Ancient Writing
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Some Observations on the Nature of Papyrus Bonding
]. Ethnobiol. 11(2):193-202 Winter 1991 SOME OBSERVATIONS ON THE NATURE OF PAPYRUS BONDING PETER E. SCORA Moreno Valley, CA 92360 and RAINER W. SCORA Department of Botany and Plant Sciences University of California Riverside, CA 92521 ABSTRACT.-Papyrus (Cyperus papyrus, Cyperaceae) was a multi-use plant in ancient Egypt. Its main use, however, was for the production of laminated leaves which served as writing material in the Mediterranean world for almost 5000 years. Being a royal monopoly, the manufacturing process was kept secret. PI~us Secundus, who first described this process, is unclear as to the adhesive forces bonding the individual papyrus strips together. Various authors of the past century advanced their own interpretation on bonding. The present authors believe that the natural juices of the papyrus strip are sufficient to bond the individual strips into a sheet, and that any additional paste used was for the sole purpose of pasting the individual dried papyrus sheets into a scroll. RESUMEN.-EI papiro (Cyperus papyrus, Cyperaceae) fue una planta de uso multiple en el antiguo Egipto. Su uso principal era la produccion de hojas lami nadas que sirvieron como material de escritura en el mundo meditarraneo durante casi 5000 anos. Siendo un monopolio real, el proceso de manufactura se mantema en secreto. Plinius Secundus, quien describio este proceso por primera vez, no deja claro que fuerzas adhesivas mantenlan unidas las tiras individuales de papiro. Diversos autores del siglo pasado propusieron sus propias interpretaciones respecto a la adhesion. Consideramos que los jugos naturales de las tiras de papiro son suficientes para adherir las tiras individuales y formar una hoja, y que cual quier pegamento adicional se usa unicamente para unir las hojas secas individuales para formar un rollo. -
Jssea 42 (2015-2016) 71
Demotic and Hieratic Scholia in Funerary Papyri and their Implications for the Manufacturing Process1 Foy Scalf Abstract: Many ancient Egyptian papyrus manuscripts inscribed with funerary compositions contain annotations within the text and margins. Some of these annotations relate directly to the production process for illustrating and inscribing the manuscripts by providing instructions for scribes and artists. Two overlooked examples, pKhaemhor (MMA 25.3.212) and pRyerson (OIM E9787), allow for new interpretations of parallel texts previously considered as labels or captions. An analysis of the corpus of scholia and marginalia demonstrates specific manufacturing proclivities for selective groups of texts, while simultaneously revealing a wide variety of possible construction sequences and techniques in others. Résumé: Plusieurs manuscrits anciens de papyrus égyptiens sur lesquels sont inscrites des compositions funéraires contiennent des annotations dans le texte et dans les marges. Certaines de ces annotations sont directement liées au processus de production relatif à l’illustration et à l’inscription des manuscrits en donnant des instructions destinées aux scribes et aux artistes. Deux exemples négligés, le pKhaemhor (MMA 25.3.212) et le pRyerson (OIM E9787), permettent de nouvelles interprétations de textes parallèles précédemment considérés comme des étiquettes ou des légendes. Une analyse du corpus des scholia et marginalia démontre des tendances de fabrication spécifiques pour des groupes particuliers de textes, tout en révélant simultanément une grande variété de séquences et de techniques de construction dans d'autres cas. Keywords: Book of the Dead – Funerary Papyri – Scholia – Marginalia – Hieratic – Demotic Mots-clés: Livre des Morts – Papyrus funéraire – Scholia – Marginalia – hiératique – démotique The production of illustrated funerary papyri in ancient Egypt was a complex and expensive process that often involved the efforts of a team of skilled scribes and artisans. -
Cuneiform and Hieroglyphs 11
The Unicode® Standard Version 13.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2020 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 13.0. Includes index. ISBN 978-1-936213-26-9 (http://www.unicode.org/versions/Unicode13.0.0/) 1. -
Bibliography
Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P. -
A Logogram for YAH "Wound"
Textdatenbank und Wörterbuch des Klassischen Maya Arbeitsstelle der Nordrhein-Westfälischen Akademie der Wissenschaften und der Künste an der Rheinischen Friedrich-Wilhelms-Universität Bonn ISSN 2366-5556 RESEARCH NOTE 17 Published 23 Jun 2020 DOI: 10.20376/IDIOM-23665556.20.rn017.en A Logogram for YAH "Wound" Nikolai Grube1 1) Rheinische Friedrich-Wilhelms-Universität, Bonn Among the many logographic signs which so far have escaped decipherment is a head sign which shows a V-shaped stepped design in its interior1. Figure 1. The Logograph 1078 in its manifestations 1078vc, 1078va and 1078vs. Drawings by Christian Prager. The sign (Fig. 1) has been identified by Eric Thompson (1962) as T1078, and by Martha Macri and Mathew Looper (2003) as PE3. A closer look at the sign shows that its full form includes a small attached prefix with “darkness” markings (Fig. 2a-c). The example on a shell from Piedras Negras Burial 13 (Houston et al. 1998: Fig. 3) (Fig. 2c) shows that the prefixed sign has a small hook and that it most likely represents an obsidian tool, perhaps a knife, such as the personified obsidian eccentric knife on Piedras Negras Stela 8 (Fig. 2f). This affix has not received previous attention in any of the existing sign catalogues, although it does occurs independently in other contexts, such as within the stela names on the back sides of Copan Stelae F and M (Fig. 2d, e). The fact that the sign appears with exactly the same affixation when it has the “knife” sign attached to it and without it indicates 1 This research note appears a few days after a post on the blog „Maya Decipherment“ by Dimitri Beliaev and Stephen D. -
Writing Systems Reading and Spelling
Writing systems Reading and spelling Writing systems LING 200: Introduction to the Study of Language Hadas Kotek February 2016 Hadas Kotek Writing systems Writing systems Reading and spelling Outline 1 Writing systems 2 Reading and spelling Spelling How we read Slides credit: David Pesetsky, Richard Sproat, Janice Fon Hadas Kotek Writing systems Writing systems Reading and spelling Writing systems What is writing? Writing is not language, but merely a way of recording language by visible marks. –Leonard Bloomfield, Language (1933) Hadas Kotek Writing systems Writing systems Reading and spelling Writing systems Writing and speech Until the 1800s, writing, not spoken language, was what linguists studied. Speech was often ignored. However, writing is secondary to spoken language in at least 3 ways: Children naturally acquire language without being taught, independently of intelligence or education levels. µ Many people struggle to learn to read. All human groups ever encountered possess spoken language. All are equal; no language is more “sophisticated” or “expressive” than others. µ Many languages have no written form. Humans have probably been speaking for as long as there have been anatomically modern Homo Sapiens in the world. µ Writing is a much younger phenomenon. Hadas Kotek Writing systems Writing systems Reading and spelling Writing systems (Possibly) Independent Inventions of Writing Sumeria: ca. 3,200 BC Egypt: ca. 3,200 BC Indus Valley: ca. 2,500 BC China: ca. 1,500 BC Central America: ca. 250 BC (Olmecs, Mayans, Zapotecs) Hadas Kotek Writing systems Writing systems Reading and spelling Writing systems Writing and pictures Let’s define the distinction between pictures and true writing. -
Be a Scribe Papyrus Lansing
Name ____________________________________________ Date __________ Class _______ Period ____ Quaestio: ________________________________________________________________________________ The Invention of Writing Directions: Examine the infographic and the text and answer the questions belowINFOGRAPHIC. INFOGRAPHIC Around 8000 B.C., Sumerians began using differently shaped clay tokens to represent various items of exchange, such as sheep, bread, or oil. To record economic transactions, they placed the tokens inside clay envelopes often 1 The Sumerians sometimes pressed shaped like balls. Around 3500 B.C., Sumerians began to press the tokens into Around tokens8000 B.C., into Sumerians the surface began of a clayusing enve- differently shapedclay tabletsclay tokens to make to signs. They also started marking the clay using a sharp representlope various before items placing of exchange, them within such it, as sheep, bread, or oil. To record perhaps to indicate its contents. tool called a stylus. Around 3200 B.C., they created a true writing system that economic transactions, they placed the tokens inside clay includedenvelopes symbols often that represented words or syllables. 1 The Sumerians sometimes pressed shaped like balls. Around 3500 B.C., Sumerians began to press the tokens into tokens into the surface of a clay enve- clay tablets to make signs. They also started marking the clay using a sharp lope before placing them within it, perhaps to indicate its contents. tool called a stylus. Around 3200 B.C., they created a true writing system that included symbols that represented words or syllables. Cuneiform Symbol Meaning Mountain Orchard Fish Cuneiform A scribe listed quantities of various 2 SOURCE: Stephen Bertman, Handbook to Life in Symbol commodities on this clay tablet using Ancient Mesopotamia both token impressions and a stylus. -
Part 1: Introduction to The
PREVIEW OF THE IPA HANDBOOK Handbook of the International Phonetic Association: A guide to the use of the International Phonetic Alphabet PARTI Introduction to the IPA 1. What is the International Phonetic Alphabet? The aim of the International Phonetic Association is to promote the scientific study of phonetics and the various practical applications of that science. For both these it is necessary to have a consistent way of representing the sounds of language in written form. From its foundation in 1886 the Association has been concerned to develop a system of notation which would be convenient to use, but comprehensive enough to cope with the wide variety of sounds found in the languages of the world; and to encourage the use of thjs notation as widely as possible among those concerned with language. The system is generally known as the International Phonetic Alphabet. Both the Association and its Alphabet are widely referred to by the abbreviation IPA, but here 'IPA' will be used only for the Alphabet. The IPA is based on the Roman alphabet, which has the advantage of being widely familiar, but also includes letters and additional symbols from a variety of other sources. These additions are necessary because the variety of sounds in languages is much greater than the number of letters in the Roman alphabet. The use of sequences of phonetic symbols to represent speech is known as transcription. The IPA can be used for many different purposes. For instance, it can be used as a way to show pronunciation in a dictionary, to record a language in linguistic fieldwork, to form the basis of a writing system for a language, or to annotate acoustic and other displays in the analysis of speech. -
Storage and Handling of Manuscripts
International Journal of Humanities and Social Science Invention ISSN (Online): 2319 – 7722, ISSN (Print): 2319 – 7714 www.ijhssi.org ||Volume 6 Issue 2||February. 2017 || PP.30-32 Storage and Handling of Manuscripts Dr. Sarita Bhattacharjee Librarian, Women’s College, Silchar, Assam, India ABSTRACT: Manuscript is handwritten old document. This paper highlights the types of manuscripts that are usually found in India and also the different initiatives adopted for cataloguing the Indian manuscripts. It focuses on the guidelines for storing and also handling of the manuscripts. Keywords: Manuscript, Cataloguing of Manuscripts, National Mission for Manuscripts, India, Storage, Handling I. INTRODUCTION Manuscript means old document which is written by hand. The word „Manuscript‟ is derived from the Latin phrase „manu scriptum‟ means „written by hand‟. The Antiquities Art Treasures Act 1972 defines manuscript „as a record of scientific, historical, literary or aesthetic value and which has been in existence for not less than 75 years.‟ A manuscript is a handwritten composition on paper, cloth, metal, bark of tree, palm leaf or any other material. In India manuscripts are written in various languages and scripts. The major manuscripts are found in Sanskrit language. The Sanskrit collection of Sarasvai Mahal is the largest manuscripts of India which contain the major works of Sanskrit literature beginning with the Vedas. These manuscripts were written in palm leaf and papers. II. MANUSCRIPTS IN INDIA In the ancient times the earlier method of transferring knowledge to new generation was oral i.e. through schools called gurukulas. But it was quite difficult on the part of the learners to remember all the teachings of their Gurus. -
Reused Paper Bags – Papyrus Papermaking
materials for the arts Reused Paper Bags – Papyrus Papermaking 6th grade Unit: the Early River Valley Civilizations Essential Question: To what degree does geography determine culture? Instructional Outcome: Students will understand how the geography of the Nile River Valley influenced their papermaking and writing process by analyzing secondary sources and participating in a papermaking activity. (2 Days) Materials: Informational trade books on Egyptian geography, papyrus papermaking, hieroglyphs, & scribes. Ex: Eyewitness: Ancient Egypt. Glue, water, mixing bowl, markers, paper bags or butcher paper. http://www.sciencechannel.com/tv-•‐shows/what-•‐the-•‐ancients-•‐knew/videos/what-•‐the-•‐ancients-•‐knew-•‐i-•‐shorts-•‐ papyrus/ & http://www.metmuseum.org/collection/the-•‐collection-•‐online/search?ft=*&deptids=10&rpp=30&pg=2 CCLS: 6.3c Mesopotamia, Yellow River valley, Indus River valley, and Nile River valley complex societies and civilizations adapted to and modified their environment to meet the needs of their population. RI.6.1 Cite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text. RI.6.2 Determine a central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments. W.6.7 Conduct short research projects to answer a question, drawing on several sources and refocusing the inquiry where appropriate. Academic and Content Vocabulary: Hieroglyphic, Scribe, Phonogram, Ideogram, Cartouche, Printmaking, surplus, and Papyrus. Do now/hook: Students listen to an Egyptian song and read the lyrics on the screen. “When the [Nile] arises earth rejoices and all men are glad…. -
Revealing Metallic Ink in Herculaneum Papyri
Revealing metallic ink in Herculaneum papyri Emmanuel Bruna,b, Marine Cottec,d, Jonathan Wrightc, Marie Ruatc, Pieter Tacke, Laszlo Vinczee, Claudio Ferreroc, Daniel Delattref,g, and Vito Mocellah,1 aInserm U1216, F-38000 Grenoble, France; bUniversité Grenoble Alpes, Grenoble Institut des Neurosciences, F-38000 Grenoble, France; cThe European Synchrotron, 38043 Grenoble, Cedex, France; dLaboratoire d’Archéologie Moléculaire et Structurale, CNRS-Université Pierre et Marie Curie, UMR 8220, 75005 Paris, France; eDepartment of Analytical Chemistry, Ghent University, B-9000 Ghent, Belgium; fCNRS-Institut de Recherche et d’Histoire des Textes, 75016 Paris, France; gCentro Internazionale per lo Studio dei Papiri Ercolanesi, 80131 Napoli, Italy; and hConsiglio Nazionale delle Ricerche - Istituto per la Microelettronica e Microsistemi (CNR-IMM), Unità di Napoli, 80131 Napoli, Italy Edited by Richard Janko, University of Michigan, Ann Arbor, MI, and accepted by the Editorial Board February 18, 2016 (received for review October 8, 2015) Writing on paper is essential to civilization, as Pliny the Elder remarks more adherent, ink was required. Thereafter, metallic inks in his Natural History, when he describes the various types of papyri, became the standard for parchments in late antiquity and for the method of manufacturing them, and all that concerns writing most of the Middle Ages (4, 7). materials in the mid-first century AD. For this reason, a rigorous In this work, we study the chemical composition of papyrus scientific study of writing is of fundamental importance for the fragments carbonized by Mount Vesuvius’ eruption in 79 AD historical understanding of ancient societies. We show that metallic and found in the Villa dei Papiri at Herculaneum between 1752 ink was used several centuries earlier than previously thought. -
The Geometric Grids of the Hieratic Numeral Signs
Mediterranean Arhaeology and Archaeometry, Vol. 12, No 1, pp.129-138 Copyright © 2012 MAA Printed in Greece. All rights reserved. THE GEOMETRIC GRIDS OF THE HIERATIC NUMERAL SIGNS Hossam M. K. Aboulfotouh Faculty of Environmental Design, King Abdulaziz University, KSA Faculty of Fine Arts, Minia University, Egypt Received: 21/12/2011 Accepted: 24/02/2012 Corresponding author:[email protected] & [email protected] ABSTRACT The paper discusses the geometrical designs of the hieratic numeral signs. It shows the regular-grid-patterns of squares upon which, the shapes of the already decoded hieratic numeral-signs, have been designed. Also, it shows the design of some hieratic numeral signs, based on subdividing the circle; and the hieratic signs of modular notation. It might reveal the basic geometrical level of understanding of anonymous ancient Egyptians who designed them some four thousand years ago. KEYWORDS: Egyptian Mathematics, Rhind Papyrus, Moscow Papyrus, Hieratic Notation, Numbers, Modular Notation 130 HossAM M. K. AboulfotouH 1. INTRODUCTION hieroglyphic writing, Georges Ifrah (1998, 171) said "hieratic signs were indeed de - For almost fourteen decades, great efforts rived from hieroglyphs"; however, he have been done by many scholars in order pointed out to that "the relationship be - to interpret and introduce the legacy of the tween hieratic numerals and hieroglyphs is ancient Egyptian mathematics to the scien - difficult to see". Most hieratic numeral signs tific community. The most known early seem follow different architectonic concept, publications were by, August Eisenloher which is not based only on the idea of (1877), Thomas Eric Peet (1923), and Arnold adding characters of pre-assigned values to Buffum Chace et al (1927-1929), for inter - indicate numbers, i.e., the values of one and preting part or all of the hieratic text of the 10 n, where n equals any of the integers from so-called Rhind Mathematical Papyrus 1 to 6 at most.