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Kodak Tourist Camera.-Flashing of the Lamp Is Controlled by the Synchro Feature of the Shutter

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Kodak Tourist Camera.-Flashing of the Lamp Is Controlled by the Synchro Feature of the Shutter Opening and Closinglhe Cqmero 3 EosyosABC 4 Selectingthe Shutter SPeed 6 Setting the LensOPening Focusingthe Ccmers [xposure Guide Kodqk Films Looding Depih-of-FieldScole Toking the Picture Removingthe Film When the Light is Poor Flosh Pictures SpeedlomP Flood Pictures Time Exposures FlooC ond Flcsh ExposureTobles Adding lnlerest io Your Pictures Tips on Fost-Action Shots Aids for PiciureTcking 1.!{ R... iJ 5 l'di, Oq www.orphancameras.com THE KODAK SYA'CHRO-RAP'D 8OO SHUTTSR This new Kodok Tourist Comero with its superb lens ond shutter opens new doors to extend your picture opPorlunities. The shorp culling, color-corrected, Kodok f/4.5 Anostor Lens is mounled in lhe new Kodok Synchro-Ropid Shutfer with speeds uP to l/800 second, twice os fosl os ony previous Kodok between-the- lens shutfer, Synchronizotion for oll types of flosh is built in. Closs F flosh lomps con be synchronized up to ond including I /400 second; Closs M lomps up to ond including l/800 second. Speedflosh con olso be used. High-speed oction shots of qlmost unlimited voriety ore possible. They will odd zesl to your picture collection. THE KODAK IOURIST ADAPTER, KIf The versotility of your Tourisf con be increosed still further with the Kodck Tourist Adopier Kit. Additionol negolive sizes ol lVa x 2Vc inchesond 2% x2% inchescon be mode with the some Kodok 620 Film.With Kodqk 828 Film, 28 x 4omm Kodochrome lronsporencies con be mode. These moke brilliqni, full-color Kodqslide tronsporen- cies for proiection. The compleie kil is contoined in o hondy pocket cose. A telephoto effect is obfo ined with the smoller negotive sizes.The comerc con be further from ihe subiect, wifhouf reducing fhe imoge size, resuliing in improved perspective. This is of porticulor volue when moking piclures of people. o Read this instruction manual carefully-go through the mechanical motions-to be sure you fully under- stand the operation of your camera. Follow "the little man" through the illustrations. Before taking a trip or picturing that important event coming up, give yourself some practice by shooting a roll or two of film and taking a few flash pictures. You will give the equipment a workout too. Ifthereare any questions in your mind, your Kodak dealer will be glad to help you. www.orphancameras.com OPEIV'A'G fHE CAITERA To open the comero, press the opening button ond pull down the front unlil it locks. Do not depress the bed shutter releose while opening the comero, CIOs"VG THE CAITERA Press on the rqised knurled sec- tions to fold lhe two brqces; fhen push the froni until it snqps shut. set ,S:lFi expo.$are tirng set lil Iens opening set i:t i'i foerr,* www.orphancameras.com xoa rsa e 3;:; c*;j -i ttg The length of time the light is permitted to reach the fiIm is controlled by rotating the outside knurled collar of the shutter until the index line is at the desired speed. The Kodak Synchro-Rapid 800 Shutter pro- vides exposure times of 1/800, 7l4OO, ll2OO, 7llOO, 7150, L125, 7110, ll5, 712, and 1 second-as well as the speed index opposite the 800 dot. Use 1/50 second for average snapshots. With exposuresof 1/10 second or slower or "B," the camera must be on a tripod or other firm support. "B" exposures are explained on page 26. o www.orphancameras.com The size of the lens opening, through which the light passes while the shutter is open, is changed by moving the lever across the /-number scale at the bottom of the shutter. For greater convenience, a dual /-number scale is located on the top rim of the shutter. The opening is largest when the lens opening lever is set at f 14.5 and smallest when it is set at f 132.Each succeeding lens opening from f 132 to f 15.6 admits twice as much light as the one before; for example, a setting of ll22 lets through twice as much light as f 132. The illustration above gives you a mental picture of how the size of the lens opening-'the opening through which light passes to the film-is changed as the lens opening lever is moved across the scale. www.orphancameras.com The focusing scale on the lens is marked frorn 3tl feet to co (infinity). Use the infinity setting for distances 100 feet from the camera and beyond. When the subject is closer than 10 feet to the camera, determine the distance accurately-it is best to measure it or to use the Kodak Service Range Finder, an accessory which slides into the clip on the top of the camera. Use the depth-of-field scale to tell the nearest and farthest objects which will be in sharp focus. Instruc- tions for use of this scale are found on page 18. I // 4.rs.4 2232 oPEltlNcs".;." , IOSHUTTIRI - l-Sut for used (line { film up dots} Find ihe I e*S.t light condition doi opposife subject dot Exposure qbove ( €-neoa lens opening selecled shutter.. speed EXPOSUR,EGU'DE The exposure guide on the back of the camera indi- cates, quickly and easily, the correct exposure for Kodak Films, with two common subject types under the three most common lighting conditions. Kodak black-and-white films have a wide latitude, a built-in safety factor, which allows you to give as little as one quarter the exposure indicated by the guide. This should be relied on only when necessary at the ltigher shutter speedsand under fauorable conditions. The exposure f 111at 1/50 second (C) is the basic 10 www.orphancameras.com Brighl sun Hczy Sun Gloudy Brighl Strong Shodows Sofi Shqdows No Shodows Averoge Subiecr - Neor - by Dork or Shoded Subiect-Peo- people. gordens, houses ond ple, gordens, ond subiectsin open scenesnol in shode. Use this crqs- shode (lighted by open sky- sificotion if in doubi. not under lrees, porch roof, etc.). exposure for average subjects in bright sunlight with Kodak Verichrome, Plus-X or Kodacolor Films. The same exposure results with the other settings shown (f 18 atL1L00,f 116at|125, etc.). Your choiceis governed by other considerations (stopping motion, depth of field, etc.). The above illustrations and descriptions explain the subject types and lighting conditions covered by the exposure guide on your Tourist. For near-by people in marine, beach or snow scenes, or scenics with prominent foreground objects, give half the exposure indicated fot aueragesubjects. 11 Use Kodok Film No.620 KODAK VERICHROTI''EFTL'A The film for general outdoor pic- tures. It has wide latitude to help you get a good negative even though you slightly misjudge the exposrue. High in speed, it is also excellent for night photography with flash lamps. 8 exposures. KODAK PLUS-X PANCHR,OITATIC F'LM Combined high speed and fne grain make this film ideal for outdoor work and for well- lighted indoor subjects. 8 ex- posures. KODAK SUPER-XX PANCHROMATTCFILM Because of its very high speed, this film is the logical choice for making snapshots indoors with flood lamps. Indoors or out, it is the flm to use when the lisht is poor. 8 exposures. L2 www.orphancameras.com KODAK ,,NFR.AREDFILM* The film for distant landscape photography when de- tail ordinarily obscured by atmospherichaze is desired. It can also be used to produce unusual pictorial results. The Kodak Wratten A Filter (No. 25) is recommended for use with this film. The above pictures were made with this filter. 6 exposures. KODACOLOR.F'LI[ For full-color prints use Daylight Type outdoors; use Type A with artificial light. Kodacolor Prints are ordered through your Kodak dealer. Since Kodacolor Film yields colored negatiues, black-and-white contact prints or enlargements can also be made as easilv as from regular films. 6 exposrues. KODAK EKTACHP.OII',EFTLTI This film produces full-color transparencies for pro- jecting, viewing, color printing by the Kodak Dye Transfer Process, or for Kodachrome Enlargements. It is not processed by the Eastman Kodak Company but by the photographer with the special chemicals supplied in convenient kits. Further information can be obtained from your Kodak dealer. *Infrared rays focus at a different point from uisual rays. Focus the camera as usual; then moue the focusing scale about 11,, counterclochwise. 13 OPENTHE BACK WITHDR,AWfHE P/N The back of the camera To release the film cen- is hinged at both ends tering pin, push in the and can be opened at spool centering knob either end or removed and turn it clockwise entirely. To open the a quarter-turn. This back, unlock the catch brings the pin to the by pulling out the slide "out" position as shown with the thumbnail or above. The drawing in by puShing the knurled figure 3 shows the pin section to the other end in the "in" position. It of its slot; then swing must be in this position 1A the back outward. to hold the spool. www.orphancameras.com o, 'NSER,TTTTE FTLIT ,NSERIAIAKE-UP SPOOL Insert the spool on the If the take-up spool is bottom pin first so that not in place in the cam- when the paper is drawn era, turn and puII out off, the colored side will the wrNotNc KNoB as be up. Press down the far as it will go. Insert spool while pushing in an empty spool on the the spool centering knob . bottom pin first. Turn Turn the knobaquarter- and push in the winding turn counterclockwise knob to engage it with and release it.
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