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Ifyou found this page from any other location (other then a link) please notify me [email protected] www.orphancameras.com INTRODUCTION Better pictures are easicr r,vith this distinguished trvin- lens reflex camera. Its extra-bright ground-glassfinder, a result of the built-in Kodak Ektalite Field Lens, lo- cated underneath and in contact with the ground glass. makesit easy to composeand focus your pictures . - - its fast-shooting,flash-s,vnchronized shutter gets that action shot " . . its 4-element .//3.5 Anastar lensesassure neg- atives of superb definition. Your photofinisher makes oversized prints from the 2lx2r/a-inch negativesat a cost little more than that of contact prints, /a//a / (onlan/r I!:_1*r Shutter_Speed 7
LensOpening I o Picture taking with the l(odak l(eflex lI uamera is easy.But if you would like to make sure of getting Focus l0 good results everv time, right from the start, Films t2 spend a few minutes getting acquainted with your camera before you load it with film. t.** t4 o Then before your vacation or any important event, why not make some trial shots just to be eidure 20 sure that you understand your camera and know I:lilg ll: that your equipment is operating properly. Your Doylight ExposureTqble 22 dealer will be glad to check your results and offer tips to improve your technique so that you won't Flosh 23 miss that "important shot." . =-t. 25 o Your Kodak Reflex II Camera comes to you lt":t complete in its attractive leather field case.To re- Flood ExposureToble 26 *orri the case,lift the glove fastenerswhich hold the front, then unscrew the Iarge knurled nut on the Flood 27 bottom of the case.In order that camera Parts may be pointed out more clearly, most of the illustra- Suggestions 30 tions which follow show the camera removed from ,_ its case. Accessories 34
T. M. REG. U. S. PAT. OFF. 3
www.orphancameras.com pictures of sports, you will want to use the camera at eye level. To do Ji, finla,r this, first open the hood; then Probably the first thing you'll swing the magnifier up out of the want to do is open the finder way and push in the center part of hood and look through the the front panel. Now the front and finder. Just press the HooD back panels of the hood form an LATcH and the panels of the open-frame direct view finder. hood will spring into position. When you use the camera at eye When the camera is not in use, level, you can hold it either as the panels are easily folded up, shown in the lower illustration, or first the sides, then the back and front. if you want the taking lens to be To bring the image int6 focus, turn the focusing ring still higher, you can hold it upside on either of the twin lensesuntil the subject seen in the down. In either case, hold the finder is sharp. A flick of your thumb brings the uecNr- carrrera so that the front and rear rrBn into place over the center.of the image; with it you frames are superimposed.This will can focus critically on the finest detail. center the eye correctly in the . The camera should usually be held so that it is cradled finder. in the left hand as shown in the illustrations. Besides To take pictures over the heads supporting the camera, focusing, cocking and tripping eof a crowd, use the reflex finder .and the shutter can all be accomplished with the left hand. hold the camera upside down. "fast This one-handed operation is a feature of the camera For shooting,?' the camera which leaves the other hand free, for example, to hold may be held as in the illustrations, an extension flash. but with the fingers of the right For most pictures you will want to use the reflex finder hand grasping the winding knob, because it is so easy to compose your picture on the ready to, advance the film. The ground glass,including just what you want on the nega- first finger will be in position to tive. But sometimes, for example when you're taking press up the releaseknob. 4 FOR ANY PICTURE
SHUTTERSPEED The length of time the shutter is open to admit light to the film is controlled by settingthe snurrBR sPEEDPoINTER e. Any A SHUTTERSPEED one of sevenshutter speeds,11340, 71100, 1.150,1,125, 1,11,0, U5, and 1/2 secondcan B LENSOPENING be selected. Note that each setting gives an exposure time about twice as long- and therefore lets in about twice as much c Focus light-as the one preceding it. Of course this does not apply to 1/300.
"B" The "Ti' ond settingspermit you to iq; keep the shutteropen for much longer times. You'll find more obout them on poge 29. You con hold the comero in your hondsfor exposuresof l/300,1/100, 1150,or 1125 second.For longer ex- posures,the comero mustbe ploced on o tripod or some other firm support. 7
www.orphancameras.comffi The openingislargest when the pointer isatl3.5. From B ,.r", opENrNG Jl4 to J122, each smaller opening (larger number) admits half as much light as the preceding opening. Thus, if the The size of the opening in correct exposureis 1/50 secondatlf/l 1, then the exposure the lens through which the forl8 should be 1/100 second,and for f 116,1125 second. Iight passesis controlled by The exposure for the average outdoor subject, when setting the LENs opENrNc the sun is shining, isJl17 and 1/50 second with Kodak PoTNTER s. This reeulat Plus-X Panchromatic or Verichrome Film. Remember the amount of light whi this basic exposure-many of your pictures will fit this will reach the fiIm at an situation. Seepages 18 and 19. given sh DEPTHOF FIETD
Depth of field is the distance from the nearest to the farthest point that is in sharp focuswhen you're taking a picture. The depth-of-field scale will help you figure thesedistances. The scaleis used like this: The figures correspondingto thelens openings on each side of the INDEx MARK are used with the DISTANcEscALE as a FOCUS depth-of-field scale to tell the nearest and farthest dis- The adjustmentof the lens tances which will be in sharp focus. for the distance between it Focus the lens. and the subject is controlled Then opposite the figures corresponding to the lens by turning the rocusrNc RrNc opening used, read on the distance scale the nearest and c. Turn the ring until the farthest distances that will be in sharp focus. image of the strbject in the finder is sharp. The irnage The smaller th'e opening, the greater the range of formed on the film will automatically be in perfect focus. sharpness in the negative. For example, if the camera is To make sure that you've focused the camera correctly, focused for 10 feet and J13.5 is used, everything from bring the magnifier into place over the center of the about 9 feet to 11 feet will be sharp' AtJll'1, however, finder image. Always use the magnifier fbr extremely everything from aboutTrf feet to 15 feet will be sharp. il l0 critical work.
lf you ore using the direct view finder, estimote the comero-to-subiectdistonce os closely os possibleond turn the FINDERFOCUSING RING until this distonce is ot the index mork. In some coses you moy be oble to pre-focus on the ground gloss ond then use the eye- level finder to cotch the oction ot the proper instont.
www.orphancameras.com We made. 12 exposures.E620. It is not processedby the 7,h,9/a//J7trsa? Eastman Kodak Company but by the photographer with the special chemicals supplied in convenient kits. See your dealer for more information. The type of film to use will depend on the kinds of KODAK SUPER.XXPANCHROMATIC FIIM subjects you intend to photograph, the light conditions Because of its very high speed, particularly under arti- under which you will work, and, in many cases, the ficial light, this film is the Iogical choice for making particular effect you may desire. The various types of snapshotswith flood lamps. Indoors or out, it's the film Kodak Films describedon thesepages cover picture- any to use when the light-is poor or you need a high shutter taking situation you will encounter. speed to stop fast action. Fully panchromatic. 72 ex- KODAK VERICHROMEFIIM posures.XX620. An all-purpose film, suitable for general outdoor use. KODACOTOR FIIM High in speed, it has excellent latitude to help you get a Here is an easy-to-usefilm that produces color negatives good negative even if you misjudge the exposure slightlv. when developed. It is available in Daylight Type for Orthochromatic sensitivity makes this film especially outdoors-and Type A for indoors with flash or flood suitable for flash pictures of near-by people. 12 exposures. v620. light. Blue flash lamps can be used with Daylight Type film, either as the main light source, or to fill in shadows. KODAK PIUS-XPANCHROMATIC FILM Processing'to a color negative is included in the film Combined high speed fine grain PIus-X and make ideal ,,price. 12 exposures.C620. for general outdoor work and for well-lighted indoor 'XOOACOTOR subjects. The low graininess permits considerable en- PRINTS AND ENTARGEMENTS Iargement, and balanced panchromatic sensitivity assures If you want inexpensive full-color prints or enlarge- good rendering of colors in tones of black and white. 12 ments for your photo album, wallet, or to frame for that exposures.PX620. favorite spot on the mantel, Kodacolor is the film for you. After your filrrr-_has been bxposed,simply return it to your KODAK EKTACHROMEFIIM dealer and he will send it to Kodak for processing. This film produces full-color transparencies for project- Kodacolor Prints and Enlargements are made from ing and viewing, or you can have Kodachrome 3X Prints these negatives-and at a low cost. t2 l3 /,nu/nvold Ylo/no/nv UsEONE OF THEKODAK 620 ROIL FILMS Poges l2 ond 1 3 will help you decide which one.
"0" Look to see if appears in the ExposuRE Insert the roll of film in the recess at the lower couNTER window. If any figure but zero is visible, front of the camera. The spool must be inserted so you push up the nBrBesE KNoB and hold it rvhile that when the protective paper is drawn off, the "0" turn the couNTER KNoB counterclockwise until colored side of the paper will be turned toward just appears in the ExposuRE couNTER. When you and the black side toward the lens. "0" appears, the camera is ready to be loaded.
Break the seal on the roll of film and pass the To open of the camera, push the two the back paper oaer the top of the two rollers. Thread the knurled buttons at the top of the back toward each end into the longer slot in the empty take-up spool other and swing the back out. as far as it will so. l5
N EVERLOAD OR UN LOAD IN BRIGHTDIRECT LIGHT www.orphancameras.com ..f-' Turn the winding knob once or twice to bind the After each picture, pressup the RELEAsErNos Dzl fr paper on the spool,making sure it is started straight. do not hold it; then turn the winding knob until \*l Then closethe back by pushing it in until the latch it locks. The new'exposure number will show in buttons snap outward. Set the dial on the winding the exposure counter. Form the habit of rvinding knob to show the kind of film in the camera. the film ahead after each exposure so that a new section of film will be in place. ,!ti/ To wind the first section of film into place, first When the twelfth exposure has been made, {,} i# draw back the slide which covers the red lvindow press the release knob and turn the winding ,t on the back of the camera. Thg letter C on the knob until the end of the protective paper passes slide is visible in the window when the slide is the window. closed. This is a spring slide and must be held '" "],t while the winding knob is turned. Turn the knob 1' i ..4 | .i +.+ ," until a smali hand or arrow appears in the #t," $il "'"iats'f;; red window; then continue winding slowly until the figure "1" just enters the window. In subdued light, open the back the '" '':i of the camera. To remove Turn ,i'. the couNTER KNoB until it locks. The exposed roll, press the end of "1" figure will then appear in the ExposuREcouN- the spool opposite the winding rnn. It will not again be necessaryto uncover the knob outward toward the side red window for exposure number reference. of the camera. Fold the end of -'Jhe protective paper under and fasten it with the sticker. Remove the empty spool and place it in the winding end of the camera. Turn the winding knob until the key engagesthe slot in the end of the spool; then reload the camera with a new roll of film.
IMPORTANT: After removing the film, do nol wind it righrly with o twisting motion os lhis moy scrotch the film. 17 of the four bosic groups described below. The expo- W,eorforuna sla// J uso? sures given ore for Kodok Plus-X Ponchromoticor Verichrome Film under bright sun conditions;informo- time you Here is o questionyou'll osk.yourself every tion on the exposuresfor other light conditionsis given picture. onswer mode eosy by the foct toke o The is in convenientform in the toble on poge 22 ond on the thot most common subiects con be clossified into one t Snopshot ond FloshKodoguide. I t
vI
rt I I l BrilliontSubiect BrightSubiect Averoge Subiect Shqded Subiect ond Neor-by people in morine, beoch, Beoch, morine, snow scenesi Neor-by people, gordens, houses, People, gordens, ond olher subiects, mountoins scenes; scenics with fore- distont londscopes ond or snow ond scenes, nof in shode. Use this in open shode (lighted by open sky prominenl in the fore- ground obiects. \Mith bright sun without obiects clossificolionif in doubt. With bright -not under trees, porch roof, elc.). Plus-X Plus-X Ponchromoticor ground. With bright sun ond ond Kodok sun ond Kodok Plus-XPonchromofic Wirh brighl sun ond Kodok Plus-X Film, the exposure is: Verichrome Film, the exposure is: or Verichrome or Verichrome Film, lhe.exposure is: or Verichrome Film, the exposure is:
| /so f/22 1/so f/r6 | lso f/rr | /so f/8
www.orphancameras.com /u/nr iln Frclurro
Cock the Shutter I Set ShutterSpeed Move the SHUTTERLEVER See poge 7 upword. ReleoseShutter Move TheSHUTTER LEVER 2 Set LensOpening downword. See poge 8 Hold your breath when you press* the lever to take the picture. If the camera is moved during the exposure, the picture will be blurred. Locotethe Subiect After taking a picture, im- in the Finder mediately press up the re- lease knob and turn the See poge 4 winding knob until it locks. A new section of film will Focus then be in olace. See poge I 0 *By using your left hond os shown on poge 5, you con gel o "squeeze" oclion on fhe lever which prevenls iorring lhe comero. 21 oooro ro to t/) f c1 5 \\\ \ + a !T!! \ cccc 6 1!o(t l oooo 5g o \o t No synchronizer is needed to U @l.)\tt C' L >E bbbb € make flash pictures with the i: |l) Reflex II. All that is necessary Et o: oooo D E_9 lolo|r)|.) o is a Kodak Flasholder, an ac- xX o! \\\\ \ OO cessory which consists of a T;- co :ct!tt! bp x cccc @5 battery case and a reflector. ! oooo *.8 5 ;e ,ht o 9 It The synchronization built into U -corot eg \\\\sss\ o.- €-P oE the shutter assuresthat it will ;.s be open when the flash of the lamp is brightest. llr 6: i _g oooo cc) -t= lo io ro to C'.; Batteries are not provided with the Kodak Flasholder. tr \\\\ .:o o f O,L you use :a an In' order to get good synchronization, must !T''OrO "C" x cccc ea fresh size batteries (photoflash are best) which test F N oooo o'c iE 6o) t roF 9 at least five amperes. To avoid costly flash failures due lrr --@lo 95 9t bL--b 9e to weak batteries, get a Kodak B-C Flashpack from e, -9 o)o tr your dealer. The Kodak B-C Flashpack uses a 22)$-volt 3 ,:g .s6 ra tT oooo -.oL battery. (See page 36.) roQ.or) t? \\\\ --v iY J o r c'; The Flasholder is attached 1o the tripod socket located o. t.P !T'O! o- -c cccc EL camera. The cord fits into the oooo :o bn the bottom of the x :d o, c+ coL NrO- receptacle located on the side opposite the winding I,, c\tFF@ 9.g flash ;B t-bi-b {ro 6= knob. It is advisable to mount the Flasholder on this side h -co rF;.ur of the camera too, otherwise the connecting cord is apt - ;! ;E 0, to fall in front of the lens. Next, consult the instructions () (, qro-a -:0):{ -a 2 oD! D ;o- on the next page and you're ready to take flash pictures. J €E a/t .E=s€ Er< =O)CrO'I'E --c ;C' Comnlete instructions are included with the Flasholder. co.o<(/, x.9 q, uJ.c o a.\ *F 23
www.orphancameras.com FTASHTABI.E J These exposureguide numbers apply with lamps in a 4- to 5-inch satin-finished reflector such as that of the Kodak I Flasholder Model B. With other reflectors, check the manual packed with the flasholder.
All circuit contacts must be clean and bright. If the EXPOSURE GUIDE NUMBERS: Divide lhe number by the lamp base is tarnished, rub it on a rough surface. dislonce in feet from lomp lo subiect to find f-number
With SM or 5F flosh lcmps (Closs F): Lomp I SM or SF No.5 or No. 25 I. Insert the flash lamp in the reflector. Open* Openx 2. Cock the shutter in the usual manner. I Shutter I ond r/roo ond I /50 l/r00 r/300 Speed 3. Release the shutter. Do not usethe S2nchroni lf you prefer, your shutter con be odiusted with the Kodotron ond similor lomps for speedlomp photogrophy insteod of lhe setting for Closs F lomps. This odiustment will be mode by Eostmon Kodok Co. ot o nominol chorge. b E I I .g @l o \1 o s1 llo*l-- o .t) tit- .t o 6 il I ss I ls o dl .O O' I oj E \lsl J ]-ol l- -v! E o 9ro *o -. €ir L lo* | I ox r-l ll YX 0) Q.} ?l vt .=o I ss c { 1 ..)'o .(to () *l FN 2* I 7ul ll-N rl\-\tN jt .2 t- 1 No 6{ o i r -cr ! tti- o r.) | t- ."- tY a; I | l-.i Eb i-l t-t--l (\ J Practical, flexible home lighting is provided by flood C; J ,i lamps in z F suitable reflectors such as the Kodak Vari- tt} j 6- o) o) J 5 J Beam Lights. A good basic lighting for lll O- _9= = CZ lF o o'i lo oo L L color is shorvn in the diagram. You can -to an r>E .o _o C) {) =E -cE E E use Kodachrome as well as black-and- v, .o c\J !4 o)o OrO o =U 5(J J J o' U U white fiIm.. Read about the Kodak 828 OF OXo) o o o q.) O.o zJ.= o-. rn ,h a a Adapter on page 36. x; !.- IIJ t^ F o o* ExposureToble for KodochromeFilm TypeA wilh Two No. 2 Flood Lompsin oul O (a) ro c-,l Kodok Vori-BeqmLights Set ot STIIL o 6v> J '| l! 3Vz. feet 8 feet I feet I /25 second ot % secondx ot I second* ol lo f 14.5 fl8 fl8 "B." xShutter set ot www.orphancameras.com ,.; /ii. i r: "' i'[,il'i,rlt" ,,!t;iii,l! A night scene like the picture below requires a much liit,lr ,i...t.', ;,;;' ,,1' longer exposure than any of the measured intervals pro- vided on the shutter. For short time exposures,set the Don't lay your camera asidejust becausethe light is not shutter speedpointer at "B"; then pressthe shutter lever strong enough for snapshots.With longer exposures,you down and hold it. The shutter will remain open as long can make many excellent pictures inside or in deep as the lever is held down. For exposureslonger than "T"; shade in the daytime, or of such subjectsas floodlighted 10 seconds,set the pointer at then pressthe shut- buildings or fires at night. Be sureto placetlu cameraon a ter lever down and immediately releaseit. The shutter firm supportsuch as a tripodJor exposureslonger than / 125second. will remain open until the lever is again pressed. A shot iike this is easily made near a window. Place a Street scenesat night require a little care to prevent large n'hite card, tablecloth, or photographic blotter streaks in the picture from moving bright lights. Close n'here it u'ill reflect lieht from the window to the shadow the shutter or put your hand momentarily in front of the side of the subject. lens when an automobile approaches. l6 Cropping With theKodak Reflex II Camera,you don't haveto stop and decide whether you're going to malp a horizontal picture or a vertical one. It's easy to compose pleasing pictures in the square format. Later, when you're making enlargements, you may feel that the subject would appear to better advantage in a print of different proportions. ,1.;I . .. ,, When this happens, you'll find the square negacives ideally suited to cropping just asyou want them, either Tell q Story vertically or horizontally. And most photofinishers will The best pictures are those which tell a simple story and make cnlargementsfrom the tell it at a glance. This is true whether you are making particular area of the nega- pictures of people or capturing the beauty of a landscape tive you select. scene, and it is this quality which makes pictures of general appeal. Pictures of children, for example, are usually better if they show the child doing something, not just looking toward the camera. With grown-ups as well, ttre inclusion of some accessoryto engage the subject's interest is very often a help in getting a natural, unposed look. You'll treasure pictures of day-to-day activities around the home, perhaps including some entirely unposed ones. But whatever the subject, a moment spent in expressing an idea will repay you many times in satisfaction with your finished prints. 30 3l www.orphancameras.com Action Pictures lVhen you photograph a moving subject,the total amount of light required is the same as that for a stationary sub- ject, but you can make sharp pictures by combining a high shutter speed with a correspondingly larger lens opening. Whenever possible,use 1/300second; the Snap- shot and Flash Kodaguide will tell you in a moment what the lens opening should be. Children and pets should always be classified as moving subjects. In various sports and games, the subjects periodically slow up, or stop momentarily in poditions that suggest action. If you release at right instant,,$ou Side ond Bock Lighting the shutter the can capture a world of implied action in your pictures. Side-lighted pictures, in which the light comes from the side of the scene, frequently have an illusion of depth Look Beyond the Subiect which is very difficult to obtain in a front-lighted picture. The full-size finder of your Kodak Reflex II Camera Back-lighted scenes, too, are often more interesting makes it easy to composeeach picture to best advantage than pictures taken .of the same subject with the light and choosean angle of view which eliminates distracting behind you. Back lighting outlines foreground objects, elementsin the background. For example, you can seeat adding life and brilliance to them. a glance a tree which might appear in the print to be With either side or back lighting, it is important to growing out of the subject's head. You can see, too, shield the camera lens.from direct light. Keep the lens in prominent horizontal or vertical lines,such as clapboards shade, or use the Kodak Lens Hood of the Kodak Com- on the side of a house, which might detract from the bination Lens Attachments; seepage 34. principal point of interest in the finished picture. The exposure for a back-lighted subject must be in- Whatever the background, make sure that it is a set- creased to secure detail in the shadows. {Jse the next ting or frame for your picture, not an intruding element larger lens opening or the next slower shutter speed. in the composition.Look beyond the subject;your camera most certainly will. 32 33 atmospheric haze in landscapes.Three Kodak Wratten Filters, the K2, G, and A, are recommended. ,ffirrsrsan:s With a panchromatic film like Kodak Plus-X, the K2 filter (vellow) gives tone rendering of colors which closely approximates what is seenby the eye. The G filter (deep yellow) accentuatesthe contrast between clouds and sky and is especially useful with architectural subjectsagainst a blue sky. The A filter (red) gives an even stronger effect than the G, frequently producing spectacularresults. It should be used only with Super-XX or Plus-X Film. Since a filter absorbs some of the light which would otherwise reach the film, its use requires an increase in A-Adopter Ring C-Retoining Ring E-Wrotlen Filter G-Lens Hood exposure. The filter factor is the number of times the B-Portro Lens D-Kodok Polo-Screen F-Adopter Ring Insert exposure must be increased. The Kodak Comhinofion Lens Artochmenfs permit the tr use of a supplementarylens, a Kodak Wratten Filter, a i o FIITERFACTORS FOR DAYTIGHT Kodak Pola-Screen,or a Kodak Lens Hood-either I I o K2 G A singly or together. For the Kodak Reflex II Camera, b the basisof the combination is the lft-inch Series VI J t Kodok Verichrome Film 2V2 Kodak Adapter Ring with its Adapter Ring Insert. The ,t, filter or supplementary lens is held in the Adapter Ring -v Kodok Plus-X Film 2 ; 8 by either the Adapter Ring Insert or a Kodak Lens Kodqk Super-XX Film 2 3 8 Hood. If both a Portra Lens (three are available, 1 f, -o 21, and 3*) and a filter are to be used, a Kodak Re- Kodak Metol Coble Releose No. 5 screws into the taining Ring is also necessary.AII attachments must be threaded hole in the left side of the shutter. It enables SeriesVI. you to make long exposureswithout jarring the camera. Fillers,No accessoryfor o.ridoo. photography with black- Kodok Eye-Level Tripod. This tripod provides a light- and-white films is more useful than a filter to darken the rveight, sturdy support for your camera. The tripod sky and make white clouds stand out or to penetrate 35 31 www.orphancameras.com screw fits directly into the tripod socket in the base of button on the back quickly releases the burned-out your camera. The use of the Kodak Turn-Tilt Tripod lamps. A decal on the reflector gives instant exposure Head is recommended for maximum facility in changing information. The Kodak Flasholder Extension Unit the position of the camera on the tripod. N{odel B is also available for multiple-flash work. Kodok 828 Adapter, If you want to use Kodak 828 The Kodok Master Photogvide is a black-and-white or color films with your Kodak Reflex II sturdy, pocket-size edition contain- Camera, ask your dealer to show you this kit. It includes i.g picture-taking information for a vie'rv finder mask, film mask, two 828 spool adapters. still pictures with black-and-white and an 828 film spool. Both Kodachrome Film and and color films. It has 32 pages of Kodacolor Film are available in the 828 size. easv-to-use dial computers, tables, The Kodok B-C Flosh- and brief text. Index tabs lead you pack oflers a battery- directlv to such subjectsas exposure, filters, Jighting, and many others. condenser method of flashing lamps. It pro- The Kodqk Ektalux Flasholder is brilliantly adapted for vides more than enough all types of flash picture-taking. It's ideal for your energv for accurate syn- Reflex II Camera. The built-in B-C (battery-condenser) chronization and de- s)'stemassures dependable flashing. The magnesiumcon- pendable lamp firins. struction of the pistol-grip handle makes it light and In addition, you'll be durable. The Ektalux usesboth midget and medium- able to use the same o baselamps. Two-way focus of the midget lamps provides battery for one year or { uniform and concentrated lighting. The reflector is re- more. Ask your dealer movable for easy packing. In addition, as many as six i to shorr' 1-ou the unit. extensionunits can be used.Accessories that greatly ex- &, The Kodok Flosh,older pand the versatility of your flash work are also available. ModelB is a highlv efficien t, ligh tweight yet rugged accessory for EASTMAN KODAK o flash rvork. An e.iector COMPANY Rochester4, N. Y. 36 PRTNTEDt" t"t srArEs oF AMERT.A -:l-l]t" DETAI lS-fodck Reflex.llComero FILM Nacetrve Stzn-2t7/ x 2t1 inches. Frr.M Srze-Kodak 620; 12 exposures for black-and-white and color films. I.ENSES Kopa.r ANeSran - B}rnm J | 3.5 Lumeni www.orphancameras.com