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International Commissioning and Touring Report Page 53 International Commissioning and Touring Report Page 53 APPENDICES Appendix A - Project Participants Appendix B - Case Study Interview Guide Appendix C - CASE STUDY SUMMARIES Appendix D - Data Collection Technical Appendix Appendix E - Examples of Projects with U.S./Non-U.S. Public/Private Funding Mix International Commissioning and Touring Report A-1 APPENDIX A PROJECT PARTICIPANTS ADVISORY COMMITTEE Alicia Adams Director of Special Programming The John F. Kennedy Center for the Performing Arts Washington,D.C. 20566-0001 Lisa Booth President Lisa Booth Management, Inc. 145 West 45th St., #602 New York, NY 10036 Bau Graves Artistic Director Center for Cultural Exchange One Longfellow Square Portland, ME 04101 Sylvia Sherman Artistic Director La Pena Cultural Center 3105 Shattuck Avenue Berkeley, CA 94705 Roberta Uno Artistic Director New World Theater University of Massachusetts P.O. Box 31810 Amherst, MA 01003 International Commissioning and Touring Report A-2 Miami Focus Group Meeting Miami-Dade Community College, Wolson Campus May 26, 1999 Participants Ed Allen Fantasy Theatre Project, Miami, FL Sheila Austin Miami-Dade Cultural Affairs Council, Miami, FL Elizabeth Boone Miami Light Project, Miami, FL Susan Cataballo INDAMI Intercultural Dance & Music, Miami, FL Ina Dittke Rhythm Foundation, Miami, FL Dr. William Hipp School of Music, University of Miami, Miami, FL Mary Luft Tigertail Productions, Miami, FL Jan Mapou Sosyete Koukouy, Miami, FL Georgianna Pickett Cultural Affairs Department, Miami-Dade Community College, Miami, FL Sydney Roberts Jamaica Awareness, Miami, FL Laura Quinlan Rhythm Foundation, Miami, FL Mario Ernesto Sanches Teatro Avante, Miami, FL International Commissioning and Touring Report A-3 New Haven Focus Group Meeting New Haven Arts Council, New Haven, CT June 19, 1999 Participants Alex Aldrich Vermont Arts Council, Montpelier, VT Maure Aronson World Music, Cambridge, MA John Custer Rhode Island College, Providence, RI Laura Faure Bates Dance Festival, Lewiston, ME Margaret Lawrence Hopkins Center, Dartmouth College, Hanover, NH Arnie Malina Flynn Theatre, Burlington, VT Chris Teske Green Linnet Records, Danbury, CT Roberta Uno New World Theater, UMass-Amherst, Amherst, MA International Commissioning and Touring Report A-4 Western Focus Group Meeting Yerba Buena Center for the Arts, San Francisco, CA July 8, 1999 Participants Michael Alexander California State Arts Council, Sacramento, Grand Performances, Los Angeles, CA CA Robert Cole Jordan Peimar Cal Performances, Berkeley, CA Skirball Cultural Center, Los Angeles, CA Aaron Egigian Cynthia Quinn Orange Country Performing Arts Center, University of Texas, Austin Performing Arts Costa Mesa, CA Center Michael Griggs Anthony Radich Portland International Performance Festival, Western States Arts Federation (WESTAF), Portland, OR Denver, CO Kathy Hotchner Liz Roth Scottsdale Center for the Arts, Scottsdale, Roth Arts, Seattle, WA AZ Sylvia Sherman John Killacky La Peña Cultural Center, Berkeley, CA Yerba Buena Center for the Arts, San Francisco, CA Gerry Yoshitomi International Presenters Forum Nancy Martino Yerba Buena Center for the Arts, San Francisco, CA Patty Milich California State Arts Council, Sacramento, CA Don Osborne California Artists Management, San Francisco, CA Mercedes Paz International Commissioning and Touring Report A-5 International Commissioning and Touring Report A-6 Managers Focus Group Meeting Doris Duke Charitable Foundation, New York, NY November 10, 1999 Participants Sean Barlow World Music Productions, New York, NY Lisa Booth Lisa Booth Management, New York, NY Robert Browning World Music Institute, New York, NY Rachel Cooper Asia Society, New York, NY Nancy Duncan International Presenters Forum, New York, NY Cathy Edwards Dance Theater Workshop, New York, NY Yale Evelev Luaka Bop Records, New York, NY Gary Lindsey Gary Lindsey Artist Services, San Francisco, CA John Luckacovic Columbia Artists Management, New York, NY Rena Shagan Rena Shagan Associates, New York, NY Anne Marie Southard International Music Network, New York, NY International Commissioning and Touring Report B-1 APPENDIX B Case Study Interview Guide 1. Details about the project a.) Dates b.) Key partners c.) Type of project d.) Budget e.) Extent of project (how many years, description of activities, where else did it go, exactly what happened) 2. Evaluation of Project Development and Activities a.) How did it originate; who proposed the project; what was the history behind the project happening when and where it did? b.) How long did it take to develop and bring to implementation phase? c.) How was it supported (financially and with other resources)? d.) What other support was needed but not found? e.) How did this project serve your mission (ie. Why do it)? f.) What problems did you run up against in bringing the project from idea to reality? g.) Was this a typical project for your organization or rare/special event? 3. Impact of the Project a.) How was the public involved and how did they respond? b.) How easy/difficult was it to engage the public – what communities were readily responsive; what new communities did the project introduce you to; which communities presented difficulties; what were those difficulties; was this surprising? c.) What were some key components of the project that you were not able to realize? What prevented you? What other resources would have enabled you to overcome the obstacles and how would you have used those resources? d.) Are you keeping in touch with the non US artists/partners? e.) Do you have any plans to continue to work with this artist/project or related artists/projects. What would enable you to carry out those plans? f.) Did the project open up new resources/partners for your organization? g.) Were any relationships initiated between local community and visiting artists – are any of those continuing; has the project in any form moved on to another location/venue independent of your involvement? h.) Were you satisfied with the project – what aspects were most gratifying? i.) Do you consider it a success – on what level? International Commissioning and Touring Report C-1 APPENDIX C CASE STUDY SUMMARIES Atlantic Crossings..................................................................................................................C-2 Berliner Ensemble..................................................................................................................C-6 Cambodia Artists Project......................................................................................................C-13 Charles Ives Project..............................................................................................................C-19 Destiny Project ....................................................................................................................C-22 Dos Alas/Two Wings Project...............................................................................................C-28 The Dybbuk ........................................................................................................................C-33 East of Eden Festival ...........................................................................................................C-38 Festival of Korea .................................................................................................................C-43 Fla/Bra Festival ...................................................................................................................C-48 Geography ..........................................................................................................................C-52 Gypsy Caravan Tour ...........................................................................................................C-57 Henson Festival of International Puppetry – On Tour Program ............................................C-62 International Hispanic Theater Festival.................................................................................C-67 Los Muñequitos de Matanzas Tours.....................................................................................C-72 Phokwane ...........................................................................................................................C-77 Sonidos de Los Americas: Cuba ..........................................................................................C-81 Survival Arts Project ...........................................................................................................C-89 Things Fall Apart ................................................................................................................C-94 Triangle Arts Project ...........................................................................................................C-98 U.S. / Portugal Dance Exchange.........................................................................................C-103 Visible Religion .................................................................................................................C-108 International Commissioning and Touring Report C-2 ATLANTIC CROSSINGS Produced by the Center for Culture Exchange, Portland, ME Project Synopsis: An international tour of traditional musicians from England, New England, Quebec, and Brittany. Details Type of project: Tour Discipline: Music Project: Atlantic Crossings Artists: Dates: April 6-April 29, 1999. Key Partners: Center for Cultural Exchange, Portland, ME; and Folkworks, Newcastle upon Tyne, U.K. Overall project budget: $114,805
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