http://support.soundsonline.com ii QUANTUM LEAP STORMDRUM 3 VIRTUAL INSTRUMENT 1. Welcome 2 About EastWest and Quantum Leap 3 Producer: Nick Phoenix 4 Percussionist: Mickey Hart 5 Credits 6 How to Use This and the Other Manuals 7 Online Documentation and Other Resources Click on this text to open the Master Navigation Document 1 QUANTUM LEAP STORMDRUM 3 VIRTUAL INSTRUMENT Welcome About EastWest and Quantum Leap Founder and producer Doug Rogers has over 35 years experience in the audio industry and is the recipient of many recording industry awards including “Recording Engineer of the Year.” In 2005, “The Art of Digital Music” named him one of “56 Visionary Artists & Insiders” in the book of the same name. -
Artelogie, 16 | 2021 Diaspora, De/Reterritorialization and Negotiation of Identitary Music Practic
Artelogie Recherche sur les arts, le patrimoine et la littérature de l'Amérique latine 16 | 2021 Fotografía y migraciones, siglos XIX-XXI. Diaspora, de/reterritorialization and negotiation of identitary music practices in “La Rumba de Pedro Pablo”: a case study of Cuban traditional and popular music in 21st Madrid Iván César Morales Flores Electronic version URL: https://journals.openedition.org/artelogie/9381 DOI: 10.4000/artelogie.9381 ISSN: 2115-6395 Publisher Association ESCAL Electronic reference Iván César Morales Flores, “Diaspora, de/reterritorialization and negotiation of identitary music practices in “La Rumba de Pedro Pablo”: a case study of Cuban traditional and popular music in 21st Madrid”, Artelogie [Online], 16 | 2021, Online since 27 January 2021, connection on 03 September 2021. URL: http://journals.openedition.org/artelogie/9381 ; DOI: https://doi.org/10.4000/artelogie. 9381 This text was automatically generated on 3 September 2021. Association ESCAL Diaspora, de/reterritorialization and negotiation of identitary music practic... 1 Diaspora, de/reterritorialization and negotiation of identitary music practices in “La Rumba de Pedro Pablo”: a case study of Cuban traditional and popular music in 21st Madrid Iván César Morales Flores This text is part of the article “La Rumba de Pedro Pablo: de/reterritorialization of Cuban folkloric, traditional and popular practices in the Madrid music scene of the 21st century” published in Spanish in the dossier “Abre la muralla: refracciones latinoamericanas en la música popular española desde los años 1960”, Celsa Alonso and Julio Ogas (coords.), in Cuadernos de Etnomusicología, Nº 13, 2019, as a result of the Research Project I+D+i: “Música en conflicto en España y Latinoamérica: entre la hegemonía y la transgresión (siglos XX y XXI)” HAR2015-64285- C2-1-P. -
124720 Aaron Read Lowres
Dead Hart Live Beat by Amy Brown Born in the war year of 1943 in New York, Mickey bearded guitar player who had a voice that finger touched your Hart's parents were drummers. soul and kissed your neck. Jerry stepped up when R & B genius Although he didn't stay around to enjoy Mickey's birth, Pigpen McKernan forgot there were closing times and his dad was a 'rudimental' drummer, a master of establishing checked out of the band and life too early. Bob Weir was there, tempo through percussion and acting as the backbone of an too, the cute one with an edge, who alternated vocals with ensemble. Mickey was raised by his mother, who was what Jerry, and Phil Lesh and hey…they all had their following, but Mickey calls an 'intramural' player, a musician with a true love for this article at least and a sense of Rock history, it is of rhythm and its many artistic expressions. impossible to ignore the impact that Mickey Hart has had on Whether it was in his blood or an imprint of early the world of rhythm and percussion beginning with his days memory, Hart embarked on a lifetime of exploration into the with “The Dead” and continuing with the groups he has either artistry and healing powers of drumming. In 1967, with the joined or founded since Jerry Garcia's challenged heart gave Summer of Love in full blossom, Mickey fell in with a group out in 1995. of musicians from Northern California. They were a free- “ My teacher took me aside when I was in spirited and experimental group of high school and asked, “Do you want to guys who would become his lifelong play drums for the rest of your life?” companions. -
Mario Ortiz Jr
Hom e | Features | Columns | Hit Parades | Reviews | Calendar | News | Contacts | Shopping | E-Back Issues NOVEMBER 2009 ISSUE FROM THE EDITOR Welcome to the home of Latin Beat Magazine Digital! After publishing Latin Beat Magazine for 19 years in both print and online, Yvette and I have decided to continue pursuing our passion for Latin music with a digital version only. Latin Beat Magazine will continue its coverage of Latin music through monthly in-depth articles, informative Streaming Music columns, concert and CD reviews, and extensive news and information for everyone. Access to Somos Son www.lbmo.com or www.latinbeatmagazine.com (Latin Beat Magazine Online) is free for a limited Bilongo time only. Windows Media Quicktime Your events and new music submissions are welcome and encouraged by emailing to: [email protected]. The Estrada Brothers Latin beat is number one in the world of authentic Latin music. For advertising opportunities in Mr. Ray lbmo.com, call (310) 516-6767 or request advertising information at Windows Media [email protected]. Quicktime Back issues are still in print! Please order thru the Shopping section! Manny Silvera Bassed in America This issue of Latin Beat Magazine Volume 19, Number 9, November 2009, is our annual "Special Windows Media Percussion/Drum Issue", which celebrates "National Drum Month" throughout North America. Our Quicktime featured artist this month is Puerto Rican percussionist/bandleader Richie Flores. In addition, also featured are Poncho Sanchez (who's enjoying the release of his latest production Psychedelic Blues), and trumpeter/bandleader Mario Ortiz Jr. (who has one of the hottest salsa Bobby Matos productions of the year). -
Mythic Discourse: Essays on Mythology, Culture & Soul
Mythic Discourse: Essays on Mythology, Culture & Soul Compiled by John Knight Lundwall Cosmos & Logos Press Salem, Utah 2006 Copyright © 2006, Cosmos & Logos Press 1026 South 550 West, Salem, Utah 84653 The individual authors of each essay contained within this book retain personal copyright ownership of their respective work. Authors may be contacted through the web site www.cosmosandlogos.com. Any reproduction or distribution of any essay or portion of any essay without prior written permission from its author is strictly prohibited. Cover, book design, and Introduction by John Knight Lundwall Table of Contents Introduction .................................................................1 The Salvation of Imagination ...................................................4 By Chris Laliberte – Presents a brief look at an important contribution of religious scholar Henry Corbin to the field of depth psychology by examining the way his translation and presentation of the Persian mystical concept of the Mundus Imaginalis has informed the field. Particular attention is given to the unique confluence of the Sufi theme of the "Voyage and the Messenger" and Carl Jung's own personal encounter with the unconscious. The Grateful Dead: Communitas Through Music and Dance . 16 By Ann Vermeer – The author finds a sense of the sacred through the modern ritual of concert- going. The music of the Grateful Dead and the experience of Grateful Dead concerts initiate and transform participants into new states of awareness and being. Epics: Of Ministers, Morticians and Architects . 29 By Terry Pearce – The author shows how the epic novel can recreate the past and project the future; not merely to define a need for change, but to transform that need into a call for progress. -
Gloria Estefan the Standards Mp3, Flac, Wma
Gloria Estefan The Standards mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Pop Album: The Standards Country: Canada Released: 2013 Style: Vocal, Easy Listening MP3 version RAR size: 1279 mb FLAC version RAR size: 1579 mb WMA version RAR size: 1927 mb Rating: 4.8 Votes: 266 Other Formats: VQF MP2 AA MIDI AC3 DTS MPC Tracklist Hide Credits Good Morning Heartache 1 4:22 Music By, Lyrics By – Dan Fisher, Erwin Drake*, Irene Higginbotham They Can't Take That Away From Me 2 4:04 Music By, Lyrics By – Ira Gershwin And George Gershwin* What A Difference A Day Makes 3 3:42 Music By, Lyrics By – Maria Grever, Stanley Adams I've Grown Accustomed To His Face 4 4:11 Music By, Lyrics By – Frederick Loewe And Adam Jay Lerner* Eu Sei Que Vou Te Amar 5 3:37 Music By, Lyrics By – Antonio Carlos Jobim, Vinicius De Moraes The Day You Say You Love Me 6 Music By, Lyrics By – Alfredo Le Pera, Carlos GardelTranslated By [English Lyrics] – Gloria 4:55 Estefan Embraceable You 7 3:59 Music By, Lyrics By – Ira Gershwin And George Gershwin* What A Wonderful World 8 4:10 Music By, Lyrics By – Bob Thiele, George David Weiss How Long Has This Been Going On 9 4:15 Music By, Lyrics By – Ira Gershwin And George Gershwin* Sonríe (Duet With Laura Pausini) 10 Adapted By [Spanish Lyrics] – Gloria EstefanLyrics By – Geoffrey Parsons, John Turner 3:56 Music By – Charles Chaplin*Vocals [Duet With] – Laura Pausini The Way You Look Tonight 11 4:10 Lyrics By – Dorothy FieldsMusic By – Jerome Kern You Made Me Love You 12 4:02 Music By, Lyrics By – James V. -
Program Features Don Byron's Spin for Violin and Piano Commissioned by the Mckim Fund in the Library of Congress
Concert on LOCation The Elizabeth Sprague Coolidge Foundation The McKim Fund in the Library of Congress "" .f~~°<\f /f"^ TI—IT A TT^v rir^'irnr "ir i I O M QUARTET URI CAINE TRIO Saturday, April 24, 2010 Saturday, May 8, 2010 Saturday, May 22, 2010 8 o'clock in the evening Atlas Performing Arts Center 1333 H Street, NE In 1925 ELIZABETH SPRAGUE COOLIDGE established the foundation bearing her name in the Library of Congress for the promotion and advancement of chamber music through commissions, public concerts, and festivals; to purchase music manuscripts; and to support musical scholarship. With an additional gift, Mrs. Coolidge financed the construction of the Coolidge Auditorium which has become world famous for its magnificent acoustics and for the caliber of artists and ensembles who have played there. The McKiM FUND in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson, to support the commissioning and performance of chamber music for violin and piano. The audiovisual recording equipment in the Coolidge Auditorium was endowed in part by the Ira and Leonore Gershwin Fund in the Library of Congress. Request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 [email protected]. Due to the Library's security procedures, patrons are strongly urged to arrive thirty min- utes before the start of the concert. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the chamber music con- certs.