Digital SLR Astrophotography: Practical Amateur Astronomy Michael A
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BAADER PLANETARIUM PRODUCTS (All Prices in EUR) Products, Pricing and Specifications May Change Without Notice Or Obligation
Pricelist ANDROMEDA Ltd. October 2020 BAADER PLANETARIUM PRODUCTS (All prices in EUR) Products, pricing and specifications may change without notice or obligation. Section Products 1 Guide Scope Rings + Related Accessories 2 - 4a Dove Tail Systems 3" / V / Z 2 3" (Losmandy style) System, Bars and Clamps 3 V- (Vixen/Celestron/SkyWatcher/EQ) Dove Tail System, Dove Tail Bars and Clamps 4 Z- (Zeiss/Astro Physics) Dove Tail System, Dove Tail Bars and Clamps 4a Custom lengths of Dovetail bars (w/o anodizing) – style 3" or „V“ or „Z“ 5 - 5b Tripods and Adapters: 5 Baader Tripods & Flange Adapters for a variety of mounts 5a Photo Tripod „Astro & Nature“ and Accessories 5b Short Pillar and Universal Pillar Adapter 6 Travel Mount 6a Cases for Telescopes 7 Counterweights: Baader CDP, 10 Micron, custom bore holes 8 Adapters and ClickLock clamps 8 Baader Astro T-2 System – all adapters for T-2 Photo Thread 8a M48 Adapter System 9 2" (SC-thread) Mechanical Adapters, 2" Eyepiece Holders, 2" Extensions 9a 2” ClickLock® (CL) – clamps for SC / AP / M68 / Vixen / SkyWatcher, 2" / 1¼" 10 M68 (Zeiss) Adapter System, Zeiss Extension tubes, M68 Changer & Change Ring 11 Baader Adapters for Pentax / Takahashi / AstroPhysics / TEC & 3" Hyperion 12 - 13 Finderscopes and Accessories 12 Finderscopes, SkySurfer III, Skysurfer V, Vario-Finder 10x60 13 Quick Release Finder Brackets & Accessories, Tangent assemblies, Baader Stronghold 14 - 18 Projection and Photography 14 Digital Adapter System DT-I/DT-II & M68 (Adapters for fixed lens (afocal) photography) 15 ADPS Digital -
A Digital Astrophotography Primer - OR - This Is NOT Your Daddy’S SLR!
A Digital Astrophotography Primer - OR - This is NOT your Daddy’s SLR! Page 1 of 22 Table of Contents A Digital Astrophotography Primer...........................................................................................................................................................1 Table of Contents.......................................................................................................................................................................................2 Introduction............................................................................................................................................................................................3 What is an SLR, anyways? ....................................................................................................................................................................3 SLR, DSLR, What’s the Difference?.....................................................................................................................................................4 The Viewfinder ......................................................................................................................................................................................4 The Focus Mechanism ...........................................................................................................................................................................5 The Capture Medium .............................................................................................................................................................................6 -
Using a Canon EOS M50 As a Dedicated, Afocal, Microscope Camera Steve Neeley (USA)
Using a Canon EOS M50 as a Dedicated, Afocal, Microscope Camera Steve Neeley (USA) From Wikipedia: “Afocal photography, also called afocal imaging or afocal projection, is a method of photography where the camera with its lens attached is mounted over the eyepiece of another image forming system such as an optical telescope or optical microscope, with the camera lens taking the place of the human eye.” Except for a very few hours experimenting with a borrowed Canon 40D back in 2011, I had no experience with coupling and using a camera with my Leitz Ortholux I microscope. But I was able to get surprisingly good coverage of its sensor – which was encouraging. Above: Phase Contrast Image of a diatom strew slide from experiments with a Canon 40D in 2011. Recently, in trying to rekindle and expand my hobby, I bought my own camera -- a Canon M50 -- to use as a dedicated microscope camera. This article shares my experience in coupling and using the M50 on the Ortholux. Disclaimer. As a colleague often says, “I’m not buying or selling here” – meaning, in this case, that I did earnest, but certainly spotty, research before buying the M50, and it was only after I had it in hand and could work with it on the scope, that I finally understood some things, as in ‘Oh! NOW I understand.” I bought what I could afford, not what was the absolute best solution for my priorities. Not ‘selling’ you on the M50 – you might find something better. 1 Priorities 1. To share my hobby in ‘live view’, on screen, with family so they do not need to use the eyepieces (this is especially hard for children). -
T-Mount - Wikipedia
4/1/2020 T-mount - Wikipedia T-mount The T-mount is a standard lens mount for cameras and other optical assemblies. The usual T-mount is a screw mount using a T-mount male 42×0.75 (42 mm diameter, 0.75 mm thread pitch) metric Type screw thread on the lens with a flange focal distance of 55 mm and a External diameter 42 mm mating female 42mm thread on a camera adapter or other optical component. This thread form is referred to as T-thread. (This Flange 55 mm should not be confused with the M42 lens mount which is also Connectors None 42 mm diameter, but has a 1 mm thread pitch. The T-thread is sometimes described as "M42x0.75," which is the usual manner in which to describe the thread.) The "T" is said to stand for Tamron or Taisei, a Japanese manufacturer that released in 1957 the first of a line of aftermarket camera lenses that fit 35 mm SLR cameras built by various manufacturers using their universal T-mount. On the first model, the mini T-mount used a M37×0.75 thread; Tamron's canonical M42×0.75 T-thread didn't appear on the market until about 1962. The company referred to it variously as a T-mount, T-thread, T-adapter, or a T-400, but not as a T-2, which is simply the name that Soligor used for its version of the T-adapter. The proprietary lens mount of each camera manufacturer was adapted to the T-mount thread with a simple adapter. -
Software Unique Features Interfacing Engineering
3 1 Software Unique Features Unique made in Germany in made Common Feature Set Feature Common > Homogeneous for all SVCam Products SVCam all for Homogeneous > Same SDK Software SDK Same > GigE Vision, GenICam, Camera Link or PoCL and PoE and PoCL or Link Camera GenICam, Vision, GigE Precise I/O-Control and Timing and I/O-Control Precise > CoaXPress, USB3, like: Standards with Compliant > Programmable Sequencer for Shutter and LED-Light LED-Light and Shutter for Sequencer Programmable > Software: Power Driver for LED-Light for Driver Power > Configurable Frame Rates for Speed or Dynamic or Speed for Rates Frame Configurable > Unique Features Unique Differential RS-422 and Serial RS-232 In- and Out-put and In- RS-232 Serial and RS-422 Differential > up to 4 x Power Output (open drain) (open Output Power x 4 to up > up to 4 x Trigger Input, Trigger x 4 to up > Configurable I/O-Matrix Configurable > Industrial Protection Class up to IP67 to up Class Protection Industrial > Versatile I/O-Concept: I/O-Concept: Versatile Temperature Management Management Temperature Advanced > Durable rugged Mechanical Design Mechanical rugged Durable > Optical Precision Precision Optical > Industrial Connectivity (Hirose and M12 versions) versions) M12 and (Hirose Connectivity Industrial > Housing Support for Micro-Four-Thirds Lenses Micro-Four-Thirds for Support > same Connectivity same • same Signal Levels Signal same • Individual Custom OEM Designs OEM Custom Individual > same Pin-Out same • Flexible & Scalable & Flexible > Concept: Interfacing Homogeneous -
Astrophotography: Tips, Tricks, and Techniques
Astrophotography: Tips, Tricks, and Techniques Clay S. Turner Sept. 24, 2011 Astrophotography without a Telescope • Use camera on a tripod • Use remote shutter release • Do long exposures with large apertures (“Fast Lenses”) • Include landscape with sky to make image interesting. • Modern low noise DSLRs allow high ISOs to facilitate short exposures. Yellowstone National Park Lowell Observatory Iridium Flares Lowell Observatory Piggyback Astrophotography • Here you attach your camera onto a telescope to use the scope’s tracking. • Camera uses its own lens and not the scope’s optics. • Useful for medium to large areas of the sky. Shot with DSLR and 180 mm lens Three basic ways to image through your telescope. • Prime Focus • Eyepiece Projection • Afocal Photography Prime Focus Imaging • The telescope’s objective is used in place of a “long lens” in photography. Thus the camera, sans lens, is connected where the eyepiece normally goes. • DSLRs are usually used in this mode of Astro-Imaging. • Preferred method of imaging by professional astronomers. Eyepiece Projection • Just like with Prime Focus photography, a camera is used without its lens. But in this case the eyepiece is used to magnify and project the image onto the camera’s sensor (film). • There are special adaptors that will contain the eyepiece and also hold the camera with variable spacing (magnification) permitted. Afocal Photography • In this case the telescope with its eyepiece is focused so an observer while looking into the eyepiece sees the object clearly. Then a camera with a lens is then used to image the object while looking into the eyepiece. Birders often call this technique “digiscoping.” Simple low cost “point and shoot” cameras may be used this way. -
Tele Vue-60 Operating Guide
Qwik-Point Installation Instructions: TV60OG 1003 PRICE $5.00 Printed in U.S.A. 1) Remove the 2 but- ton head screws from the dew shield with a 1/8” Allen key. OPERATING GUIDE (You won’t be needing the screws anymore.) 2) Attach the Qwik- Tele Vue-60 Point adapter block using the socket-head cap screws and wrench supplied with the Qwik- Point (model QBT-1006). 3) Follow instructions packaged with Qwik-Point for alignment and use. Since the Qwik-Point installs on the dew shield (sometimes called Sun Shade), it can be rotated to any conve- nient angle. It stores in the Tele Vue-60 carrybag with out need to remove it. Optional equipment shown. 360mm f/6.0 APO REFRACTOR ® Tele Vue 32 Elkay Dr., Chester, New York 10918 (845) 469 - 4551 www.televue.com Visionary 16 OPERATING GUIDE 11. SPECIFICATIONS: Congratulations on purchasing the Tele Vue-60 APO telescope. We worked hard Type 2-element APO refractor to ensure that the Tele Vue-60 embodies all the performance and features of the fi nest Clear Aperture 2.4 inches (60mm) astronomical-quality telescopes along with the compact size, ease-of-use, and versatility Aperture Gain 73, compared to a 7mm eye pupil of a top spotting scope. Please take the time to read this operating guide to familiarize Focal Length 14.2 inches (360mm) yourself with the various parts, operating suggestions and care instructions that will enable Focal Ratio f/6 you to obtain maximum enjoyment from your new Tele Vue-60. Resolution 1.9 arc-sec. -
Orion® Steadypix™ Pro Universal Camera/ Smartphone Photo Mount #5306 Congratulations on Your Purchase of the Steadypix Pro Universal Camera/Smartphone Mount
INSTRUCTION MANUAL Orion® SteadyPix™ Pro Universal Camera/ Smartphone Photo Mount #5306 Congratulations on your purchase of the SteadyPix Pro Universal Camera/Smartphone Mount. This versatile adapter enables you to take high- magnification telescopic photographs with a wide variety of point-and-shoot digital cameras and smartphones. The SteadyPix Pro firmly holds your camera or smartphone up to the eyepiece of a telescope or spotting scope, providing the critical positioning needed to capture sharply focused, consistently well-composed terrestrial shots or nighttime astrophotos through the telescope’s optics – with jaw-dropping results! These instructions provide a brief outline of how to set up and use the SteadyPix Pro. Please read them carefully prior to using it for the first time. Providing Exceptional Consumer Optical Products Since 1975 OrionTelescopes.com Customer Support (800) 676-1343 E-mail: [email protected] Corporate Offices (831) 763-7000 89 Hangar Way, Watsonville, CA 95076 © 2013 Orion Telescopes & Binoculars IN 512 Rev. A 11/13 Included Parts 1. Raise the adjustable eyepiece A clamp plate (B) as far as it will go Qty Item by rotating the clamp adjusting 1 SteadyPix camera mount knob (A) counterclockwise. 1 Smartphone holder B 2. Insert the telescope’s eyepiece into the eyepiece holding clamp 2 Smartphone bracket attachment (C) and tighten the adjusting knob knobs C (A) until the grip on the eyepiece housing is firm. About Afocal Photography K The SteadyPix Pro lets you couple 3. Mount your digital camera on the almost any small digital camera and E camera platform (J) by threading popular models of smartphone to a I the camera mounting bolt (H) into the ¼"-20 socket on the bottom telescope to do “afocal” photography. -
14-35Mm Whitepaper.Qxd
ZUIKO DIGITAL ED 14-35mm 1:2.0 SWD lens: World’s first standard zoom with a fixed 1:2.0 aperture The challenge: Excellent image quality, a fast autofocus and compact durability are high on every professional photographer’s list of what a lens should possess. But more often than not, high lens brightness tops such a wish list. With light being among the most essential elements for creating photographic compositions, that’s not very surprising. The majority of zoom lenses, however, lose part of their light-gathering power as the zoom factor increases. This is overcome with fixed focal length lenses – but at the expense of zooming flexibility. The engineering challenge therefore is to produce a lens that combines the versatility of a zoom with a bright aperture that remains consistent over the entire focal length range while retaining compact dimensions. The lens: The ZUIKO DIGITAL ED 14-35mm 1:2.0 SWD bestows photographers an extremely bright 2.0 aperture throughout its entire zoom range (equiva- lent to 28-70mm in 35mm cameras). Furthermore, thanks to adherence to the Four Thirds Standard, the lens can boast a size and weight advantage over counterparts using other sensor types – while still E-3 with ZUIKO DIGITAL ED 14-35mm providing enough headroom required for its bright, fixed aperture. 1:2.0 SWD lens The lens features an inner focusing mechanism, meaning its length does not change when zooming, nor does the lens’s end rotate when focusing. Instead, the intermediate lens groups change positions when focusing. As these groups are smaller compared to the front lens group, higher focusing speeds can be achieved. -
With 30 Years of Nature Travel
About Tom Dempsey W ith 30 years of nature travel photography experience in over 20 countries, Tom has mastered the use of lightweight camerasSierra forNational photography Geographic DKon thePublishing go. His imagesRough Guidesappear Moonin travel Travel Guidespublications by , , , , , and more. www.PhotoSeek.com He authors internet website and teaches photography workshops in his home city of Seattle. [email protected] comments and order images/books: Above: Tom traveling in New Zealand, a favorite destination. Photo by Carol Dempsey. (2007) “We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time.” Little Gidding — T. S. Eliot, Back cover: Natural tannins released from decomposing vegetation stain Tidal River brown, in Wilson’s Promontory National Park, Victoria, Australia. Captured with a compact camera. (2004) Canon PowerShot G5 210 | Light Travel Tom Dempsey Light Travel Photography on the Go PhotoSeek Publishing Seattle, Washington � Right: A Nepali woman turns a large prayer wheel at Pangboche Gompa, a Buddhist temple near Mount Everest in Sagarmatha National Park, a UNESCO World Heritage Site in Nepal. (2007) Previous pages: The mountains of Eiger, Mönch, and Jungfrau (Ogre, Monk, and Virgin) reflect in a pond at Kleine Scheidegg train station in Switzerland. Six images were stitched to make this panorama—learn how on pages 44-45. Jungfrau-Aletsch is inscribed on the World Heritage List by UNESCO. (2005) Cover photo: Trekkers pause at 13,000 feet/4000 meters elevation near the impressive mountain face of Fang (25,088 feet/7647 meters) in the Annapurna Sanctuary, Nepal. -
Tailboard June 2017
The Photographic Collectors Club of Great Britain Tailboard June 2017 Robots invade Photographica! One of the many rare and unusual items available at Photographica 2017. By the way, his name is ‘Luigi’ ! More images of this fantastic event on page 12 2017 AGM New PW Index 14th/15th October, Market Harborough Bernie Curtis has once Afternoon guest speaker, Hilary Roberts, “Introduction to again produced a new index war photography” for Photographica World, covering all articles from Hilary Roberts is Research Curator of Photography at Imperial 2010 - 2016. War Museums (IWM), Britain’s national museum of modern conflict. Available now on the PCCGB website A specialist in the history and practice of conflict photography, (http://www.pccgb.net) Hilary has numerous publications to her name, including The Great War: A Photographic Narrative (Jonathan Cape/Knopf, And there’s more inside! 2013). Recent exhibitions for IWM include Don McCullin: Shaped • Andy told to go to Lacock! by War (2010-2012), Lee Miller: A Woman’s War (2015-2016) and • Jem’s awesome 6mm Edmund Clark: War of Terror (2016-2017). • Minotina is a bargain Hilary works closely with photographers, curators, researchers and writers who document or respond to contemporary conflict. Her current collaboration is with Sergey Ponomarev (winner of the 2016 World Press Photo and Pulitzer Prize awards) on his first British solo exhibition Sergey Ponomarev: A Lens on Syria (IWM London, 27 April – 3 September 2017). Details of the full programme in the next Tailboard chairman’s chat Message from 1881! I have just returned from a very (France), Derek Price (Bangor), enjoyable Photographica, and Albert Taylor (Norwich), Terry helping on the door was a little Braun (London), and Gareth like seeing children go into the Hughes (Maidenhead). -
Joe Farace Barry Staver
Better Available Light Digital Photography This page intentionally left blank Better Available Light Digital Photography How to Make the Most of Your Night and Low-Light Shots Second Edition Joe Farace Barry Staver AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Associate Acquisitions Editor: Valerie Geary Publishing Services Manager: George Morrison Project Manager: Mónica González de Mendoza Marketing Manager: Kate lanotti Cover Design: Eric DeCicco Cover image: © Joe Farace Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK © 2009 Joe Farace and Barry Staver. Published by Elsevier, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (+44) 1865 843830, fax: (+44) 1865 853333, E-mail: [email protected]. You may also complete your request online via the Elsevier homepage (http://elsevier.com), by selecting “Support & Contact” then “Copy- right and Permission” and then “Obtaining Permissions.” Recognizing the importance of preserving what has been written, Elsevier prints its books on acid-free paper whenever possible. Library of Congress Cataloging-in-Publication Data Farace, Joe. Better available light digital photography : how to make the most of your night and low-light shots / Joe Farace, Barry Staver.