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Hersteller Kameraname Objektiv Verschluß Verschlußzeit Format Blende Filmtyp Zustand Baujahr Gewicht Tasche Toptron Microcam fashon 3 3PAGEN Versand Supercolor NoName ca. 11/20mm Zentral ca. 1/30 sec. 13 x 17 mm ca. 11 110er Kassette A-B 2000 70 Gramm Nein Adox 300 Schneider Kreuznach Xenar 2,8/45 mm Compur Rapid B, 1 - 1/150 sec. 24 x 36 mm 2,8 - 22 35er Kleinbildfilm C 1956 870 Gramm Ja Adox Golf 63 Adoxar 6,3/75 mm Vario B, 1/25 - 1/200 sec. 6 x 6 cm 6,3 - 22 120er Rollfilm C-D 1954 520 Gramm Ja Adox Fotowerke Frankfurt a. M. Adoxon 2,8 / 45 Adox Golf Ia mm Prontor 125 B, 1/30 - 1/125 sec. 24 x 36 mm 2,8 - 22 35er Kleinbildfilm B 1964 330 Gramm Ja Adox Polo mat 1 Schneider Kreuznach Radionar L 2,8/45 mm Prontor 500 LK B, 1/15-1/500 sec. 24 x 36 mm 2,8 - 22 35er Kleinbildfilm C 1959 - 60 440 Gramm Nein Adox (Wirgin) Adrette I Adox Wiesbaden Adoxar 4,5/5 cm Vario B, T, 1/25-1/100 sec. 24 x 36 mm 4,5 - 16 35er Kleinbildfilm C 1939 420 Gramm Ja Agfa Agfamatic easy Agfa Color Apotar 26 mm Zentral Auto 13 x 17 mm Auto 110er Pocketfilm B 1981 200 Gramm nein Agfa Agfamatic Makro Pocket 5008 Agfa Solinar 2,7 Zentral Auto 13 x 17 mm Auto 110er Pocketfilm B 1977 300 Gramm nein Agfa Agfamatic Optima 5000 Set Agfa Solinar 2,7 Zentral Auto 13 x 17 mm Auto 110er Pocketfilm B 1974 510 Gramm nein Agfa Agfamatic Optima 6000 Agfa Solinar 2,7 Zentral Auto 13 x 17 mm Auto 110er Pocketfilm B 1977 320 Gramm nein Agfa Agfamatic Pocket 1000 S Agfa Color Agnar 26 mm Zentral Auto 13 x 17 mm Auto 110er Pocketfilm B 1974 120 Gramm nein Agfa Agfamatic Pocket 2008 Agfa Color Agnar Zentral Auto 13 x 17 mm Auto 110er Pocketfilm B 1975 180 Gramm nein Agfa Agfamatic Pocket 3000 Agfa Color Apotar Zentral Auto 13 x 17 mm Auto 110er Pocketfilm B 1976 300 Gramm nein Agfa Agfamatic Pocket 4008 Agfa Color Apotar Zentral Auto 13 x 17 mm Auto 110er Pocketfilm B 1975 200 Gramm nein Agfa Billy (I) Jgestar 8,8 / ca. 105 mm Agfa Billyverschluß B, 1/25-1/100 sec. 6 x 9 cm 8,8 - 18 120er Rollfilm C 1928 - 31 540 Gramm Nein Agfa Billy 0 Vorkrieg Jgestar Agfa Anastigmat 8,8/120 mm Zentral B, 1/25-1/100 sec. 6 x 9 cm 8,8 - 18 120er Rollfilm C 1928 - 30 500 Gramm Nein Agfa Billy Clack Nr. 74 Bilinar 11/110 mm Drehscheiben ca. 1/30 sec. 6 x 9 cm 11 - 22 120er Rollfilm C 1934 - 42 580 Gramm Ja Agfa Billy Compur Apotar Agfa Anastigmat 4,5/105 mm Compur B, T, 1-1/250 sec. 6 x 9 cm 4,5 - 32 120er Rollfilm A-B 1935 680 Gramm Ja Agfa Billy Compur Agfa Solinar 4,5/105 mm Compur B, T, 1-1/250 sec. 6 x 9 cm 4,5 - 32 120er Rollfilm B 1935 670 Gramm Nein Agfa Billy I Igestar ca.8,8/105 mm Agfa Zentral B, 1/25-1/100 sec. 6 x 9 cm 8,8 - 18 120er Rollfilm B-C 1931 500 Gramm Nein Agfa Billy I Agfa Agnar 6,3/105 mm Pronto B, 1/25-1/200 sec. 6 x 9 cm 6,3 - 22 120er Rollfilm A-B 1950 500 Gramm Ja Agfa Billy II Jgestar 7,7 / ca. 105 mm Agfa Billyverschluß B, 1/25-1/100 sec. 6 x 9 cm 7,7 - 16 120er Rollfilm C 1931 - 33 480 Gramm Nein Agfa Billy Record Anastigmat Igestar 8,8/105 mm Zentral B, 1/25-1/100 sec. 6 x 9 cm 8,8 - 16 120er Rollfilm C 1933 500 Gramm Ja Agfa Billy Record Anastigmat Igestar 8,8/105 mm Zentral B, 1/25-1/100 sec. 6 x 9 cm 8,8 - 16 120er Rollfilm D-E 1938 500 Gramm Nein Agfa Billy Record Apotar Agfa Anastigmat 4,5/105 mm Prontor II B, 1-1/150 sec. 6 x 9 cm 4,5 - 32 120er Rollfilm A-B 1936 - 39 600 Gramm Ja Agfa Box 04? Meniscuslinse ca. 11/60 mm Drehscheiben B, ca. 1/30 sec. 4,5 x 6 cm ca. 11 127er Rollfilm D-E 1937 - 38 300 Gramm Nein Agfa Box 44 (Preisbox) Meniscuslinse ca. 11/105 mm Drehscheiben B, T, ca. 1/30 sec. 6 x 9 cm ca. 11 120er Rollfilm C 1932 500 Gramm Nein Agfa Box 45 Meniscuslinse ca. 11/105 mm Drehscheiben B, T, ca. 1/30 sec. 6 x 9 cm ca. 11 120er Rollfilm B 1938 450 Gramm Ja Agfa Box 64 (Box Spezial) Meniscuslinse ca. 11/105 mm Drehscheiben T, ca. 1/30 sec. 6 x 9 cm ca. 11 120er Rollfilm C 1931 500 Gramm Nein Agfa Clack Meniscuslinse ca. 11/75 mm Drehscheiben B, M, ca. 1/30 sec. 6 x 9 cm 11 - 16 120er Rollfilm B-C 1954 480 Gramm Ja Agfa Click I Achromat 8,8/75 mm Drehscheiben ca. 1/30 sec. 6 x 6 cm 11 - 16 120er Rollfilm B 1958 180 Gramm Nein Seite 1 von 33 Hersteller Kameraname Objektiv Verschluß Verschlußzeit Format Blende Filmtyp Zustand Baujahr Gewicht Tasche Agfa Click II Achromat 8,8/75 mm Drehscheiben ca. 1/30 sec. 6 x 6 cm 11 - 16 120er Rollfilm B-C 1959 200 Gramm Ja Agfa Flexilette Agfa Color Apotar 2,8/45 mm Prontor B, 1-1/500 sec. 24 x 36 mm 2,8 - 22 35er Kleinbildfilm B 1960 800 Gramm Ja 35er Kleinbildfilm Agfa Iso Rapid Meniscuslinse ca. 11/45 mm Drehscheiben ca. 1/30 sec. 24 x 24 mm ca. 11 (Rapid) C 1967 170 Gramm Nein Wettereinstellu 35er Kleinbildfilm Agfa Iso Rapid I (Mod. 1965) NoName ca. 8/40 mm Parator Auto 24 x 36 mm ng (Rapid) B 1965 - 70 180 Gramm Ja Agfa Isola Agfa Agnar 6,3/75 mm Singlo-2 B, 1/30 und 1/100 sec. 6 x 6 cm 6,3 - 11 120er Rollfilm A 1957 400 Gramm Ja Agfa Isola I Meniscuslinse ca. 11/70 mm Drehscheiben B, M, ca. 1/30 sec. 6 x 6 cm 11 - 16 120er Rollfilm B 1957 300 Gramm Ja Agfa Isolette Agfa Solinar 4,5/8,5 cm Compur Rapid B, 1-1/500 sec. 6 x 6 cm 4,5 - 22 120er Rollfilm C 1938 - 42 580 Gramm Nein Isolette (original Mod.= 6 x 6 + 4,5 x 6 Agfa Soldatenkamera) Agfa Anastigmat Jgestar 6,3 8,5 cm Vario B, T, 1/25-1/125 sec. cm 6,3 - 32 120er Rollfilm C 1938 - 42 500 Gramm Nein Agfa Isolette I Agfa Agnar 4,5/85 mm Vario B, 1/25 - 1/200 sec. 6 x 6 cm 4,5 - 32 120er Rollfilm C 1951 520 Gramm Nein Agfa Isolette V Agfa Agnar 4,5/85 mm Pronto B, 1/25 - 1/200 sec. 6 x 6 cm 4,5 - 32 120er Rollfilm B-C 1952 600 Gramm Ja Agfa Isoly Agfa Color Apotar 3,9/60 mm Pronto B, 1/30-1/250 sec. 4 x 4 cm 3,9 - 22 Rollfilm B 1960 - 67 320 Gramm Nein Agfa Isoly I Achromat 8/55 mm No Name B, 1/30 und 1/100 sec. 4 x 4 cm 8 - 11 120er Rollfilm B 1960 - 67 300 Gramm Ja Agfa Karat 12 Schneider Kreuznach Karat Xenar 2,8/50 mm Compur Rapid B, 1-1/500 sec. 24 x 36 mm 2,8 - 16 35er Kleinbildfilm B-C 1948 600 Gramm Nein Agfa Karat 3,5 Agfa Solinar 3,5/50 mm Compur Rapid B, 1 - 1/500 sec. 24 x 36 mm 3,5 - 32 35er Kleinbildfilm D 1938 450 Gramm Ja Agfa Karat 3,5 ohne Ösen Agfa Solinar 3,5/50 mm Compur B, 1 - 1/300 sec. 24 x 36 mm 3,5 - 22 35er Kleinbildfilm C 1938 500 Gramm Ja Agfa Karat 3,5 Version 3 Anastigmat Jgestar 6,3 x 5,5 cm NoName B, 1/25 - 1/100 sec. 24 x 36 mm 6,3 - 22 35er Kleinbildfilm C 1934 - 39 420 Gramm Ja Agfa Karat IV Agfa Solagon 2/50 mm Prontor SVS B, 1-1/300 sec. 24 x 36 mm 2 - 16 35er Kleinbildfilm B 1955 - 56 700 Gramm Ja LeBox Flash Einwegkamera Agfa grau NoName Zentral Auto, Blitz 24 x 36 mm fix 35er Kleinbild B 2005 90 Gramm Nein LeBox Flash Einwegkamera Agfa silber NoName Zentral Auto, Blitz 24 x 36 mm fix 35er Kleinbild B 2005 90 Gramm Nein 35er Kleinbildfilm Agfa Moto Rapid C Agfa Color Isomar 8/40 mm Parator ca. 1/30 sec. 24 x 24 mm 8 - 11 (Rapid) B 1965 300 Gramm Nein Optima 200 sensor (Version Agfa 1969) Agfa Color Apotar 2,8/42 mm Paratic Auto 24 x 36 mm 11 - 22 35er Kleinbildfilm B 1969 440 Gramm Ja Agfa Optima 500 S Agfa Color Solinar 2,8/45 mm Compur Auto 24 x 36 mm 2,8 - 22 35er Kleinbildfilm C 1963 720 Gramm Nein Agfa Optima 500 Sensor Agfa Color Apotar 2,8 / 42 mm Paratic Automatic 24 x 36 mm 2,8 - 22 35er Kleinbildfilm B 1969 440 Gramm Nein B, 1/30 - 1/250 sec., Agfa Optima I Agfa Color Agnar 2,8/45 mm Prontor Lux Automatik 24 x 36 mm 2,8 - 22 35er Kleinbildfilm B 1960 - 64 600 Gramm Ja Agfa Optima Ia Agfa Color Agnar 2,8/45 mm Zentral B, Automatik 24 x 36 mm 2,8 - 22 35er Kleinbildfilm B 1962 - 64 480 Gramm Nein Agfa Optima III Agfa Color Apotar 2,8/45 mm Compur B, Blitz, Auto 24 x 36 mm 2,8 - 22 35er Kleinbildfilm B 1960 730 Gramm Nein Agfa Optima Reflex Agfa Color Apotar 2,8/45 mm- 2x Zentral Auto, B, Blitz 24 x 36 mm 2,8 - 22 35er Kleinbild A-B 1962 - 66 860 Gramm Ja Agfa Optima Sensor 1535 Agfa Solitar S 2,8/40 mm Paratronic Auto (1/30-1/1000 sec.) 24 x 36 mm 2,8 - 22 35er Kleinbild B 1977 - 79 290 Gramm Nein Agfa Parat I Color Apotar 2,8/30 mm No Name B, 1/30-1/125 sec.
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  • FOCUSING the VIEW CAMERA Iii

    FOCUSING the VIEW CAMERA Iii

    )2&86,1* WKH 9,(:&$0(5$ $6FLHQWLILF:D\ WRIRFXV WKH9LHZ&DPHUD DQG (VWLPDWH'HSWKRI)LHOG J E\+DUROG00HUNOLQJHU )2&86,1* WKH 9,(:&$0(5$ $6FLHQWLILF:D\ WRIRFXV WKH9LHZ&DPHUD DQG (VWLPDWH'HSWKRI)LHOG E\ +DUROG00HUNOLQJHU 3XEOLVKHGE\WKHDXWKRU 7KLVYHUVLRQH[LVWVLQ HOHFWURQLF 3') IRUPDWRQO\ ii Published by the author: Harold M. Merklinger P. O. Box 494 Dartmouth, Nova Scotia Canada, B2Y 3Y8 v.1.0 1 March 1993 2nd Printing 29 March 1996 3rd Printing 27 August 1998 1st Internet Edition v. 1.6 29 Dec 2006 Corrected for iPad v. 1.6.1 30 July 2010 ISBN 0-9695025-2-4 © All rights reserved. No part of this book may be reproduced or translated without the express written permission of the author. ‘Printed’ in electronic format by the author, using Adobe Acrobat. Dedicated to view camera users everywhere. FOCUSING THE VIEW CAMERA iii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iv Merklinger: FOCUSING THE VIEW CAMERA &+$37(5 7DEOHV FRQWLQXHG +LQJHOLQHWLOW (IIHFWLYHWLOWIRUERWKVZLQJDQGWLOW /HQVWLOWDQJOHIRUJLYHQIRFDOOHQJWKfDQGGLVWDQFHJ
  • Night Photography with the View Camera

    Night Photography with the View Camera

    Night Photography with the View Camera By Tom Paiva Night photography has low-orange of sodium va- been a passion of mine for por, the cyan of mercury some twenty years, for vapor, the green of fluores- more than the reason that cent, adds to the drama of I am a night person. The the modern industrial combination of man- landscape at night. Much made artificial lights, from of the “seeing” at night is neon and tungsten to so- the training of your eye to dium and mercury vapor, notice interesting high- adds surreal colors on film. lights, interactions, reflec- Their reflections and shad- tions off objects, light fil- ows add so much more to tering through windows, the image than during the etc.Most of us don’t really day, along with the inher- see these details. I’m al- ent mystery. I enjoy the ways looking for them, man-made environment even when not photo- and shoot in urban and in- graphing. dustrial areas. The advantages of the Having been involved in view camera working at many workshops on night night are the same as dur- photography, I have been ing the day; perspective asked many times about control, selective focusing how to use the view cam- and the large negative. And era at night, and the pros that large piece of film has and cons of this type of Rail Car at Chemical Plant; 10 minutes at f22, 150mm the tonality, depth and col- shooting. Like most, I lens, Fuji 64T film] or I get pleasure from.