Bruce Anderson Collection

Total Page:16

File Type:pdf, Size:1020Kb

Bruce Anderson Collection search clear search ALL LETTERS A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Add New Item 966 items found edit delete Name .Anthony & Co. Manufacturer Anthony Scovill Type Model Tailboard Camera change image Format N.P.A. 1887-90 Lens 5X8 Light Focus Shoot Mode Other Condition edit delete Name Adams & Westlake Adlake Regular Camera Manufacturer Adams & Westlake, Chicago Type Model Adlake Regular Camera 1897 change image Format Lens Light Focus Shoot Mode Other Condition missing parts-c- edit delete Name Adams Keni Manufacturer Adams & Co. London Type Model Box Plate Camera-Leather Covered Wood change image Format KENI 1903 Lens 3 1/4 X 4 1/4 Plates with Changing Box Light Cooke Series III f.6.5/5.15 serial 6554 Focus Shoot Mode Other Condition edit delete Name Adams Minex Tropical Reflex Manufacturer Adams Type Model Tropical Reflex Camera change image Format Minex Tropical c.1920 Lens 4 3/4 X 6 1/2 Light Ross Rapid Symmetrical 8 1/2 X 6 1/2 Focus Shoot Mode Other Original Adams Leather Satchel Case Condition 4 Filmholders+1 Pacr Adapter edit delete Name Adlake Special Camera Manufacturer The Adams & Westlake Co. Chicago Type Model Adlake Special with Aluminum Plate holders c.1897 change image Format Lens Light Focus Shoot Mode Other Condition B+ edit delete Name Adox 300 Manufacturer Adox Type change Model 35mm Rangefinder Camera image Format Adox 300 1957 Lens 35mm with interchangeable backs Light Steinheil Cassar 2.8/45mm Focus Shoot Mode Other Condition Fitted Case,Instr.Book,Akameter Viewer edit delete Name Agfa (Billy?)PD 16 TRIPAR Manufacturer Agfa Type Model Folding Bed Camera change image Format PD 16 Tripar -Art deco Side Pattern Lens 6.5 X 10.5 cm Light Focus Shoot Mode Other Condition edit delete Name Agfa Agfamatic 1a Manufacturer Agfa Germany Type Model Agfamatic 1a 1962 change image Format Lens Coloragnar 2.8/45mm Light Focus Shoot Mode Other Case Condition B+ edit delete Name Agfa Ambi Silette Manufacturer Agfa Type Model 35mm Rangefinder Camera change image Format Ambi-Silette 1956-61 Lens 35mm Light Interchangable Lenses-Color-sonnar f.2.8/50mm Focus Shoot Mode Other Condition edit delete Name Agfa Ansco No.1A Readyset Royal Manufacturer Agfa Ansco, Binghampton, N.Y. Type Model No.1A Readyset Royal 1931-32 change image Format Lens Light Focus Shoot Mode Other Light tan Embossed Leather Condition C (leather damaged and missing) edit delete Name Agfa Ansco Readyset Royal No.1 Manufacturer Ansco Type Model Readiest Royal No.1 1931 change image Format Lens Light Focus Shoot Mode Other Condition B edit delete Name Agfa B-2 Cadet Box Camera Manufacturer Agfa Type Model Box Camera change image Format B-2 Cadet 1930's Cardboard Lens Light Focus Shoot Mode Other Condition edit delete Name Agfa Billy Record 7.7 Manufacturer Agfa/Ansco Type Model Folding Camera change image Format Billy Record 7.7 1949 Lens 6X9 cm Light Jgestar f.7.7 Focus Shoot Mode Other Condition edit delete Name Agfa Billy Record 8.8 Manufacturer Agfa, Germany Type Model Billy Record 8.8 Art Deco Style change image Format Lens Agfa Anastigmat Jgestar F.8.8 Light Focus Shoot Mode Other Condition Ex. edit delete Name Agfa Box 50 Manufacturer Agfa Germany Type Model Box Camera change image Format Box 50 Lens 6 X 9 cm on 120 film Light Focus Shoot Mode Other Condition Case edit delete Name Agfa Camera-Werk Manufacturer Agfa, Munich,Germany Type Model 8 X 10 with 5 X 7 Reducing Back change image Format Lens Light Focus Shoot Mode Other Condition edit delete Name Agfa Clack Manufacturer Agfa Type Model Plastic Box Camera change image Format Clack Lens 6X9 cm on 120 Rollfilm Light Focus Shoot Mode Other Condition Green Plastic Case edit delete Name Agfa Clipper Special Manufacturer Agfa/Ansco Type Model Collapsible Bellows Rollfilm change image Format Clipper special Lens 120(?) Light Agfa Anastigmat f 6.3 Focus Shoot Mode Other Condition edit delete Name Agfa Colorflex Manufacturer Agfa/Ansco Type Model 35mm SLR change image Format Colorflex 1958-63 Lens 35mm Light Focus Shoot Mode Other Condition edit delete Name Agfa Isolar Manufacturer Agfa Type Model Folding Plate Camera change image Format Isolar 1927-35 Lens 9X12 cm Light doppel 4.5 in Compur Shutter Focus Shoot Mode Other Condition Double Extension edit delete Name Agfa Isolette II Manufacturer Agfa, Germany Type Model Isolette II 1950-60 change image Format Lens Agfa Solinar f.4.5/85 Light Focus Shoot Mode Other Condition A edit delete Name Agfa Isolette III Manufacturer Agfa Germany Type Model Isolette III 1951-60 change image Format Lens Agfa Solinar f.3.5 Light Focus Shoot Mode Other Condition A edit delete Name Agfa Isorette Manufacturer Agfa,Germany Type change image Model Isorette 1937 Format Lens Anastigmat Jgestar 6.3/8.5cm Light Focus Shoot Mode Other Case Condition A- edit delete Name Agfa Karat 36 Manufacturer Agfa Type Model Rangefinder Camera change image Format 36-1952 Lens 35mm Light Solagon f2/50mm Focus Shoot Mode Other Condition edit delete Name Agfa Memo Manufacturer Agfa-Ansco Type Model Folding Bed Camera change image Format Memo c.1939 Lens 24 X 36 mm Exp.on 35mm Cassettes Light Agfa Memar f.3.5 Focus Shoot Mode Other Condition edit delete Name Agfa Optima I Manufacturer Agfa, germany Type Model Optima I 1960-64 Automatic-Film speed sets Shutter Speed change image Format Lens Color-Agnar 2.8/45mm Light Focus Shoot Mode Other Condition A edit delete Name Agfa Reflex Manufacturer Agfa Type Model Twin Lens Reflex change image Format Reflex Lens 35mm Light Matched Color Apotar f.2.8/45mm lenses in Prontor B,1-500 shutter Focus Shoot Mode Other Condition edit delete Name Agfa Silette (Type 3 ) Manufacturer Agfa Type Model 35 mm Vewfinder change image Format Silette (Type 3) 1958 Lens 35mm Light Agnar f.3.5/45mm Focus Shoot Mode Other Condition Case edit delete Name Agfa Silette I Manufacturer Agfa Type Model 35mm rangefinder Camera change image Format Silette I Lens 35mm Light Agfa-Color Agnar f.2.8/45mm Focus Shoot Mode Other Condition Case edit delete Name Agfa Standard Manufacturer Agfa Germany Type Model Type 254 1926-33 change image Format Lens Light Focus Shoot Mode Other Condition A- edit delete Name Agfa Standard Plate Camera Deluxe Model Manufacturer Agfa Type Model Folding plate Camera change image Format Standard Plate Camera Deluxe Model 1926-33 -Brown Lens 6X9 cm Light Agfa Anastigmat f.6.3/105mm Focus Shoot Mode Other Condition With rollfilm back and Orig case edit delete Name Agfa Ventura 66 Manufacturer Agfa Germany Type Model 66- c.1950 change image Format Lens Agnar f.4.5/85 Light Focus Shoot Mode Other Case Condition B+ edit delete Name Agfamatic 2008 Telepocket Camera Manufacturer Agfa Type Model Subminiature Camera change image Format 2008 Telepocket Lens Light Focus Shoot Mode Other Condition edit delete Name Agiflex I Manufacturer Aguflex, England Type Model Focal Plane Reflex Camera change image Format Agiflex I,c.1946 Lens 2 1/4 X 2 1/4 Light Agilux f.3.5 Focus Shoot Mode Other Condition edit delete Name ak Junior Six-16 Manufacturer EKC Type Model folding change image Format Junior Six-16 1935-37 Lens 2 1/2X 4 1/4 on 616 film Light Focus Shoot Mode Other Condition edit delete Name Akarelle Manufacturer Aparatte & Kamerabau Type Model 35mm Rangefinder Camera change image Format Akarelle 1954 Lens 35mm Light Schneider 3.5/50mm Focus Shoot Mode Other Condition edit delete Name Al-Vista Baby No.1 Manufacturer Multiscope + Film Co. Type Model Panoramic Camera change image Format Baby No.1,1906-8 Lens 4-position Spring for speed adjustment Light Focus Shoot Mode Other Condition edit delete Name Alpa Reflex 6b Manufacturer Alpa Type Model 35mm SLR Camera change image Format 6b 1959-63 serial No.42404 Lens 35mm 3 Lenses:Kern Macro Switar 1.8/50,Schneider TeleXenar Light 3.5/135,Alpa ret Focus Shoot Mode Other Condition Meter,Fine Fitted Case,Set of Filters,Book,etc edit delete Name Altavista Panoramic Camera Manufacturer The Multiscope Film Co. Type Model Panoramic Camera change image Format 1900-1908 Lens Light Focus Shoot Mode Other Condition edit delete Name Altiflex II Manufacturer Eho-Altissa,Dresden Type change Model TLR Camera image Format Altiflex II 1938 Lens 120 film Light Focus Shoot Mode Other Condition edit delete Name Altix V 1956 Manufacturer Eho-Altissa, Dresden,Germany Type Model Altix V 1956 change image Format Lens Gorlitz Trioplan 2.8/50 Light Focus Shoot Mode Other Leather Case Condition B+ edit delete Name American Optical Co.Star(Flammangs) Manufacturer American Optical Co. Type Model View Camera change image Format Star/Flammang's/St.Louis 1890's Lens 5X7 Reversible Back Light Up Nehring N.Y.EXTRW(extreme wide Angle Focus Anastigmat Shoot Mode Other Condition edit delete Name ANGO(Anschutz & Goerz) Manufacturer Anschutz/ Goerz Type Model Focal Plane Shutter change image Format Lens Clement & Gilmer, Paris Light Focus Shoot Mode Other Condition A- edit delete Name Anny 44 Manufacturer Hoei Industrial Co. Japan Type Model Anny 44- 1960 change image Format Lens f.8 Fixed Focus Lens Light Single Speed Shutter Focus Shoot Mode Other Condition A edit delete Name Ansco #2A Folding Buster Brown Model A Manufacturer Ansco Type Model #2A Folding Buster Brown ModelA c.1910 change image Format Lens Wollensak Light Focus Shoot Mode Other Condition A- edit delete Name Ansco 1A Folding Camera Manufacturer Ansco Company, Binghampton, N.Y.
Recommended publications
  • Scanning Slides, Negatives, Prints and APS Film Price List Valid To
    Scanning Slides, Negatives, Prints and APS film Price List valid to December 2021 Scanning slides About us ... We are professional photographers based in Twickenham Scanning Negatives that take as much care with your images as we do our own. Photography is about creating the image on film, or digital media, and then making sure what is output meets your original vision. That is why were are published in 30 countries. Our images have been used in magazines, books, TV programmes, web sites, Corporate publications Scanning Prints as well as wedding albums and home wall art from our portrait sessions and stock photographs. We know that old photographs, negatives and slides do not last forever. They get blemishes, fade, scratch or simply get lost. In the modern digital world photo albums gather dust and slide projectors become too much of a chore to Scanning APS set up. By using our scanning services you can protect your images in he long term and make them easy to view now. This is because we supply you with two files: a high quality TIF for storage and further editing if you wish, plus a TV sized JPG file for easy viewing.. Returned to You Enjoy your photos on the big screen at home without the fuss of projectors or stacks of photo albums and have a master copy that does not fade. Screen Viewing Guide Table ofTable Contents 2 3 Why Us? Our tools What makes us different to most slide, negative or print We use industry standard hardware from Nikon and scanning services? We know we are not the cheapest, Epsom to scan your images, combined with software but we do believe we are good value because of what from Adobe, Lasersoft, DXO and Anthropics.
    [Show full text]
  • The Photographic Revolution Back in 1877 a 23 -Year-Old Bank Clerk, George Eastman, Took up Photography As a Hobby
    the photographic revolution Back in 1877 a 23 -year-old bank clerk, George Eastman, took up photography as a hobby. Like all picturetakers of his time, he carried a huge camera and tripod, chemicals, a tent for a darkroom, and other equipment. He had to make a "wet plate" by coating a light-sensitive emulsion on a piece of glass immediately before he exposed it. Picturetaking at that time was hard work, but Eastman felt it could be made easier and more fun. After many experiments in his mother's kitchen, he found a way to mass- produce photographic dry plates, and in 1880 he started to make them com­ mercially in a rented loft in the downtown section of Rochester, N. Y . In 1884 Eastman introduced a paper-base "film," and in 1888, the No.1 Kodak Camera - the small box camera which simplified photography so that anyone could take pictures. Eastman himself coined the trademark "Kodak" and the famous advertising slogan "You press the button, we do the rest." The Kodak camera caught on quickly, and the company sold over 100,000 of them in the first eight years. Today, some 52 million Americans take more Picturetaking in the days before Kodak cameras. than two billion snapshots each year. Picture­ taking has become America's number- one hobby. 2 © 1962 Eastman Kodak Company -I.. .. 1 I ~ , The No. 1 Kodak The first Folding New styling was fea· The popular Brownie Camera of 1888 sim· Brownie Camera was tured in Baby Brown­ Starflash Camera was plified photography. offered in 1904.
    [Show full text]
  • History of KODAK Cameras
    CUSTOMER SERVICE PAMPHLET March 1999 • AA-13 History of KODAK Cameras KODAK CAMERAS ON THE MARKET ORIGINAL CAMERA NAME FROM TO FILM SIZE LIST PRICE No. 1A AUTOGRAPHIC KODAK 1917 Model Camera 1917 1924 116 $21.00 No. 3 AUTOGRAPHIC KODAK Camera 1914 1926 118 41.50 No. 3A AUTOGRAPHIC KODAK Camera 1914 1934 122 50.50 No. 1 AUTOGRAPHIC KODAK Junior Camera 1914 1927 120 23.00 No. 1A AUTOGRAPHIC KODAK Junior Camera 1914 1927 116 24.00 No. 2C AUTOGRAPHIC KODAK Junior Camera 1916 1927 130 27.00 No. 3A AUTOGRAPHIC KODAK Junior Camera 1918 1927 122 29.00 No. 1 AUTOGRAPHIC KODAK Special Camera 1915 1920 120 56.00 (Bakelite side panels) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) (Back overlaps sides) Focus by thumb-turned gear. 1921 1921 120 79.00 (Only produced for a few months) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) 1922 1926 120 74.00 (knurled screw focusing) No. 1A AUTOGRAPHIC KODAK Special Camera 1914 1916 116 59.50 No. 1A AUTOGRAPHIC KODAK Special Camera 1917 1923 116 91.00 (w/coupled rangefinder and Bakelite side panels) No. 1A AUTOGRAPHIC KODAK Special Camera 1923 1926 116 60.00 w/coupled rangefinder, Model B (Back overlaps sides) No. 2C AUTOGRAPHIC KODAK Special Camera 1923 1928 130 65.00 w/coupled rangefinder No. 3 AUTOGRAPHIC KODAK Special Camera 1914 1926 118 86.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1914 1916 122 74.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1916 1934 122 109.50 (w/coupled rangefinder) Boy Scout KODAK Camera (V.P.
    [Show full text]
  • Seeing Like Your Camera ○ My List of Specific Videos I Recommend for Homework I.E
    Accessing Lynda.com ● Free to Mason community ● Set your browser to lynda.gmu.edu ○ Log-in using your Mason ID and Password ● Playlists Seeing Like Your Camera ○ My list of specific videos I recommend for homework i.e. pre- and post-session viewing.. PART 2 - FALL 2016 ○ Clicking on the name of the video segment will bring you immediately to Lynda.com (or the login window) Stan Schretter ○ I recommend that you eventually watch the entire video class, since we will only use small segments of each video class [email protected] 1 2 Ways To Take This Course What Creates a Photograph ● Each class will cover on one or two topics in detail ● Light ○ Lynda.com videos cover a lot more material ○ I will email the video playlist and the my charts before each class ● Camera ● My Scale of Value ○ Maximum Benefit: Review Videos Before Class & Attend Lectures ● Composition & Practice after Each Class ○ Less Benefit: Do not look at the Videos; Attend Lectures and ● Camera Setup Practice after Each Class ○ Some Benefit: Look at Videos; Don’t attend Lectures ● Post Processing 3 4 This Course - “The Shot” This Course - “The Shot” ● Camera Setup ○ Exposure ● Light ■ “Proper” Light on the Sensor ■ Depth of Field ■ Stop or Show the Action ● Camera ○ Focus ○ Getting the Color Right ● Composition ■ White Balance ● Composition ● Camera Setup ○ Key Photographic Element(s) ○ Moving The Eye Through The Frame ■ Negative Space ● Post Processing ○ Perspective ○ Story 5 6 Outline of This Class Class Topics PART 1 - Summer 2016 PART 2 - Fall 2016 ● Topic 1 ○ Review of Part 1 ● Increasing Your Vision ● Brief Review of Part 1 ○ Shutter Speed, Aperture, ISO ○ Shutter Speed ● Seeing The Light ○ Composition ○ Aperture ○ Color, dynamic range, ● Topic 2 ○ ISO and White Balance histograms, backlighting, etc.
    [Show full text]
  • HASSELBLAD INTRODUCES the H6D-400C MS, a 400 MEGA PIXEL
    Press information – for immediate release Gothenburg, Sweden 16 Jan 2018 HASSELBLAD INTRODUCES THE H6D-400c MS, A 400 MEGA PIXEL MULTI-SHOT CAMERA Building on a vast experience of developing exceptional, high-quality single and multi-shot cameras, Hasselblad once again has raised the bar for image quality captured with medium format system. Multi-Shot capture has become an industry standard in the field of art reproduction and cultural heritage for the documentation of paintings, sculptures, and artwork. As the only professional medium format system to feature multi-shot technology, Hasselblad continues to be the leading choice for institutions, organizations, and museums worldwide to record historic treasures in the highest image quality possible. With over 10 years of digital imaging expertise, the latest Multi-Shot digital camera combines the H6D’s unrivalled ease of use with a completely new frontier of image quality and detail. This new camera encompasses all of the technological functions of Hasselblad’s H6D single shot camera, and adds to that the resolution and colour fidelity advancements that only Multi-Shot photography can bring to image capture. With an effective resolution of 400MP via 6 shot image capture, or 100MP resolution in either 4 shot Multi-Shot capture or single shot mode, the Multi-Shot capture requires the sensor and its mount to be moved at a high-precision of 1 or ½ a pixel at a time via a piezo unit. To capture Multi-Shot images the camera must be tethered to a PC or MAC. In 400MP Multi-Shot mode, 6 images are captured, the first 4 involve moving the sensor by one pixel at a time to achieve real colour data (GRGB- see 4 shot diagrams below), this cycle then returns the sensor to its starting point.
    [Show full text]
  • My Mother's Camera
    Manning 1 Pam Manning Marydorsey Wanless Retro Camera Seminar AR399 F April 10, 2011 My Mother’s Camera The Kodak Brownie camera has a long history with the Eastman Kodak company which began in February 1900 with the introduction of a very basic cardboard box camera with a simple lens that took 2¼ inch square pictures and cost only $1. The Brownie introduced the concept of snapshot photography and was intended to introduce photography to everyone, not just professional photographers (Kodak). What is considered one of the greatest slogans in advertising history, “You push the button, we do the rest” reinforced the simplicity of the Brownie camera (American Heritage). Designed and marketed for children, the Brownie camera was named after popular characters created by Palmer Cox, a children’s author and illustrator. Cox was the Walt Disney of his day. His Brownie characters were as well known in the 1880’s as Mickey Mouse is today (Kodak). Like Disney’s characters, Cox’s Brownies often appeared in ads. They helped sell everything from candies to cigars, coffee to ice cream, and even painkillers. Brownie dolls, games, puzzles, and trading cards were eagerly sought. And so was the Brownie camera, far beyond anyone’s expectations (Kodak). My history with the Kodak Brownie began when my mother took my picture with her Kodak Brownie Hawkeye. She would direct me to stand in a certain pose or perform a certain task. When she was happy with what she saw she would then back away from me, hold the camera about waist height, look down into the viewfinder and click.
    [Show full text]
  • Hugostudio List of Available Camera Covers
    Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII
    [Show full text]
  • Kodak Movie News; Vol. 10, No. 4; Winter 1962-63
    PUBLISHED BY EASTMAN KODAK COMPANY W I N T E R 1 9 6 2- 6 3 KODAK MOVIE NEWS Q. I have a roll of KODACHROME Film in my 8mm camera that has been exposed on the first half. I've LETTERS TO lost the carton the film came in and I forgot whether I have KODACHROME or KODACHROME II Film . And I'm not sure whether it's Daylight Type or Type A. Is THE EDITOR there any way I can tell? Mr. C. B., Nashville, Tenn. Comments: I thought you might be interested in an unusual sequence I shot recently. I observed a big snapping turtle come into my yard and, knowing that she was going to dig a hole and lay her eggs, I loaded my camera and took some wonderful shots. I watched the eggs, and 3½ months later when they started to hatch, I made shots of the baby turtles coming out of the eggs and learning to walk. Later I made appropri· ate titles, and came up with what I call a creditable color movie. Mrs. B. E. C., Moorestown, N.J. A. Yes. Take a look at the end of your film. If it's Your seasonal titles are more helpful now that you KODACHROME Fi lm, you will see the legend "KOD print them sideways. At least mine were not creased. HALF EXP " punched through the film ind icating Day- Mr. L. G. P., Philadelphia, Pa. light Type, or " KOD A HALF EXP" if it's Type A. If your roll is KODACHROME II Film, th ere will be Please continue to publish seasonal titles.
    [Show full text]
  • KODAK XTOL Developer
    KODAK PROFESSIONAL XTOL Developer TECHNICAL DATA / CHEMICAL February 2018 • J-109 KODAK PROFESSIONAL XTOL Developer is a two-part SIZES AVAILABLE powder developer for processing KODAK and other Sizes and catalog numbers may differ from country to manufacturers’ normally exposed, pushed, or pulled country. See your dealer who supplies KODAK black-and-white films. It offers full emulsion speed and PROFESSIONAL Products. easy mixing, and can be used as both a developer and a replenisher in a variety of equipment, from small tanks (8 To Make CAT No. to 64 fluidounces), trays, or rotary tubes to high-volume 1 litre 859 0176 processors. 5 litres 875 1752 FEATURES BENEFITS 50 litres 818 4517 •Ascorbic acid-based • Very high image quality at full black-and-white film emulsion speed MIXING INSTRUCTIONS developer • No hydroquinone • Convenient, room-temperature Note: Observe precautionary information on the mixing for immediate use containers and in the Material Safety Data Sheets. • Two-part powder • Quick, easy mixing •One solution for both •Versatility For this amount of Start with this amount of developer and replenisher • Simplified mixing and storage developer: water: procedures 2 litres 1.6 litres • Excellent keeping • Good shelf life (six months after properties mixing when stored in full bottles) 5 litres 4 litres • High resistance to breakdown from 25 litres 20 litres oxidation during storage or in replenished processes 50 litres 40 litres •Less waste 1. Start with an amount of water that is approximately • Robust, abuse-tolerant, • Stable performance across a range 75 percent of the total volume indicated on the clean-working solution of temperatures, dilutions, and agitation methods package.
    [Show full text]
  • George Eastman Museum Annual Report 2018
    George Eastman Museum Annual Report 2018 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 8 Photography Workshops 9 Loans 10 Objects Loaned For Exhibitions 10 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 30 Technology 32 George Eastman Legacy 34 Richard and Ronay Menschel Library 48 Purchases for the Collections 48 Photography 48 Moving Image 49 Technology 49 George Eastman Legacy 49 Richard and Ronay Menschel Library 49 Conservation & Preservation 50 Conservation 50 Photography 50 Technology 52 George Eastman Legacy 52 Richard and Ronay Menschel Library 52 Preservation 53 Moving Image 53 Financial 54 Treasurer’s Report 54 Fundraising 56 Members 56 Corporate Members 58 Annual Campaign 59 Designated Giving 59 Planned Giving 61 Trustees, Advisors & Staff 62 Board of Trustees 62 George Eastman Museum Staff 63 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2018. MAIN GALLERIES HISTORY OF PHOTOGRAPHY GALLERY Stories of Indian Cinema: A History of Photography Abandoned and Rescued Curated by Jamie M. Allen, associate curator, Department of Photography, and Todd Gustavson, exhibitions, Moving Image Department curator, Technology Collection NovemberCurated by 11,Jurij 2017–May Meden, curator 13, 2018 of film October 14, 2017–April 22, 2018 Nandita
    [Show full text]
  • · Could Colortv.
    Sales assistants. Yourproduct knowledg,l · could you 1st prize of a Philips 2Z' colorTv... • •••or one of a hundred Kodak pocket Instamatic 100 camera outfits! Win - - a color T.V. set, or one of 100 Kodak ~ocke t lnstamatic 100 camer a outfits!! nn. Your Name: Mr./ Mrs.I Miss __ __ ____ __ ______________ _ ~illdakPocket Store Name and addre ss _ __ ____ ___ _ ______________ _ Camera Quiz Post your entry to : Kodak pocket camera qu iz, P.O. Box 90, Coburg , Vict oria, 3058. to arrive on or before Friday November 15, 1974. 01. What are the two best selling featur es Q8. (B) You go on to explain that the 014. Your customer now has a box camera of all Kod ak pocket lnstamatic model 300 is even better, beca use: and says " I want a camera that is easy came ras? LJ Automatic exposure control to load, and doesn't doubl e-expose." pact , lightweight , easy to carry You explain th at poc ket lnstamatic Variab le apert ure lens enab les cameras: ht-line viewfind er D pictures under a wider range of D Load automatica lly t::'. e big , clear, rectangu lar picture s lighting conditi ons. lJ Reliable flash pictu res [J Warnin g sign al warns of underexposure D Can't be wound on unless the safety - • Tripod and cable release sockets switch is pressed 02. Pock et lnstamatic cameras use: Extended 1.2- 5 m. fl ash pictur e range • Have s:mple drop-in cartridge load ing, [J 126 fil m O 828 film • and a doub le-ex posure prevention lock .
    [Show full text]
  • Cine Kodak News; Vol. 14, No 3;
    CINE-KODAK NEWS VOL. FOURTEEN MAY-JUNE 1938 NO. THREE Published by Eastman Kodak Company, Rochester, N.Y. this page are On s the .tour moVie 16 On the taken by Mr. page you his Still camera IN YOUR KNAPSACK is finds that "stills" work By Mr. M.A. Linton of Philadelphia together. HE sport of mountain climb- T ing can be fully appreciated only by the mountain climber. To many people it appears simply as a manifestation of abnormality. From experience alone can one appreciate the ever-expanding view that accompanies the up- ward climb, culminating in the panorama from the top; the soli- tude in the midst of beautiful sur- roundings; the sense of being away from the hustle and bustle of a feverish civilization; the satisfaction in overcoming difficul- ties and solving problems that vary with each glacier and each stretch of rock climbing. Of course there are all kinds of mountain climbing-from the wooded mountains such as we have in the Eastern United States, to the cruel, unsealed heights of Mount Everest. Many of us who enjoy mountains up to 15,000 feet in altitude, find it difficult to understand the enthusiasm of those who are willing to endure weeks and weeks of the most extreme hardship and danger in order to reach the top of the world. So we aren't very different after all from those to whom a climb of a few thousand feet under their own power would be anathema. Where every ounce counts Last summer in Switzerland we climbed several mountains of varying heights and difficulties.
    [Show full text]