MYSTARA MESSAGE BOARD (AOL) Folder 5 - 24Th Oct 1996 to 3Rd Feb 1997
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Arak and Gwydion (Some Thoughts on the Shadow Elves' History) By R. Sweeney Gwydion isn't a 'real' demon, but rather a creature of great power from the plane of shadow. Gwydion's evil was his enslavement of the ShadowElves. His torment is his betrayal by Arak. Unlike Vecna, he was not on the prime and could only be 'trapped' because he was trying to follow the Shadow Elves into RL. (Presumably to kill them or re-enslave them). I wonder what Arak was thinking, however. Would there be anyplace he could take the Shadow elves into exile where Gwydion could not follow? Did he think he could hide from such a powerful creature? Gwydion must have had an enemy. A sibling perhaps. The Shadow Elves must have acted as some sort of armed forces for him. Arak must have believed that if Gwydion suddenly found himself without his Slaves, he would have been destroyed by his rivals. However, there other.. less satisfying, perhaps, ways of re-writing ShadowElf history. Gwydion, the shadow-being, falls 'in love' with an elf from some other world. They mate, bear children. Woman dies, Gwydion takes his children and their children as slaves. Millenia pass. Arak was Gwydion's favorite. Perhaps, Gwydion had mated with one of the Shadow elves of unsurpassed beauty and begat Arak. Thus, he set his son above all the other slaves. Arak, however, desired more than to be the head of the slaves. He managed to betray his father to his enemies. Arak had intended patricide. He was going to take away Gwydion's protective armed forces, leaving him vulnerable to attack by his other enemies. -
![An "Official" Spelljammer Guide to the Spheres [Revised 1.0]](https://docslib.b-cdn.net/cover/7415/an-official-spelljammer-guide-to-the-spheres-revised-1-0-487415.webp)
An "Official" Spelljammer Guide to the Spheres [Revised 1.0]
Guide to the Spheres An "official" Spelljammer Guide to the Spheres [revised 1.0] By Paul Westermeyer aka GMWestermeyer Table of Contents: Page Section 1 Introduction 2 Phlogiston Navigation 4 Phlogiston Transit Times 4 Where is the Rock of Bral? 6 “Official” Flow Map 7 The Spheres and other Phlogiston Locations 23 ‘Loose’ Planets/Worlds 34 Bibliography: Introduction Spelljammer is a very unique and creative setting, but it is also one of the worst organized settings TSR produced with material is scattered among many different products. This makes it very difficult to find what you are looking for, a problem exasperated by Spelljammer’s status as a ‘connection’ campaign, designed (like Planescape) to connect the ‘big’ three settings, Forgotten Realms, Greyhawk, and Dragonlance. I’ve been working to alleviate this problem by writing guides and indices for those aspects of Spelljammer that are most important for creating a coherent, rational game setting. The first of these guides was An “Official” Spelljammer Timeline, which collated Spelljammer-related historical mentions in published TSR products into a cohesive, coherent timeline that Spelljammer (or Hackjammer) gamemasters could use as the foundation of their own, personalized campaigns. This guide, An “Official” Spelljammer Guide to the Spheres, has a similar purpose. Spelljammer’s iconic center is the Rock of Bral, just as Sigil is the iconic heart of Planescape, Spelljammer’s setting cousin, but Sigil’s location is quite firmly placed at the center of the Plane of Concordant Opposition, metaphorically the heart of the entire Advanced Dungeons and Dragons multiverse. Moreover, the various inner and outer planes are all well mapped in relation to each other, and have been ever since the Advanced Dungeons and Dragons Player’s Handbook in 1978. -
Visits to Tuonela Ne of the Many Mythologies Which Have Had an In
ne of the many mythologies which have had an in fluence on Tolkien's work was the Kalevala, the 22000- line poem recounting the adventures of a group of Fin nish heroes. It has many characteristics peculiar to itself and is quite different from, for example, Greek or Germanic mythology. It would take too long to dis cuss this difference, but the prominent role of women (particularly mothers) throughout the book may be no ted, as well as the fact that the heroes and the style are 'low-brow', as Tolkien described them, as opposed to the 'high-brow' heroes common in other mytholog- les visits to Tuonela (Hades) are fairly frequent; and magic and shape-change- ing play a large part in the epic. Another notable feature which the Kaleva la shares with QS is that it is a collection of separate, but interrelated, tales of heroes, with the central theme of war against Pohjola, the dreary North, running through the whole epic, and individual themes in the separate tales. However, it must be appreciated that QS, despite the many influences clearly traceable behind it, is, as Carpenter reminds us, essentially origin al; influences are subtle, and often similar incidents may occur in both books, but be employed in different circumstances, or be used in QS simply as a ba sis for a tale which Tolkien would elaborate on and change. Ibis is notice able even in the tale of Turin (based on the tale of Kullervo), in which the Finnish influence is strongest. I will give a brief synopsis of the Kullervo tale, to show that although Tolkien used the story, he varied it, added to it, changed its style (which cannot really be appreciated without reading the or iginal ), and moulded it to his own use. -
Laura Stark Peasants, Pilgrims, and Sacred Promises Ritual and the Supernatural in Orthodox Karelian Folk Religion
laura stark Peasants, Pilgrims, and Sacred Promises Ritual and the Supernatural in Orthodox Karelian Folk Religion Studia Fennica Folkloristica The Finnish Literature Society (SKS) was founded in 1831 and has, from the very beginning, engaged in publishing operations. It nowadays publishes literature in the fields of ethnology and folkloristics, linguistics, literary research and cultural history. The first volume of the Studia Fennica series appeared in 1933. Since 1992, the series has been divided into three thematic subseries: Ethnologica, Folkloristica and Linguistica. Two additional subseries were formed in 2002, Historica and Litteraria. The subseries Anthropologica was formed in 2007. In addition to its publishing activities, the Finnish Literature Society maintains research activities and infrastructures, an archive containing folklore and literary collections, a research library and promotes Finnish literature abroad. Studia fennica editorial board Anna-Leena Siikala Rauno Endén Teppo Korhonen Pentti Leino Auli Viikari Kristiina Näyhö Editorial Office SKS P.O. Box 259 FI-00171 Helsinki www.finlit.fi Laura Stark Peasants, Pilgrims, and Sacred Promises Ritual and the Supernatural in Orthodox Karelian Folk Religion Finnish Literature Society • Helsinki 3 Studia Fennica Folkloristica 11 The publication has undergone a peer review. The open access publication of this volume has received part funding via Helsinki University Library. © 2002 Laura Stark and SKS License CC-BY-NC-ND 4.0 International. A digital edition of a printed book first published in 2002 by the Finnish Literature Society. Cover Design: Timo Numminen EPUB: eLibris Media Oy ISBN 978-951-746-366-9 (Print) ISBN 978-951-746-578-6 (PDF) ISBN 978-952-222-766-9 (EPUB) ISSN 0085-6835 (Studia Fennica) ISSN 1235-1946 (Studia Fennica Folkloristica) DOI: http://dx.doi.org/10.21435/sff.11 This work is licensed under a Creative Commons CC-BY-NC-ND 4.0 International License. -
News from Bree [email protected]
NNeewwss FFrroomm BBrreeee The Official Middle-earth™ PBM Newsletter Issue 35, May ‘08 “Strange as News from Using Food in Middle-earth: Four Bree…” Useful Tips for Food Preparation The Lord of the Rings Chapter 9 Useful Tips for Food Preparation By Clint Oldridge 1: Being Fed in Middle-earth 3: Information Gathering The Talk at the Keeping moving armies fed is always If you have a spare order at a population Prancing Pony… difficult, but it's even more so when you centre and one food, then I often use a 948 get other friendly armies turning up at PCs order (Transport by Caravans) from that PC Featured Articles you control. (Don't forget that it is your to send a food to a location off map, in order relations to them that is important, so that to check whether the enemy has put up a Using Food in Middle- Page 1 even if they're not friendly you will feed camp there. If it fails then there's no PC, and earth: Four Useful Tips them). it's also slightly confusing to the enemy! for Food Preparation, By Clint Oldridge If you have more than one army at a population centre the free food gets divided 4: Market manipulation Kin-strife Sneak Preview: Page 2 between the armies in proportion to their the Good, the Bad and When the market is gutted with food it can the Ugly hunger (counting cavalry twice). often ‘crash’, reducing food stores available to low quantities. I find that around the The Untold War of the Page 3 So, for example, if the following three 300,000 food on the market is sufficient to Ring: Face to Face Game armies are at a village: cause such a crash, so if you're able to sell additional food you can sometimes push the The Lord of the Rings: So Page 8 Army A 100 Heavy Infantry market to crash and then food sells at two or What’s It All About Army B 50 Heavy Cavalry & Then? more next turn. -
Helgenforteljingane Si Rolle I Tidleg Jødedom, Kristendom Og Islam
Det velges mellom: RELV202/302 The Religions and Mythologies of the Baltic Finns og RELV202/302: Hagiografiar - Helgenforteljingane si rolle i tidleg jødedom, kristendom og islam RELV202/302 The Religions and Mythologies of the Baltic Finns Course literature Books (can be borrowed at the University Library or bought by the student) The Kalevala (Oxford World’s Classics). Translated by Keith Bosley. Oxford 2009: Oxford University Press. ISBN 978-0-199-53886-7. Or a translation of the Kalevala into your own language; some examples: Kalevala [Danish]. [Transl. by] Ferdinand Ohrt. Copenhagen 1985 and later: Reitzel. Le Kalevala [French]. [Transl. by] Gabriel Rebourcet. Paris 2010: Gallimard, coll. Quarto. Kalevala [German]. [Transl. by] Lore Fromm & Hans Fromm. Wiesbaden 2005: Marix Verlag. Kalevala [Norwegian]. [Transl. by] Albert Lange Fliflet. Oslo 1999: Aschehoug. El Kalevala [Spanish]. [Transl. by] juan Bautista Bergua. Madrid 1999: Ediciones Ibéricas. Kalevala [Swedish]. [Transl. by] Lars Huldén & Mats Huldén. Stockholm 2018: Atlantis. (For a full list of translations, see: https://en.wikipedia.org/wiki/List_of_Kalevala_translations) NB! Only songs 1–15, 39–49. Pentikäinen, Juha. 1999. Kalevala Mythology. Bloomington, IN: Indiana University Press. ISBN 0-253-33661-9 (pbk). 296 pp. Siikala, Anna-Leena. 2002. Mythic Images and Shamanism: A Perspective on Kalevala Poetry. Helsinki: Suomalainen tiedeakademia / Finnish Academy of Science and Letters. ISBN 951-41-0902-3 (pbk). 423 pp. Book chapters – can be ordered from litteraturkiosken.uib Finnish Folk Poetry-Epic: An Anthology in Finnish and English (Publications of the Finnish Literature Society 329). Helsinki 1977: Finnish Literature Society. ISBN 951-717-087-4. Only the following pages: 83–92 (Creation), 98 (Smith), 102–109 (Singing match), 183–190 (The spell), 191–195 (Tuonela), 195–199 (Sun and moon), 212–220 (Lemminkäinen), 281–282 (Lähtö), 315–320 (St. -
Cr2016-Program.Pdf
l Artistic Director’s Note l Welcome to one of our warmest and most popular Christmas Revels, celebrating traditional material from the five Nordic countries: Denmark, Finland, Iceland, Norway, and Sweden. We cannot wait to introduce you to our little secretive tomtenisse; to the rollicking and intri- cate traditional dances, the exquisitely mesmerizing hardingfele, nyckelharpa, and kantele; to Ilmatar, heaven’s daughter; to wild Louhi, staunch old Väinämöinen, and dashing Ilmarinen. This “journey to the Northlands” beautifully expresses the beating heart of a folk community gathering to share its music, story, dance, and tradition in the deep midwinter darkness. It is interesting that a Christmas Revels can feel both familiar and entirely fresh. Washing- ton Revels has created the Nordic-themed show twice before. The 1996 version was the first show I had the pleasure to direct. It was truly a “folk” show, featuring a community of people from the Northlands meeting together in an annual celebration. In 2005, using much of the same script and material, we married the epic elements of the story with the beauty and mystery of the natural world. The stealing of the sun and moon by witch queen Louhi became a rich metaphor for the waning of the year and our hope for the return of warmth and light. To create this newest telling of our Nordic story, especially in this season when we deeply need the circle of community to bolster us in the darkness, we come back to the town square at a crossroads where families meet at the holiday to sing the old songs, tell the old stories, and step the circling dances to the intricate stringed fiddles. -
Magic Songs of the West Finns, Volume 1 by John Abercromby
THE PRE- AND PROTO-HISTORIC FINNS BOTH EASTERN AND WESTERN WITH THE MAGIC SONGS OF THE WEST FINNS BY THE HONOURABLE JOHN ABERCROMBY IN TWO VOLUMES VOL. I. 1898 Magic Songs of the West Finns, Volume 1 by John Abercromby. This edition was created and published by Global Grey ©GlobalGrey 2018 globalgreyebooks.com CONTENTS Preface The Value Of Additional Letters Of The Alphabet Full Titles Of Books Consulted And Referred To Illustrations Chapter 1. Geographical Position And Craniology Of The Finns Chapter 2. The Neolithic Age In Finland Chapter 3. Historical Notices Of Classical Authors Chapter 4. The Prehistoric Civilisation Of The Finns Chapter 5. The Third Or Iranian Period Chapter 6. Beliefs Of The West Finns As Exhibited In The Magic Songs 1 PREFACE In this country the term Finn is generally restricted to the natives of Finland, with perhaps those of Esthonia thrown in. But besides these Western Finns there are other small nationalities in Central and Northern Russia, such as the Erza and Mokša Mordvins, the Čeremis, Votiaks, Permians, and Zịrians, to whom the term is very properly applied, though with the qualifying adjective—Eastern. Except by Folklorists, little attention is paid in Great Britain to these peoples, and much that is written of them abroad finds no response here, the 'silver streak' acting, it would seem, as a non-conductor to such unsensational and feeble vibrations. Although the languages of the Eastern and Western Finns differ as much perhaps among themselves as the various members of the Aryan group, the craniological and physical differences between any two Finnish groups is very much less than between the Latin and the Teutonic groups, for instance. -
The Role of the Kalevala in Finnish Culture and Politics URPO VENTO Finnish Literature Society, Finland
Nordic Journal of African Studies 1(2): 82–93 (1992) The Role of the Kalevala in Finnish Culture and Politics URPO VENTO Finnish Literature Society, Finland The question has frequently been asked: would Finland exist as a nation state without Lönnrot's Kalevala? There is no need to answer this, but perhaps we may assume that sooner or later someone would have written the books which would have formed the necessary building material for the national identity of the Finns. During the mid 1980s, when the 150th anniversary of the Kalevala was being celebrated in Finland, several international seminars were held and thousands of pages of research and articles were published. At that time some studies appeared in which the birth of the nation state was examined from a pan-European perspective. SMALL NATION STATES "The nation state - an independent political unit whose people share a common language and believe they have a common cultural heritage - is essentially a nineteenth-century invention, based on eighteenth-century philosophy, and which became a reality for the most part in either the late nineteenth or early twentieth century. The circumstances in which this process took place were for the most part marked by the decline of great empires whose centralised sources of power and antiquated methods of administrations prevented an effective response to economic and social change, and better education, with all the aspirations for freedom of thought and political action that accompany such changes." Thus said Professor Michael Branch (University of London) at a conference on the literatures of the Uralic peoples held in Finland in the summer of 1991. -
Complete Book of Necromancers by Steve Kurtz
2151 ® ¥DUNGEON MASTER® Rules Supplement Guide The Complete Book of Necromancers By Steve Kurtz ª Table of Contents Introduction Bodily Afflictions How to Use This Book Insanity and Madness Necromancy and the PC Unholy Compulsions What You Will Need Paid In Full Chapter 1: Necromancers Chapter 4: The Dark Art The Standard Necromancer Spell Selection for the Wizard Ability Scores Criminal or Black Necromancy Race Gray or Neutral Necromancy Experience Level Advancement Benign or White Necromancy Spells New Wizard Spells Spell Restrictions 1st-Level Spells Magic Item Restrictions 2nd-Level Spells Proficiencies 3rd-Level Spells New Necromancer Wizard Kits 4th-Level Spells Archetypal Necromancer 5th-Level Spells Anatomist 6th-Level Spells Deathslayer 7th-Level Spells Philosopher 8th-Level Spells Undead Master 9th-Level Spells Other Necromancer Kits Chapter 5: Death Priests Witch Necromantic Priesthoods Ghul Lord The God of the Dead New Nonweapon Proficiencies The Goddess of Murder Anatomy The God of Pestilence Necrology The God of Suffering Netherworld Knowledge The Lord of Undead Spirit Lore Other Priestly Resources Venom Handling Chapter 6: The Priest Sphere Chapter 2: Dark Gifts New Priest Spells Dual-Classed Characters 1st-Level Spells Fighter/Necromancer 2nd-Level Spells Thief / Necromancer 3rd-Level Spells Cleric/Necromancer 4th-Level Spells Psionicist/Necromancer 5th-Level Spells Wild Talents 6th-Level Spells Vile Pacts and Dark Gifts 7th-Level Spells Nonhuman Necromancers Chapter 7: Allies Humanoid Necromancers Apprentices Drow Necromancers -
The Songlands of the Kalevala
© I.K. INHA JUMINKEKO In Kainuu, the trees reach up to the sky and the dappled light filters down through their branches. The murmuring of forest streams and the soothing hum of the verdant forest greet you and lead you to the mystical beauty of this northern wilder- ness. It is here you find the inspiration for the Finnish national epic, The Kalevala. The Kalevala is the Finnish national epic compiled from old Finnish ballads, lyrical songs, and oral poetry, all part of Finn- ish tradition. The Kalevala was compiled by Elias Lönnrot who published the folk material in two editions. Kalevala, the dwelling place of the poem’s chief characters, is a poetic LOCAL DELICACIES name for Finland, meaning “land of heroes.” The leader of the “sons of Kaleva” is the wise old Väinämöinen, a powerful sage with intuitive powers, who is a master of the kantele, a Finnish stringed instrument. In the Songlands of the Kalevala, you tread the paths once tak- en by Elias Lönnrot, and witness first hand where the Karelian artists of the Kalevala found their inspiration. Kuhmo brings the Kalevala to life, with history and modernity living side by side. Kuhmo is a UNESCO City of Literature be- ROWING A cause of the Kalevala. Maybe you will be the one who finally CHURCH BOAT solves the great riddle of our national epic: “Goes round the sun, goes round the moon, but cannot go round juminkeko.” Could it really be about Polaris? You may reflect on this conundrum whilst enjoying a tradition- al Kalevala dinner and learning about fishing lures and ancient hunting rhymes. -
PANTHEON Finnois
PANTHEON OUGRO-FINNOIS AARNIVALKEA: flamme éternelle qui marque l'emplacement d'un trésor enterré. AHTI (ou Ahto): dieu des eaux, des lacs, des rivières et des mers et de la pêche. AJATTARA (ou Ajatar): esprit maléfique des forêts. AKKA: (vielle femme) déesse-mère de la fécondité féminine, de la sexualité et des moissons, consort de Ukko ÄKRÄS: dieu de la Fertilité et de la Végétation. ANTERO VIPUNEN: géant défunt, protecteur de la Connaissance et de la Magie. ATHOLA : château d’Athi. HALTIA: esprit, gnome, gardien d’une personne ou d’un lieu. Maan-haltiat (esprits terrestres), Veden-haltiat (esprits de l'eau), et Ilman-haltiat (esprits de l'air) HIISI : démon, gobelin et homme de main de Lempo. IHTIRIEKO: protecteur des enfants illégitimes privés de vie. IKU-TURSO: monstre marin maléfique sans doute identique à Tursas. ILMA : dieu de l'air, père d’Ilmatar. ILMARINEN : grand forgeron qui créa le ciel et le Sampo. ILMATAR: esprit féminin de l'air, créatrice du Monde; Mère de Väinämöinen dans le Kalevala. JOUKAHAINEN : garçon qui défia Vâinâmôinen à un concours de chant. JUMALA : nom générique des divinités majeures ; dieu. KALEVANPOIKA : géant qui abattit les forêts et faucha les immenses prairies. En Estonie : Kalevipoeg. KAVE: ancien dieu du ciel puis divinité du cycle lunaire. Père de Väinämöinen. KALEVALA : grande épopée composée par Elias Lönnrot au milieu du XIXe siècle. KALMA : déesse de la Mort et de Décomposition. KANTELE : magie faite à partir de la gueule d’un brochet par Väinämöinen. KIED-KIE-JUBMEL: dieu des troupeaux de rennes KILLIKKI : épouse de Lemminkainen qui aimait faire la fête KIPU-TYTTÖ : déesse de la Mort et de la Maladie, sœur de Kivutar, Vammatar, et Loviatar.