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Some Observations on the Nature of Papyrus Bonding
]. Ethnobiol. 11(2):193-202 Winter 1991 SOME OBSERVATIONS ON THE NATURE OF PAPYRUS BONDING PETER E. SCORA Moreno Valley, CA 92360 and RAINER W. SCORA Department of Botany and Plant Sciences University of California Riverside, CA 92521 ABSTRACT.-Papyrus (Cyperus papyrus, Cyperaceae) was a multi-use plant in ancient Egypt. Its main use, however, was for the production of laminated leaves which served as writing material in the Mediterranean world for almost 5000 years. Being a royal monopoly, the manufacturing process was kept secret. PI~us Secundus, who first described this process, is unclear as to the adhesive forces bonding the individual papyrus strips together. Various authors of the past century advanced their own interpretation on bonding. The present authors believe that the natural juices of the papyrus strip are sufficient to bond the individual strips into a sheet, and that any additional paste used was for the sole purpose of pasting the individual dried papyrus sheets into a scroll. RESUMEN.-EI papiro (Cyperus papyrus, Cyperaceae) fue una planta de uso multiple en el antiguo Egipto. Su uso principal era la produccion de hojas lami nadas que sirvieron como material de escritura en el mundo meditarraneo durante casi 5000 anos. Siendo un monopolio real, el proceso de manufactura se mantema en secreto. Plinius Secundus, quien describio este proceso por primera vez, no deja claro que fuerzas adhesivas mantenlan unidas las tiras individuales de papiro. Diversos autores del siglo pasado propusieron sus propias interpretaciones respecto a la adhesion. Consideramos que los jugos naturales de las tiras de papiro son suficientes para adherir las tiras individuales y formar una hoja, y que cual quier pegamento adicional se usa unicamente para unir las hojas secas individuales para formar un rollo. -
Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
Leafing Through History
Leafing Through History Leafing Through History Several divisions of the Missouri Botanical Garden shared their expertise and collections for this exhibition: the William L. Brown Center, the Herbarium, the EarthWays Center, Horticulture and the William T. Kemper Center for Home Gardening, Education and Tower Grove House, and the Peter H. Raven Library. Grateful thanks to Nancy and Kenneth Kranzberg for their support of the exhibition and this publication. Special acknowledgments to lenders and collaborators James Lucas, Michael Powell, Megan Singleton, Mimi Phelan of Midland Paper, Packaging + Supplies, Dr. Shirley Graham, Greg Johnson of Johnson Paper, and the Campbell House Museum for their contributions to the exhibition. Many thanks to the artists who have shared their work with the exhibition. Especial thanks to Virginia Harold for the photography and Studiopowell for the design of this publication. This publication was printed by Advertisers Printing, one of only 50 U.S. printing companies to have earned SGP (Sustainability Green Partner) Certification, the industry standard for sustainability performance. Copyright © 2019 Missouri Botanical Garden 2 James Lucas Michael Powell Megan Singleton with Beth Johnson Shuki Kato Robert Lang Cekouat Léon Catherine Liu Isabella Myers Shoko Nakamura Nguyen Quyet Tien Jon Tucker Rob Snyder Curated by Nezka Pfeifer Museum Curator Stephen and Peter Sachs Museum Missouri Botanical Garden Inside Cover: Acapulco Gold rolling papers Hemp paper 1972 Collection of the William L. Brown Center [WLBC00199] Previous Page: Bactrian Camel James Lucas 2017 Courtesy of the artist Evans Gallery Installation view 4 Plants comprise 90% of what we use or make on a daily basis, and yet, we overlook them or take them for granted regularly. -
Be a Scribe Papyrus Lansing
Name ____________________________________________ Date __________ Class _______ Period ____ Quaestio: ________________________________________________________________________________ The Invention of Writing Directions: Examine the infographic and the text and answer the questions belowINFOGRAPHIC. INFOGRAPHIC Around 8000 B.C., Sumerians began using differently shaped clay tokens to represent various items of exchange, such as sheep, bread, or oil. To record economic transactions, they placed the tokens inside clay envelopes often 1 The Sumerians sometimes pressed shaped like balls. Around 3500 B.C., Sumerians began to press the tokens into Around tokens8000 B.C., into Sumerians the surface began of a clayusing enve- differently shapedclay tabletsclay tokens to make to signs. They also started marking the clay using a sharp representlope various before items placing of exchange, them within such it, as sheep, bread, or oil. To record perhaps to indicate its contents. tool called a stylus. Around 3200 B.C., they created a true writing system that economic transactions, they placed the tokens inside clay includedenvelopes symbols often that represented words or syllables. 1 The Sumerians sometimes pressed shaped like balls. Around 3500 B.C., Sumerians began to press the tokens into tokens into the surface of a clay enve- clay tablets to make signs. They also started marking the clay using a sharp lope before placing them within it, perhaps to indicate its contents. tool called a stylus. Around 3200 B.C., they created a true writing system that included symbols that represented words or syllables. Cuneiform Symbol Meaning Mountain Orchard Fish Cuneiform A scribe listed quantities of various 2 SOURCE: Stephen Bertman, Handbook to Life in Symbol commodities on this clay tablet using Ancient Mesopotamia both token impressions and a stylus. -
Storage and Handling of Manuscripts
International Journal of Humanities and Social Science Invention ISSN (Online): 2319 – 7722, ISSN (Print): 2319 – 7714 www.ijhssi.org ||Volume 6 Issue 2||February. 2017 || PP.30-32 Storage and Handling of Manuscripts Dr. Sarita Bhattacharjee Librarian, Women’s College, Silchar, Assam, India ABSTRACT: Manuscript is handwritten old document. This paper highlights the types of manuscripts that are usually found in India and also the different initiatives adopted for cataloguing the Indian manuscripts. It focuses on the guidelines for storing and also handling of the manuscripts. Keywords: Manuscript, Cataloguing of Manuscripts, National Mission for Manuscripts, India, Storage, Handling I. INTRODUCTION Manuscript means old document which is written by hand. The word „Manuscript‟ is derived from the Latin phrase „manu scriptum‟ means „written by hand‟. The Antiquities Art Treasures Act 1972 defines manuscript „as a record of scientific, historical, literary or aesthetic value and which has been in existence for not less than 75 years.‟ A manuscript is a handwritten composition on paper, cloth, metal, bark of tree, palm leaf or any other material. In India manuscripts are written in various languages and scripts. The major manuscripts are found in Sanskrit language. The Sanskrit collection of Sarasvai Mahal is the largest manuscripts of India which contain the major works of Sanskrit literature beginning with the Vedas. These manuscripts were written in palm leaf and papers. II. MANUSCRIPTS IN INDIA In the ancient times the earlier method of transferring knowledge to new generation was oral i.e. through schools called gurukulas. But it was quite difficult on the part of the learners to remember all the teachings of their Gurus. -
Reused Paper Bags – Papyrus Papermaking
materials for the arts Reused Paper Bags – Papyrus Papermaking 6th grade Unit: the Early River Valley Civilizations Essential Question: To what degree does geography determine culture? Instructional Outcome: Students will understand how the geography of the Nile River Valley influenced their papermaking and writing process by analyzing secondary sources and participating in a papermaking activity. (2 Days) Materials: Informational trade books on Egyptian geography, papyrus papermaking, hieroglyphs, & scribes. Ex: Eyewitness: Ancient Egypt. Glue, water, mixing bowl, markers, paper bags or butcher paper. http://www.sciencechannel.com/tv-•‐shows/what-•‐the-•‐ancients-•‐knew/videos/what-•‐the-•‐ancients-•‐knew-•‐i-•‐shorts-•‐ papyrus/ & http://www.metmuseum.org/collection/the-•‐collection-•‐online/search?ft=*&deptids=10&rpp=30&pg=2 CCLS: 6.3c Mesopotamia, Yellow River valley, Indus River valley, and Nile River valley complex societies and civilizations adapted to and modified their environment to meet the needs of their population. RI.6.1 Cite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text. RI.6.2 Determine a central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments. W.6.7 Conduct short research projects to answer a question, drawing on several sources and refocusing the inquiry where appropriate. Academic and Content Vocabulary: Hieroglyphic, Scribe, Phonogram, Ideogram, Cartouche, Printmaking, surplus, and Papyrus. Do now/hook: Students listen to an Egyptian song and read the lyrics on the screen. “When the [Nile] arises earth rejoices and all men are glad…. -
Revealing Metallic Ink in Herculaneum Papyri
Revealing metallic ink in Herculaneum papyri Emmanuel Bruna,b, Marine Cottec,d, Jonathan Wrightc, Marie Ruatc, Pieter Tacke, Laszlo Vinczee, Claudio Ferreroc, Daniel Delattref,g, and Vito Mocellah,1 aInserm U1216, F-38000 Grenoble, France; bUniversité Grenoble Alpes, Grenoble Institut des Neurosciences, F-38000 Grenoble, France; cThe European Synchrotron, 38043 Grenoble, Cedex, France; dLaboratoire d’Archéologie Moléculaire et Structurale, CNRS-Université Pierre et Marie Curie, UMR 8220, 75005 Paris, France; eDepartment of Analytical Chemistry, Ghent University, B-9000 Ghent, Belgium; fCNRS-Institut de Recherche et d’Histoire des Textes, 75016 Paris, France; gCentro Internazionale per lo Studio dei Papiri Ercolanesi, 80131 Napoli, Italy; and hConsiglio Nazionale delle Ricerche - Istituto per la Microelettronica e Microsistemi (CNR-IMM), Unità di Napoli, 80131 Napoli, Italy Edited by Richard Janko, University of Michigan, Ann Arbor, MI, and accepted by the Editorial Board February 18, 2016 (received for review October 8, 2015) Writing on paper is essential to civilization, as Pliny the Elder remarks more adherent, ink was required. Thereafter, metallic inks in his Natural History, when he describes the various types of papyri, became the standard for parchments in late antiquity and for the method of manufacturing them, and all that concerns writing most of the Middle Ages (4, 7). materials in the mid-first century AD. For this reason, a rigorous In this work, we study the chemical composition of papyrus scientific study of writing is of fundamental importance for the fragments carbonized by Mount Vesuvius’ eruption in 79 AD historical understanding of ancient societies. We show that metallic and found in the Villa dei Papiri at Herculaneum between 1752 ink was used several centuries earlier than previously thought. -
Learning Objective: to Find out About the First Writing Systems
Early Civilisations Learning Objective: To find out about the first writing systems. NEXT www.planbee.com How do we find out about the past? BACK NEXT www.planbee.com Before people invented ways of writing to record stories, facts and information, we had to rely on archaeological evidence to help us find out what life was like. The period before writing was used is called prehistory. These archaeologists are excavating a site in Egypt Archaeologists are historians who find out about the past by looking at what people have left behind. They do this by digging up objects from the ground and by looking at changes made to the ground, like the remains of buildings or city walls. BACK NEXT www.planbee.com We can find out a lot through archaeological evidence, such as where people lived, the kind of houses and buildings they built, the food they ate, the animals they kept and the objects they made but there are lots of things archaeology alone can’t tell us about the time before writing was invented. What kind of things can’t we find out about the past just from archaeological evidence? BACK NEXT www.planbee.com Did you think of these ideas? People’s names What laws people had People’s opinions to live by The stories people told What people looked like The gods people How society was worshipped organised BACK NEXT www.planbee.com The very first writing system in the world was invented by the Sumerians around 3300 BC. The first writing used pictures as words but over the next 200 years, these pictures became wedge-shaped symbols. -
Table of Contents
Table of Contents Secondary Fiber Recycling 01993 TAPPI PRESS Atlanta. Georgia iii Preface v List of Contributors vii Table of Contents ix List of Figures and Tables Chapter 1 Recovered Paper and the U.S. Solid Waste Dilemma I 1 by Rodney Young Introduction and Overview ............................................ 1 Paper Industry Response to the Solid Waste Issue ................................ 2 U.S. Recovered Paper Consumption ..................................... 2 U.S. Trade in Recovered Paper ........................................ 3 U.S. Recovered Paper Recovery ....................................... 3 Recovered Paper Supply and Cost ...................................... 3 Bibliography .................................................... 4 Resources ................................................... 4 Chapter 2 Recycled- Versus Virgin-Fiber Characteristics: A Comparison 1 7 by R. L. Ellls and K. M. Ssdlachsk Introduction ..................................................... 7 Literature Review ................................................. 8 General Effect of Recycling ......................................... 8 Effect of Furnish .............................................. 10 Effect of initial Beating of Virgin Pulp ................................... 10 Theory for Tensile Strength of Paper .................................... 10 First Assumption ............................................ 11 Second Assumption .......................................... 12 Theory Verification ............................................ -
NAZDAR 1800 Series UV Screen
Technical Data Sheet Nazdar PowerPrint® Plus 1800 UV Screen Ink Series v 14 EN The multi-purpose PowerPrint® Plus 1800 Series UV Screen Ink has been formulated to meet the processing speeds of the most modern printing equipment including in-line presses, for a wide Ref: v 13 EN range of substrates including treated corrugated polypropylene. PowerPrint® Plus 1800 features include: fast curing, hard ink surface, and high block resistance. Substrates Coverage • Styrene Estimated 2,500 – 3,500 square feet (232 - 325 • Cardstock / Coated paper square meters) per gallon depending upon ink • Matte vinyl deposit. Reference www.nazdar.com for • Rigid vinyl examples of coverage calculations. • Top coated polyester • Pressure sensitive vinyl Printing • Treated polyethylene banner 1800 Series is formulated to be press ready. • Treated polypropylene banner Thoroughly mix the ink prior to printing. Improper • Treated corrugated polypropylene mixing can lead to inconsistent color and ink • Some high density polyethylene sheeting performance. The surface tension for polyethylene and polypropylene Maintain ink temperature at 65°-90°F (18°-32°C) substrates should be at or above 44 dynes/cm. for optimum print and cure performance. Lower Not recommended for highly plasticized vinyl materials such as temperatures increase the ink viscosity, impairing vinyl banner and static cling, and not recommended for flow and increasing film thickness. Elevated container or nameplate applications. temperatures lower the ink viscosity, reducing Substrate recommendations are based on commonly available print definition and film thickness. materials intended for the ink’s specific market when the inks are processed according to this technical data. While technical Pretest to determine optimum printing information and advice on the use of this product is provided parameters for a particular set of ink, substrate, in good faith, the User bears sole responsibility for selecting the appropriate product for their end-use requirements. -
Reducing Paper and Printer Ink Usage
Reducing Paper and Printer Ink Usage Updated: 09/27/2012 PURPOSE This resource provides tips on how to reduce paper and printer ink usage in the office. DISCLAIMER The suggestions in this document are provided as an example of the types of actions you or your organization can implement to reduce usage of paper and printer ink and toner. The information in this resource does not supersede any federal agency’s policies, procedures, guidance, or requirements with respect to printing and publications. The Federal Electronics Challenge (FEC) encourages you to check within your own agency for printing policies, procedures and guidance. INTRODUCTION Executive Order 13514, Federal Leadership in Environmental, Energy, and Economic Performance, requires federal agencies to reduce printing paper use; acquire paper with at least 30% postconsumer recycled content; enable automatic duplexing (double-sided printing); and use other energy-efficient and environmentally preferable features on all eligible agency electronic equipment. This document outlines a number of activities that can be undertaken to meet all of these goals. DOCUMENT OPTIONS FOR REDUCING PAPER USAGE Reduce Margins The standard default margins for documents developed in word processing software (i.e., Microsoft Word®) are 1” on all sides. Reducing the default margins to 0.75” or 0.5” can save a significant amount of paper. When printing on a standard sheet of 8 ½” x 11” piece of paper, there are 93.5 square inches available for typeface. With a 1” margin on all sides, the usable space is reduced to 58.5 square inches; reducing your available print area to 63%. If you change your margins to 0.75”, you increase the print area to 71%, and further reducing your margins to 0.5” increases the print area to 80% of the available space on the paper. -
The Writing Surface Papyrus and Its Materials 1. Can the Writing Material Papyrus Tell Us Where It Was Produced? 2
The Writing Surface Papyrus and its Materials 1. Can the writing material papyrus tell us where it was produced? 2. Material study of the inks Ira Rabin - Myriam Krutzsch in Proceedings of the 28th Congress of Papyrology Barcelona 1-6 August 2016 Edited by Alberto Nodar & Sofía Torallas Tovar Coedited by María Jesús Albarrán Martínez, Raquel Martín Hernández, Irene Pajón Leyra, José-Domingo Rodríguez Martín & Marco Antonio Santamaría Scripta Orientalia 3 Barcelona, 2019 Coordinación y edición: Alberto Nodar – Sofía Torallas Tovar Coedición: María Jesús Albarrán Martínez, Raquel Martín Hernández, Irene Pajón Leyra, José Domingo Rodríguez Martín, Marco Antonio Santamaría Diseño de cubierta: Sergio Carro Martín Primera edición, junio 2019 © los editores y los autores 2019 La propiedad de esta edición es de Publicacions de l’Abadia de Montserrat Ausiàs Marc 92-98 – 08013 Barcelona ISBN 978-84-9191-079-4 (Pamsa) ISBN 978-84-88042-89-7 (UPF) Edición digital http://hdl.handle.net/10230/41902 TABLE OF CONTENTS Foreword i Program of the congress vi Photograph of participants xxi PART I: Papyrology: methods and instruments 1 Archives for the History of Papyrology ANDREA JÖRDENS, Die Papyrologie in einer Welt der Umbrüche 3-14 ROBERTA MAZZA, Papyrology and Ethics 15-27 PETER ARZT-GRABNER, How to Abbreviate a Papyrological Volume? Principles, 28-55 Inconsistencies, and Solutions PAOLA BOFFULA, Memorie dal sottosuolo di Tebtynis a ... Roma e a Venezia! 56-67 ELISABETH R. O’CONNELL, Greek and Coptic manuscripts from First Millennium 68-80 CE Egypt (still) in the British Museum NATASCIA PELLÉ, Lettere di B. P. Grenfell e A. S.