DOCSLIB.ORG

Tailboard June 2017

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Tailboard June 2017 The Photographic Collectors Club of Great Britain Tailboard June 2017 Robots invade Photographica! One of the many rare and unusual items available at Photographica 2017. By the way, his name is ‘Luigi’ ! More images of this fantastic event on page 12 2017 AGM New PW Index 14th/15th October, Market Harborough Bernie Curtis has once Afternoon guest speaker, Hilary Roberts, “Introduction to again produced a new index war photography” for Photographica World, covering all articles from Hilary Roberts is Research Curator of Photography at Imperial 2010 - 2016. War Museums (IWM), Britain’s national museum of modern conflict. Available now on the PCCGB website A specialist in the history and practice of conflict photography, (http://www.pccgb.net) Hilary has numerous publications to her name, including The Great War: A Photographic Narrative (Jonathan Cape/Knopf, And there’s more inside! 2013). Recent exhibitions for IWM include Don McCullin: Shaped • Andy told to go to Lacock! by War (2010-2012), Lee Miller: A Woman’s War (2015-2016) and • Jem’s awesome 6mm Edmund Clark: War of Terror (2016-2017). • Minotina is a bargain Hilary works closely with photographers, curators, researchers and writers who document or respond to contemporary conflict. Her current collaboration is with Sergey Ponomarev (winner of the 2016 World Press Photo and Pulitzer Prize awards) on his first British solo exhibition Sergey Ponomarev: A Lens on Syria (IWM London, 27 April – 3 September 2017). Details of the full programme in the next Tailboard chairman’s chat Message from 1881! I have just returned from a very (France), Derek Price (Bangor), enjoyable Photographica, and Albert Taylor (Norwich), Terry helping on the door was a little Braun (London), and Gareth like seeing children go into the Hughes (Maidenhead). Plus biggest sweet shop imaginable! those rejoining us; Ken Walton It was great to have so many (Co. Durham), and Dr A Neill early birds (who pay £20). The Wright – who will be well known range of cameras is always to many as a very early member, great, and certainly there is and the compiler of “A Lens something for everyone - and all Collector’s Vade Mecum”. budgets catered for! One missing element to this A big thank-you to Vic and the years Photographica was Lance team. It was super to also see Potter, who died earlier this year. and meet so many members - Lance Potter long time Treasurer we had well over 110 members of both the Southern Region and through the doors. The fair Photographica. He gave a lot Last week I bought a box works I think on so many levels, of time and wisdom to the club of prints and old Strand it great to catch up with people, and will be much missed. Magazines. Strangely, in the to see so many dealers from middle of this collection, was so many places and to meet so Members will also be sad to a wonderful print of Fox Talbot many of our overseas members. learn of the death of Tony Bray from the “Supplement to the The Club table was busy and Peter Smith who were Photographic News March 11th signing-up 10 new members. long-standing members and 1881”. Was it a sign, telling me keen supporters of the club. to go to the Lacock meeting in And talking of new members, Peter’s camera collection is July? I’ll see you there! so far this year I am delighted being auctioned at Winchcombe to welcome: Andrej Virc Friday 30th June, and Wally Andy (Slovenia), Bengt Fransen Morley has more details. Editor’s Corner: I spent £11 I have just returned from my happen - he is a wise man). (I shan’t say annual trip to Photographica, by whom, to and once again it was a superb I was able to add to my avoid a rush event. Lancashire photographica to his front collection with a rollerblind door for more I had a marvellous time, met lots shutter identified by a little ivory bargains). of friends I hadn’t seen for quite disk marked “Sandham & Co, a while (including some from my 92 North Street Blackburn”. Do you know own NE Region!). Probably made by Thornton what it is? Pickard, but its design is not There was lots to see; rarities instantly recognisable to me as like the Reid, the Compass, the such (I will have to dig out Tom Contaflex, the Linhof Monobar, Holiday’s excellent TP magnum and of course dozens of Leicas. opus to check). ‘Wood and Brass’ was well I also bought a small brass clip represented both on specialist on viewfinder. I have been after stalls and on general dealers’ one for some time and although It’s an Ensign Viewfinder tables. this one is not quite the right Magnifier which slides on to fitting for my TP Wafer, I might the reflecting viewfinder of a I saw many things I liked, but be able to tweak it a bit to fit! folding camera and provides a the two things I would have magnified image shielded from spent a few quid on were sold My most interesting acquisition extraneous light. when I went back to buy them is pictured right - and was (Geoff Preece told me that might given to me in its original box David Gardner 2| Tailboard around the regions NE NW Midlands S SW Around the Regions: simply amazed at the expertise in the club! Southern What seemed like quite a niche Hertland subject at the start turned out to 9 April have a much wider appeal than expected – and a good time was had by all. The next Hertland meeting is on July 23, when Trevor Allin will be talking about the Pentacon Six System. John Wade Southern West Kingsdown 23 April Jeff Gould with one of diminutive meters xposure meters were the Ename of the game at the meeting was thrown open recent Southern region West to members to show and tell Kingsdown meeting, and Jeff about cameras that used add-on Gould was the man who gave meters. It turned out there was During the show and tell, Don us the gen. a lot, ranging from the original Baldwin talks about the Plaubel Canonflex to the Voigtländer Makina as a press camera. “When I began collecting meters focusing Brillant, which used ress cameras were the big my wife was delighted,” he told an extinction meter that clipped Ptalking point at the April us. “She thought that meant no over the camera’s viewing lens. Southern Region Hertland more cameras.” The look on meeting. the face of the lady in question sitting patiently at the back of The afternoon kicked off the hall plainly said that didn’t with a presentation by Bob happen. White, running us through the basic history from the Goerz- But it was meters that mattered Anschutz, probably the first most at this meeting – and there press camera, to the iconic was not a Selenium or CdS cell Nikon F. On the way we looked in sight. These were meters at cameras that included Van from the days long before Neck and Soho Press Cameras, electronics entered the story. It Speed Graphics, the unusual turned out to be a story of rivals, and rare Dawe, Mamiya Press attempting to outdo each other and the strange Peckham Wray. with new methods of exposure measurement. Most of these, Bob had on display for members to play We heard how George Frederick with. Wynne’s series of Infallible meters vied with Alfred Peter Bourne with his very After Bob’s talk, the meeting Watkins’s famous Bee meters, impressive Graflex was thrown open for anyone and how, despite their joint who could follow the theme interest, the two men met only By the end of the afternoon, we and a surprising number came briefly and disliked each other all agreed there was a lot more up with their own cameras that on sight. to meters than we had ever were used by the press. realised. Later in the afternoon, the John Wade Tailboard |3 around the regions NE NW Midlands S SW North East timers made to the Autoknips Baildon design but marked with their 25 March own logo, even Leica sold a 1930’s Autoknips timer under its or our first meeting of 2017 own name. Fwe opted for a new type of meeting that gives our members Models I and II are for the about 20 minutes to talk on release cable. Model III fixes any subject [photographically onto external threads on release speaking!] of their choice. As buttons. Model IV and V both a result we covered 5 subjects attach to the small threads on that possibly would not some release buttons and on normally be aired but which the Minox copy stand and tripod nevertheless were well received adapter. Model V also has an by the audience. additional attachment making it an alternative to Model III. Peter First up was David Gardner referred anyone interested in with his ‘4 Commandos and a learning more about timers to Tank’, being the story behind look for Heinrich Klapprott [pre- the development of the Ensign 1938] and Klapprott and Lampe Peter Hyde explaining the operation Commando from its 1938 patent post WWII on the web. of one of the 250+ self-timers he has for a camera with film plane collected focusing, via its initial wartime My own talk was entitled ‘The development and issue in ‘If you’ve got the time, I’ve got Kristall Maze’ and attempted 1944/5 to the RAF and Fleet Air the timers’, which is an insight to unravel the story of Leica Arm because of the shortage into the collecting of camera copies made by Italian of cameras, and then post war timing devices.
Load more

Recommended publications
  • A Digital Astrophotography Primer - OR - This Is NOT Your Daddy’S SLR!
    A Digital Astrophotography Primer - OR - This is NOT your Daddy’s SLR! Page 1 of 22 Table of Contents A Digital Astrophotography Primer...........................................................................................................................................................1 Table of Contents.......................................................................................................................................................................................2 Introduction............................................................................................................................................................................................3 What is an SLR, anyways? ....................................................................................................................................................................3 SLR, DSLR, What’s the Difference?.....................................................................................................................................................4 The Viewfinder ......................................................................................................................................................................................4 The Focus Mechanism ...........................................................................................................................................................................5 The Capture Medium .............................................................................................................................................................................6
    [Show full text]
  • · Could Colortv.
    Sales assistants. Yourproduct knowledg,l · could you 1st prize of a Philips 2Z' colorTv... • •••or one of a hundred Kodak pocket Instamatic 100 camera outfits! Win - - a color T.V. set, or one of 100 Kodak ~ocke t lnstamatic 100 camer a outfits!! nn. Your Name: Mr./ Mrs.I Miss __ __ ____ __ ______________ _ ~illdakPocket Store Name and addre ss _ __ ____ ___ _ ______________ _ Camera Quiz Post your entry to : Kodak pocket camera qu iz, P.O. Box 90, Coburg , Vict oria, 3058. to arrive on or before Friday November 15, 1974. 01. What are the two best selling featur es Q8. (B) You go on to explain that the 014. Your customer now has a box camera of all Kod ak pocket lnstamatic model 300 is even better, beca use: and says " I want a camera that is easy came ras? LJ Automatic exposure control to load, and doesn't doubl e-expose." pact , lightweight , easy to carry You explain th at poc ket lnstamatic Variab le apert ure lens enab les cameras: ht-line viewfind er D pictures under a wider range of D Load automatica lly t::'. e big , clear, rectangu lar picture s lighting conditi ons. lJ Reliable flash pictu res [J Warnin g sign al warns of underexposure D Can't be wound on unless the safety - • Tripod and cable release sockets switch is pressed 02. Pock et lnstamatic cameras use: Extended 1.2- 5 m. fl ash pictur e range • Have s:mple drop-in cartridge load ing, [J 126 fil m O 828 film • and a doub le-ex posure prevention lock .
    [Show full text]
  • Kodak Flash Bantam Manual
    Kodak Flash Bantam Manual Eastman Kodak Co., of Rochester, New York, is an American film maker and camera maker. 3.3.21 130 film, 3.3.22 616 film, 3.3.23 620 film, 3.3.24 828 Bantam film Flash II Camera, Brownie Flash III Camera, Brownie Flash IV Camera, Kodak Kodak manuals, booklets and other historical literature (some in PDF. Kodak Bantam. Kodak Anastigmat lens f.6.3. 8-37-KP-35. Kodak Flash News! 5/59/6 TF300656 Kodak and Kodak Brownie user manuals from the collection. Digital camera instruction manuals brought to you by OTC. Original and professionally produced copies of digital camera manuals for (Flash Bantam f4.5) One in particular, a Kodak Flash Bantam, which was a gift from my dearly departed grandmother, was the inspiration for the project described in this article. More Like This. KODAK FLASH BANTAM, 48/4.5 KODAK ANAS$20.00 · Vintage Kodak Tourist Camera Manual 1$4.50 · KODAK FLASH BANTAM CAMERA. etsy.com. Kodak Camera Flash Bantam with Leather Case by jackscloset, $48.00 Kodak No. 2 Folding Cartridge Premo Camera with Original Box & Manual. Kodak Flash Bantam Manual Read/Download RARE Kodak Flash Bantam 828 Roll Film Folding Camera Lense = Anastar Vintage Lot Original Boxes- Kodak Bantam RF Camera & Field Case + Manual. Kodak Film Camera 1600 Auto. Kodak Film Camera User Manual. Pages: 0 Saves: 0. See Prices Buy or Upgrade. 828 special 35mm paper backed roll film and was equipped with a non-self-cocking Flash 300 shutter and 50mm f/3.9 Kodak Ektanon lens.
    [Show full text]
  • 3D Frequently Asked Questions
    3D Frequently Asked Questions Compiled from the 3-D mailing list 3D Frequently Asked Questions This document was compiled from postings on the 3D electronic mail group by: Joel Alpers For additions and corrections, please contact me at: [email protected] This is Revision 1.1, January 5, 1995 The information in this document is provided free of charge. You may freely distribute this document to anyone you desire provided that it is passed on unaltered with this notice intact, and that it be provided free of charge. You may charge a reasonable fee for duplication and postage. This information is deemed accurate but is not guaranteed. 2 Table Of Contents 1 Introduction . 7 1.1 The 3D mailing list . 7 1.2 3D Basics . 7 2 Useful References . 7 3 3D Time Line . 8 4 Suppliers . 9 5 Processing / Mounting . 9 6 3D film formats . 9 7 Viewing Stereo Pairs . 11 7.1 Free Viewing - viewing stereo pairs without special equipment . 11 7.1.1 Parallel viewing . 11 7.1.2 Cross-eyed viewing . 11 7.1.3 Sample 3D images . 11 7.2 Viewing using 3D viewers . 11 7.2.1 Print viewers - no longer manufactured, available used . 11 7.2.2 Print viewers - currently manufactured . 12 7.2.3 Slide viewers - no longer manufactured, available used . 12 7.2.4 Slide viewers - currently manufactured . 12 8 Stereo Cameras . 13 8.1 Currently Manufactured . 13 8.2 Available used . 13 8.3 Custom Cameras . 13 8.4 Other Techniques . 19 8.4.1 Twin Camera . 19 8.4.2 Slide Bar .
    [Show full text]
  • Bolta Photavit Werk
    Bolta ­ Photavit Werk Leif Johansen Kort historik: Boltavit kameraet blev konstrueret og bygget i I 1941 kom USA i krig med Nazityskland og 1935. Der var en mere eller mindre parallel Bolten mistede kontrollen, men Photavit Bolta Werk gruppen blev grundlagt af produktion på hver side af Atlanterhavet. Året værket kunne fortsætte med en Johannes Bolten (1893–1982) med en efter blev der i Nürnberg etableret en krigsproduktion baseret på tvangsarbejdere. I startproduktion af bakelitkamme. Bolten selvstændig værksenhed. Studie af maj 1945 undgik Bolten som USA statsborger udvandrede i 1929 til Amerika, skiftede navn kameraudseende og funktioner viser et tæt en beslaglæggelse efter russiske krav. til John Bolten og fik amerikansk samarbejde mellem Boltavit og Ulca fabrikken Samtidig havde den “amerikanske “fabrik statsborgerskab. Han havde succes som (“legetøjs” kamera) med samme konstruktør. nemmere adgang til råvarer og kunne sælge virksomhedsgrudlægger, men drev fortsat Kort tid efter starten skiftede navnet til kameraer hen over zonegrænserne, som Boltaværket I Nürnberg. Der var her, at Photavit for såvel kameraet som for værket . ellers fungerede som landegrænser, hvor der krævedes import­ og eksport tilladelser. Det gjaldt også leverancer af objektiver og lukkere. Der var gode afsætningsmuligheder i butikker for amerikanske soldater i Tyskland. Alt dette medførte, at Bolta var i gang allerede i 1946, hvor der ellers gik længere tid for nye såvel som gamle tyske producenter. Kameraproduktionen startede op med Photavit med Bolta patronerne og udviklede sig med en modelserie fra III til V. Fra 1952 suppleredes med en produktion af Kameraet har det såkaldte spareformat 24x24 6x6 cm Photina (uægte TLR) og Photina mm på normal 35 mm film .
    [Show full text]
  • 14-35Mm Whitepaper.Qxd
    ZUIKO DIGITAL ED 14-35mm 1:2.0 SWD lens: World’s first standard zoom with a fixed 1:2.0 aperture The challenge: Excellent image quality, a fast autofocus and compact durability are high on every professional photographer’s list of what a lens should possess. But more often than not, high lens brightness tops such a wish list. With light being among the most essential elements for creating photographic compositions, that’s not very surprising. The majority of zoom lenses, however, lose part of their light-gathering power as the zoom factor increases. This is overcome with fixed focal length lenses – but at the expense of zooming flexibility. The engineering challenge therefore is to produce a lens that combines the versatility of a zoom with a bright aperture that remains consistent over the entire focal length range while retaining compact dimensions. The lens: The ZUIKO DIGITAL ED 14-35mm 1:2.0 SWD bestows photographers an extremely bright 2.0 aperture throughout its entire zoom range (equiva- lent to 28-70mm in 35mm cameras). Furthermore, thanks to adherence to the Four Thirds Standard, the lens can boast a size and weight advantage over counterparts using other sensor types – while still E-3 with ZUIKO DIGITAL ED 14-35mm providing enough headroom required for its bright, fixed aperture. 1:2.0 SWD lens The lens features an inner focusing mechanism, meaning its length does not change when zooming, nor does the lens’s end rotate when focusing. Instead, the intermediate lens groups change positions when focusing. As these groups are smaller compared to the front lens group, higher focusing speeds can be achieved.
    [Show full text]
  • With 30 Years of Nature Travel
    About Tom Dempsey W ith 30 years of nature travel photography experience in over 20 countries, Tom has mastered the use of lightweight camerasSierra forNational photography Geographic DKon thePublishing go. His imagesRough Guidesappear Moonin travel Travel Guidespublications by , , , , , and more. www.PhotoSeek.com He authors internet website and teaches photography workshops in his home city of Seattle. [email protected] comments and order images/books: Above: Tom traveling in New Zealand, a favorite destination. Photo by Carol Dempsey. (2007) “We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time.” Little Gidding — T. S. Eliot, Back cover: Natural tannins released from decomposing vegetation stain Tidal River brown, in Wilson’s Promontory National Park, Victoria, Australia. Captured with a compact camera. (2004) Canon PowerShot G5 210 | Light Travel Tom Dempsey Light Travel Photography on the Go PhotoSeek Publishing Seattle, Washington � Right: A Nepali woman turns a large prayer wheel at Pangboche Gompa, a Buddhist temple near Mount Everest in Sagarmatha National Park, a UNESCO World Heritage Site in Nepal. (2007) Previous pages: The mountains of Eiger, Mönch, and Jungfrau (Ogre, Monk, and Virgin) reflect in a pond at Kleine Scheidegg train station in Switzerland. Six images were stitched to make this panorama—learn how on pages 44-45. Jungfrau-Aletsch is inscribed on the World Heritage List by UNESCO. (2005) Cover photo: Trekkers pause at 13,000 feet/4000 meters elevation near the impressive mountain face of Fang (25,088 feet/7647 meters) in the Annapurna Sanctuary, Nepal.
    [Show full text]
  • Joe Farace Barry Staver
    Better Available Light Digital Photography This page intentionally left blank Better Available Light Digital Photography How to Make the Most of Your Night and Low-Light Shots Second Edition Joe Farace Barry Staver AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Associate Acquisitions Editor: Valerie Geary Publishing Services Manager: George Morrison Project Manager: Mónica González de Mendoza Marketing Manager: Kate lanotti Cover Design: Eric DeCicco Cover image: © Joe Farace Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK © 2009 Joe Farace and Barry Staver. Published by Elsevier, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (+44) 1865 843830, fax: (+44) 1865 853333, E-mail: [email protected]. You may also complete your request online via the Elsevier homepage (http://elsevier.com), by selecting “Support & Contact” then “Copy- right and Permission” and then “Obtaining Permissions.” Recognizing the importance of preserving what has been written, Elsevier prints its books on acid-free paper whenever possible. Library of Congress Cataloging-in-Publication Data Farace, Joe. Better available light digital photography : how to make the most of your night and low-light shots / Joe Farace, Barry Staver.
    [Show full text]
  • Kodak Reflex II
    - POSTED 6-27-'04 This manual is for reference and historical purposes, all riglrts reserved. This page is copyright O by M. Butkus. NJ. This page may not be sold or dishibuted without the expressedpermission of the producer I have no connection with any camera company Online camera manual library This is the fulltext and images from the manual. This may take 3 full minutes for this PDF document to download. The r4ain page is located at www.butkus.org/chinon If you find tlfs manual useful, how about a donation of $3 to: M. Butkus, 29Lake Ave., High Bridge, NJ 08829-1701 and send your e-mail address so I can thank you. Most other places would charge you $7.50 for a electronic copy or $18.00 for a hard to read Xerox copy. This will allow me to confinue to buy new manuals and pay their shipping costs. Itrll make you feel better, wonrt it? If you use Pay Pal or wish to use your credit card, use the Pay Pal Link on my page. Ifyou found this page from any other location (other then a link) please notify me [email protected] www.orphancameras.com INTRODUCTION Better pictures are easicr r,vith this distinguished trvin- lens reflex camera. Its extra-bright ground-glassfinder, a result of the built-in Kodak Ektalite Field Lens, lo- cated underneath and in contact with the ground glass. makesit easy to composeand focus your pictures . - - its fast-shooting,flash-s,vnchronized shutter gets that action shot " . its 4-element .//3.5 Anastar lensesassure neg- atives of superb definition.
    [Show full text]
  • Digital SLR Astrophotography: Practical Amateur Astronomy Michael A
    Cambridge University Press 978-0-521-70081-8 - Digital SLR Astrophotography: Practical Amateur Astronomy Michael A. Covington Index More information Index aberration video 202–206, 203, 204 lens 58, 114,115 RegiStax 205, 206 spherical 73–74, 77 asymmetric triplet lens 85 accuracy, subpixel 110 atmosphere, refraction 106 adapters aurora borealis 42 camera–telescope 53, 53, 54–55, 55 auto exposure 6, 35, 39 lens mount 80–81 auto power setting 35 M42 82–84, 83 auto rotate setting 33 quality 81–82 autofocus 28,76 afocal coupling 32, 51, 52, 199 see also lenses, autofocus Moon photography 39–40, 41, 42 autoguiders 108–110 aggressiveness, autoguider 110 average (mean), image combining 179 airplane trails 16, 180 alignment B+W 091 filter 141 image processing 154–155 balance polar 99, 103, 104, 105 color 28 drift method 104–105, 105 white 28 alpha channel see layer masking Barlow lens 52, 57, 86,87 Altair star field 18 batteries altazimuth telescope mounts 44–45, 99, 100, lead–acid 116–117 101, 110–115, 112, 113 lithium-ion 117 amplifier glow 132, 132, 147 Bayer matrix 22–23, 22, 153 analog-to-digital units 130 see also de-Bayerization Ang´enieux Retrofocus lens 85 bias 131 anti-reflection coating 84, 87 bias frames 146, 147, 183, 185 aperture 56 binning 133 manual control 26, 27 bit depth 165 APS-C format 19, 59, 62, 63, 71, 71, 72 BlackFrame NR 164 APS-H format 19 blooming 132 asteroid movement, Photoshop 183, 184 blur 73 astronomy deconvolution 175–176, 176 image processing techniques 178–195 see also bokeh 209 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-70081-8 - Digital SLR Astrophotography: Practical Amateur Astronomy Michael A.
    [Show full text]
  • Still Photography
    STILL PHOTOGRAPHY Paper Code: 108 Second semester Course Code : BJ(MC) 108 L : 4 T/P : 0 CREDITS : 4 Unit-I [Introduction to Photography] L- 10 1. What is photography? 2. Brief History of photography. 3. How Camera works? 4. The role & importance of photography. 5. Principles of Camera Obscura Unit-II [Camera] L- 18 1. What is Camera? 2. Basic Parts of single lens reflex (SLR) [film & digital] : 1. Lens 2. Film Chamber (CCD & CMOS) 3. Aperture 4. Shutter 5. View finder 6. Pentaprism 7. Memory (Internal & External) 3. Camera formats – 35mm, medium format, large format 4. Camera design & its working – simple camera, compact camera, view camera, range finder & reflex camera TLR, SLR, POLOROID, UNDERWATER CAMERA & DIGITAL CAMERA 5. Lenses – controlling the image 1. Photographic lenses – prime & zoom lens, angle of view (Narrow & Wide Angle Lens) 2. Aperture, Focal No. & Focal Length 3. Depth of focus, Depth of Field and How they work 4. Lens care 1. Lens perspective, film speed, flash gun, light meter 2. Exposure 1. Measurement of light – exposure metering system 2. Exposure control – relationship between shutter speed and aperture 3. Camera accessories: Tripod, monopod, filters, Lens hood UNIT-III [Lighting And Visual Communication] L- 10 1. Lighting 1. Sources of light : Natural & Artificial 2. Nature and physical properties of light 3. Direction & angle of light : Front, side, top & back 4. Lighting contrast and its control by fill in lights 5. One, two & three point lighting : Key, fill and back light 2. Principles of Photographic composition 3. Various types of photography: Portrait, Wildlife, Nature, Photo Journalism, Advertising and Night photography UNIT-IV [Printing of Photograph] L- 10 1.
    [Show full text]
  • Kodak Magazine (Canada); Vol. 10, No. 9; Oct. 1954
    Camera Gift Paclmges -page 3 Vol. 10, No. 9 October 1954 Published by Canadian Kodak Co., Limited Toronto 9, Ontario Benefits to Dependents Extended in Major Medical Exp en se Insur ance Plan ODAK'S Major Medical Expense Insur­ curred after that date come under the Kance Plan, as announced last year, did regular terms of the plan. not cover dependents in ill health when the In the case of subscribers enrolled after subscribers' coverage became effective. The September 1, 1954, dependents in poor dependents were eligible only upon fu ll health are covered either upon full recovery recovery. or after a waiting period of six months. The effective date for this new coverage The terms of the plan were recently coincides with the effective date for the extended. Effective September 1, 1954, recently announced protection under the coverage was provided for subscribers' plan, which has been extended to retired dependents who were not eligible, previously, people with 15 years' service and their owing to illness. Any medical expenses in- dependents. l( odak to Sponsor Color Television Show in United St a t es Next Year HE contract is signed and plans are ad­ our customers and the industry as a whole." Tvancing for a Kodak-sponsored color The star of the half-hour color show will television show which will make its bow on a be David Wayne, well-known Broadway national network in the United States early actor, who will be seen in the title role of next year. "Norby," a family man and small-town It will be the first television network banker.
    [Show full text]