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El Paso and the Twelve Travelers
Monumental Discourses: Sculpting Juan de Oñate from the Collected Memories of the American Southwest Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät IV – Sprach- und Literaturwissenschaften – der Universität Regensburg wieder vorgelegt von Juliane Schwarz-Bierschenk aus Freudenstadt Freiburg, Juni 2014 Erstgutachter: Prof. Dr. Udo Hebel Zweitgutachter: Prof. Dr. Volker Depkat CONTENTS PROLOGUE I PROSPECT 2 II CONCEPTS FOR READING THE SOUTHWEST: MEMORY, SPATIALITY, SIGNIFICATION 7 II.1 CULTURE: TIME (MEMORY) 8 II.1.1 MEMORY IN AMERICAN STUDIES 9 II.2 CULTURE: SPATIALITY (LANDSCAPE) 13 II.2.1 SPATIALITY IN AMERICAN STUDIES 14 II.3 CULTURE: SIGNIFICATION (LANDSCAPE AS TEXT) 16 II.4 CONCEPTUAL CONVERGENCE: THE SPATIAL TURN 18 III.1 UNITS OF INVESTIGATION: PLACE – SPACE – LANDSCAPE III.1.1 PLACE 21 III.1.2 SPACE 22 III.1.3 LANDSCAPE 23 III.2 EMPLACEMENT AND EMPLOTMENT 25 III.3 UNITS OF INVESTIGATION: SITE – MONUMENT – LANDSCAPE III.3.1 SITES OF MEMORY 27 III.3.2 MONUMENTS 30 III.3.3 LANDSCAPES OF MEMORY 32 IV SPATIALIZING AMERICAN MEMORIES: FRONTIERS, BORDERS, BORDERLANDS 34 IV.1 LANDSCAPES OF MEMORY I: THE LAND OF ENCHANTMENT 39 IV.1.1 THE TRI-ETHNIC MYTH 41 IV.2 LANDSCAPES OF MEMORY II: HOMELANDS 43 IV.2.1 HISPANO HOMELAND 44 IV.2.2 CHICANO AZTLÁN 46 IV.3 LANDSCAPES OF MEMORY III: BORDER-LANDS 48 V FROM THE SOUTHWEST TO THE BORDERLANDS: LANDSCAPES OF AMERICAN MEMORIES 52 MONOLOGUE: EL PASO AND THE TWELVE TRAVELERS 57 I COMING TO TERMS WITH EL PASO 60 I.1 PLANNING ‘THE CITY OF THE NEW OLD WEST’ 61 I.2 FOUNDATIONAL -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
The Human Journey
u n i v e r s i t y fallS 2007 :: ina this issuecred :: 02 from the heart 26 the new coreHeart curriculum 35 commencement 46 alumni news The Human Journey Rooted in the Catholic intellectual tradition, SHU’s new Core Curriculum engages students and faculty in the journey of a lifetime as they work to fashion lives of meaning and purpose. :: from the president in his words :: Dear Friends, to make the most of their human journeys, As our knowledge grows exponentially, both collectively and individually. Our faculty, one of the greatest challenges facing us in students and staff are raising the academic higher education is how to help our students profile of the University all over the world, as integrate what they learn across different evidenced by the top rankings we continue to disciplines. This is especially true when we earn in national publications like U.S. News consider how quickly our access to knowledge & World Report and The Princeton Review; new is multiplying. In these pages, we highlight cooperative agreements with other institutions Sacred Heart University’s exciting new under- of higher learning; faculty and student awards; graduate core curriculum, The Human Journey, and the steady growth in our academic, ath- which was designed by our faculty and imple- letic and residential life programs. mented this fall to do just that. Of course, the human journey is some- It will bridge the disciplines in humanities times tragic, too. We discovered that this year, and the sciences as we engage our students in as we grieved with our colleagues at Virginia making fundamental inquiries into all aspects of Tech and prayed for them at a time of unimagi- what it means to be human. -
2018 ASCAP Jazz Awards Program Book
2018 2018 PAUL WILLIAMS PRESIDENT & CHAIRMAN ELIZABETH MATTHEWS CHIEF EXECUTIVE OFFICER ASCAP BOARD OF DIRECTORS WRITERS JOEL BECKERMAN | RICHARD BELLIS | BRUCE BROUGHTON | DESMOND CHILD | DAN FOLIART | MICHELLE LEWIS MARCUS MILLER | RUDY PÉREZ | ALEX SHAPIRO | JIMMY WEBB | PAUL WILLIAMS | DOUG WOOD PUBLISHERS MARTIN BANDIER | CAROLINE BIENSTOCK | BARRY COBURN | JODY GERSON | ZACH KATZ | DEAN KAY JAMES M. KENDRICK | LEEDS LEVY | MARY MEGAN PEER | JON PLATT | IRWIN Z. ROBINSON THE FOUNDERS AWARD Roscoe Mitchell is an internationally renowned musician, composer, and innovator. His role in the resurrection of long neglected woodwind instruments of extreme register, his innovation as a solo woodwind performer, and his reassertion of the composer into what has traditionally been an improvisational form have placed him at the forefront of contemporary music for over five decades. Mr. Mitchell is a founding member of the Art Ensemble of Chicago, the Association for the Advancement of Creative Musicians and the Trio Space. Additionally, Mr. Mitchell is the founder of the Creative Arts Collective, The Roscoe Mitchell Sextet, The Roscoe Mitchell Quartet, The Roscoe Mitchell Art Ensemble, The Sound Ensemble, The New Chamber Ensemble and the Note Factory. He has recorded over 100 albums and has written hundreds of compositions. His compositions range from classical to contemporary, from passionate and forceful improvisations to ornate orchestral music. His most recent recording, Discussions, was counted among “The 25 Best Classical Music Recordings of 2017” by the New York Times. Also, for five decades, he has designed the Percussion Cage, an elaborate percussion instrument consisting of instruments from around the world, as well as many found instruments. -
Norwalk Community Food Report
Norwalk Community Food Report January 2020 Prepared and Presented by: Fairfield University’s Center for Social Impact Norwalk Health Department Additional Data Analysis provided by: CT Food Bank Research Team: Director of Center for Social Impact: Melissa Quan Research Coordinator: Jonathan Delgado Student Researcher: Mahammad Camara ‘19 Editors: Sophia Gourgiotis Luckario Alcide Eileen Michaud Research Partners: Norwalk Health Department Health Educator: Theresa Argondezzi Food Access Project Coordinator: Pamela Flausino Melo da Silva Additional Data Resources Made Available by CT Food Bank: Jamie Foster, PhD Acknowledgments Center for Social Impact 4 Healthy for Life Project 5 Project Overview 6 How To Use This Report 7 Norwalk Food Agencies 8 Norwalk Maps And Tables Food Insecurity 9 Populations Children 12 Immigrant (Foreign Born) Population 14 Seniors 16 Single Parent/Guardian 18 Services Disability 20 Free & Reduced-Price Lunch 22 SNAP & WIC 24 Social Determinants Educational Attainment 28 Housing Burden 32 Transportation 34 Unemployment 36 Key Findings 38 Taking Action: Norwalk Food Access Initiative 39 Appendix A: Census Boundary Reference Map 41 Appendix B: Population Density Table 42 Appendix C: SNAP & WIC Retailers 43 Appendix D: SNAP & WIC Information 45 Appendix E: Data Source Tables 46 Glossary 47 References 48 TABLE OF Contents Page 3 of 50 Center for Social Impact The Center for Social Impact was founded in 2006 with the goal of integrating the Jesuit, Catholic mission of Fairfield University, which includes a commitment to service and social justice, through the academic work of teaching and research. The Center for Social Impact has three major programs: 1. Community-Engaged Learning (formerly known as Service Learning) 2. -
Sammy Figueroa Full
Sammy Figueroa has long been regarded as one of the world’s great musicians. As a much-admired percussionist he provided the rhythmical framework for hundreds of hits and countless recordings. Well-known for his versatility and professionalism, he is equally comfortable in a multitude of styles, from R & B to rock to pop to electronic to bebop to Latin to Brazilian to New Age. But Sammy is much more than a mere accompanist: when Sammy plays percussion he tells a story, taking the listener on a journey, and amazing audiences with both his flamboyant technique and his subtle nuance and phrasing. Sammy Figueroa is now considered to be the most likely candidate to inherit the mantles of Mongo Santamaria and Ray Barretto as one of the world’s great congueros. Sammy Figueroa was born in the Bronx, New York, the son of the well-known romantic singer Charlie Figueroa. His first professional experience came at the age of 18, while attending the University of Puerto Rico, with the band of bassist Bobby Valentin. During this time he co-founded the innovative Brazilian/Latin group Raices, which broke ground for many of today’s fusion bands. Raices was signed to a contract with Atlantic Records and Sammy returned to New York, where he was discovered by the great flautist Herbie Mann. Sammy immediately became one of the music world’s hottest players and within a year he had appeared with John McLaughlin, the Brecker Brothers and many of the world’s most famous pop artists. Since then, in a career spanning over thirty years, Sammy has played with a -
Fall Season Oct
2018-19 Concert Series SEP. 15 Philharmonia Boston Orchestra String Players NOV. 10 From Ella FALL SEASON Saturday, Sept. 15, 7:30 p.m. Jazz Band Lorimer Chapel Eric Thomas, director (Funded by the Robert J. Strider Concert Fund) Saturday, Nov. 10, 7:30 p.m. Founded in 2008, Philharmonia Boston Orchestra is Given Auditorium, Bixler Art and Music Center composed of professional musicians from the Greater We tour Ella Fitzgerald’s musical life, from her audition at Boston area. Their vision is to serve and inspire the the Apollo Theater to her work at the helm of the Chick Webb SEP. 15 OCT. 6 OCT. 27 community by engaging in educational outreach programs, Band, and give a special nod to her Live in Berlin album. “A providing vibrant musical experiences, and introducing young Tisket A Tasket,” “Black Coffee,” “Angel Eyes,” “I Can’t Give talented musicians. Led by Jinwook Park, Colby Symphony You Anything But Love,” “Mack the Knife,” and other classic Orchestra’s dynamic director, the PBO string players will tunes will be featured. We’ll also touch on hits from Nelson present works by Bartók, Respighi, and Tchaikovsky. Riddle, Ray Brown, Joe Pass, the Duke, and the Count, and some of the other artists she influenced. OCT. 6 Traditional Flamenco with Bourassa Dance and Friends Sandeep Das and the HUM Ensemble: NOV. 11 (Funded by the Clark/Comparetti Concert Fund) Delhi to Damascus NOV. 3 NOV. 17 Saturday, Oct. 6, 7:30 p.m. Sunday, Nov. 11, 3 p.m. Page Commons Room, Cotter Union Page Commons Room, Cotter Union Flamenco artists Lindsey Bourassa (dance), Barbara (Funded by the Robert J. -
2013 4:00 Pm
The Greater Bridgeport Chapter AMERICAN GUILD OF ORGANISTS Presents 12th Annual “PIPESCREAMS!” United Congregational Church A congregation of the United Church of Christ Park Avenue and State Street Bridgeport, Connecticut SUNDAY, October 27, 2013 4:00 PM www.greaterbridgeportago.org Program John Polo & Welcome & About Our Program Rev. Eleanor B. McCormick John Michniewicz Toccata in D Minor J. S. Bach organ All Choirs Danse Macabre Saint-Saëns Norma Pfriem Monster (Cherubs/Training) B. Tate Children’s Choir Zombie Jamboree (Training/Advanced ) arr. K. Shaw (choirs) Secret (High School) A. & C. Pierce From Pretty Little Liars Joe Utterback St. James Infirmary American Folk Song piano Bourbon Street Swagger J. Utterback University of Bridgeport Time Warp from Rocky Horror Picture Show University Singers Let It Be (Chamber Singers) J. Lennon/P. McCartney Galen Tate Joie et Clarté des Corps Glorieux O. Messiaen organ “seven short visions of the life of the resurrected ones,” Krista Adams-Santilli Promise E. Genuis Ensemble: Darwin Shen, Frank Zilinyi, Jennifer Burkhalter Fairfield County Closer to Free K. Neumann/S. Llanas Children’s Choir “A Celebration of Life” www.closertofree.com Costume March and Best Costume Prizes March Medley – arr. Joe Utterback (piano/organ) 4-Heart Harmony Daemon Irrepit Callidus G. Orbán Heart Breaker arr. Deke Sharon All Choirs Old Abram Brown B. Britten David Harris 1925 Silent Film “Yes, Yes Nanette” Laurel & Hardy Organ Nanette sends a letter to her family telling of her new husband, Hillory. When Hillory arrives to meet the family, he gets insulted by each member, and the dog SHU L.O.V.E. -
Welcome Class of 2020 First-Year Student Guide
WELCOME CLASS OF 2020 FIRST-YEAR STUDENT GUIDE FAIRFIELD UNIVERSITY i WELCOME TO FAIRFIELD UNIVERSITY WELCOME! Welcome, and congratulations once again on your acceptance and enrollment at Fairfield University. This First-Year Student Guide has been designed to simplify the next steps in the process and to answer questions you may have about what to expect as a first-year student. For more information, contact the Office of Student Engagement at: e-mail: [email protected] phone: (203) 254-4053 fax: (203) 254-5565 website: www.fairfield.edu/orientation FIRST YEAR GUIDE SECTIONS Action Items Student Life & Resources Important Action Items for first-year Learn about campus life and important students to complete resources available to students Getting Started Financial Planning Describes the first-year student transitional See important deadlines, payment plans, experience at Fairfield University and resources Academic Planning Just for Families Details information students need to Specifies parent/guardian(s) Orientation consider when selecting classes information, pre-college conversation topics, and other resources www.fairfield.edu iii FAIRFIELD UNIVERSITY Items Action FIRST-YEAR STUDENT CHECKLIST ACTION ITEMS To ensure your successful transition to Fairfield University, please visit the First-Year Student Checklist at First-year students are required to complete several tutorials and/or tests that assist in the transition to college. www.fairfield.edu/orientation as soon as possible. Here you will have access to all the assignments and forms Please log in to the First-Year Student Checklist at www.fairfield.edu/orientation as soon as possible. Here, you need to complete before June Orientation and Fall Welcome. -
The Avant-Garde in Jazz As Representative of Late 20Th Century American Art Music
THE AVANT-GARDE IN JAZZ AS REPRESENTATIVE OF LATE 20TH CENTURY AMERICAN ART MUSIC By LONGINEU PARSONS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2017 © 2017 Longineu Parsons To all of these great musicians who opened artistic doors for us to walk through, enjoy and spread peace to the planet. ACKNOWLEDGMENTS I would like to thank my professors at the University of Florida for their help and encouragement in this endeavor. An extra special thanks to my mentor through this process, Dr. Paul Richards, whose forward-thinking approach to music made this possible. Dr. James P. Sain introduced me to new ways to think about composition; Scott Wilson showed me other ways of understanding jazz pedagogy. I also thank my colleagues at Florida A&M University for their encouragement and support of this endeavor, especially Dr. Kawachi Clemons and Professor Lindsey Sarjeant. I am fortunate to be able to call you friends. I also acknowledge my friends, relatives and business partners who helped convince me that I wasn’t insane for going back to school at my age. Above all, I thank my wife Joanna for her unwavering support throughout this process. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF EXAMPLES ...................................................................................................... 7 ABSTRACT -
Arturo Sandoval Band Poncho Sanchez Latin Band
ARTURO SANDOVAL PONCHO SANCHEZ BAND LATIN BAND A protégé of the legendary jazz master If music were about pictures, percussionist Dizzy Gillespie, ARTURO SANDOVAL PONCHO SANCHEZ’s music would was born in Artemisa, a small town in the best be described as a kaleidoscopic swirl outskirts of Havana, Cuba, on November of some of the hottest colors and brightest 6, 1949, just two years after lights to emerge from either side of the Gillespie became the first border. At any given show, on any given musician to bring Latin record, fragments of Latin jazz, swing, bebop, influences into American salsa and other infectious grooves collide Jazz. Arturo has since evolved and churn in a fiery swirl, with results that into one of the world’s most are no less than dazzling. acknowledged guardians of jazz trumpet and flugel horn, Sanchez grew up in a suburb of L.A., where as well as a renowned classical he was raised on an unusual cross section artist, pianist and composer. of sounds that included straightahead jazz, Latin Sandoval is one of the most jazz and American soul. By dynamic and vivacious live performers his teen years, his musical of our time, and has been seen by consciousness had been millions at the Oscars performing with solidified by the likes of John Celine Dion, at the Grammy Awards with Coltrane, Miles Davis, Cal Justin Timberlake and in his own right Tjader, Mongo Santamaria, as a leader. He also performed at the Wilson Pickett and James Billboard Awards with Alicia Keys. He has Brown. Whatever the genre, been awarded 9 Grammy Awards, and the mesmerizing array of nominated 17 times; he has also received 6 sounds and colors from Billboard Awards and an Emmy Award. -
Committee for Arts and Lectures Records AR-042
http://oac.cdlib.org/findaid/ark:/13030/c8pg1qpk No online items Inventory of the Committee for Arts and Lectures Records AR-042 Sara Gunasekara University of California, Davis General Library, University Archives © 2012 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA [email protected] URL: http://www.lib.ucdavis.edu/dept/specol/ Inventory of the Committee for AR-042 1 Arts and Lectures Records AR-042 Language of Material: English Contributing Institution: University of California, Davis General Library, University Archives Title: Committee for Arts and Lectures Records Creator: University of California, Davis. Committee for Arts and Lectures Identifier/Call Number: AR-042 Physical Description: 5.7 linear feet Date (inclusive): 1964-2002 Abstract: The Committee for Arts and Lectures (CAL) was responsible for organizing arts events and lectures on the University of California, Davis campus. In 2002, the Mondavi Center for Performing Arts opened and the function of this group was transferred to the Mondavi Center. The collection contains season files including brochures, flyers, and playbills, as well as snapshot photographs, and some posters. Researchers should contact Special Collections to request collections, as many are stored offsite. Administrative History In 1955 the Committee for Drama, Lectures, and Music was organized. The group was responsible for organizing arts events and lectures on campus. Its name was changed to the Committee for Arts and Lectures (CAL) in 1960 and again in 1990 to UC Davis Presents. In 2002, the Mondavi Center for Performing Arts opened and the function of this group was transferred to the Center. Scope and Content The collection contains season files including brochures, flyers, and playbills, as well as snapshot photographs, and some posters.