DOCSLIB.ORG

APRIL, 1931 T

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
APRIL, 1931 T APRIL, 1931 t. AP" I In the shadow o the Capitol dome .cs:: ,s._.:iY,. A PERSONALITY STATION 143,000 Radios The Capitol's Only Local Station Western Electric Throughout Crystal Control 333 and 78 Turntables Low Rates Consistent Coverage AMERICAN BROADCASTING COMPANY ANNAPOLIS HOTEL, WASHINGTON, D. C. } To increase sales advertisers select 10,000 WATTS The Most Powerful Broadcasting Station In the Northwest * The real test of advertising is sales. There Amos n' Andy Seth Parker is a good reason why KSTP produces more Empire Builders dollar the advertiser; why old ad- Lucky Strike per for Atwater Kent vertisers continue and why an increasing Fleischmann Hour Camel Pleasure Hour number of national, regional and local Palmolive Hour Bobby Jones advertisers select KSTP as the best medium Westinghouse Salute Louis's Hungry Five through which to stimulate sales and intro- Chevrolet Chronicles duce new products in this rich market. The Cities Service Maxwell House Concert reason that KSTP produces more is be- Halsey -Stuart Phil Cook cause of more listeners-70% of the radio Interwoven Pair Chase & Sanborn audience in the Twin Cities and adjacent General Motors Northwest; this popularity resulting from Coca-Cola Weber and Fields greater power, superior quality and more Packard Program General Electric outstanding entertainment and service fea- and exclusive Consolidated Press Service tures such as (*Note partial list at left). St. Paul-Minneapolis NORTHWEST'S LEADING RADIO STATION April, 1931 1 SERVICE \ That we may keep abreast of the increasing growth of radio spot advertising, and also continue to render \ a complete personal service to advertisers and , agencies, we now have offices in the following cities: ; CHICAGO CLEVELAND DALLAS DENVER SALT LAKE CITY SAN FRANCISCO Careful preparation LOS ANGELES and supervision SEATTLE of that which goes PORTLAND through the VANCOUVER Microphone Our recommendations are planned without preju- including spot dice as a sensible, practical part of the well-balanced merchandising plan dovetailing with and support- announcements, ing other media. sponsored studio It has been, and will continue to be, our policy to programs serve only as many clients as we can with unremit- ting and scrupulous attention to detail. Not how and Electrical many-but how well! Transcriptions by Columbia We invite you to ask for further information A. T. SEARS & SON, INc. CoTumBia The Company where every executive and repre- W sentative is an experienced Advertising man 520 North Michigan Avenue, CHICAGO 2 Broadcast Advertising WHY IT WILL PAY You To CHOOSE COi.U1VIBIA ELECTRICAL TRANSCRIPTION PROGRAMS Electrical Transcription broadcasts give you Western Electric to develop and perfect the economy, complete control of coverage and cer- electr'cal system of recording. What's more, tainty of performance. And in Electrical Tran- Columbia is backed by more than forty years' scriptions, Columbia gives you the perfect spot experience ín the recording of entertainment. So disc programs to do your radio job-presentations there are no weak links in the production of that come from the hands of a staff highly trained Columbia Spot Disc Programs. in every phase of radio disc production. There are Columbia recording studios in New For it is the Columbia organization that has York and Chicago-Columbia representatives in brought Electrical Transcriptions up to their most of America's principal cities. Mail the present point of perfection. The Columbia coupon for further information - mail it today! Recording Laboratories were chosen in 1924 by Columbia Phonograph Co., Inc., New York City. Features of Columbia's Electrical Some Users of Columbia Electrical Transcription Service Transcription Programs Radio Plans Pequot Mills (Sheets) A. Riwrjois Co., Inc. (Cosmetics) Program Ideas Ivanhoe Foods, Inc. (Mayonnaise) Henry Glass & Co. ("Peter Pan" Fabrics) Continuities Grigsby-Grunow Co. (Majestic Radio) R. B. Davis Co. (Baking Powder) Talent Devoe & Raynolds Co., Inc. (Paints) Vick Chemical Co. (Vicky VapoRub) Production The Mennen Co. (Toilet Preparations) Radio & Television Inst. (Fduc. Courses) Recording Lehn & Fink Prod. Co. (Toilet Access.) National Refining Co. (En-Ar-Co Motor Oil) Pressing Ridgy, ays Inc., (Tea) ELECT C LUX I IATRANSdRIPTIoS COLUMBIA PHONOGRAPH CO., INC. Name Dept. B. T., 1819 Broadway, New York City Please send me full information on Colum- Address bia spot broadcast discs. City State April, 1931 3 1/ÁI /Á PRESTIGE YOUR RADIO PROGRAMS How they are built; their sources; the personalities who carry your message to the public-these things are of interest to you. They are brought out in human account, beautifully printed and elaborately illustrated-a forty -page booklet THE STORY OF WMAQ It is the inside story of program building by the creators of ?; ;11 lÍ I-1 l Amos 'n' Andy and other outstanding radio features, and !,,il, presents the development of one of America's leading broad- casting stations. r;,lI1 ' I'`, ,Hip- Available without charge to all advertising agencies. P' r II ',,, Additional copies will be furnished the general public at 25 --- cents each, plus postage. E_______J WRITE 5. WMAQ, Inc. The Chicago Daily News Broadcasting Station 400 WEST MADISON STREET CHICAGO, ILLINOIS 4 Broadcast Advertising 440 South Dearborn Street, Chicago, III. Subscription, $2.00 a year. Single copies, 20c. Issued monthly on the 15th. G. W. Stamm, Publisher and General Manager; R. B. Robertson, Editor; Ray S. Launder, Advertising Manager; É. J. Van, Circulation Manager. Eastern Representative: C. A. Larson, 254 W. 31st St., New York City. Entered as second class matter February 19, 1930, at the Post Office at Chicago, Illinois, under the Act of March 3, 1879. (Copyright, 19J1, by Broadcast Advertising) Volume 4 APRIL, 1931 Number 1 PROGRAMS AND AUDIENCES Shall We Build Them Ourselve THE NEW YORK PUBLIC LIBRARY or Buy Them Ready -Made? 6224154 ASTOR, LENOX AND TILDEN FOUNDATIONS Queries Russell Byron Williams R 1932 L RADIO programs still carry too "show." Going into radio with as radio advertisement. With a result many presidents' pictures. much fear and trembling as his that frequently is "not so good." That is to say, an uncomfort- predecessor did into space, the man Just one example of how the pres- able percentage of programs still who signs the checks insists upon ident's portrait gets into the pro- bear unmistakable evidence of tam- having a hand in the building of the gram : Early last Fall a certain na- pering by the executive personnel of tional advertiser wanted to use radio the sponsor's company. to stimulate sales and dealer co- Thirty-five or forty years ago operation. Theirs was a seasonal much space advertising was sold in the best buy-- product, so necessarily their time on newspapers and national magazines the air was limited to thirteen ijTHIS splendid menu of en - weeks. was lim- on the basis that the page ad would 1 tertainment, inspiration and Their pocketbook carry the president's portrait and a information," says an editorial on ited to thirteen half-hour shows. picture of the factory. Knowing broadcasting in the February issue Everything went along swimming- little or nothing about advertising, of Radio Retailing, "is spread be- ly until we came to building pro- and not trusting the advertising man fore the listener without cost. And grams. Then it was that a whole or space representative, the man of the total time these programs herd of sacred cows came lowing who signed the checks could be in- are on the air, not more than three o'er the lea. The advertising man- veigled into the position of check per cent is actually devoted to ad- ager was America's prize Victor vertising announcements. Surely signer only on promise that a por- Herbert fan. The vice-president no listener can object to two min- was a \Velshman and he just loved trait of his impressively powerful utes of advertising out of an hour's physiognomy and a "bird's eye" magnificent entertainment rendered the Welsh national anthem, "Men view of the mammoth factory (with by the world's greatest masters and of Harlich." The sales manager, it its stiffly posed \merican flag and leaders. Contrast this with the seemed, was once an all- kmerican self-conscious fountain) would oc- popular magazines, which are made football star, so nothing would do cupy the majority of the space to be up of 40 per cent reading matter if it didn't include a bunch of col- purchased. and 50 per cent advertising. lege songs, particularly his college Today, tinder slightly different As things stand, any family which song. The general manager was a circumstances but with the same un- buys a radio set and tunes it in night-club devotee, therefore we 1931 will get far more solid derlying principles, time on the air during must have a lot of jazz. knd the enjoyment for the outlay than can is president loved nothing so much as being sold to doubting Thomases be obtained from any other ex- by radio station representatises or a male quartette! penditure of the same money .. advertising men on the basis that A radio set still remains the best There you are-make a program the musical preference of the presi- buy that can be made with the out of that! Can you imagine a dent or the advertising manager will 1931 entertainment dollar." half hour made tip with "5th, Sweet find a prominent place in the Mystery of Life," "Men of Har- April, 1931 5 lich," "My Baby Don't Care for Gradually, however, it has been invest any considerable amount of Booze," and "Sweetheart of Sigma seeping into the consciousness of money in a new program, which Cough"? Well, we had to. It was radio advertisers that when a special they realize may or may not pull in- a matter of "public be damned- show is built-when a new feature quiries and orders, and which they let's have what we want." Only is inserted on the air-it takes any- are coming to know must be con- these good men (in their line) where from four to fourteen weeks tinued over some period of time if wouldn't admit this because each one to accumulate a sizeable audience radio is to give them its fullest meas- sincerely believed the "public" want- with any degree of loyalty.
Load more

Recommended publications
  • Network Time-Shift-Blog
    Michael Biel [email protected] Time Shifting by the Networks The following posts by Elizabeth McLeod, a broadcast journalist and a free-lance broadcast historian specializing in the late 1920s and early 1930s, are reproduced with her permission. Date: Sun, 29 Mar 98 22:23:55 -0500 From: Elizabeth McLeod ([email protected]) Subject: Re: By Means of Electrical Transcription... I'm confused about when the practice of pre-recording (transcribing) radio shows began. I recall reading that the Bing Crosby show was the first transcribed network show (and I seem to recall a Crosby show in which guest star Grade Alien says "this isn 't radio, it's a transcription "), but I also seem to recall that Amos and Andy were distributed on disk. My confusion was added to when I read the little book that comes with the first Smithsonian set of Superman episodes (great set, btw) since there is a reference to prerecording the shows, but I know that The Lone Ranger and such were sometimes performed more than once for different time zones. What's confusing you is the difference between network shows and syndicated shows. "Amos 'n' Andy," when it began in 1928 was distributed by syndication by the Chicago Daily News on 78rpm records -- the first radio program to be pre-recorded in such a manner. This continued thru mid-August of 1929, and ended when the program went to NEC. Many syndicated shows followed in the late 20s and early 30s, including comedies, dramas, serials, and musical features. These were shows produced by independent packagers and sold to stations without the need for wire-line connections.
    [Show full text]
  • NBC Transmitter.
    m NATIONAL EfiOADCASTINQ COMPANY, general library 30 ROCKEFELLER PLAZA, NEW YORK, N. 1 >:.-s Vr-. iS- ’ NBC VOL. 6 JANUARY, 1940 No. 1 LATEST PROGRESS IN TELEVISION NEW YEAR SftS MANY TRAINING FCC VIEWS NEW PORTABLE UNIT GROUPS HELD FOR YOUNGER MEN elevision de- S the New Year ajrproaches and gets underway, it finds T velops so rapid- AI the largest number yet of employe training courses ly that it is always in action. This is a result of the Company’s policy of filling outmoding its own vacancies from its own ranks. It has been said more and news. This month more often in the past few years that the Company is old there are several enough to prepare its personnel to fill the responsible posi- items for the record. tions created or opened as time goes on, and this year a We are all familiar more comprehensve effort than ever is being made in that with the ten-ton, direction. two-truck mobile Ashton Dunn of Personnel has already organized a group unit which has so for the purpose of learning the structure and activities of successfully picked various departments. It is similar to last year’s group which up such nemos as was developed to satisfy the expressed interest of the younger Evolution of an Idea. boxing and tennis employes. Some of the more specialized courses recently matches, and base- planned or begun are working in connection with the larger ball and football games. This sleek monster is the incredi- group to fill out the general training program.
    [Show full text]
  • Bensman, Marvin R.; Walker, Dennis Sources of Broadcast Audio
    DOCUMENT RESUME ED 109 724 CS 5,01 094 AUTHOR Bensman, Marvin R.; Walker, Dennis TITLE Sources of Broadcast Audio Programming. PUB DATE 75 NOTE 332p. EDRS PRICE MF-$0.76 HC-$17.13 PLUS POSTAGE DESCRIPTORS *Broadcast Industry; Instructional Materials; *Phonograph Records; *gadio; Resource Materials IDENTIFIERS *DiscographieS _ABSTRACT This publication'is the result of a search conducted for sources of,recordings of old radio programs. Section 1 consists of an annotated list of broadcast programs available on commercial phonograph records. Section 2 consists of an annotated listing of associations concerned with the preservation of recorded broadcast material, organizations which sell programs, newsletters and publications by individuals who collect and trade old radio prograts, and institutions which ha *e collections which are available to some degree for research and teaching purposes. Section 3 is a computerized- catalog of over 100 private collections which was devised to locate specific programs as well as to give some idea of the depth of the material available from such sources. (TS) ****************************************************4i***************** Documents acquired by ERIC Include manyinformal unpublished * materials not available from other sources. ERIC wakes everyeffort * * to obtain the best copy available. nevertheless, items ofmarginal * * reproducibility are often encountered and this affects thequality * * of the microfiche and hardcopy reproductions ERIC makesavailable * * via the ERIC Document Reproduction Service
    [Show full text]
  • The Recording Musician and Union Power: a Case Study of the American Federation of Musicians
    SMU Law Review Volume 37 Issue 4 Article 1 1983 The Recording Musician and Union Power: A Case Study of the American Federation of Musicians Robert A. Gorman Follow this and additional works at: https://scholar.smu.edu/smulr Recommended Citation Robert A. Gorman, The Recording Musician and Union Power: A Case Study of the American Federation of Musicians, 37 SW L.J. 697 (1983) https://scholar.smu.edu/smulr/vol37/iss4/1 This Article is brought to you for free and open access by the Law Journals at SMU Scholar. It has been accepted for inclusion in SMU Law Review by an authorized administrator of SMU Scholar. For more information, please visit http://digitalrepository.smu.edu. THE RECORDING MUSICIAN AND UNION POWER: A CASE STUDY OF THE AMERICAN FEDERATION OF MUSICIANS by Robert A. Gorman * CONTENTS Page I. THE RISE OF RECORDED MUSIC AND OF JAMES C. PETRILLO .................................................. 699 II. THE 1942 RECORDING BAN AND THE CREATION OF THE RECORDING AND TRANSCRIPTION FUND ................... 705 III. UNION ATTEMPTS TO INCREASE RADIO EMPLOYMENT, AND THE LEA A CT .............................................. 709 IV. THE TAFT-HARTLEY ACT, THE RECORDING BAN OF 1948, AND THE CREATION OF THE MUSIC PERFORMANCE TRUST F UN D S ..................................................... 722 V. THE STATE OF THE ENTERTAINMENT INDUSTRIES, 1945- 1955 ....................................................... 728 VI. THE TRUST FUNDS IN 1954-1955, AND THE APPEAL OF L OCAL 47 .................................................. 734 VII. THE REVOLT WITHIN LOCAL 47 ........................... 741 VIII. THE TRUST FUND HEARINGS OF 1956 ..................... 749 * A.B., LL.B., Harvard University. Professor of Law, University of Pennsylvania. This Article is a revised and updated version of a study prepared at the request of the Copyright Office and published in a volume of hearings on performers' rights.
    [Show full text]
  • ARSC Journal
    Pre-LP Recordings of RCA at 33 1/3 rpm. through 1931 to 1934 by Ted Fagan Once it had been proved that sound could be reproduced, the next steps entailed improvement of quality, expansion of versatility and increase in the amount of material that could be fitted on the discs or cylinders. Many experiments were made with different playing heads and needles, bigger discs and cylinders, narrower grooves and, finally, slower speeds. This is not the place to enter a study of the differences between the materials used for diaphragms on the playing heads, nor for the manufacture of needles, except for a passing mention of this later. Sizes of the records themselves went from 5 inches to 18 and groove widths varied from 150 per inch to 450. By 1930 the engineers had discovered that a recording speed of 33 1/3 revolutions per minute could be controlled, relied upon and to a large extent, avoided the distortion that usually spoiled the sound when the grooves get closer to the central spindle. In 1931, the company issued brochures and catalogues that announced the advent of a new technique which permitted recordings at this slower speed. One of these catalogues is quoted extensively in Oliver Read and Walter Welch's book From Tin-foil to Stereo (pp. 292 et seq). The crucial portion of the announcement reads: " ••• now the Long Playing Record takes its place in the Victor Catalogue. A policy of recording all major works on both standard and 33 1/3 rpm. records has been adopted. The playing time has been fixed at such length that no sacrifice of musical quality - inevitable if the grooves are carried too near the center of the record - need be made ••• " Commercially, however, the slower playing records were not a great success.
    [Show full text]
  • Transcription Records
    TRANSCRIPTION RECORDS located in Center for Danish Jazz History, Aalborg Universitet This catalogue has been compiled by Niels Sjølin Frederiksen for the jazzcentre between and 2010 and 2015. The records were originally part of the Jazz Medie Collection from Karl Emil Knudsen, Storyville Records, Copenhagen which CDJ took over in 2008. This catalogue is organized after publishing companies , listed in alphabetical order. 1955 MARCH OF DIMES AN ALL STAR RADIO PROGRAM NATIONAL FOUNDATION FOR INFANTILE PARALYSIS, INC. 120 BROADWAY, NEW YORK 5, N. Y. *PLEASE DESTROY TRANSCRIPTION AFTER CAMPAIGN* BROADCAST BETWEEN JAN. 3-31 ONLY – HOWARD J. LONDON, Radio Director Code No. Artist E4-KM-8761 Nat “King” Cole and Orchestra under the direction of Nelson Riddle E4-KM-8762 Liberace, Orchestra under the direction of George Liberace ♥ 1957 HEART FUND February 1-28 AMERICAN HEART ASSOCIATION Transcription rights granted by James E. Petrillo, President AFM Recorded by Gotham Recording Corp. Program “Calling All Hearts” starring ET-II Program Three Gordon MacRae and Shirley Jones GRC-4288A ET-II Program Four Jimmy Durante and Helen Traubel GRC-4288B WAR DEPARTMENT THE ARMED FORCES RADIO SERVICE Presents SERIES ALBUM No. Artists #102 OFFICE OF ARMED FORCES INFORMATION & EDUCATION DEPARTMENT OF DEFENSE Armed Forces Radio & Television Service PROPERTY OF UNITED STATES GOVERNMENT Micro-Groove - Play with .001 pickup stylus Disc Series Artists C-57-END-476 STATION LIBRARY (Track#1) Stars of Jazz, Christmas Eve Program (handwriting on sleeve: Bobby C-57-END-317 Troup, Chico Hamilton, Georgia Carr)//TX #1 Portraits in Music Pt. 2, (Track #2) TX #2 Eddie Fisher (Christmas Day Program) (handwriting on 10-11-57 = Oct.
    [Show full text]
  • The Organized Musicians (Part
    THE ORGANIZED MUSICIANS: II* VERN COUNTRYUANf MECHANICAL COMPETITION IE many other unions, the AFM has long battled the threat of technological unemployment. Like their brother-unionists, the musicians have found that the man who has been displaced by a machine can take little comfort from the orthodox economist's"'= assur- ance that the long-run effect of all technological change must be the crea- tion of a better life in which his remote descendants may share.' Conse- quently, they have resisted this change as best they could. This problem can best be understood if one significant characteristic of the machine in the field of music be noted at the outset. In whatever form, the machine has never eliminated or even altered the musician's function. The machine does not make music-it merely provides a means of preserving and giving wider dissemination to the music made by the musician. That characteristic is significant in two respects. In the first place, by providing a means of reproducing musical performances and making wider dissemination of those performances possible, the machine has created a greater demand for music and probably inspired a greater number of people to become musicians without creating a correspondingly greater demand for the services of musicians.12 Secondly, the machine is * This is the second and final instalment of The Organized Musicians. Part I appears in i6 Univ. Chi. L. Rev. 56 (1948). t Assistant Professor of Law, Yale Law School. 12 See Douglas and Director, The Problem of Unemployment, c. x (193A), for a typical presentation of the argument, completely a priori, that the labor-displacing effects of techno- logical development will ultimately be balanced by such compensating factors as reduction of prices and development of new industries.
    [Show full text]
  • Deeemlth 11Th T°
    Of Wet( fOet ber Deeemlth 11th t° www.americanradiohistory.com Latest Apr 1933 ATWATER KENT IS HERE! Short-wave long -wave combination. Single control, 10 newest super-power tubes, Tonebeam visible tuning, auto- matic volume control. Walnut and burl maple six -legged cabi- net. The world at your finger tips !Come in for demonstration. Model 480 $109.7 5 COMPLETE COAST RADIO SUPPLY COMPANY-Wholesale Distributors 123 TENTH STREET SAN FRANCISCO www.americanradiohistory.com BROADCAST NEW YORK Edwin F. Ripley WE E K L 118 East 28th Street New York The Leading Radio Guide of the Pacific Coast City A. J. URBAIN, Editor and Publisher Vol. XI, No. 50 726 Pacific Building, San Francisco, Calif. December 10, 1932 THE SPIRIT OF CHRISTMAS WITH the nineteen hundred a n d ent without means of self-support. Does a thirty-second observance of the loaf of bread and a leaky roof fulfill our birth of Christ but a week away, Christian duty to those unfortunates? An woe and want stalk the earth. Is it a stretch army half that size could overthrow any of the imagination to conceive the world's government on earth. Is it possible that plight as deserved punishment visited upon one -eighth of all the citizens in a country a generation steeped in selfishness and pro- maintaining the highest standards of living fligate to the point of paganism? the world has ever known, should or will Christmas is not merely a glutton's excuse long tolerate treatment which even its live for feasting, a gala holiday, or occasion for stock would not be expected to endure? In the perfunctory exchange of gaudy baubles.
    [Show full text]
  • Recorded Music in American Life: the Phonograph and Popular Memory, 1890–1945
    Recorded Music in American Life: The Phonograph and Popular Memory, 1890–1945 William Howland Kenney OXFORD UNIVERSITY PRESS recorded music in american life This page intentionally left blank RECORDED MUSIC IN AMERICAN LIFE The Phonograph and Popular Memory, 1890–1945 William Howland Kenney 1 New York Oxford Oxford University Press Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Copyright © 1999 by William Howland Kenney Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Kenney, William Howland. Recorded music in American life : the phonograph and popular memory, 1890–1945 / William Howland Kenney. p. cm. Includes bibliographical references and index. ISBN 0-19-510046-8; 0-19-517177-2 (pbk.) 1. Popular music—Social aspects—United States. 2. Phonograph— Social aspects—United States. 3. Sound recording industry—United States—History. 4. Popular culture—United States—History—20th century. I. Title. ML3477.K46 1999 306.4'84—dc21 98-8611 98765 43 21 Printed in the United States of America on acid-free paper iv introductionDisclaimer: Some images in the original version of this book are not available for inclusion in the eBook.
    [Show full text]
  • THE WEIRD CIRCLE Restless
    CD 8A: “The Thing in the Tunnel” - 1944 (Program # 66) This episode, adapted from Charles Dickens’ (right) THE WEIRD CIRCLE 1866 story “The Signal Man,” includes performances by James Van Dyk, Walter Vaughn and Alan Devitt. Restless Sea Program Guide by Karl Schadow CD 8B: “The Pistol Shot” - 1944 (Program # 68) Arnold Moss, Walter Vaughn, Inge Adams, Edwin Literary works by such luminaries as Edgar Allan Poe, Wilkie Collins and Guy Jerome, Elizabeth Morgan, and Richard Morgan de Maupassant have entertained generations in their original form on the printed are heard in this Prosper Mérimée translation of Charles Dickens wrote "The Trail for page. Many of these classics of mystery, horror and fantasy have been adapted Alexander Pushkin’s 1831 work. Murder" and "The Signal Man" successfully for stage, film and television. Radio also played a major role in (from which "The Thing in the Tunnel" was adapted). bringing these tales to life. For example, the 1938 Mercury Theatre production of the H. G. Wells novel War of The Worlds is often cited as one of the outstanding Acknowledgements: The author thanks David Grabarek and Jerry Haendiges for achievements in broadcasting. There were numerous programs dedicated to such their invaluable assistance. works, each bearing an appropriate title. Both The World’s Greatest Short Stories and The World’s Great Novels explored various genres. These live programs were also accompanied by transcribed series, such as Radio Theatre of Famous Classics (Kermit-Raymond Corp.). Another member in this latter category If you enjoyed this CD set, we recommend was The Weird Circle, packaged by the Radio-Recording Division of NBC The Weird CIrcle: Toll the Bell, (NBCRRD) at its New York available now at www.RadioSpirits.com.
    [Show full text]
  • Broadcasters and Collecting Institutions with Cold War-Era Radio Collections
    Broadcasters and Collecting Institutions with Cold War-era Radio Collections Version 0.8 (October 2017) Compiled by: Brandon Burke This document is a cooperative effort between the Cold War Communication Project of the Library of Congress Radio Preservation Task Force and the Broadcast Archives Section of the International Association of Sound and Audiovisual Archives Broadcasters and Collecting Institutions with Cold War-era Radio Collections This version (0.8) printed for distribution at the 2017 Radio Preservation Task Force Conference, Washington, DC, USA. It is not considered complete. To submit information about Cold War-era radio collections for inclusion in future versions of this document contact: Brandon Burke ([email protected]). The Cold War Communication Project of the Radio Preservation Task Force is co-chaired by: Jane Leftwich Curry (Santa Clara University) and Brandon Burke (Hoover Institution Library and Archives, Stanford University) For more information about the Radio Preservation Task Force visit: https://www.loc.gov/programs/national-recording-preservation-plan/about-this-program/radio- preservation-task-force/\ For Information about the International Association of Sound and Audiovisual Archives visit: https://www.iasa-web.org/ 2 UNITED STATES Hoover Institution Library and Archives Stanford University Stanford, California, USA https://www.hoover.org/library-archives Contact: Brandon Burke ([email protected]) Materials of note: Radio Free Europe/Radio Liberty Records The RFE/RL Broadcast and Corporate Records are a rich and extraordinary resource for the study of the Cold War through one of the leading organizations that fought it. As a conflict of ideas and ideologies, the Cold War was unique not for its muddy battlefields and the stench of dead bodies so much as for the culture wars it inaugurated by broadcasting decadent Western music to Eastern Europe and by creating Radio Free Europe and Radio Liberty as a surrogate national outlet for news and cultural programming for the Soviet Bloc.
    [Show full text]
  • Broadcast Weekly (Formerly Radiocast Weekly - Established 1922 As Broadcast Program) A.J
    GRE , S JANE F lliu Leenow System flouter singes, ov1FRCanaDn Blues heard regularly www.americanradiohistory.com Elliciency and Economy PLUS BEAUTY Authentically»» designed in true PERIOD STYLE $189.50 complete The installed NEW e MAYFLOWER Ten Special Aristocrat of All Electric Refrigerators Features Matchless modern efficiency obtained through 10 special MAYFLOWER features. PLUS that richness and breath- taking beauty resulting from true period design. A real piece of rare old colonial furniture with graceful, curving legs, "apron style" lower door, beautifully beveled corners and edges, and massive, specially -designed Colonial hardware. Buy no refrigerator until you have all the facts on MAYFLOWER. Write, wire or phone, or come in for impressive demonstration. IERULRAvENS[ROF INCORPORATED ELECTRIC RADIO EQUIPMENT REFRIGERATION K0R- DIVISION San Francisco -121-131 Ninth St. Los Angeles -135-139 West 17th St. www.americanradiohistory.com BROADCAST WEEKLY (FORMERLY RADIOCAST WEEKLY - ESTABLISHED 1922 AS BROADCAST PROGRAM) A.J. URBAIN, Publisher CLASS THE FIRST DAY OP ENTERED AS 2 g PUBLISHED ON THE EACH WEEK. BY MATTER,MARCH 25,1923.ßY POST OFFICE, SAN FRANCISCO.CALIFORNIA BROADCAST WEEKLY UNDER ACT OF MARCH 9.1879 PUBLISHING COPYRIGHT, 1931, BY BROADCAST WEEKLY COMPANY PUBLISHING COMPANY PACIFIC BUILDING, bfi MARKET STREET, SAN FRANCISCO 10 CENTS THE COPY FROM ALL NEWSDEALERS PER YEAR TELEPHONE DOUGLAS 5273 BY SUBSCRIPTION 83.00 No. 26 Vol. 10 San Francisco JUNE 27, 1931 Los Angeles Program Popularity Contest Results RESULTS from the Program Popu- ment of radio programs, it is earnestly larity Contest featured in BROAD- hoped that those of you who did not vote con- CAST WEEKLY issue of May 24 to 30 are in this contest will do so in future now complete Almost 2,000 ballots were tests BROADCAST WEEKLY 1S now contem- received.
    [Show full text]