History of the Consular Academy at Boltzmanngasse 16
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Reviews of This Artist
Rezension für: Hertha Klust Pilar Lorengar: A portrait in live and studio recordings from 1959-1962 Vincenzo Bellini | Giacomo Puccini | Georg Friedrich Händel | Enrique Granados | Alessandro Scarlatti | Wolfgang Amadeus Mozart | Giuseppe Verdi | Joaquín Rodrigo | Joaquín Nin | Jesús García Leoz | Jesús Guridi | Eduardo Toldrà | _ Anonym | Jacobus de Milarte | Esteban Daza | Juan Bermudo | Luis de Narváez | Juan Vásquez | Alonso Mudarra | Luis de Milán | Diego Pisador | Enríquez de Valderrábano 3CD aud 21.420 operafresh.blogspot.de Tuesday, May 20, 2014 ( - 2014.05.20) Pilar Lorengar Live and Studio Recordings 1959-1962 Berlin In addition to the live opera recordings on this release, is the famous studio recording of songs with guitar featuring Siegfried Behrend available for the first time on CD outside of Japan. Full review text restrained for copyright reasons. Das Opernglas Juni 2014 (J. Gahre - 2014.06.01) CD News Ihre Stimme [strahlt] in diesen um 1960 gemachten Aufnahmen Wärme und Weiblichkeit aus, die den modernen Hörer durchaus gefangen nehmen können. Full review text restrained for copyright reasons. page 1 / 96 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de http://theaterpur.net Juni 2014 (Christoph Zimmermann - 2014.06.01) Tenorales Gruppenbild mit Damen Pilar Lorengars klares, sonnenhelles Organ lässt nirgends falsche Sentimentalität aufkommen. [...] Neuerlich bezaubert die Natürlichkeit der Darstellung ohne ein demonstratives Ausstellen vokaler Raffinessen. Full review text restrained for copyright reasons. Der Tagesspiegel 22.07.2014 (Frederik Hanssen - 2014.07.22) Klassik-CD der Woche: Pilar Lorengar Spanische Nächte Die Norma wie auch „Piangerò la sorte mia“ aus Händels „Giulio Cesare“ meistert sie mit Eleganz, jugendlicher Strahlkraft und schier endlosem Atem Full review text restrained for copyright reasons. -
Eberhard Waechter“
DIPLOMARBEIT Titel der Diplomarbeit „Eberhard Waechter“ Verfasserin Mayr Nicoletta angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl: A 317 Studienrichtung: Theater-, Film- und Medienwissenschaft Betreuerin: Univ.-Prof.Dr. Hilde Haider-Pregler Dank Ich danke vor allem meiner Betreuerin Frau Professor Haider, dass Sie mir mein Thema bewilligt hat und mir mit Rat und Tat zur Seite stand. Ich danke der Familie Waechter und Frau Anneliese Sch. für die Bereitstellung des Materials. Ich danke meiner Schwester Romy und meiner „Seelenverwandten“ Sheila und all meinen Freunden für ihre emotionale Unterstützung und die zahlreichen motivierenden Gespräche. Ich danke meinem Bruder Florian für die Hilfe im Bereich der Computertechnik. Ein großer Dank gilt meiner Tante Edith, einfach dafür, dass es dich gibt. Außerdem danke ich meinen Großeltern, dass sie meine Liebe zur Musik und zur Oper stets enthusiastisch aufgenommen haben und mit mir Jahr für Jahr die Operettenfestspiele in Bad Ischl besucht haben. Ich widme meine Diplomarbeit meinen lieben Eltern. Sie haben mich in den letzten Jahren immer wieder finanziell unterstützt und mir daher eine schöne Studienzeit ermöglicht haben. Außerdem haben sie meine Liebe und Leidenschaft für die Oper stets unterstützt, mich mit Büchern, Videos und CD-Aufnahmen belohnt. Ich danke euch für eure Geduld und euer Verständnis für eure oft komplizierte und theaterbessene Tochter. Ich bin glücklich und froh, so tolle Eltern zu haben. Inhalt 1 Einleitung .......................................................................................... -
The Jewish Middle Class in Vienna in the Late Nineteenth and Early Twentieth Centuries
The Jewish Middle Class in Vienna in the Late Nineteenth and Early Twentieth Centuries Erika Weinzierl Emeritus Professor of History University of Vienna Working Paper 01-1 October 2003 ©2003 by the Center for Austrian Studies (CAS). Permission to reproduce must generally be obtained from CAS. Copying is permitted in accordance with the fair use guidelines of the U.S. Copyright Act of 1976. CAS permits the following additional educational uses without permission or payment of fees: academic libraries may place copies of CAS Working Papers on reserve (in multiple photocopied or electronically retrievable form) for students enrolled in specific courses; teachers may reproduce or have reproduced multiple copies (in photocopied or electronic form) for students in their courses. Those wishing to reproduce CAS Working Papers for any other purpose (general distribution, advertising or promotion, creating new collective works, resale, etc.) must obtain permission from the Center for Austrian Studies, University of Minnesota, 314 Social Sciences Building, 267 19th Avenue S., Minneapolis MN 55455. Tel: 612-624-9811; fax: 612-626-9004; e-mail: [email protected] 1 Introduction: The Rise of the Viennese Jewish Middle Class The rapid burgeoning and advancement of the Jewish middle class in Vienna commenced with the achievement of fully equal civil and legal rights in the Fundamental Laws of December 1867 and the inter-confessional Settlement (Ausgleich) of 1868. It was the victory of liberalism and the constitutional state, a victory which had immediate and phenomenal demographic and social consequences. In 1857, Vienna had a total population of 287,824, of which 6,217 (2.16 per cent) were Jews. -
VIENNA UNIVERSITY of TECHNOLOGY INTERNATIONAL OFFICE Gusshausstrasse 28 / 1St Floor, A-1040 Wien
VIENNA UNIVERSITY OF TECHNOLOGY INTERNATIONAL OFFICE Gusshausstrasse 28 / 1st floor, A-1040 Wien Contact: Tel: +43 (0)1 58801 - 41550 / 41552 Fax: +43 (0)1 58801 - 41599 Email: [email protected] ANKUNFT http://www.tuwien.ac.at/international Opening hours: Monday, Thursday: 9:30 a.m. – 11:30 a.m., 1:30 p.m. – 4:30 p.m. Wednesday: 9:30 a.m. – 11:30 a.m. How to reach us: Metro: U1 (Station Taubstummengasse) U2 (Station Karlsplatz) U4 (Station Karlsplatz) Tram: Line 62 (Station Paulanergasse) Line 65 (Station Paulanergasse) Line 71 (Station Schwarzenbergplatz) Welcome Guide TU Wien │ 1 Published by: International Office of Vienna University of Technology Gusshausstrasse 28 A-1040 Wien © 2014 Print financed by funds of the European Union 2 │ Welcome Guide TU Wien CONTENTS GENERAL INFORMATION ABOUT TU WIEN .............................................. 5 1 History of Vienna University of Technology ......................................... 5 2 Structure of Vienna University of Technology ...................................... 6 3 Fields of Study ..................................................................................... 7 4 The Austrian National Union of Students ........................................... 11 PLANNING IN YOUR HOME COUNTRY..................................................... 13 1 Applying for Studies at TU Wien ........................................................ 13 2 Visa ....................................................................................................13 3 Linguistic Requirements .................................................................... -
Jewish Communities of Leopoldstadt and Alsergrund
THE VIENNA PROJECT: JEWISH COMMUNITIES OF LEOPOLDSTADT AND ALSERGRUND Site 1A: Introduction to Jewish Life in Leopoldstadt Leopoldstadt, 1020 The history of Jews in Austria is one of repeated exile (der Vertreibene) and return. In 1624, after years and years of being forbidden from living in Vienna, Emperor Ferdinand III decided that Jewish people could return to Vienna but would only be allowed to live in one area outside of central Vienna. That area was called “Unterer Werd” and later became the district of Leopoldstadt. In 1783, Joseph II’s “Toleranzpatent” eased a lot of the restrictions that kept Jews from holding certain jobs or owning homes in areas outside of Leopoldstadt. As a result, life in Vienna became much more open and pleasant for Jewish people, and many more Jewish immigrants began moving to Vienna. Leopoldstadt remained the cultural center of Jewish life, and was nicknamed “Mazzeinsel” after the traditional Jewish matzo bread. Jews made up 40% of the people living in the 2nd district, and about 29% of the city’s Jewish population lived there. A lot of Jewish businesses were located in Leopoldstadt, as well as many of the city’s synagogues and temples. Tens of thousands of Galician Jewish refugees from Eastern Europe made their home there, and brought many of their traditions (such as Yiddish literature) with them. Questions to Consider Look up the history of Jewish eXile and return in Vienna. How many times were they sent away from the city, and why did the city let them return? What were some of the restrictions on Jewish life in Vienna before the “Toleranzpatent” in 1783? What further rights did Jewish people gain in 1860? How did this affect Jewish life and culture in Vienna in the late 1800s and early 1900s? Describe the culture of Leopoldstadt before 1938. -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee. -
Global Austria Austria’S Place in Europe and the World
Global Austria Austria’s Place in Europe and the World Günter Bischof, Fritz Plasser (Eds.) Anton Pelinka, Alexander Smith, Guest Editors CONTEMPORARY AUSTRIAN STUDIES | Volume 20 innsbruck university press Copyright ©2011 by University of New Orleans Press, New Orleans, Louisiana, USA. All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, ED 210, 2000 Lakeshore Drive, New Orleans, LA, 70119, USA. www.unopress.org. Book design: Lindsay Maples Cover cartoon by Ironimus (1992) provided by the archives of Die Presse in Vienna and permission to publish granted by Gustav Peichl. Published in North America by Published in Europe by University of New Orleans Press Innsbruck University Press ISBN 978-1-60801-062-2 ISBN 978-3-9028112-0-2 Contemporary Austrian Studies Sponsored by the University of New Orleans and Universität Innsbruck Editors Günter Bischof, CenterAustria, University of New Orleans Fritz Plasser, Universität Innsbruck Production Editor Copy Editor Bill Lavender Lindsay Maples University of New Orleans University of New Orleans Executive Editors Klaus Frantz, Universität Innsbruck Susan Krantz, University of New Orleans Advisory Board Siegfried Beer Helmut Konrad Universität Graz Universität -
DISCLOSURE TEMPLATE Gilead Sciences Gesmbh
PHARMIG CODE OF CONDUCT - GUIDANCE REGARDING ARTICLE 9 - STANDARDIZED DISCLOSURE TEMPLATE Gilead Sciences GesmbH DISCLOSURE TEMPLATE - ARTICLE 9 CoC (TRANSPARENCY) Reporting period (calendar year):2020 Date of publication:30/06/2021 Where available: Donations Contribution to costs of events Fees for services and Full Name Practice or business address physician and Grants (cf. Article 9.4a 1) (i), (ii) consultancy(cf. number to HCOs CoC and/or Article 9.4b 2) (i), Article 9.4a 2) CoC commercial (ii), (iii) CoC) and/or Article 9.4b register number, 3) CoC) association register number TOTAL Optional (cf. (cf. (cf. (cf. per(cf. HCP, Article all transfers 9.4 of (cf. Support Registrati HCPTravel will be summed& up]Fees Outlays Article Article Article Article CoC) Article agreements on fees accomodati 9.4 CoC) 9.4 CoC) 9.4 CoC) 9.4 CoC) 9.4b 1) with HCOs on CoC) / third parties appointed by HCOs to manage an event Priv.-Doz. Dr Kinderspitalgass Attarbaschi Wien, Alsergrund Austria N/A N/A 1,210 1,210 e 6 Andishe Dr. Bachmayer Oberndorf bei Paracelsusstraße Austria N/A N/A 330 330 H Sebastian Salzburg 37 C P s ao. Univ.Prof. Dr. Bellmann Innsbruck Austria Anichstraße 35 N/A N/A 800 800 Romuald Dr. Breitenecker Otto-Bauer-Gasse Wien, Mariahilf Austria N/A N/A 1,950 112 2,062 Florian 15/10 Where available: Donations Contribution to costs of events Fees for services and Full Name Practice or business address physician and Grants (cf. Article 9.4a 1) (i), (ii) consultancy(cf. -
Central Opera Service Bulletin • Vol
CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT Honorary National Chairman ROBERT L. B. TOBIN National Chairman ELIHU M. HYNDMAN National Co-Chairmen MRS. NORRIS DARRELL GEORGE HOWERTON Profntional Committee KURT HERBERT ADLER BORIS GOLDOVSKY San Francisco Opera Goldovsky Opera Theatre WILFRED C. BAIN DAVID LLOYD Indiana University Lake George Opera Festival GRANT BEGLARIAN LOTFI MANSOURI University of So. California Canadian Opera Company MORITZ BOMHARD GLADYS MATHEW Kentucky Opera Association Community Opera SARAH CALDWELL RUSSELL D. PATTERSON Opera Company of Boston Lyric Opera of Kansas City TITO CAPOBIANCO MRS. JOHN DEWITT PELTZ San Diego Opera Metropolitan Opera KENNETH CASWELL EDWARD PURRINGTON Memphis Opera Theatre Tulsa Opera ROBERT J. COLLINGE GLYNN ROSS Baltimore Opera Company Seattle Opera Association JOHN CROSBY JULIUS RUDEL Santa Fe Opera New York City Opera WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center ROBERT GAY ROGER L. STEVENS Northwestern University John F. Kennedy Center DAVID GOCKLEY GIDEON WALDROP Houston Grand Opera The Juilliard School Central Opera Service Bulletin • Vol. 21, No. 4 • 1979/80 Editor, MARIA F. RICH Assistant Editor, JEANNE HANIFEE KEMP The COS Bulletin is published quarterly for its members by Central Opera Service. For membership information see back cover. Permission to quote is not necessary but kindly note source. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $2.00 |$SN 0008-9508 NEW OPERAS AND PREMIERES Last season proved to be the most promising yet for new American NEW operas, their composers and librettists. -
How Water and Its Use Shaped the Spatial Development of Vienna
Water Hist (2016) 8:301–328 DOI 10.1007/s12685-016-0169-7 How water and its use shaped the spatial development of Vienna 1 2 3 Friedrich Hauer • Severin Hohensinner • Christina Spitzbart-Glasl Received: 2 February 2015 / Accepted: 9 July 2016 / Published online: 2 August 2016 Ó The Author(s) 2016. This article is published with open access at Springerlink.com Abstract Telling an environmental history of Vienna’s urban waters, this paper advocates the compound study of the evolution of fluvial and urban form. It traces the structural permanence of diverse types of running waters in a period of massive urban transformation from early modern times to present. The focus on the material effects, side-effects and afterlives of socio-natural processes offers novel perspectives to the reconstruction of city development. The featured cases show that long-term studies are vital in understanding the genesis of urban water bodies and urban form as a product of socio-natural processes. They inform us about the inertia of arrangements and the unforeseen perpetuation of site-specific effects of interventions. Societal interaction with natural elements such as Vienna’s waters, we conclude, reverberates in the material and immaterial realm alike. Keywords Urban Development Á River Dynamics Á Industrialisation Á Persistence Á Structural Permanence Á Mills & Friedrich Hauer [email protected] Severin Hohensinner [email protected] Christina Spitzbart-Glasl [email protected] 1 Department of Urban Design, Vienna University of Technology (TU Wien), Karlsplatz 13, 1040 Vienna, Austria 2 Institute of Hydrobiology and Aquatic Ecosystem Management (IHG), University of Natural Resources and Life Sciences Vienna (BOKU), Max-Emanuel-Str. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit Anglo-Austrian Cultural Relations between 1944 and 1955. Influences, Cooperation and Conflicts. Verfasserin Isabella Lehner angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, im Juli 2011 Studienkennzahl lt. Studienblatt: A 312 Studienrichtung lt. Studienblatt: Geschichte Betreuer: Univ.-Prof. Mag. DDr. Oliver Rathkolb 2 Eidesstattliche Erklärung Ich erkläre eidesstattlich, dass ich die Arbeit selbständig angefertigt, keine anderen als die angegebenen Hilfsmittel benutzt und alle aus ungedruckten Quellen, gedruckter Literatur oder aus dem Internet im Wortlaut oder im wesentlichen Inhalt übernommenen Formulierungen und Konzepte gemäß den Richtlinien wissenschaftlicher Arbeiten zitiert, durch Fußnoten gekennzeichnet beziehungsweise mit genauer Quellenangabe kenntlich gemacht habe. Die vorliegende Arbeit wurde bisher weder in gleicher noch in ähnlicher Form einer anderen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Ort Datum Unterschrift 3 Acknowledgements This thesis owes much to the generosity and cooperation of others. Firstly, I am highly indebted to my supervisor Professor Oliver Rathkolb for his guidance and support. I owe a special thank you to Dr. Jill Lewis and (soon to be PhD) Helen Steele for repeatedly inspiring and encouraging me. Furthermore, I would like to thank Mag. Florentine Kastner for her support. Thank you for a friendship beyond history. Sincere thanks also go to the staff at The National Archives in Kew, and to the Institute of Germanic and Romance Studies at the University of London, especially Dr. Martin Liebscher, for assisting me during my research in London. A very special thank you goes to Raimund! Without your inspiring ideas, support and understanding this thesis would never have been completed. 4 Contents 1. -
Mit Euch, Ihr Großen, Zu Spazieren. Aus
In seinem Buch erzählt Mautner Markhof von seinen Erlebnissen mit Künstlern, denn als Präsident der Wiener Konzerthausgesellsc.haft hat er mit ihnen dauernd zu tun. Ihre Seltsamkeit, Eigenwilligkeit und Empfindlichkeit lernt man in all den Varianten kennen, von denen jeder Künstler eine einzelne darstellt und nie müde wird oder es versäumt, eine solche zu sein und als diese in Erschei nung zu treten. Aber seltsam genug, so viel Mautner Markhof über die von ihm geliebten und geschätzten Künstler erzählt - unbewußt tritt auch er selbst, der Er zähler und Berichterstatter, immer mehr und immer deutlicher in Erschei nung. Nidn als jemand, der sim vor Manfred Mautner Markhof ist jedem drängt oder einmischt, sondern als österreicher als Industrieller und Per Persönlichkeit, die Wert und Unwert sönlichkeit des öffentlichen Lebens eines Mensmen sehr wohl einzuschät• wohlbekannt - nicht aber als Autor. zen und zu unterscheiden weiß. Das Mit dem vorliegenden Band soll die kommt in kleinen Bemerkungen und ses Versäumnis ein wenig nachgeholt in Kommentaren zum Ausdruck, die werden. sich vielfach in wenigen Worten oder einem einzigen Satz erschöpfen. Und so geben die Künstler, von denen in Zum Leben Mautner Markhofs hat diesem Buch die Rede ist, das Bild, das immer die Kunst gehört, und diese Mautner Markhof von ihnen ent wird von Künstlern aller Art reprä• wirft, insofern an ihn zurück, als das sentiert. Künstler sind nun einmal Gespräch mit ihm deutlich macht, wer keine gewöhnlichen Sterblichen, und Mautner Markhof ist: ein Mensch, der so ist das private Zusammensein mit die Kunst ebenso liebt wie das Leben, ihnen, die private Bindung eine an und wer das kann, ist ein im klassi dere, als sie mit Menschen der so schen Sinne humaner Mensch, und ein genannten bürgerlichen Klasse sich er solcher zu sein, hat Mautner Markhof gibt.