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1 Matt Phillips, 'French Studies: Literature, 2000 to the Present Day
1 Matt Phillips, ‘French Studies: Literature, 2000 to the Present Day’, Year’s Work in Modern Language Studies, 80 (2020), 209–260 DOI for published version: https://doi.org/10.1163/22224297-08001010 [TT] Literature, 2000 to the Present Day [A] Matt Phillips, Royal Holloway, University of London This survey covers the years 2017 and 2018 [H2]1. General Alexandre Gefen, Réparer le monde: la littérature française face au XXIe siècle, Corti, 2017, 392 pp., argues that contemporary French literature has undergone a therapeutic turn, with both writing and reading now conceived in terms of healing, helping, and doing good. G. defends this thesis with extraordinary thoroughness as he examines the turn’s various guises: as objects of literature’s care here feature the self and its fractures; trauma, both individual and collective; illness, mental and physical; mourning and forgetfulness, personal and historical; and endangered bonds, with humans and beyond, on local and global scales. This amounts to what G. calls a new ‘paradigme clinique’ and, like any paradigm shift, this one appears replete with contradictions, tensions, and opponents, not least owing to the residual influence of preceding paradigms; G.’s analysis is especially impressive when unpicking the ways in which contemporary writers negotiate their sustained attachments to a formal, intransitive conception of literature, and/or more overtly revolutionary political projects. His thesis is supported by an enviable breadth of reference: G. lays out the diverse intellectual, technological, and socioeconomic histories at work in this development, and touches on close to 200 contemporary writers. Given the broad, synthetic nature of the work’s endeavour, individual writers/works are rarely discussed for longer than a page, and though G.’s commentary is always insightful, specialists on particular authors or social/historical trends will surely find much to work with and against here. -
Y 2 0 ANDRE MALRAUX: the ANTICOLONIAL and ANTIFASCIST YEARS DISSERTATION Presented to the Graduate Council of the University Of
Y20 ANDRE MALRAUX: THE ANTICOLONIAL AND ANTIFASCIST YEARS DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Richard A. Cruz, B.A., M.A. Denton, Texas May, 1996 Y20 ANDRE MALRAUX: THE ANTICOLONIAL AND ANTIFASCIST YEARS DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Richard A. Cruz, B.A., M.A. Denton, Texas May, 1996 Cruz, Richard A., Andre Malraux: The Anticolonial and Antifascist Years. Doctor of Philosophy (History), May, 1996, 281 pp., 175 titles. This dissertation provides an explanation of how Andr6 Malraux, a man of great influence on twentieth century European culture, developed his political ideology, first as an anticolonial social reformer in the 1920s, then as an antifascist militant in the 1930s. Almost all of the previous studies of Malraux have focused on his literary life, and most of them are rife with errors. This dissertation focuses on the facts of his life, rather than on a fanciful recreation from his fiction. The major sources consulted are government documents, such as police reports and dispatches, the newspapers that Malraux founded with Paul Monin, other Indochinese and Parisian newspapers, and Malraux's speeches and interviews. Other sources include the memoirs of Clara Malraux, as well as other memoirs and reminiscences from people who knew Andre Malraux during the 1920s and the 1930s. The dissertation begins with a survey of Malraux's early years, followed by a detailed account of his experiences in Indochina. -
Marcel Proust and the Global History of Asthma
Marcel Proust and the global history of asthma Professor Mark Jackson Centre for Medical History University of Exeter England Marcel Proust, 1871-1922 z born in Paris z Les Plaisirs et les Jours (1896) z À la recherche du temps perdu (1913-27) z Literary preoccupations with memory and guilt z Died from pneumonia Marcel Proust’s asthma z first attack, aged 9, walking in the Bois de Boulogne z regular, severe attacks of asthma and hay fever throughout his life, shaping his daily rhythms and dictating his creativity – slept during the day and worked at night z described in detail, particularly in letters to his mother Marcel Proust’s asthma `Ma chère petite Maman, An attack of asthma of unbelievable violence and tenacity – such is the depressing balance sheet of my night, which it obliged me to spend on my feet in spite of the early hour at which I got up yesterday.’ (c. 1900) `As soon as I reached Versailles I was seized with a horrifying attack of asthma, so that I didn’t know what to do or where to hide myself. From that moment to this the attack has continued.’ (26-8-1901) Marcel Proust’s asthma `Cher ami, I have been gasping for breath so continuously (incessant attacks of asthma for several days) that it is not very easy for me to write.’ (Letter to Marcel Boulenger, January 1920) Treating Proust’s asthma z Stramonium cigarettes `Ma chère petite maman, z Legras powders Yesterday after I wrote to you I z Espic powders had an asthma attack and incessant running at the nose, z Epinephrine which obliged me to walk all z Caffeine doubled up and light anti-asthma z Carbolic acid fumigations cigarettes at every tobacconist’s z Escouflaire powder as I passed, etc. -
Gallimard [email protected] - WORLD BOOK FAIRS 2021 45 PUBLISHERS' CATALOGS
WORLD BOOK FAIRS 2021 45 PUBLISHERS' CATALOGS Anna Howell * WORLD BOOK FAIRS 2021 • BEIJING • GUADALAJARA • MOSCOW Translated by: Translated NEW DELHI • PRAGUE • SEOUL • TAIPEI • WARSAW New rights deals are negotiated every day. To keep abreast of these developments, we recommend that you contact the publisher. Bureau International de l’Édition Française 115, bd Saint-Germain - 75006 Paris, France t. +33 (0)1 44 41 13 13 - f. +33 (0)1 46 34 63 83 Gallimard [email protected] - www.bief.org WORLD BOOK FAIRS 2021 45 PUBLISHERS' CATALOGS A Breton Song, Journal of a Crisis The Still Life Revisited followed by The Child Kibogo Has Gone up The Third Age and the War to Heaven The Unseen Sartre Abram Ordinary Life The World Does Not Exist Art Nouveau Paul Morand Turpentine Beneath Putzi the Potala Palace Where I Come from Riding with Luck No Longer Exists Broadway The Admirable Wild Roses Chronos Madeleine Demetrius Women and Fracas on Wall Street The Anomaly Francophone Literature. Free to Obey A Cultural History (Vol. 1) The Country of Others French Farces Women and The Fountain Francophone Literature. French Jihadism of Bitterness A Cultural History (Vol. 2) From Our Shadows The Green Century Girl The Law of Dreams Gospel of the Lost The Martins Gallimard www.gallimard.fr FOREIGN RIGHTS Judith Rosenzweig : [email protected] | EXPORT Laetitia Le Breton : [email protected] WORLD BOOK FAIRS 2021 45 PUBLISHERS' CATALOGS Gallimard Chanson bretonne Abraham Literature & Fiction suivi de L’enfant et la guerre Literature & Fiction A BRETON SONG, ABRAM It is 1916 and the Ottoman Empire is crumbling. -
Bales 1970 1802768.Pdf
MARCEL PROUST AND REYNALDO HAHN II . \,_,1f' ,( Richard M~ Bales B.A. University of 11 Exeter, 1969 Submitted to the Department of ·French and Italian and the Faculty of the Graduate School of the University of Kansas in partial fulfillment of the . requirements for the degree of Master of Arts. Redacted Signature / ---instr.uct~-in_:_c arge V__/~-~ . /_CA .. __ . - /'1 _- -- .,, .' Redacted Signature rr the ./I.apartment 0 • R00105 7190b ] .,; ACKNOWLEDGMENT. I wish to express my sincerest thanks to Professor J. Theodore Johnson, Jr. for his kind help.in the preparation of this thesis, and especially for his having allowed me ready access ·to his vast Proustian bibliography and library. April 30, 1970. TABLE OF CONTENTS. Introduction •..•...............................•. 1 Chapter I: The Historical Picture ••••••••••••••• 6 Chapter II: Hahn in Proust•a Works ••••••••••••• 24 Chapter III: Proust's Correspondence with Hahn. 33 Chapter IV: Music for Proust ••••••••••••••••••• 5o Chapter V: :Music for Hahn.. • • • • • • • • • • • • • • • • • • • 61• Conclusion •••••••••••••••••••••••••••••••••••••• 76 Appendix I: Hahn's Life and Works •••••••••••••• Bo App~ndix II: Index to the more important com- posers (other than Hahn) in the Proust/ Hahn Correspondence •••••••••••••••••••••••• 83 Selective Bibliography••••••••••·••••••••••••••• 84 INTRODUCTION. The question of Proust and music .is a large one, for here, more than with perhaps any other author, the subject is particularly pregnant. Not only is there extended dis- cussion of music in Proust's works, but also the fictional Vinteuil in A la recherche du temps perdu is elevated to the rank .of an artistic "hero," a ."phare" in the Baudelairian sense. It is no accident that Vinteuil 1 s music is more of a revelation for the narrator than the works-of Bergotte the writer or Elstir the painter, for Proust virtually raised music to the highest art-foz,n, or, rather, it is th~ art-form which came closest to his own idea of "essence," the medium by.which souls can communicate. -
Exotisme Étouffé Sous La Vision Impériale Dans Les Quatre Dames D’Angora De Claude Farrère
Humanitas, 2017; 5(10): 263-281 http://humanitas.nku.edu.tr ISSN: 2147-088X DOI: 10.20304/humanitas.339526 Araştırma-İnceleme EXOTISME ÉTOUFFÉ SOUS LA VISION IMPÉRIALE DANS LES QUATRE DAMES D’ANGORA DE CLAUDE FARRÈRE Zahide GÜNAY1 “Le seul véritable voyage, le seul bain de jouvence, ce ne serait pas d’aller voir de nouveaux paysages, mais d’avoir d’autres yeux” Marcel Proust. Résumé: Claude Farrère l’a dit ouvertement, il était pour le “colonialisme pacifiqueˮ. Il a aussi affirmé qu’il était l’ami des Turcs. Quoi qu’il en soit, les études “exotiquesˮ ont souvent fait preuve de complicité avec le colonialisme. À travers son roman, sous le processus d’occidentalisation, Les quatre dames d’Angora sont embaumées d’un parfum ottoman, cependant le charme est rompu avec l’intrusion de l’image de la femme française. Et le fait que l’auteur connaisse ces autochtones ottomanes, au point de “se préoccuper de leur problèmeˮ fait périr l’exotisme. Par contre, le mystère est maintenu autour des femmes russes. Une fois que le 263 voile de l’exotisme est levé, il ne reste plus que les louanges adressées à l’islam, un thème fort qui domine le roman. Le gouvernement ottoman étant considéré comme un État religieux, Farrère mise sur la foi musulmane. Le fait qu’il soit pour l’intégrité d’un Empire affaibli dû aux Capitulations va de pair avec les intérêts de la France. Malgré tout cela, sa plume fait preuve d’une merveilleuse et douce vision poétique, exotique tout en jouissant de la “différenceˮ et en désirant de se renouveler dans le cadre de la relation à l’Autre à travers des descriptions sur la nature et le passé. -
The Narrative Turn in the French Novel of the 1970S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto The Narrative Turn in the French Novel of the 1970s Hanna Meretoja University of Turku One of the central aspects of the nouveau roman, the most important French literary movement of the 1950s and 1960s, was the way in which it questioned the idea of the novel as storytelling. The nouveaux romanciers, such as Alain Robbe-Grillet, Nathalie Sarraute and Claude Simon, wanted to bring forth the ideological question- ability of narrativity epitomized by what they called “Balzacian realism” – in terms of which, they felt, the novel as a genre was still viewed and assessed. However, after this period of radical problematization, a rehabilitation of storytelling is visible in the French novel of the 1970s – a shift that some scholars have characterized as the “return of the narrative” or as “re-narratization of the novel” (see e.g. Kibedi Varga 1988, 38; Gratton 1997, 248; cf. Davis & Fallaize 2000, 14–15). In my article, I would like to shed some light on this “narrative turn” by arguing that it can be seen as a turn towards a fundamentally hermeneutic view of the narrative mediatedness of our relation to the world. As my primary example I will use Michel Tournier who has been mentioned as a major representative of this turn (Kibedi Varga 1988, 38; Gratton 1997, 248) but whose precise contribution to it has not yet been examined. Problematization of Storytelling in the Nouveau Roman First, I will have a brief look at why the nouveaux romanciers rejected the idea of the novel as storytelling or as “narration of a succession of fictional events” (to use Rimmon-Kenan’s (1988, 2) definition of ‘narrative fiction’). -
The Journal of Specialised Translation. Issue 1 January 2004 Chris
The Journal of Specialised Translation. Issue 1 January 2004 Chris Durban Demanding clients state their case: Comments on the client round table at La Rochelle (SFT université d'été, July 2002) ABSTRACT Linguists are as vulnerable as the most hapless monolingual buyer of translation when a debate takes place in a language they do not speak or read. The author draws reader’s attention to a discussion of translation quality and priorities by three demanding buyers of financial translation, and highlights issues that might be of interest to students, teachers and practicing translators. The text of the round table can be accessed in French at http://www.sft.fr/dossiers/actesrochelle/8acheteurs.pdf KEYWORDS Translation buyers, clients, specialisation, translator, client interaction, writing skills, advice, financial translation Standard features of contributions to translator egroups and bulletin boards are gloomy references to relentless pressure on prices and killer deadlines. Articles by academics, too, often include a negative reference to the marketplace and its impact on quality. Meanwhile specialised translators are demanding and collecting comfortable fees while interacting with premium clients who insist on top- notch quality and show genuine appreciation for their efforts. Perhaps these translators are too busy working to spread the word; perhaps they simply do not identify with the hand wringing. Otherwise they might speak up to remind newcomers to the profession and some of the ageing nay sayers that the situation is not all that bleak.1 In any event, public discussions of translation priorities by demanding clients in this segment of the market are rare enough to merit greater exposure. -
(Media) Author: Michel Houellebecq, Écrivain Médiatique
On the Return of the (Media) Author: Michel Houellebecq, écrivain médiatique Harris, A. (2020). On the Return of the (Media) Author: Michel Houellebecq, écrivain médiatique. French Cultural Studies, 31(1), 32-45. https://doi.org/10.1177/0957155819893582 Published in: French Cultural Studies Document Version: Peer reviewed version Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2020 The Authors. This work is made available online in accordance with the publisher’s policies. Please refer to any applicable terms of use of the publisher. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:28. Sep. 2021 Abstract This article argues that Michel Houellebecq is an écrivain médiatique, a media author, and examines how and why he engages in a type of authorial strategy that relies on more than the text and presents the author as a multimedia, visible and culturally relevant figure. -
French Literature
French Literature Companions to Literature The following companions and guides will provide valuable insights into French literature. The Oxford companion to French literature 840.3 OXF A short history of French literature 840.9 BRE The Concise Oxford dictionary of French literature 840.3 CON The new Oxford companion to literature in French 840.3 NEW Guide to modern world literature / Vol.2, [includes French literature] 809.04 SEY A guide to contemporary French literature: from Valery to Sartre. 840.90091 FOW La littérature française du 20e siècle by S. Jouanny 842.91 JOU Poetry French poetry can be found at class mark 841. We have works by Aragon, Guillaume Apollinaire, Baudelaire, André Breton, George Brassens, Aimé Césaire, René Char, Edouard Glissant, Michel Houellebecq, Victor Hugo, Abdelkébir Khatibi, Laforgue, Lapaque, Lautréamont, Mallarmé, Michaux, Francis Ponge, Jacque Prévert, Renaud, Rimbaud, Léopold Sédar Senghor, Boris Vian, Verlaine, as well as anthologies of material such as Laurent and Nepveu’s La poésie Québécoise, and Poètes francais des XIXe et XXe siècles. For critical studies of French poetry see Bloom, H. (ed) (1990) French poetry: the Renaissance through 1915 and Verdier, L. (2001) Introduction à la poésie modern et contemporaine. Drama Plays written in French can be found at class mark 842. We have works by Jean Anouilh, Samuel Beckett, Albert Camus, Aimé Césaire, Paul Claudel, Marguerite Duras, Jean Genet, Michel de Ghelderode, Jean Giraudoux, Jean-Claude Grumberg, Eugene Ionesco, Alfred Jarry, Bernard-Marie Koltès, Eugene Labiche, George Feydeau, Marivaux, Moliére, René de Obaldia, André Obey, Jean Racine, Jean-Paul Sartre, Nathalie Sarraute, Jean Tardieu, Michel Tremblay and Michel Vinaver. -
La Recepción Temprana De Marcel Proust En El Espacio De Revistas Culturales Argentinas De Los Años Veinte
Vol 6, Nº 11 (2018) ISSN 2169-0847 (online) Margarita Merbilhaá Universidad Nacional de la Plata-Conicet [email protected] La recepción temprana de Marcel Proust en el espacio de revistas culturales argentinas de los años veinte The Early Reception of Marcel Proust in the Space of Argentinian Cultural Journal of the Twenties Resumen Este trabajo analiza el fenómeno de lectura de En busca del tiempo perdido, de Marcel Proust, a partir de la centralidad que cobró su recepción en un arco muy diverso de publicaciones literarias y culturales aparecidas en Buenos Aires en la década de 1920. Analiza el modo en que a través de éstas las diversas colaboraciones encontraron en la lectura de esta obra distintos motivos para definir una sensibilidad emergente y, por otro lado, para pensar el lugar del arte en nueva cultura urbana y masiva. En este sentido, se describen dos claves de lectura, espiritualista y de apertura a la experimentación narrativa, que junto a un interés por teorizar acerca de la novedad en el arte, confirman disposiciones vanguardistas que van más allá del grupo nucleado en torno a la revista Martín Fierro (1924-1927). Por último, el análisis se detiene en la apropiación específica de algunas ideas de Proust desde una experiencia cultural periférica respecto de los centros europeos. Palabras claves Recepción de Marcel Proust, publicaciones culturales de Buenos Aires, vanguardia y modernización cultural en la década de 1920, historia de las ideas críticas. Abstract This article analyzes Marcel Proust’s À la Recherche du Temps perdu reading fenomenous, starting from its central reception in a varied archo of literary and cultural reviews in Buenos Aires by 1920. -
Matila Ghyka's Memoires and Gustave Le Bon's Concept Of
Roxana PATRAȘ Researcher „Alexandru Ioan Cuza” University of Iaşi Iaşi, Romania Matila Ghyka’s Memoires and Gustave Le Bon’s Concept of “Dematerialization” Abstract: The present essay analyzes to what extent Gustave le Bon’s theories on the dematerialization of matter influence Matila Ghyka’s own way of treating his biography (actual life and virtual “lives”) in both fictional and non-fictional works. What strikes the most in Matila Ghyka’s style is a technique of extensive self- quotation, which is not mere egocentrism. Whereas le Bon does not discriminate between Force and Matter and states that Matter is an infinite reservoir of intra-atomic energy, in the particular case of Matila’s writings, the degree in which textual matter (recollections, memories) dissociates or re-crystalizes indicates the actual force encapsulated in the point of departure (the object of recollection, experience as such). Textual series bring testimony to Ghyka’s strive to burn out variants to invariant (Happiness, the Golden Ratio), to drive meaning to a state of transparency. Keywords: Dematerialization, Matter, Ether, Dreams, Memories, Series Who is Matila Ghyka? Supposing the readers of this essay have never heard of Matila Ghyka, I shall start by enumerating a list of names: Paul Valery, Leon-Paul Fargue, Marcel Proust, Antoine de Saint-Exupery, Lucien Fabre, Henri Poincare, Claude Farrere, Salvador Dali, and Gustave le Bon. The list can be broadened but, for reasons of space, I will just resume myself to saying that Ghyka was a very close friend to all these famous people. 475 Langue, civilisation, religion, histoire Friendships let aside, Matila Ghyka himself is a fascinating figure of the Romanian diaspora of the 50’ and 60’, quite unknown to his fellow countrymen because of Communist censure and post-transition disregard.