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Anna De Noailles (1876-1933) Marie-Lise Allard
Document generated on 09/28/2021 1 a.m. Nuit blanche, le magazine du livre Anna de Noailles (1876-1933) Marie-Lise Allard Réjean Ducharme Number 124, Fall 2011 URI: https://id.erudit.org/iderudit/65130ac See table of contents Publisher(s) Nuit blanche, le magazine du livre ISSN 0823-2490 (print) 1923-3191 (digital) Explore this journal Cite this article Allard, M.-L. (2011). Anna de Noailles (1876-1933). Nuit blanche, le magazine du livre, (124), 72–76. Tous droits réservés © Nuit blanche, le magazine du livre, 2011 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ NB_No124_P1_a_P80.qxd:*NB_103_P1 à P72_final_v2.1.qxd 25/09/11 23:41 Page 72 Anna de Noailles Par Marie-Lise Allard* La vie d’Anna de Noailles ressemble à un conte de fées qui commencerait Par Anna de Noailles « il était une fois… » est effectivement une princesse, merveilleux. Dès lors, Amphion a toujours symbolisé d’ascendance roumaine par son père et l’éden terrestre : « Oui, ce fut là le paradis2 ». Par turque par sa mère, qui vit le jour à conséquent, la nature devint l’un des thèmes de C’ Paris le 15 novembre 1876. -
Lakeside Cemetery Loveland, CO Page 1 of 11
Lakeside Cemetery Loveland, CO ID Surname Given name Grave Lot Block Birth date Death date Other 2797 MACKEY ROSE MARY 5 14 J 1936 2677 MADDEN KITURAH 3 3 H 2678 MADDEN MANLEY 4 3 H 2660 MADDOX CHILDREN 3 20 E 2661 MADDOX CHILDREN 4 20 E 2781 MADISON C.J. AUGUST 2 23 A 1865 1933 GUS 2871 MADISON CHARLES J. 6 1 K 1873 1952 2799 MADISON H. P. 8 3 E 2793 MADISON H.P. 8 3 E 2771 MADISON JOHN 7 3 E 2639 MADISON WILLIAM JOHN 8 22 A 1878 2669 MADSON CHARLOTTE 2 28 F 2941 MAHAN HUGH WILLIAM 3 17 17 BILL 2812 MAHEIR F.D. 1 40 I 2804 MAHIN FRED D. 6 11 I INFANT 2707 MAISCH CHRISTINA 8 42 16 1853 1939 2827 MAJORS RUFUS M. 1 2 3 1841 1907 2828 MAJORS SARAH M. 2 2 3 1855 1928 2662 MALAT EDWARD 7 20 E 2845 MALBY CYNTHIA 3 14 10 2843 MALBY INFANT 5 13 10 4967 MALECKI FRANCES 2 68 I 16 JUL 1996 SOCIAL SERVICES 2693 MALLORY LAURA C. 5 30 4 2710 MALLORY WILLIAM S. 4 30 4 2928 MALONE CARL 4 12 17 2758 MANNING MAGDALENA 1 2 D 19 MAR 1821 6 JUN 1896 2916 MANSON THEODORE HENRY 4 11 K 2790 MANTZ JOHN _ 18 I 2670 MARCEUS POLLY 3 28 F 2951 MARINEAU JOANNA MARY 1 9 17 16 FEB 1987 1ST WHITE WOMAN 2655 MARKLEY EMILY 4 36 B 31 MAR 1864 BURIED IN LARIMER 2685 MARMADUKE FRED V. -
New Europe College Yearbook 2015-2016
New Europe College ûWHIDQ2GREOHMD Program Yearbook 2015-2016 Program Yearbook 2015-2016 Program Yearbook ûWHIDQ2GREOHMD 1>4B55151>E 75?B791>18E91> F1C9<5=9819?<1BE NEW EUROPE COLLEGE NEW EUROPE CRISTIANA PAPAHAGI VANEZIA PÂRLEA 9E<9EB1 9E 1>4B51CCD1=1D5D561> ISSN 1584-0298 D85?4?B5E<95B9EB?CD£C CRIS New Europe College Ştefan Odobleja Program Yearbook 2015-2016 This volume was published within the Human Resources Program – PN II, implemented with the support of the Ministry of National Education – The Executive Agency for Higher Education and Research Funding (MEN – UEFISCDI), project code PN–II– RU–BSO-2015 EDITORIAL BOARD Dr. Dr. h.c. mult. Andrei PLEŞU, President of the New Europe Foundation, Professor of Philosophy of Religion, Bucharest; former Minister of Culture and former Minister of Foreign Affairs of Romania Dr. Valentina SANDU-DEDIU, Rector, Professor of Musicology, National University of Music, Bucharest Dr. Anca OROVEANU, Academic Coordinator, Professor of Art History, National University of Arts, Bucharest Dr. Irina VAINOVSKI-MIHAI, Publications Coordinator, Professor of Arab Studies, “Dimitrie Cantemir” Christian University, Bucharest Copyright – New Europe College 2017 ISSN 1584-0298 New Europe College Str. Plantelor 21 023971 Bucharest Romania www.nec.ro; e-mail: [email protected] Tel. (+4) 021.307.99.10, Fax (+4) 021. 327.07.74 New Europe College Ştefan Odobleja Program Yearbook 2015-2016 ANDREEA EŞANU GEORGIANA HUIAN VASILE MIHAI OLARU CRISTIANA PAPAHAGI VANEZIA PÂRLEA IULIU RAŢIU ANDREAS STAMATE-ŞTEFAN THEODOR E. ULIERIU-ROSTÁS -
Teodor Mateoc Editor
TEODOR MATEOC editor ------------------------------------------------ Cultural Texts and Contexts in the English Speaking World (V) Teodor Mateoc editor CULTURAL TEXTS AND CONTEXTS IN THE ENGLISH SPEAKING WORLD (V) Editura Universităţii din Oradea 2017 Editor: TEODOR MATEOC Editorial Board: IOANA CISTELECAN MADALINA PANTEA GIULIA SUCIU EVA SZEKELY Advisory Board JOSE ANTONIO ALVAREZ AMOROS University of Alicante, Spaian ANDREI AVRAM University of Bucharest, Romania ROGER CRAIK University of Ohio, USA SILVIE CRINQUAND University of Bourgogne, France SEAN DARMODY Trinity College, Dublin, Ireland ANDRZEJ DOROBEK Instytut Neofilologii, Plock, Poland STANISLAV KOLAR University of Ostrava, Czech Republic ELISABETTA MARINO University Tor Vergata, Rome MIRCEA MIHAES Universitatea de Vest, Timisoara VIRGIL STANCIU Babes Bolyai University, Cluj-Napoca PAUL WILSON University of Lodz, Poland DANIELA FRANCESCA VIRDIS University of Cagliari, Italy INGRIDA ZINDZIUVIENE Vytautas Magnus University, Kaunas, Lithuania Publisher The Department of English Language and Literature Faculty of Letters University of Oradea ISSN 2067-5348 CONTENTS Introduction Cultural Texts and Contexts in the English Speaking World: The Fifth Edition ............................................................................. 9 I. BRITISH AND COMMONWEALTH LITERATURE Adela Dumitrescu, Physiognomy of Fashion in Fiction: Jane Austen ..... 17 Elisabetta Marino, “Unmaidenly” Maidens: Rhoda Broughton’s Controversial Heroines ................................................ 23 Alexandru -
Dossier De Presse ECLAIR
ECLAIR 1907 - 2007 du 6 au 25 juin 2007 Créés en 1907, les Studios Eclair ont constitué une des plus importantes compagnies de production du cinéma français des années 10. Des serials trépidants, des courts-métrages burlesques, d’étonnants films scientifiques y furent réalisés. Le développement de la société Eclair et le succès de leurs productions furent tels qu’ils implantèrent des filiales dans le monde, notamment aux Etats-Unis. Devenu une des principales industries techniques du cinéma français, Eclair reste un studio prisé pour le tournage de nombreux films. La rétrospective permettra de découvrir ou de redécouvrir tout un moment essentiel du cinéma français. En partenariat avec et Remerciements Les Archives Françaises du Film du CNC, Filmoteca Espa ňola, MoMA, National Film and Television Archive/BFI, Nederlands Filmmuseum, Library of Congress, La Cineteca del Friuli, Lobster films, Marc Sandberg, Les Films de la Pléiade, René Chateau, StudioCanal, Tamasa, TF1 International, Pathé. SOMMAIRE « Eclair, fleuron de l’industrie cinématographique française » p2-4 « 1907-2007 » par Marc Sandberg Autour des films : p5-6 SEANCE « LES FILMS D’A.-F. PARNALAND » Jeudi 7 juin 19h30 salle GF JOURNEE D’ETUDES ECLAIR Jeudi 14 juin, Entrée libre Programmation Eclair p7-18 Renseignements pratiques p19 La Kermesse héroïque de Jacques Feyder (1935) / Coll. CF, DR Contact presse Cinémathèque française Elodie Dufour - Tél. : 01 71 19 33 65 - [email protected] « Eclair, fleuron de l’industrie cinématographique française » « 1907-2007 » par Marc Sandberg Eclair, c’est l’histoire d’une remarquable ténacité industrielle innovante au service des films et de leurs auteurs, grâce à une double activité de studio et de laboratoire, s’enrichissant mutuellement depuis un siècle. -
1 Matt Phillips, 'French Studies: Literature, 2000 to the Present Day
1 Matt Phillips, ‘French Studies: Literature, 2000 to the Present Day’, Year’s Work in Modern Language Studies, 80 (2020), 209–260 DOI for published version: https://doi.org/10.1163/22224297-08001010 [TT] Literature, 2000 to the Present Day [A] Matt Phillips, Royal Holloway, University of London This survey covers the years 2017 and 2018 [H2]1. General Alexandre Gefen, Réparer le monde: la littérature française face au XXIe siècle, Corti, 2017, 392 pp., argues that contemporary French literature has undergone a therapeutic turn, with both writing and reading now conceived in terms of healing, helping, and doing good. G. defends this thesis with extraordinary thoroughness as he examines the turn’s various guises: as objects of literature’s care here feature the self and its fractures; trauma, both individual and collective; illness, mental and physical; mourning and forgetfulness, personal and historical; and endangered bonds, with humans and beyond, on local and global scales. This amounts to what G. calls a new ‘paradigme clinique’ and, like any paradigm shift, this one appears replete with contradictions, tensions, and opponents, not least owing to the residual influence of preceding paradigms; G.’s analysis is especially impressive when unpicking the ways in which contemporary writers negotiate their sustained attachments to a formal, intransitive conception of literature, and/or more overtly revolutionary political projects. His thesis is supported by an enviable breadth of reference: G. lays out the diverse intellectual, technological, and socioeconomic histories at work in this development, and touches on close to 200 contemporary writers. Given the broad, synthetic nature of the work’s endeavour, individual writers/works are rarely discussed for longer than a page, and though G.’s commentary is always insightful, specialists on particular authors or social/historical trends will surely find much to work with and against here. -
Fort Lee Booklet
New Jersey and the Early Motion Picture Industry by Richard Koszarski, Fort Lee Film Commission The American motion picture industry was born and raised in New Jersey. Within a generation this powerful new medium passed from the laboratories of Thomas Edison to the one-reel masterworks of D.W. Griffith to the high-tech studio town of Fort Lee with rows of corporate film factories scattered along the local trolley lines. Although a new factory town was eventually established on the West Coast, most of the American cinema’s real pioneers first paid their dues on the stages (and streets) of New Jersey. On February 25, 1888, the Photographer Eadweard Muybridge lectured on the art of motion photography at New Jersey’s Orange Music Hall. He demonstrated his Zoopraxiscope, a simple projector designed to reanimate the high-speed still photographs of human and animal subjects that had occupied him for over a decade. Two days later he visited Thomas Alva Edison at his laboratory in West Orange, and the two men discussed the possibilities of linking the Zoopraxiscope with Edison’s phonograph. Edison decided to proceed on his own and assigned direction of the project to his staff photographer, William Kennedy Laurie Dickson. In 1891 Dickson became the first man to record sequential photographic images on a strip of transparent celluloid film. Two years later, in anticipation of commercialization of the new process, he designed and built the first photographic studio intended for the production of motion pictures, essentially a tar paper shack mounted on a revolving turntable (to allow his subjects to face the direct light of the sun). -
Regele Ferdinand I Al Romniei (1914-1927)
MUZEUL NAŢIONAL Vol. XX 2008 "UN BUN ROMÂN" - REGELE FERDINAND I AL ROMÂNIEI A GOOD ROMANIAN - KING FERDINAND I OF ROMANIA Ştefania Ciubotaru Abstract The article is a new approach to the position King Ferdinand held in the Romanian society and among European royals. Respectfully spoken about in foreign newspapers, he was a dynamic and elegant presence in Romania. During his time politics, economy and culture had a progressive evolution and there were associated to the King’s vocation and intelligence skills of leadership. Key words: King Ferdinand, the Union, duty, daily life, social and economic progress Regele Ferdinand I al României s-a născut la 24 august 1865 la Sigmaringen, iar primele instrucţiuni le-a primit în familie de la profesorul Gröbels, urmând apoi gimnaziul din Düsseldorf. După ani de aspră viaţă ostăşească ca ofiţer în garda prusiană şi elev la şcoala militară din Kassel, tânărul prinţ a devenit student al universităţilor din Tübingen şi Lipsca în 1887, doritor de a-şi lărgi orizontul de cunoştinţe1. Din vremea tinereţii sale există o descriere a prinţului, făcută de cineva care i-a fost foarte apropiat şi care merită a fi reţinută pentru adevărul care îl conţine: "ca tânăr, se poate spune că însuşirea caracteristică a prinţului Ferdinand era o extremă modestie, amestecată cu o timiditate aproape chinuitoare. Educaţia lui fusese completă, urmată cu îngrijire după cerinţele unui viitor şef de stat, dar nimeni nu şi-a dat seama vreodată de cât ştie tânărul. Nici acasă nu-i plăcea să se afirme faţă de fraţii lui. Foarte curtenitor şi politicos, se ferea totdeauna a jigni sentimentele cuiva şi ceda terenul chiar când cunoştea mai bine subiectul în discuţie decât cei cu care discuta. -
Portland State University Commencement 2020 Program
2020 Portland State University Commencement Sunday, June 14, 2020 Share the excitement of Commencement #2020PDXGRAD GET THE APP Download the PSU Mobile app to get instant access to commencement social feeds. my.pdx.edu TAKE A SELFIE We’re proud of you—fearless innovators, artists, leaders, thinkers and change makers. Share your fearless selfie—you did it! #PortlandState LINK UP Stay in touch with fellow grads. linkedin.com/company/portland-state-university RELIVE THE DAY Go to the PSU homepage after the ceremony for photos and video. pdx.edu 2 CONGRATULATIONS TO THE PSU CLASS OF 2020 Dear Members of the PSU Class of 2020, Commencement is the result of your hard work and dedication and the contributions of the family members, friends, mentors, and educators who supported you on your journey. Please take a moment to thank them. Members of the Class of 2020, you join a network of nearly 179,000 proud PSU alumni. I encourage you to take everything you have learned at PSU to improve the lives of others. I look forward to the day that your success stories will inspire future graduating classes. As you celebrate, please know how proud we are of you, your academic achievements, and your commitment to contributing to others. We hope you will stay in touch as members of our PSU family. Go Viks! Stephen Percy Interim President TABLE OF CONTENTS Portland State University .....................................................................2 School of Social Work ........................................................................ 78 History ...............................................................................................2 -
Conference Report
WORKSHOP Women’s Writing and the East-West Connections within Europe: Visualizing the Channels Spiru Haret University, Bucharest 25-28 April 2012 The workshop Women’s Writing and the East-West Connections within Europe: Visualizing the Channels took place on 25-28 April 2012, in Bucharest, at Spiru Haret University, organized by the Central Research Institute. As was announced in the Call for Papers, the workshop aimed at “reflecting on what kind of factors (Increasing travelling possibilities? Need for money? Increasing education? Feminism? Political developments? Growing curiosity?) were at stake when women put themselves to writing, publishing and entering into contact with readers.” On the technological level, the concept of Visualizing covered the terms of “maps, trees, graphs” (cf. Moretti) in showing influences going from West to East and vice versa, making visible proportions and percentages and illustrating influences exerted by a work, an author, a group of authors. Being a member of Group 4 within the COST project, Ramona Mihaila tried to disseminate information concerning the workshop in Bucharest and she sent invitations to Romanian institutions of higher education, to the Romanian Academy, to other foreign institutions and she promoted the event with posters (see poster), flyers, announcements in print media (see www.opinianationala.ro ), a radio clip (H2.FM), a video clip broadcasted on national TV channels (Etalon TV) and the university channel (see http://centralresearchinstitute.weebly.com/evenimente-iccs.html ). The workshop also had media partners, the television channels H2O, Etalon TV that recorded the presentations delivered by the participants and interviewed professor Suzan van Dijk, the director of the COST project, and associate professor Ramona Mihaila, the organizer, (see the interview: http://centralresearchinstitute.weebly.com/evenimente-iccs.html ) The workshop was organized into seven sessions dedicated only to the members of the project, two workshops focused on database tools, and a keynote presentation. -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. -
Cemetery Inscriptions, Stark County, Ohio Are
!!l«^Siii«lii^lM«iil^if^ 0003055 ™ECHURCHoF JESUSCHRIST Permission to Microfilm ofL-MTER-DAY '^^'^ Famny History L.brary of Christ of C 'MN rrc Of The Church Jesus j/\llM I J Latter-aay Saints would iike permission lo preserve your material on microfilm anc make it avaiiabe to our Family History Centers If you agree, piease complete this cara and return it io us. authorize the Family History Library 'o micoiiim "he matenai named below and use this mic'ofilmed record as it seems most benefic a: n compi.ance with the Library s policies and proceoures I warrant that I am fuiiv authcze^ '3 O'cv ae :^ch permission ": e -I ma;e"a. ^^^^^W. 7" U)^ ro// STA/e,\ e^^vr/ c/V/?//-// OGS ll£& U/cr>7)i!t£.<rr yvf. 1- tv state ziD coae Si . ,J, PFGS293I 'p-aB =-'-3c-- -i^/ • CEMETERY INSCRIPTIONS Stark County, Ohio Volume VI CEMETERY INSCRIPTIONS STARK COUNTY. OHIO VOLUME VI INCLUDED IN VOLUME VI IS THE TOWNSHIP OF PERRY DATE MiCROFiCHED MAY I 8 1990 19l PrlOJCGT and G. S. FiGHS I* CALL # PREPARED BY THE MEMBERS OF THE STARK COUNTY CHAPTER THE OHIO GENEALOGICAL SOCIETY (^ OCTOBER 1. 1985 CHURCH , OF LATTER-DAY SA'.lM TS 11 FORWARD The contents of each volume of Cemetery Inscriptions, Stark County, Ohio are: Volume I: Townships of Lexington, Washington, Paris and Marlboro. Volume II: Townships of Nimishillen, Osnaburg, Sandy, Pike, Bethlehem and Sugar Creek. Volume III; Townships of Tuscarawas, Lawrence and Jackson. Volume IV: Lake Township and the cemeteries of Dead Man's Point and Forest Hill in Plain Township.