Digital-dedicated design for achieving both high picture quality and compact size

Image clarity assured by digital-dedicated design 1 Difference between 35mm film and Four Thirds lens When you mount a lens designed for a 35mm film camera on a digital SLR camera, you'll find that picture quality is degraded in peripheral areas and that there is an increased tendency for ghosts and flares to occur. Flaring can occur in the entire picture taken with a 35mm film , with increasing from the center to the periphery. A lens, on the other hand, captures a uniform, sharp image with minimal ghosts Picture taken with a 35mm film Picture taken with a Four Thirds camera lens System digital-dedicated lens and flares, and no distortion in the periphery. 2 DIGITAL 14-54mm F2.8-3.5 Ⅱ lens at 14mm Telecentricity for straight-line transmission of light (equivalent to 28mm of 35mm film camera ) to the (Scheme)

The image sensor in a can be compared to a “deep well” Image sensor Image sensor because the light receptors for the RGB components are placed at the bottom Light rays of partitioning walls installed to protect the receptors against diffused light reflections, like the water surfaces at the bottom of multiple wells. To utilize the light rays incident through the lens efficiently and guide them perpendicu- 35mm film camera at 28mm larly to the sensor surface, the lens should be capable of maintaining (Scheme) telecentricity. However, lenses from the 35mm film camera era are very

susceptible to distortion and chromatic aberration due to oblique incidence of Image sensor Image sensor

light on the image sensor. The digital-dedicated Four Thirds System lenses Light were created to solve this problem. With a mount diameter that exceeds the rays Four Thirds sensor size with large headroom, resulting in telecentricity, these lenses offer sharp, clear image reproduction throughout the image plane.

Micro Four Thirds System Micro Four Thirds with Further Size Reduction

& 3 About 50% reduction of flange back thanks to mirrorless design Optimized for digital photography to offer both precision optical quality and compact size Four Thirds flange back The mirror box is a key component of SLR . It enables subjects to be Micro Four Thirds flange back viewed through a , while providing assurance that what the

photographer sees conforms to reality. On the downside, however, the image Mirror box that the mirror shows us on the focusing screen is not identical to the one imaged on the film or image sensor. In addition, the mirror is a major contributing factor to camera size and weight. Four Thirds System Elimination of the mirror box in the has made it possible to benefit from a more compact size and take advantage of movie shooting capability, while maintaining the high picture quality of the class of the Four Thirds System. The Micro Four Thirds System is a new standard of mirrorless system camera, which dramatically expands the potential of photography, taking it beyond even that made possible by previous SLR Micro Four Thirds System cameras. Optical design that enables further reduction in size and future expandability Image sensor Micro Four Thirds The elimination of the mirror box has made it possible to reduce the size of Four Thirds lens mount the flange back by half relative to the Four Thirds System ■3 , and to reduce 6mm reduction of the mounts diameter the lens mount diameter by about 6mm ■4 . 4 The flange back is an important picture quality factor that is associated with a Four Thirds Micro Four Thirds large number of properties such as the image sensor size and lens design. A short flange back or back focus theoretically enhances the performance of wide-angle lenses by adopting a symmetrical design in front of and behind the lens, but negative effects can include distortion in the center as well as peripheral areas. With the Micro Four Thirds System standard, the balance between the Two additional signal pins to support comfortable Live View and movie shooting diagonal length of the image sensor and the lengths of the flange back and 5 Optical design expanding the scope of the lens development back focus has been optimized to facilitate maximum flexibility in design/production and performance of lenses in the future ■5 . ◀MountMount plane Mount adapters allow a wide variety of lenses to be mounted Image Micro Four Thirds cameras not only work with dedicated Micro Four Thirds sensor plane▶ lenses, they can also accept any existing Four Thirds lens when an adapter is used. As an added bonus, the short flange back makes it possible to use Lens rear end classic lenses from the age of film, ensuring that you’ll be able to continue ◀ Flange back putting your favorite lenses to good use. Back focus 1 2 Micro Four Thirds Wide Zoom Lenses covering wide-angle focal lengths of less than 12mm (equivalent to 24mm of 35mm film camera lenses).

14-28mm (35mm equivalent) 18-36mm (35mm equivalent) : G VARIO OLYMPUS : M.ZUIKO DIGITAL 7-14mm F4.0 ASPH. ED 9-18mm F4.0-5.6 ED lens Aspherical lens DSA lens HR lens ED lens Aspherical lens MSC

Max. dia. x Length = ̋70mm x ca. 83.1mm Max. dia. x Length = ̋56.5mm x 49.5mm (when retracted) Weight = 300g Weight = 155g Filter diameter = ̋52mm Ultra-wide-angle, ultra-compact 14-28mm zoom lens Ultra-wide-angle zoom with a wide Taking full advantage of Micro Four This ultra-wide-angle zoom lens sets a Thirds System’s short flange back, this new standard in compact design. Ideal compact lens captures breathtaking for snapshots and landscape shooting. wide perspectives with an angle of view of 114°.

▼M.ZUIKO DIGITAL ED 9-18mm F4.0-5.6 : 1/1000sec. F5.6 LUMIX G VARIO 7-14mm F4.0 ASPH. : 1/200sec. F5.6 ▶

3 4 Micro Four Thirds Standard Zoom Lenses covering focal lengths from semi-wide-angle between 12mm and 18mm (equivalent to between 24 and 36mm of 35mm lenses) film camera to telephoto.

24-64mm (35mm equivalent) 24-70mm (35mm equivalent) 24-80mm (35mm equivalent) Panasonic : LUMIX G VARIO Panasonic : LUMIX G X VARIO OLYMPUS : M.ZUIKO DIGITAL 12-32mm F3.5-5.6 ASPH. MEGA O.I.S. 12-35mm F2.8 ASPH. POWER O.I.S. ED 12-40mm F2.8 PRO ED lens Aspherical lens Optical Image Stabilizer (inside lens) UHRUED lens UED lens Aspherical lensOptical Image Stabilizer (inside lens)Splash-/dust-proof EDA lensDSA lensHD lensHR lensED lensAspherical lensMSC ZERO coatingSplash-/dust-proof

Max. dia. x Length = ̋55.5mm x ca.24mm (when retracted) Max. dia. x Length = ̋67.6mm x ca.73.8mm Max. dia. x Length = ̋69.9mm x 84mm Weight = ca.70g Filter diameter = ̋37mm Weight = ca.305g Filter diameter = ̋58mm Weight = 382g Filter diameter = ̋62mm

Compact standard zoom lens with 24mm (35mm wide equivalent) anglecapability Compact, lightweight wide-angle zoom lens with full-range F2.8 brightnessDustproof/Splashproof with bright F2.8 throughout the zoom range A compact, lightweight lens ideal for use in With F2.8 throughout the zoom range, this lens With an of F2.8 fixed throughout many different shooting situations, from captures sharp, crisp images with high resolution the zoom range, this standard zoom lens taking everyday snapshots to shooting a and contrast. Outstanding portability makes this meets professional requirements for a an excellent choice for everything from snapshots group photo in a small room or capturing and family photos to spectacular landscape shots. quality zoom lens that's compact, scenic landscape while traveling. lightweight, dustproof, and splashproof.

24-90mm (35mm equivalent) 24-100mm (35mm equivalent) 28-84mm (35mm equivalent) : PIXPRO SZ OLYMPUS : M.ZUIKO DIGITAL OLYMPUS : M.ZUIKO DIGITAL ED 12-45mm F3.5-6.3 AF ED 12-50mm F3.5-6.3 EZ ED 14-42mm F3.5-5.6 EZ Aspherical ED lens ED lens Aspherical lens DSA lensHR lensED lens Aspherical lensMSC Electronic zoomSplash-/dust-proofMacro mode Super HR lens ED lens Aspherical lens MSC Electronic zoom

Max. dia. x Length = ̋58.1mm x 63mm Max. dia. x Length = ̋57mm x 83mm Max. dia. x Length = ̋60.6mm x 22.5mm (when retracted) Weight = ca.182.5g Filter diameter = ̋49mm Weight = 212g Filter diameter = ̋52mm Weight = 93g Filter diameter = ̋37mm Standard zoom lens covering an ample focal range Standard movie lens with electronic zoom mechanism Motorized standard zoom lens boasts world’s thinnest profile* Four aspherical lens elements and two Electronic zoom mechanism enables Incorporating a motorized zoom mechanism ED lens elements ensure low distortion steady zooming at a constant rate. The in a slim profile that's just 22.5mm thick, for a wide zoom range. A standard MSC mechanism is linear motor-driven this standard zoom lens offers high zoom lens ideal for everyday use. for faster and quieter AF control. operability, while ensuring uniform, sharp image quality throughout the image plane. * As of January 29, 2014. Among standard 3x zoom lenses for mirrorless system cameras.

▼ LUMIX G X VARIO 12-35mm F2.8 ASPH. POWER O.I.S. : 1/1000sec. F6.3

5 6 ◀ M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO : 1/250sec. F6.3 Micro Four Thirds Standard Zoom Lenses covering focal lengths from semi-wide-angle between 12mm and 18mm (equivalent to between 24 and 36mm of 35mm lenses) film camera to telephoto.

28-84mm (35mm equivalent) 28-84mm (35mm equivalent) 28-84mm (35mm equivalent) OLYMPUS : M.ZUIKO DIGITAL Panasonic : LUMIX G X VARIO PZ Panasonic : LUMIX G VARIO 14-42mm F3.5-5.6 ⅡR 14-42mm F3.5-5.6 ASPH. POWER O.I.S. 14-42mm F3.5-5.6Ⅱ ASPH. MEGA O.I.S. Aspherical lens MSC ED lens Aspherical lens Optical Image Stabilizer (inside lens) Moterized zoom Aspherical lens Optical Image Stabilizer (inside lens)

Max. dia. x Length = ̋56.5mm x 50mm (when retracted) Max. dia. x Length = ̋61.0mm x ca.26.8mm (when retracted) Max. dia. x Length = ̋56mm x ca.49mm Weight = 113g Filter diameter = ̋37mm Weight = ca.95g Filter diameter = ̋37mm Weight = ca.110g Filter diameter = ̋46mm Standard zoom lens with compact size and light weight World’s first* standard lens with built-in motorized zoom Sophisticated design and reduced size/weight With a compact size and light weight of The compact, lightweight retractable The compact, lightweight design of this 113 grams, this standard zoom lens is mechanism improves portability of the camera, lens lets you enjoy photography in a optimized for daily use on the street, as while at the same time ensuring high contrast wide range of situations, from well as for portrait shooting. It incorporates all the way to the image periphery. The quiet everyday snapshots to landscape and the MSC mechanism for fast, quiet AF. noise design is suitable for movie shooting. portrait shooting. * As of October 13, 2011. Among the digital SLR-dedicated lenses.

▲ LUMIX G VARIO 14-140mm F3.5-5.6 ASPH. POWER O.I.S. : 1/4000sec. F5.6 M.ZUIKO DIGITAL 14-42mm F3.5-5.6 ⅡR : 1/400sec. F11 ▼

28-90mm (35mm equivalent) 28-280mm (35mm equivalent) 28-280mm (35mm equivalent) Panasonic : LUMIX G VARIO Panasonic : LUMIX G VARIO Panasonic : LUMIX G VARIO HD 14-45mm F3.5-5.6 ASPH. MEGA O.I.S. 14-140mm F3.5-5.6 ASPH. POWER O.I.S. 14-140mm F4.0-5.8 ASPH. MEGA O.I.S. Aspherical lens Optical Image Stabilizer (inside lens) ED lens Aspherical lens Optical Image Stabilizer (inside lens) ED lens Aspherical lens Optical Image Stabilizer (inside lens)

Max. dia. x Length = ̋60mm x ca.60mm Max. dia. x Length = ̋67mm x ca.75mm Max. dia. x Length = ̋70mm x ca.84mm Weight = ca.195g Filter diameter = ̋52mm Weight = ca.265g Filter diameter = ̋58mm Weight = ca.460g Filter diameter = ̋62mm Compact, lightweight standard zoom lens Sophisticated design and reduced size/weight Full-time autofocusing capability in movie recording With a wide focusing range of about The compact, lightweight design and high This HD lens is optimized for movie 3.2x zoom ratio from wide-angle 28mm mobility of this powerful zoom makes it an recording. Its lightweight focus lens (35mm equivalent), this lens ensures excellent choice for a wide range of element ensures high accuracy, while exceptional shooting performance applications ranging from landscape and its direct-drive linear motor facilitates under a wide range of conditions. portrait shooting to sport photography. silent operation.

28-300mm (35mm equivalent) OLYMPUS : M.ZUIKO DIGITAL ED 14-150mm F4.0-5.6 EDA lens DSA lens HR lens E-HR lens ED lens Aspherical lens MSC

Max. dia. x Length = ̋63.5mm x 83mm Weight = 260g Filter diameter = ̋58mm Compatible with wide-angle and telephoto, as well as macro A slim zoom lens with an extended 10.7x zoom range that covers all the focal lengths for wide- routinely used in wide-angle and telephoto shooting. With a closest focusing distance of 0.5m throughout the zoom range, close-up shooting is also possible.

7 8 Micro Four Thirds Telephoto Zoom Lenses covering telescopic focal lengths of 100mm (equivalent to 200mm of 35mm film camera lenses) or more.

70-200mm (35mm equivalent) 80-300mm (35mm equivalent) 85-320mm (35mm equivalent) Panasonic: LUMIX G X VARIO OLYMPUS : M.ZUIKO DIGITAL Kodak : PIXPRO SZ 35-100mm F2.8 POWER O.I.S. ED 40-150mm F4.0-5.6 R ED 42.5-160mm F3.9-5.9 AF UED lens ED lens Optical Image Stabilizer (inside lens) Splash-/dust-proof HR lens ED lens MSC ED lens Aspherical lens

Max. dia. x Length = ̋67.4mm x ca.99.9mm Max. dia. x Length = ̋63.5mm x 83mm Max. dia. x Length = ̋58.7mm x 80.4mm Weight = ca.360g Filter diameter = ̋58mm Weight = 190g Filter diameter = ̋58mm Weight = ca.205g Filter diameter = ̋49mm

Telephoto zoom lens featuringeight, compact high imagesize, light quality w and dustproof/splashproofTelephoto zoom lens lets you preserve great memories in grand imagesMid- offers a new type of photographic experience The large F2.8 aperture enables high-speed Featuring extremely high portability, In spite of its compact size and light shutter release in sport and railroad photography, this lightweight telephoto zoom lens weight, this telephoto lens covers a as well as allowing you to take advantage of employs an ED lens element to correct wide range from mid-telephoto to full various effects such as defocusing in portrait color aberration and a circular iris to telephoto. shooting, as well as close-up shooting. render natural defocusing.

90-300mm (35mm equivalent) 90-350mm (35mm equivalent) 90-400mm (35mm equivalent) Panasonic: LUMIX G VARIO Panasonic : LUMIX G X VARIO PZ Panasonic : LUMIX G VARIO 45-150mm F4.0-5.6 ASPH. MEGA O.I.S. 45-175mm F4.0-5.6 ASPH. POWER O.I.S. 45-200mm F4.0-5.6 MEGA O.I.S. UHR lens Aspherical lens Optical Image Stabilizer (inside lens) ED lens Aspherical lens Optical Image Stabilizer (inside lens) Moterized zoom ED lens Optical Image Stabilizer (inside lens)

Max. dia. x Length = ̋62mm x ca.73mm Max. dia. x Length = ̋61.6mm x ca.90mm Max. dia. x Length = ̋70mm x ca.100mm Weight = ca.200g Filter diameter = ̋52mm Weight = ca.210g Filter diameter = ̋46mm Weight = ca.380g Filter diameter = ̋52mm Ultra compact telephoto zoom lens with high optical performance World’s first* telephoto lens with built-in motorized zoom Telephoto zoom lens in a compact design The UHR (Ultra High Refractive Index) The multi-actuator flowing inner focus This lens employs a 13-group, lens and 2 aspherical lenses achieve mechanism enables this lens to offer 16-element configuration including uniform image depiction from the center sharp, clear images in a compact, three ED lens elements. This design to the corners. Smooth, silent focusing lightweight design. Low-noise operation effectively corrects aberrations to in both photo and video recording. makes it suitable for movie recording. achieve high picture quality. * As of October 13, 2011. Among the digital SLR-dedicated lenses.

150-600mm (35mm equivalent) 200-600mm (35mm equivalent) OLYMPUS : M.ZUIKO DIGITAL Panasonic : LUMIX G VARIO ED 75-300mm F4.8-6.7 Ⅱ 100-300mm F4.0-5.6 MEGA O.I.S. HR lens Super ED lens ED lens ZERO coating MSC ED lens Optical Image Stabilizer (inside lens)

Max. dia. x Length = ̋69mm x 116.5mm Max. dia. x Length = ̋73.6mm x ca.126mm Weight = 423g Filter diameter = ̋58mm Weight = ca.520g Filter diameter = ̋67mm Super-telephoto zoom captures dynamic images of distant subjects600mm (35mm equivalent) super-telephoto zoom lens The 600mm (35mm equivalent) super-telephoto zoom is With high-speed AF capability, this lens compact and lightweight enough for use in handheld shooting. brings distant subjects close at hand, The ZERO coating on the lens surface adds eliminates reflections and other distortions to ensure outstanding making it ideal for various applications results, even with pictures taken at a long distance. from shooting professional sports and wild animals to a school sports day. 9 10 ◀ LUMIX G VARIO 100-300mm F4.0-5.6 MEGA O.I.S. : 1/20 sec. F7.1 Micro Four Thirds Prime Wide Wide-Angle, Single-Focal-Length Lenses for Wide-Angle with below 20mm (40mm of 35mm equivalent).

16mm (35mm equivalent) 24mm (35mm equivalent) 28mm (35mm equivalent) Panasonic : OLYMPUS : M.ZUIKO DIGITAL Panasonic : LUMIX G FISHEYE 8mm F3.5 ED 12mm F2.0 LUMIX G 14mm F2.5 ASPH. ED lens DSA lens Super HR lens ED lens Aspherical lens ZERO coating MSC Aspherical lens

Max. dia. x Length̋ =60.7mm(fixed hood section) x ca.51.7mm Weight = ca.165g Max. dia. x Length = ̋56mm x 43mm Max. dia. x Length = ̋55.5mm x ca.20.5mm Filter diameter = Front: Not mountable, Rear: Sheet filter holder 22mm x 22mm Weight = 130g Filter diameter = ̋46mm Weight = ca.55g Filter diameter = ̋46mm World’s smallest, lightest* high-performance High-grade snapshot lens with metallic finish Wide-angle pancake lens with compact size and light weight A diagonal angle of view of 180° and With a large aperture of F2.0 and a wide The high brightness of this lens makes it short focal length lets you capture the angle of 24mm (35mm equivalent), this handy in daily use, from shooting vast distortion and exaggerated perspective lens offers high picture quality, while landscapes to compositions with wide that fisheye lenses are known for. boasting a more compact design perspectives that take advantage of the * As of June 4, 2010. Among the AF-compatible fisheye optimized for snapshot shooting. 28mm wide angle (35mm equivalent). lenses for inter-changeable-lens type digital cameras.

34mm (35mm equivalent) 34mm (35mm equivalent) 35mm (35mm equivalent) OLYMPUS : M.ZUIKO DIGITAL OLYMPUS : M.ZUIKO DIGITAL Voigtländer : 17mm F1.8 17mm F2.8 NOKTON 17.5mm F0.95 DSA lens HR lens Aspherical lens ZERO coating MSC Aspherical lens Aspherical lens Manual focus

Max. dia. x Length = ̋57.5mm x ca.35.5mm Max. dia. x Length = ̋57mm x 22mm Max. dia. x Length = ̋63.4mm x 80mm Weight = 120g Filter diameter = ̋46mm Weight = 71g Filter diameter = ̋37mm Weight = 540g Filter diameter = ̋58mm High-grade F1.8 snapshot lens with metallic outer finish Pancake lens that never misses a great shooting opportunity F0.95, Wide-angle lens with fast aperture Combining the brightness of an F1.8 This wide-angle pancake lens features Wide angle lens of 35mm (35mm open aperture and high Image quality in a focal length suitable for a wide range equivalent) with F0.95 at wide open. a compact package, this lens is ideal of applications, from snapshots and "Selective Aperture Control System" for snapshots. A snapshot focus portraits to landscapes and close-ups. allows you to set the lens precisely at mechanism is also incorporated. any aperture.

38mm (35mm equivalent) SIGMA : SIGMA 19mm F2.8 DN Aspherical lens

Max. dia. x Length = ̋60.8mm x 45.7mm Weight = 150g Filter diameter = ̋46mm

High-performance wide-angle lens, ideal for snapshots and indoor shooting An ideal lens for casual snaps, as well as for indoor photography which benefits from its wide-angle of view. The superior telecentric optical design improves image quality throughout the frame. 11 12 M.ZUIKO DIGITAL 17mm F1.8 : 1/200sec. F1.8 ▶ Micro Four Thirds Prime Standard Single-Focal-Length Lenses with Focal Lengths from 20-40mm (equivalent to 40-80mm of 35mm camera).

40mm (35mm equivalent) 50mm (35mm equivalent) 50mm (35mm equivalent) Panasonic : Voigtländer : Panasonic : LEICA DG LUMIX G 20mm F1.7 Ⅱ ASPH. NOKTON 25mm F0.95 25mm F1.4 ASPH. Aspherical lens Manual focus UHR lens Aspherical lens

Max. dia. x Length = ̋63mm x ca.25.5mm Max. dia. x Length = ̋58.4mm x 70mm Max. dia. x Length = ̋63mm(fixed hood section) x ca.54.5mm Weight = ca.87g Filter diameter = ̋46mm Weight = 410g Filter diameter = ̋52mm Weight = ca.200g Filter diameter = ̋46mm Compact, lightweight pancake lens with large aperture F0.95, Standard lens with fast aperture Single-focus lens with excellent brightness The LUMIX G 20mm F1.7 ASPH pancake Standard lens of 50mm (35mm A compact lens with high imaging lens features a large aperture, compact size equivalent) with F0.95 at wide open. performance that features the soft, and light weight with a sophisticated new Full metal barrel and manual focusing beautiful defocusing effect that Leica design that has enabled both a reduction in for high durability and reliable lenses are renowned for. weight and an improvement in performance. operation.

▼ SIGMA 30mm F2.8 DN : 1/80sec. F2.8

▲ LEICA DG SUMMILUX 25mm F1.4 ASPH. : 1/4000sec. F3.5 NOKTON 25mm F0.95 : 1/80sec. F0.95 ▼

50mm (35mm equivalent) OLYMPUS : M.ZUIKO DIGITAL 25mm F1.8 Aspherical lens ZERO coating MSC

Max. dia. x Length = ̋57.8mm x 42mm Weight = 137g Filter diameter = ̋46mm

A great starter lens that offers outstanding quality and ease of use This large-aperture F1.8 lens is a good choice for people who are new to single-focal length lenses. Nine lens elements in seven groups are packed in this compact, lightweight lens, ensuring excellent optical performance from the open aperture.

60mm (35mm equivalent) SIGMA : SIGMA 30mm F2.8 DN Aspherical lens Max. dia. x Length = ̋60.8mm x 40.5mm Weight = 140g Filter diameter = ̋46mm

High-performance standard lens, ideal for portraits and snapshots Ideal for portraits and snapshots, this high-performance standard lens features a n inner focusing system that corrects any fluctuations or aberrations to maintain image quality regardless of the focusing position. 13 14 Micro Four Thirds Prime Telephoto Single-Focal-Length Lenses for Telephoto Domain with Focal Lengths over 40mm (equivalent to 80mm of 35mm camera).

85mm (35mm equivalent) 85mm (35mm equivalent) 90mm (35mm equivalent) Voigtländer : Panasonic : LEICA DG OLYMPUS : M.ZUIKO DIGITAL NOKTON 42.5mm F0.95 42.5mm F1.2 ASPH. POWER O.I.S 45mm F1.8 Manual focus UHR lens ED lens Aspherical lens Optical Image Stabilizer (inside lens) E-HR lens ZERO coating MSC

Max. dia. x Length = ̋64.3mm x 74.6mm Max. dia. x Length = ̋74mm x ca.76.8mm Max. dia. x Length = ̋56mm x 46mm Weight = 571g Filter diameter = ̋58mm Weight = ca.425g Filter diameter = ̋67mm Weight = 116g Filter diameter = ̋37mm

Mid-telephoto lens with an ultralarge aperture Mid-telephoto lens with F1.2 large aperture capable of expressing beautifulFamily portrait defocusing lens effectwith beautiful defocusing capability An angle of view of 85mm (35mm A bright F1.2 open aperture and outstanding The F1.8 brightness and shallow field equivalent) and a beautiful defocusing imaging performance enforced by Leica's depth of this lens let anyone shoot effect produced by the ultra-fast F0.95 rigorous optical standards make this portraits in which soft, beautiful aperture make this lens ideal for large-aperture, mid-telephoto lens a good background defocusing makes the . choice for portrait shooting. subject very prominent.

▲ SIGMA 60mm F2.8 DN : 1/200sec. F2.8 Reflex 300mm F6.3 MF Macro : 1/500sec. F6.3 ▼

120mm (35mm equivalent) 150mm (35mm equivalent) 600mm (35mm equivalent) SIGMA : OLYMPUS : M.ZUIKO DIGITAL Tokina : SIGMA 60mm F2.8 DN ED 75mm F1.8 Reflex 300mm F6.3 MF Macro SLD glass Aspherical lens HR lens ED lens ZERO coating MSC Manual focus

Max. dia. x Length = ̋60.8mm x 55.5mm Max. dia. x Length = ̋64mm x 69mm Max. dia. x Length = ̋66mm x 66mm Weight = 190g Filter diameter = ̋46mm Weight = 305g Filter diameter = ̋58mm Weight = 298g Filter diameter = ̋55mm

High-performance telephoto lensling featuring of perspective a natural and fee beautiful defocusHigh-grade effects portrait lens with highest picture quality Palm-size super-telephoto lens with closest focusing distance of 0.8 meter Featuring a natural feeling of perspective and With the highest picture quality of all The use of reflex optics and reduction of beautiful defocus effects, this lens allows the M.ZUIKO DIGITAL lenses and an elegant the overall lens length have resulted in a photographer to zoom in on distant objects and metallic finish, this lens is ideal for lens with a previously unconceivable length capture a single part of a subject. It brilliantly studio portrait, stage and indoor sports of 66mm, a maximum diameter of 66mm realizes the photographer's intentions. and a weight of 298 grams. photography.

▼ NOKTON 42.5mm F0.95 : 1/2000sec. F0.95

15 16 Micro Four Thirds Prime Macro Micro Four Thirds Prime Others Macro Lenses That Support the Advantages of Single Focal Length Lenses. Single-Focal-Length Lenses Designed for Enhanced Individual Performance.

3D Fieldscope

90mm (35mm equivalent) 120mm (35mm equivalent) Panasonic LEICA: DG MACRO-ELMARIT OLYMPUS : M.ZUIKO DIGITAL 65mm (35mm equivalent)* 800mm (35mm equivalent) 45mm F2.8 ASPH. MEGA O.I.S. ED 60mm F2.8 Macro Panasonic : Kodak : PIXPRO SF ED lens Aspherical lens Optical Image Stabilizer (inside lens) HR lens E-HR lens ED lens ZERO coating MSC Splash-/dust-proof LUMIX G 12.5mm F12 400mm F6.7 Fieldscope Max. dia. x Length = ̋63mm x ca.62.5mm Max. dia. x Length = ̋56mm x 82mm Max. dia. x Length = ̋57mm x ca.20.5mm Max. dia. x Length = ̋70mm x ca.292mm Weight = ca.225g Filter diameter = ̋46mm Weight = 185g Filter diameter = ̋46mm Weight = ca.45g Filter diameter = - Weight = 640g Filter diameter = -

Outstanding image quality that Leica is known for Nature Macro lens with dust-/splash-proofing capability World’s first ** interchangeable 3D lens Super-telephoto lens with focal length equivalent to 800mm on a 35mm camera lens With imaging performance that meets 1x macro lens featuring an inner focus This easy-to-handle compact lens allows Pull in a distant subject that you can’t Leica’s demanding performance system that does not alter the lens instant 3D still-picture shooting with two approach and shoot is as a close-up. evaluation criteria, this lens offers length. A focus limit switch is built in for built-in optical systems. The left and right This super-telephoto lens is ideal for consistently high contrast and quicker focusing. images are shot without time lag so even a bird watching. resolution. moving subject is not distorted after synthesis. * When the is set at 16:9 with DMC-GH2. ** As of September 21, 2010. Among the interchangeable lenses for digital SLR cameras.

▼ LEICA DG MACRO-ELMARIT 45mm F2.8 ASPH. MEGA O.I.S. : 1/200sec. F2.8 Scheduled for release

Development announcement: To be released in 2015 or later. Development announcement: To be released in 2015 or later. Development announcement: To be released in 2014 14-28mm (35mm equivalent) 80-300mm (35mm equivalent) 600mm (35mm equivalent) OLYMPUS : M.ZUIKO DIGITAL OLYMPUS : M.ZUIKO DIGITAL OLYMPUS : M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO ED 40-150mm F2.8 PRO ED 300mm F4.0 PRO Compact, high-performance wide-angle zoom lens Compact, high-performance telephoto zoom lens Compact, high-performance super-telephoto lens with dustproof/splashproof with dustproof/splashproof with dustproof/splashproof The first wide-angle zoom lens in the M.ZUIKO PRO series Featuring dust and splash-proofing capability designed to withstand the rigorsThe of first single-focal-length lens in the M.ZUIKO PRO series. ensures sharp, uniform imaging throughout the image plane to professional use, this is the first telephoto zoom lens in the M.ZUIKO PRO seriesWith a focal length of 600mm (35mm equivalent), this is a the peripheries. This lens epitomizes ZUIKO QUALITY. of high-performance lenses. Release is planned in the latter half of 2014. compact, high-performance super-telephoto lens.

Schneider Kreuznach : Kowa : Super-Angulon 14mm F2.0 MFT 28mm (35mm equivalent) KOWA PROMINAR 8.5mm F2.8 MFT 17mm (35mm equivalent) Xenon 30mm F1.4 MFT 60mm (35mm equivalent) KOWA PROMINAR 12mm F1.8 MFT 24mm (35mm equivalent) Makro-Symmar 60mm F2.4 MFT 120mm (35mm equivalent) KOWA PROMINAR 25mm F1.8 MFT 50mm (35mm equivalent)

Schneider Kreuznach opens up new perspectivesscerning for diphotographers with Micro Four Thirds SystemSuper wide angle (Model type f=8.5mm) and very little distortion New optical design specially developed for Micro Four Thirds system. The bright fixed focal length With over 60 years of technical experience and expertise in optics, Kowa is proud to present the provides very high resolution across the entire image area. High-quality aluminum casing and sturdy next generation of crystal clear, super wide angle, fixed length lenses. precision mechanism designed and made in Germany. 17 18 Four Thirds Wide Zoom Lenses covering wide-angle focal lengths of less than 12mm (equivalent to 24mm of 35mm film camera lenses).

14-28mm (35mm equivalent) 18-36mm (35mm equivalent) 22-44mm (35mm equivalent) OLYMPUS : ZUIKO DIGITAL OLYMPUS : ZUIKO DIGITAL OLYMPUS : ZUIKO DIGITAL ED 7-14mm F4.0 ED 9-18mm F4.0-5.6 11-22mm F2.8-3.5 ED glass moulded aspherical lensSuper ED lens ED lens Aspherical lensSplash-/dust-proof ED glass moulded aspherical lens DSA lens Aspherical lens Aspherical lens Splash-/dust-proof

Max. dia. x Length = ̋86.5mm x 119.5mm Max. dia. x Length = ̋79.5mm x 73mm Max. dia. x Length = ̋75mm x 92.5mm Weight = 780g Filter diameter = - Weight = 275g Filter diameter = φ72mm Weight = 485g Filter diameter = φ72mm Ultra-wide-angle zoom lens with an angle of view of 114° Ultra-wide-angle zoom lens with lightweight, compact design Wide zoom boasting bright F2.8-3.5 aperture Designed to capture the most Thanks to the incorporation of a DSA lens With its superb image quality, this mind-boggling perspectives, this lens element, this superb ultra-wide-angle zoom lens compact, lightweight wide-angle zoom incorporates large-aperture lens combines an 18-36mm (35mm equivalent) lens is perfect for capturing the all-round elements with aspherical surfaces on focal length with an compact design of 73mm feeling of the great outdoors or for making overall length and a light weight with of 275g. both sides to minimize distortion. a small room seem more spacious.

▼ZUIKO DIGITAL ED 7-14mm F4.0 : 6.0sec. F5.6 ZUIKO DIGITAL ED 7-14mm F4.0 : 1/1000sec. F6.3 ▶

19 20 Four Thirds Standard Zoom Four Thirds Telephoto Zoom Lenses covering focal lengths from semi-wide-angle between 12mm and 18mm (equivalent to between 24 and 36mm of 35mm lenses) film camera to telephoto. Lenses covering telescopic focal lengths of 100mm (equivalent to 200mm of 35mm film camera lenses) or more.

24-120mm (35mm equivalent) 28-70mm (35mm equivalent) 70-200mm (35mm equivalent) 80-300mm (35mm equivalent) 100-400mm (35mm equivalent) OLYMPUS : ZUIKO DIGITAL OLYMPUS : ZUIKO DIGITAL OLYMPUS : ZUIKO DIGITAL OLYMPUS : ZUIKO DIGITAL OLYMPUS : ZUIKO DIGITAL OLYMPUS : ZUIKO DIGITAL ED 12-60mm F2.8-4.0 SWD ED 14-35mm F2.0 SWD ED 14-42mm F3.5-5.6 ED 35-100mm F2.0 ED 40-150mm F4.0-5.6 ED 50-200mm F2.8-3.5 SWD ED glass moulded asphericalSuper lens ED lensED lensAspherical lensSupersonic wave driveSplash-/dust-proof (SWD) ED glass moulded asphericalED lens lensAspherical lensSupersonic wave drive (SWD)Splash-/dust-proof ED lens Aspherical lens Super ED lens ED lens Splash-/dust-proof ED lens ED lens Supersonic wave drive(SWD) Splash-/dust-proof

Max. dia. x Length = ̋79.5mm x 98.5mm Max. dia. x Length = ̋86mm x 123mm Max. dia. x Length = ̋65.5mm x 61mm Max. dia. x Length = ̋96.5mm x 213.5mm Weight = 1,650g (w/o tripod Max. dia. x Length = ̋65.5mm x 72mm Max. dia. x Length = ̋86.5mm x 157mm Weight = 995g (w/o tripod Weight = 575g Filter diameter = ̋72mm Weight = 900g Filter diameter = ̋77mm Weight = 190g Filter diameter = ̋58mm adapter / tripod adapter: 150g) Filter diameter = ̋77mm Weight = 220g Filter diameter = ̋58mm adapter / tripod adapter: 158g) Filter diameter = ̋67mm

High-quality 5x standard zoom with fast AF F2.0 standard zoom lens with outstanding brightness Standard zoom with high image quality and compact size Excellent defocusing effect throughout the zoom range 300mm lens elements in a short 72mm body Super-telephoto zoom lens with large aperture, high image quality and fast AF High-performance standard zoom lens that features This large-aperture standard zoom lens This 3x standard zoom lens features a light The large open value of This telephoto zoom lens implements a With SWD technology for fast AF, this the fast SWD autofocusing system and covers a boasts a high imaging performance and weight of 190g and closest focusing this lens makes it ideal for shooting 300mm equivalent telephoto lens in a lens boasts an AF speed that is approx. wide-angle shooting equivalent to 24mm (35mm brightness of F2.0 throughout the zoom distance of only 25cm. The circular aperture portraits and nature scenes, as well as barrel that measures 72mm. The twice as fast as the previous model. The equivalent) lens. This lens also allows users to shoot diaphragm that enables beautiful defocusing from as close as 25cm throughout the zoom range. range. It incorporates a mechanically- for indoor sports that need high shutter closest focusing distance is as short as minimum focusing distance is only 1.2m interlocked manual focusing mechanism. is one of the big advantages of this lens. speeds. 90cm throughout the zoom range. throughout the zoom range.

28-100mm (35mm equivalent) 28-100mm (35mm equivalent) 28-108mm (35mm equivalent) 140-600mm (35mm equivalent) 180-500mm (35mm equivalent) Panasonic : LEICA D VARIO-ELMARIT Panasonic : LEICA D VARIO-ELMAR OLYMPUS : ZUIKO DIGITAL OLYMPUS : ZUIKO DIGITAL OLYMPUS : ZUIKO DIGITAL 14-50mm F2.8-3.5 ASPH. MEGA O.I.S. 14-50mm F3.8-5.6 ASPH. MEGA O.I.S. 14-54mm F2.8-3.5Ⅱ ED 70-300mm F4.0-5.6 ED 90-250mm F2.8 Aspherical lens ED lens Aspherical lens Optical Image Stabilizer (inside lens) Aspherical lens Splash-/dust-proof ED lens ED lens Splash-/dust-proof

Max. dia. x Length = ̋78.1mm x ca.97.4mm Max. dia. x Length = ̋74mm x ca.93mm Max. dia. x Length = ̋74.5mm x 88.5mm Max. dia. x Length = ̋80mm x 127.5mm Max. dia. x Length = ̋124mm x 276mm Weight = ca.490g Filter diameter = ̋72mm Weight = ca.434g Filter diameter = ̋767mm Weight = 440g Filter diameter = ̋767mm Weight = 615g Filter diameter = ̋58mm Weight = 3,270g (with tripod adapter) Filter diameter = ̋105mm Standard zoom with Leica’s acclaimed imaging capabilities Standard zoom with superb expressive capabilities worth the nameHigh-performance of Leica zoom lens with High-Speed Imager AF compatibility Compact super-telephoto zoom lens with handheld shooting capabilityCoverage up to 500mm The "LEICA D" lenses are the first interchangeable Including two aspherical lenses and two This lens boasts High-Speed Imager AF With high mobility, this 600mm (35mm An aperture of F2.8 throughout the zoom lenses for D-SLR cameras developed by Leica ED lens elements, this lens boasts superb support and a circular aperture equivalent) super-telephoto zoom lens is range provides uncompromised imaging Camera AG in collaboration with Panasonic. This performance, minimizing aberrations to mechanism for higher imaging ideal for handheld shooting. A single lens performance that is particularly apparent lens incorporates the MEGA O.I.S., which is a produce an image with high contrast and performance. It also offers excellent allows you to experience the worlds of in such demanding applications as nature gyro-type optical image stabilizer. sharpness to the periphery. close-up shooting capability. both super-telephoto and macro. photography or shooting indoor sports.

LEICA D VARIO-ELMAR 14-50mm F3.8-5.6 ASPH. MEGA O.I.S. : 1/320sec. F10.0 ▼

28-300mm (35mm equivalent) 36-360mm (35mm equivalent) Panasonic : LEICA D VARIO-ELMAR OLYMPUS : ZUIKO DIGITAL 14-150mm F3.5-5.6 ASPH. MEGA O.I.S. ED 18-180mm F3.5-6.3 ED lens Aspherical lens Supersonic wave moter (XS)Optical Image Stabilizer (inside lens) ED lens Aspherical lens

Max. dia. x Length = ̋78.5mm x ca.90.4mm Max. dia. x Length = ̋78mm x 84.5mm Weight = ca.535g Filter diameter = ̋72mm Weight = 435g Filter diameter = ̋62mm First high-power telephoto zoom lens in the LEICA D series Standard 10x zoom lens with remarkable cost efficiency Ideal for just about any photographic This lens achieves high contrast, high- situation and extremely versatile and mobile, resolution imaging throughout the zoom this high-power zoom lens is a cost-effective range. The focusing drive employs a choice for photographers who want supersonic wave motor with the XS maximum flexibility and performance. technology for smooth, accurate autofocusing. 21 22 Four Thirds Prime Four Thirds Prime Lenses with the unique characteristics and performance made possible by single focal lengths. Lenses with the unique characteristics and performance made possible by single focal lengths.

16mm (35mm equivalent) : Diagonal fisheye lens 50mm (35mm equivalent) : Standard lens 50mm (35mm equivalent) : Standard lens 300mm (35mm equivalent) : Telephoto lens 600mm (35mm equivalent) : Super-telephoto lens OLYMPUS : ZUIKO DIGITAL Panasonic : LEICA D SUMMILUX OLYMPUS : ZUIKO DIGITAL OLYMPUS：ZUIKO DIGITAL OLYMPUS：ZUIKO DIGITAL ED 8mm F3.5 Fisheye 25mm F1.4 ASPH. 25mm F2.8 ED 150mm F2.0 ED 300mm F2.8 ED lens Splash-/dust-proof Super ED lens ED lens Aspherical lens Aspherical lens Super ED lens ED lens Splash-/dust-proof ED lens Splash-/dust-proof Built-to-order manufacturing

Max. dia. x Length = ̋79mm x 77mm Max. dia. x Length = ̋77.7mm x ca.75mm Max. dia. x Length = ̋64mm x 23.5mm Max. dia. x Length = ̋100mm x 150mm Weight = 1,465g (w/o tripod Max. dia. x Length = ̋127mm x 285mm Weight = 3,290g (with tripod Weight = 485g Filter diameter = - Weight = ca.510g Filter diameter = ̋62mm Weight = 95g Filter diameter = ̋43mm adapter / tripod adapter: 145g) Filter diameter = ̋82mm adapter) Drop-in filter diameter = ̋43mm, Front filter diameter = ̋112mm Fisheye lens featuring a deformation effect Large-aperture standard lens with aperture ring equipped, achieving F1.4Pancake-type lens that’s 23.5mm long and weighs 95g 300mm in a compact lens 15cm long Experience a whole new dimension of brightness and picture quality This high-performance fisheye lens has a This lens, which features 10 lens elements in 9 This pancake-type lens combines crisp imaging One Super ED and one ED lens element Available only on a made-to-order basis, this superb, diagonal angle of view of 180°, enabling ultra groups, including one aspherical lens, combines performance with a compact, lightweight provide almost perfect compensation to carefully crafted large-aperture, super-telephoto lens close-up photography from as close as 2cm outstanding F1.4 brightness at maximum design that exploits all the advantages of the minimize the axial chromatic aberration delivers imaging performance that simply outclasses aperture with exceptional imaging performance Four Thirds System. In addition, it employs a anything you've ever seen. Three ED lens elements from the lens front, delivering exaggerated thanks to high resolution and high contrast. common with telephoto-type lenses. eliminate chromatic aberration to the limit. perspectives and a deformation effect. circular aperture diaphragm.

ZUIKO DIGITAL ED 300mm F2.8 : 1/1250sec. F5.0 ▼

70mm (35mm equivalent) : Macro lens 100mm (35mm equivalent) : Macro lens OLYMPUS : ZUIKO DIGITAL OLYMPUS : ZUIKO DIGITAL 35mm F3.5 Macro ED 50mm F2.0 Macro ED lens Splash-/dust-proof

Max. dia. x Length = ̋71mm x 53mm Max. dia. x Length = ̋71mm x 61.5mm Weight = 165g Filter diameter = ̋52mm Weight = 300g Filter diameter = ̋52mm Universal lens with high cost efficiency Medium-telephoto macro lens with excellent resolution and contrast At only 165g, this ultra-lightweight This lens uses an ED lens element to macro lens is capable of 1x eliminate chromatic aberrations. It is magnification (equivalent to 2x of conveniently suitable for both macro 35mm film camera lenses) without the shooting and portrait photography. help of any attachments.

▼ LEICA D SUMMILUX 25mm F1.4 ASPH. : 1/400sec. F1.4

23 24 OLYMPUS Panasonic

Zuiko Quality epitomizes the highest standard of quality – a standard that can only be achieved by lens design technology that exploits ultrahigh-precision polishing technology, advanced aspherical surface forming technology, and precise assembling technology. Only lenses that meet or surpass the standards set at the Tatsuno Plant, the home of the original Zuiko lenses, can be marketed under the brand names Great Lenses Make Great Cameras. Zuiko Digital or M.Zuiko Digital.

Designed for users who demand the best, these lenses incorporate With their outstanding imaging capabilities, 【 the most advanced optical technology and meet the most rigorous quality standards 】 【 Lumix and Leica lens technologies deliver superb picture quality 】

5-axis Y Yaw ①② : Angular displacement (pitch/yaw) Picture quality is determined by the lens, and to make sure the lens always performsLUMIX G X lens General shift that needs to be corrected when using telephoto lens at its best without compromise, Olympus incorporated its advanced image This new lens series takes a huge leap forward in imaging performance, expanding ③④ : Translational displacement stabilization system into the body of the camera itself, rather than into the lens ② Shift that needs to be corrected in macro shooting the potential of photography and boldly challenging the limits of Image rendering, It ⑤ : Optical axis rotation (rolling) Shift that needs to be corrected in long-time exposure Lens, image sensor and image processing engine – optimizing the balance between delivers sharp, corner-to-corner contrast and features a Nano Surface Coating to ③ these three elements is the key to achieving the highest picture quality. The lens is reduce ghosts and flaring to an absolute minimum. It also produces images with X ① Horizontal shiftt X especially important as it collects the light at the beginning; that is, it captures the crisp textures and incredible transparency. Pitch source image with which all the other elements must work. That being the case, we ⑤ considered it critical that nothing impair the optical performance of the lens and so

Z Y ④ decided to build the image stabilization mechanism inside the camera, rather than in Aspherical Lenses Rollingg Vertical shift the lens. The built-in image stabilization mechanism compensates for camera shake by To assure superior image quality while reducing size and weight, each LUMIX shifting the image sensor in response to any movement. This design allows the lens to G/LEICA DG lens features a number of aspherical lenses that effectively prevent exhibit its maximum performance, while at the same time allowing the size and weight lens aberrations, such as spherical or distortion aberration. Each aspherical lens has Magnet to be reduced as image stabilization technology does not need to be incorporated. The magnet forms the effect of several spherical lenses, so a higher magnification ratio can be Linear motor-driven focusing unit Magnetic yoke a magnetic field on the coil. The drive force achieved with fewer lenses. The result is smaller overall size and weight. Aspherical A magnet is is produced by the action mounted on the Linear motor-driven MSC (Movie & Still Compatible) mechanism of the magnetic field from lenses are extremely difficult to produce, however, because they demand high yoke to more the coil and the electric efficiently apply achieves faster, quieter AF field of the coil. dimensional accuracy. In the past this restricted the applicable lens shapes and a magnetic field to the coil. Focusing lens The developed linear motor drive makes focusing faster and quieter than before. A materials, but Panasonic has made great strides in this area. Our Yamagata Plant Lens frame linear motor in which the coil is moved linearly by electromagnetic force drives the began developing cutting-edge production technologies for molded lenses early on, Coil The coil is mounted Supplying electric on this frame to focusing unit at a high speed of 50 mm/sec., while position detection is performed and today the plant manufactures a wide variety of lenses, including concave power through the coil displace the focusing produces the force to lens. 12,000 times a second, enabling the subject's position to be accurately pinpointed lenses that have a large difference in thickness and measure a mere 0.3mm at the drive it linearly. to the order of µm. The new mechanism drives the coil directly without using a gear, thinnest part. The aspherical lenses with superb image rendering ability produced making autofocusing both quieter and faster than before. at this plant are now in widespread use.

Large-aperture DSA lens processing technology unique to Olympus Nano Surface Coating Multi-coating Nano-surface coating The DSA (Dual Super Aspherical) lens has aspherical surfaces on both sides and is The Nano Surface Coating was developed originally by Panasonic. By forming a thin capable of correcting aberrations. Because the thickness of the lens varies film with an ultra-fine nano-level structure and a super-low refractive index on the Reflected light significantly between the center and the periphery, it is extremely difficult to lens surface. Panasonic has achieved a dramatic reduction in the amount of light Reflected light fabricate. Only Olympus possesses processing technology sophisticated enough to reflection over the entire visible light range (from 380 to 780nm). This significantly fabricate this type of lens, making this a decreases ghosts and flaring and renders pure, clear technology unique to Olympus. It is this images. This advanced coating technology is highly technology that makes it possible for Olympus to acclaimed by the camera and lens industry. Extreme variation in thickness between the lens DSA lens power scheme center and periphery produces very strong offer lenses that are at once extremely compact negative power. Example of wide-angle zoom lens with DSA element Lens Lens 9-18mm F4.0-5.6 and capable of providing high picture quality.

25 26 SIGMA Voigtländer

A new system for a new era. Introducing Sigma’s all-new DN series of lenses 【】-the ultimate lenses for mirrorless interchangeable lens cameras 【 The “Lichtriesen” of Voigtländer – Nokton series】

Sigma’s innovation-renewed! Brass bayonet mount Three of the Voigtländer lenses are specifically designed for use on Micro Four Thirds-cameras. They are real stars With their compact bodies and diverse range of designs, mirrorless This lens incorporates a brass bayonet mount which features both high – the "Lichtriesen" of Voigtländer – the Nokton F0.95/17.5mm, the Nokton F0.95/25mm and the Nokton F0.95/42.5mm interchangeable lens cameras have been evolving in their own unique way. To accuracy and extended durability. A special treatment to reinforce the mount's Serving as a so-called "standard lens", the Nokton F0.95/25mm provides pictures that correspond to the angle of view of the human eye. achieve a lens system ideally suited to the cameras of the new era, Sigma has strength has been applied to the surface, giving it greater strength and making Aperture is critical to the impression that people receive from a photograph. redoubled its innovation efforts to create a high- performance wide-angle lens it highly resistant to long-term use. The extremely fast F0.95 aperture makes it easy for you to capture stunning, for mirrorless interchangeable lens cameras that is more polished and refined crystal-clear images under virtually any conditions. than ever before. In order to maximize the performance of mirrorless cameras, Evaluated with Sigma's own “A1” MTF measuring system By using a shallow depth of field, you can create a series of different impression from the same scene. this lens takes advantage of the most advanced optical technology to achieve We've now developed our own A1* proprietary MTF (modulation transfer The superb of the Nokton makes the subject stand out for extraordinary overall results. expressive performance worthy of Sigma's Art line. function) measuring system using 46-megapixel Foveon direct image sensors. Applying this system, we check each lens in our new lines at our Aizu factory, Video- and film-making enthusiasts will be especially impressed A lens design ideal for our sole production site. Even previously undetectable high-frequency details by the selective aperture control system featured on Nokton Micro Four Thirds-lenses. a mirrorless interchangeable lens camera are now within the scope of our quality control inspections, allowing us to This enables smooth, stepless and noiseless changing of the aperture. The simple shape of the focus ring, varying textures that distinguish each part deliver consistently high lens performance. *A1：Aizu 1 NOKTON 17.5mm F0.95 of the lens, the use of metal on almost all external areas of the lens, the Another highlight of both lenses is the very short closest focusing distance. unibody design of the hood -- all of these elements add up to a lens design “Made in Japan” At macro setting, coupled with the fast aperture, this gives you tremendous scope for image design. that is ideal for mirrorless interchangeable lens cameras. In addition, All Sigma's manufacturing plant, everything right down to molds and parts is With their large, fast aperture, these lenses are extremely bright, photographers have the choice of black or silver to match their favorite carried out under an integrated production system. We are now one of the very making them able to operate very effectively in low light. equipment. few manufacturers whose products are solely “made in Japan”. We like to With a Nokton lens, you'll suddenly find yourself seeking out difficult lighting conditions think our products are somehow imbued with the essence of our homeland, such as those at dawn or under heavy clouds, so that you can capture beautiful atmospheric images. blessed as it is with clean air and water, and focused, hard-working people. We pride ourselves on the authentic quality of Sigma products, born of a NOKTON 25mm F0.95 The outstanding manufacturing quality of these lenses puts them marriage between highly attuned expertise and intelligent, advanced at the top of their class in every respect. technology. Our sophisticated products have satisfied professionals and lovers A smooth turning focus ring and click-response aperture ring of photography all over the world, because our manufacturing is based on reflect the high precision of our manufacturing process. genuine craftsmanship, underpinned by the passion and pride of our experts.

NOKTON 42.5mm F0.95

27 28 Kenko Tokina

Actual Size

【 Tokina expands the new option of “lightness” 】

Tokina decided to participate in the Micro Four Thirds System for one very simple reason. The small image sensor and shorter flange back of the Micro Four Thirds System offer a tremendous advantage in optical design. This makes it possible to develop new lenses completely different from conventional ones. “What kind of lens will users of Micro Four Thirds cameras most appreciate?” Tokina's answer to this question – “a lens that offers characteristics matching those of the camera body” – is based on the deep understanding and knowledge it has gained over its many years as a dedicated lens manufacturer.

Reflex 300mm F6.3 MF Macro (Manual Focus) Super-telephoto lens that fits in the palm of your hand Manual focusing for maximum accuracy A genuine Tamron lens The Reflex 300mm F6.3 MF Macro lens employs Reflex optics to reduce the Tokina chose not to provide this lens with AF because of the large focusing overall length of the lens by reflecting light with a mirror. The result is rotation angle from ∞ to the closest focusing distance of 0.8 m and of the especially for your Micro Four Thirds camera. previously inconceivable – a compact lens with a length of 66mm, maximum requirement for very precise focusing with some very narrow angles of view, diameter of 66mm, and weight of 298g. 4°8’ at 300mm, for example. Consequently, we decided that manual operation High-precision mirror and aluminium enhanced-reflection mirror coating would make focusing more accurate and allow users to feel the “joy of photography.” Nevertheless, this lens incorporates a distance encoder just like The key to Reflex optics is the surface accuracy of the mirror, so this lens Micro Four Thirds users now can have AF lenses so it is capable of interfacing with the camera to provide distance employs a mirror polished with OSCAR-type low-speed grinding to provide a information. high accuracy equivalent to the test plate glass (Newton gauge). In addition, the the same high expectations as every Tamron user. aluminum reflection film is treated with special processing to improve the reflection index of the reflection mirror. Reflex 300mm F6.3 MF Macro 100%

Closest focusing distance of 0.8m 75% The Reflex 300mm F6.3 MF Macro lens is not only a super-telephoto lens. It 50% can also approach subjects to a closest focusing distance of 0.8 meters and shoot pictures with a macro magnification of 1:2. This telephoto macro lens is 25% capable of macro shooting while reserving a working distance. 0% 0mm 2mm4mm 6mm 8mm 10mm Distance from image center S 20 lines/mm M 20 lines/mm S 60 lines/mm M 60 lines/mm

29 30 Kodak Blackmagic Design

【 HD Lens Combines KODAK's Heritage of Quality With The Latest Optical Technology 】 【 New style of movie recording made possible by the Blackmagic design 】

ED Lens and Aspherical Lens Blackmagic Pocket Cinema Camera To control chromatic aberration, ED glass lenses are now incorporated even in the standard KODAK PIXPRO Lens. In combination with an aspherical lens, which The world’s smallest super wide dynamic range Super 16 digital film camera! effectively compensates for lens distortion and aspherical aberration, the Introducing the pocket sized Super 16 digital film camera that's small enough to keep with you at all times, so you'll never miss a shot! You get true digital film PIXPRO lens can obtain clear high-resolution pictures with high contrast and 1080HD images with 13 stops of dynamic range, Super 16 sensor, RAW and ProRes™ recording, built in SD card recorder and the flexibility of an active Micro reduced color blurring throughout the zoom range. Four Thirds lens mount, all miniaturized into an extremely tiny size!

Super Wide Dynamic Range The secret to cinematic digital film quality images is capturing every detail with super wide dynamic range. Unlike regular video or DSLR cameras that are limited to video quality, the Blackmagic Pocket Cinema Camera is a true high end digital Special coating ensures superior color reproduction film camera and captures an incredible 13 stops of dynamic range. That means Advanced technology and rigorous production management minimize the any you simultaneously capture the brightest highlights and the darkest shadows all variability between each layer of coating to assure consistent, reliable response. at the same time into the recorded file! For extreme high end work, you can By reducing redundant reflections from the lens surface and lens barrel, the record full 12 bit CinemaDNG RAW files so you get incredible creative range in multi-layer coating ensures excellent color reproduction with virtually no flares or DaVinci Resolve color correction for that amazing cinematic film look! ghosts. Micro Four Thirds Lens Mount Featuring an active Micro Four Thirds lens mount with electronic control, you can set iris and auto focus all on command! There's an amazing range of Micro Four Thirds lenses to choose from, or with the Super16 size sensor you can use lens adapters for virtually any lens mount available such as PL mount and Super16 Adoption of stand-alone small-size lightweight sealed construction cinema lenses! Thanks to optimized glass lens construction enables control over the moving DSLR dimensions of the focus lens, KODAK PIXPRO Lens features a miniaturized lens design and faster focus time. A micromini stepping motor assures smooth, efficient zooming, while the stand-alone sealed construction minimizes AF noise from video filming, prevents sound leakage, and helps keep out dirt, dust, and other foreign material.

RAW Wide Dynamic Range After Grading

31 32 Cinema System

Compact Super 16 Digital Film Camera Digital Film Camera Pocket Cinema Camera MFT

A digital film camera that you always take with you! Blackmagic Cinema Camera with Micro Four Thirds mount Introducing the pocket sized Super 16 digital film camera that's small enough to keep with you at all The award winning Blackmagic Cinema Camera is one of the world’s finest digital film cameras. times, so you'll never miss a shot! The Blackmagic Cinema Camera features an amazing 2.5K image sensor with a wide 13 stops of Get true digital film images with feature film style 13 stops of dynamic range, Super 16 sensor size, dynamic range for a true digital film camera. You get a built-in SSD recorder, popular open high quality lossless CinemaDNG RAW and Apple ProRes™ recording, built in SD card recorder standard uncompressed 12-bit RAW, compressed DNxHD and ProRes file formats, a passive Micro and the flexibility of an active Micro Four Thirds lens mount, all packed into an incredibly tiny size! Four Thirds mount for manually operated lenses and adapters, LCD touchscreen monitoring plus The active Micro Four Thirds mount provides electronic lens control, which helps to keep the metadata entry, all packed into an exciting hand held design! camera small in size and importantly lets you use the largest possible range of lenses. You can use native Micro Four Thirds lenses, commonly available adapters for EF and PL or 16mm cine mount lenses. * Lenses compliant with the Micro Four Thirds System standard can be mounted on this camera. * Lenses compliant with the Micro Four Thirds System standard can be mounted on this camera. Some functions may be restricted. Please check with the camera manufacturer for details. Some functions may be restricted. Please check with the camera manufacturer for details.

Memorycard Camera Recorder Professional High-Definition Lens Accessory AG-AF105A 4k Camera Head Tilt / Shift Lens Control System AH-4413 HORSEMAN TS-pro

Cine-Lens Compact Prime CP.2 / Compact Zoom CZ.2

Lens Lineup

Super Wide Angle Standard Super Speed Compact Prime CP.2 15mm/T2.9Compact Prime CP.2 50mm/T2.1 Compact Prime CP.2 35mm/T1.5 Compact Prime CP.2 18mm/T3.6Tele Compact Prime CP.2 50mm/T1.5 Compact Prime CP.2 21mm/T2.9 Compact Prime CP.2 85mm/T1.5 Compact Prime CP.2 85mm/T2.1 Wide Angle Compact Prime CP.2 100mm/T2.1 CF**Zoom A professional HD camera/recorder equipped Super high-quality movie camera head with Proven on large-format cameras, Horseman's Compact Prime CP.2 135mm/T2.1 with a Micro Four Thirds mount QFHD (3840 x 2160) resolution and tilt mechanism is now compatible Compact Prime CP.2 25mm/T2.1 Compact Zoom CZ.2 15-30mm/T2.9Planned for release that will unleash the your film-making creativity Micro Four Thirds System compatibility with the Micro Four Thirds System Compact Prime CP.2 28mm/T2.1Macro Compact Zoom CZ.2 28-80mm/T2.9 Compact Prime CP.2 35mm/T2.1 Bringing the full expressive force of Micro Four Thirds to the This super high-quality movie camera head incorporates a The HORSEMAN TS-Pro tilt/shift lens control system enables Compact Prime CP.2 Compact Prime CP.2 Compact Prime CP.2 50mm/T2.1 MakroCompact Zoom CZ.2 70-200mm/T2.9 field of professional video, this can record hours of 8.9-megapixel CMOS image sensor. The 4k image captured tilt shooting with an ordinary lens. When used with a Micro Distagon T* 28mm/T2.1 Planar T* 85mm/T2.1 high-quality HD video including 1080/60p and features with the AH-4413 is supplied to the AP-4414 camera Four Thirds System-compliant camera, this mechanism can variable frame rate. The body design, control processing unit for conversion into an SDI DUAL LINK signal expand the selection of lenses available thanks to its image system and system interfaces have been designed exclusively (1080/59.94p) before being output. circle design. The legendary Carl Zeiss has decided to include Micro Four Thirds System compatibility in its new-generation high-quality cine-lenses for video production. Carl Zeiss's new-generation Compact Prime CP.2 Series of high-quality cine-lenses are widely used in mobile-critical news reporting, as well as in movie productions. * Lenses compliant with the Micro Four Thirds System standard can be mounted on * Lenses compliant with the Micro Four Thirds System standard can be mounted on *These products can be mounted on cameras compliant with the Micro Four Thirds Used by professionals worldwide, the lens models used with camera/recorders incorporating industry-standard 2/3" sensors have already demonstrated excellent performance and mobility. this camera. Some functions may be restricted. Please check with the camera this camera. Some functions may be restricted. Please check with the camera System standard. Some functions may be restricted. Please check with the camera manufacturer for details. manufacturer for details. manufacturer for details. *These lenses can be mounted on cameras compliant with the Micro Four Thirds System standard. Some functions may be restricted. Please check with the camera manufacturer for details. ** CF: Close focus capability 33 34 Cap Lens / Converter System

Body Cap Lens for Micro Four Thirds Four Thirds Adapter for Micro Four Thirds

OLYMPUS : Fisheye Body Cap（ 9mmLens F8.0BCL-0980 Fisheye ） OLYMPUS : Body Cap Lens BCL-1580（15mm F8.0 ） OLYMPUS : Four Thirds Adapter MMF-3 Panasonic : DMW-MA1 Ultra-thin cap lens that gives you an ultra-wide-angle fisheye view of 140°. Only 9mm thick, this lens can be used as both a body cap and as a Mount adapter to enable a Four Thirds lens to be mounted on a Micro Mount adapter to enable a Four Thirds lens to be mounted on a Micro The simplified MF lever enables easy one-touch pan-focus and close-up pan-focus lens for ready-when-you-are snapshot changing. Available in Four Thirds lens mount. Four Thirds lens mount. shooting. Available in two colors. four colors. Splash-/dust-proof * When using the image stabilization mechanism built into the camera, set the focal length to * When using the image stabilization mechanism built into the camera, set the focal length to 9mm or 8mm if the 9mm setting is not available. 15mm or 16mm if the 15mm setting is not available. * Focus adjustment is possible by rotating the MF lever manually. Autofocusing is not available. * Focus adjustment is possible by rotating the MF lever manually. Autofocusing is not available. * Communication function with the body not available. (Exif data not provided.) * Communication function with the body not available. (Exif data not provided.) Classic Lens Adapter for Micro Four Thirds Converter Lens for Micro Four Thirds OLYMPUS : OM Adapter MF-2 Panasonic : DMW-MA3R Mount adapter to enable an Olympus OM system lens to be mounted Mount adapter to enable an R-mount lens of AG to be OLYMPUS : Fisheye Converter FCON-P01 Panasonic : Fisheye Conversion Lens DMW-GFC1 on a Micro Four Thirds lens mount. mounted on a Micro Four Thirds lens mount. * Only a limited number of OM system lenses can be used with this adapter. When attached to the M.ZUIKO DIGITAL 14-42mm F3.5-5.6 R lens (set to Features 120° angle of view. Allows you to shoot unique images with the Manufacture of the OM system lenses has been discontinued. the wide-angle end of 14mm), enables fisheye photography that offers an curved fisheye effect. Just attach it to the front of the lens to take For details, visit the website of Olympus Imaging Corp. optimum deformation effect with an angle of view of 120°. advantage of this extraordinary and impressive effect. * Attachable to M.ZUIKO DIGITAL 14-42mm F3.5-5.6 ,M.ZUIKO DIGITAL 14-42mm F3.5-5.6 R * Attachable to LUMIX G X VARIO PZ 14-42mm F3.5-5.6 ASPH. POWER O.I.S. and LUMIX G * Use at the wide-angle end (focal length 14mm) is recommended. 14mm F2.5 ASPH. with the included Adaptor Ring. Panasonic : DMW-MA2M Voigtländer : F Micro Four Thirds Adapter * The decorative ring cannot be used in combination with this lens. Mount adapter to enable an M-mount lens of Leica Camera AG to be Mount adapter to enable a Voigtländer Ai-S-mount lens or Carl Zeiss mounted on a Micro Four Thirds lens mount. ZF and ZF.2-mount lens to be mounted on a Micro Four Thirds lens OLYMPUS : Wide Converter WCON-P01 Panasonic : Wide Conversion Lens DMW-GWC1 mount. When attached to the M.ZUIKO DIGITAL 14-42mm F3.5-5.6 R lens (set to This wide-angle converter makes it possible to capture a larger area in the the wide-angle end of 14mm), this converter makes it possible to shoot frame, without interfering with the optical performance of the optical lens Voigtländer : VM Micro Four Thirds Adapter wide-angle pictures with a focal length of 11mm (equivalent to 22mm of to which it is attached. Useful in enhancing the depth of the image by 35mm film cameras). broadening the landscape or the background. Mount adapter to enable a Voigtländer VM-mount lens, Carl Zeiss * Attachable to M.ZUIKO DIGITAL 14-42mm F3.5-5.6 ,M.ZUIKO DIGITAL 14-42mm F3.5-5.6 R * Magnification: 0.79x ZM-mount lens or Voigtländer L-mount lens (in combination with an * Use at the wide-angle end (focal length 14mm) is recommended. * Attachable to LUMIX G X VARIO PZ 14-42mm F3.5-5.6 ASPH. POWER O.I.S. and LUMIX G * The decorative ring cannot be used in combination with this lens. 14mm F2.5 ASPH. with the included Adaptor Ring. optional M-Bayonet Adapter Ring) to be mounted on a Micro Four Thirds lens mount. OLYMPUS : Macro Converter MCON-P02 Panasonic : Macro Conversion Lens DMW-GMC1 A macro converter lens attachable to seven different M.ZUIKO DIGITAL This converter enables imaging of fine details that may not be clearly Other Lens Adapter for Micro Four Thirds lenses to enable macro shooting visible when viewed with the naked eye. Useful for shooting things such as * Attachable to M.ZUIKO DIGITAL 14-42mm F3.5-5.6 ,M.ZUIKO DIGITAL 14-42mm F3.5-5.6 R, small objects with finely detailed decorative engravings of small flowers. M.ZUIKO DIGITAL ED 14-42mm F3.5-5.6 EZ, M.ZUIKO DIGITAL 45mm F1.8, * Maximum image magnification: 0.35x BORG : Camera Mount 5011 BORG : Camera Mount DX 5012 (The included Step-up Ring is required for use with the four lenses listed above.) (With LUMIX G X VARIO PZ 14-42mm F3.5-5.6 ASPH. POWER O.I.S., at Tele end) M.ZUIKO DIGITAL 25mm F1.8, M.ZUIKO DIGITAL 17mm F1.8, M.ZUIKO DIGITAL ED 12mm F2.0 * Attachable to LUMIX G X VARIO PZ 14-42mm F3.5-5.6 ASPH. POWER O.I.S. and LUMIX G Adapter for connecting the BORG to a Micro Four Thirds System mount. Adapter for connecting the BORG to a Micro Four Thirds System mount. * Do not attach the macro converter to an inapplicable lens. Doing so could damage the lens. 14mm F2.5 ASPH. with the included Adaptor Ring. * For details on lens combinations, visit the website of the product manufacturer. * Cannot be used in combination with a protection filter or automatic opening lens cap Features high precision and a simplified rotation device. * For details on lens combinations, visit the website of the product manufacturer. Kenko : Extension Tube Set Panasonic : Tele Conversion Lens DMW-GTC1 Micro Four Thirds System-Compatible Field Telephoto Lens Sets Designed to fit in between the camera body and interchangeable lens, an This converter lets you shoot a telephoto image, while maintaining the extension tube is an intermediate ring that enables close-up photography when optical performance of the optical lens to which it is attached. When the mounted. This set includes two rings – one 10mm long and one 16mm long. converter is attached to the LUMIX G X VARIO PZ 14-42mm F3.5-5.6 BORG : DigiBorg 67FL (BK) Telephoto Lens Set A * Manual focusing is recommended. ASPH. POWER O.I.S., the combination can be used as a 168mm * The total combined length of the rings must be shorter than the focal length of the lens. * The photographing magnification is variable depending on the master lens. telephoto lens with up to 2X magnification at the telephoto end. DigiBorg 71FL (BK) Telephoto Lens Set * For details on the lens combination, visit the website of the product manufacturer. * Attachable to LUMIX G X VARIO PZ 14-42mm F3.5-5.6 ASPH. POWER O.I.S. when the lens is at tele-end with the included Adaptor Ring. Micro Four Thirds and flowlight lens The 67FL is a high-performance telephoto lens set featuring a 300mm, F4.5 flowlight lens, while the 71FL features a 400mm, F5.6 flowlight lens. The simple configuration of two lens elements in two groups Converter Lens for Four Thirds achieves excellent resolution, contrast and transparency. If you want to differentiate yourself from your rivals, the answer is BORG. OLYMPUS : ZUIKO DIGITAL 2x EC-20 OLYMPUS : ZUIKO DIGITAL 1.4x Teleconverter EC-14 Doubles the focal length of the master lens. Extends the focal length of the master lens by 1.4x. * The effective F-number of attached lens drops by 2 steps. * The effective F-number of attached lens drops by 1 step. * For restrictions on AF/MF modes, see specifications on page 38. * For restrictions on AF/MF modes, see specifications on page 38. * Before using the EC-20, be sure to update the camera firmware to the latest version to assure * Before using the EC-14, be sure to update the camera firmware to the latest version to assure optimum focusing accuracy. For details, visit the website of the product manufacturer. optimum focusing accuracy. For details, visit the website of the product manufacturer. Splash-/dust-proof Splash-/dust-proof Classic Lens Adapter for Four Thirds OLYMPUS : Extension Tube EX-25 OLYMPUS : OM Adapter MF-1 This is an intermediate ring that enables close-up photography when mounted Mount adapter to enable an Olympus OM system lens to be mounted between the camera body and an interchangeable lens. on a Four Thirds lens mount. * Manual focusing is recommended. * Image magnification is variable depending on the master lens. * Only a limited number of OM system lenses can be used with this adapter. Manufacture of the OM system lenses has been discontinued. Splash-/dust-proof * For details on lens combinations, visit the website of the product manufacturer. For details, visit the website of Olympus Imaging Corp.

for Micro Four Thirds Lens Manufacturer Splash-/ Lens Construction Diameter(φ) x Length Weight Lens Rear Cap Lens Front Cap Dust-Proof Elements - Groups (mm / in.) (g / oz.)

Cap Fisheye Body Cap Lens BCL-0980（ 9mm F8.0 Fisheye） OLYMPUS - 5 - 4 ̋56×12.8 / ̋2.2×0.530 / 1.1 LR-2 - for Micro Four Thirds Body Cap Lens BCL-1580（ 15mm F8.0） OLYMPUS - 3 - 3 ̋56×9 / ̋2.2×0.35 22 / 0.8 LR-2 - Lens Manufacturer Splash-/ Lens Construction Diameter(φ) x Length Weight Lens Rear Cap Lens Front Cap Fisheye Converter FCON-P01 OLYMPUS - 3 - 3 ̋62×38 / ̋2.44×1.5112 / 4.0 LR-3 LC-62C Dust-Proof Elements - Groups (mm / in.) (g / oz.) Wide Converter WCON-P01 OLYMPUS - 2 - 2 ̋62×30.5 / ̋2.44×1.285 / 3.0 LR-3 LC-62C Four Thirds Adapter MMF-3 OLYMPUS Yes - ̋65×19.5 / ̋2.6×0.77 42 / 1.5 LR-2 BC-1

Converter Macro Converter MCON-P02 OLYMPUS - 2 - 1 ̋53×15.1 / ̋2.09×0.59 (with step-up ring)52 / 1.8 (with step-up ring) LR-4 LC-53 DMW-MA1 Panasonic - - ̋ca.71×ca.24 / ̋ca.2.8×ca.0.94 ca.87 / ca.3.1 - - Fisheye Conversion Lens DMW-GFC1 Panasonic - 3 - 3 ̋ca.60.5×ca.28.4 / ̋ca.2.4×ca.1.1 ca.77 / ca.2.7 Available Available OM Adapter MF-2 OLYMPUS - - ̋62×26.5 / ̋2.44×1.0 78 / 2.8 - -

Wide Conversion Lens DMW-GWC1 Panasonic - 3 - 3 ̋ca.60.5×ca.28 / ̋ca.2.4×ca.1.1 ca.70 / ca.2.5 Available Available Adapter DMW-MA2M Panasonic - - ̋ca.61×ca.13 / ̋ca.2.4×ca.0.51 ca.60 / ca.2.1 - - Macro Conversion Lens DMW-GMC1 Panasonic - 3 - 2 ̋ca.53.5×ca.24.2 / ̋ca.2.1×ca.1.0 ca.46 / ca.1.6 Available Available DMW-MA3R Panasonic - - ̋ca.67×ca.33 / ̋ca.2.64×ca.1.3ca.90 / ca.3.2 - - Tele Conversion Lens DMW-GTC1 Panasonic- 6 - 4 ̋ca.53.5×ca.47.4 / ̋ca.2.1×ca.1.9 ca.81 / ca.2.9 Available Available VM Micro Four Thirds Adapter - - ̋56×13 / ̋2.2×0.5145 / 1.6 - - Extension Tube Set Kenko Tokina - - ̋57×10 / ̋2.24×0.39 : ̋57×16 / ̋2.24×0.6348 / 1.7 : 70 / 2.5 - - F Micro Four Thirds Adapter Cosina - - ̋60×32 / ̋2.36×1.2688 / 3.1 - - ̋ ̋ for Four Thirds Camera Mount 5011 BORG - - 60×10 / 2.36×0.39 20 / 0.7 - - Camera Mount 5012 BORG - - ̋60×10 / ̋2.36×0.39 20 / 0.7 - - Splash-/ Lens Construction Diameter( ) x Length Weight Lens Manufacturer φ Lens Rear Cap Lens Front Cap Dust-Proof Elements - Groups (mm / in.) (g / oz.) for Four Thirds ZUIKO DIGITAL 2x Teleconverter EC-20 OLYMPUS Yes 7 - 5 ̋68×41 / ̋2.68×1.61 225 / 7.9 LR-1 BC-1 Splash-/ Lens Construction Diameter( ) x Length Weight Lens Manufacturer φ Lens Rear Cap Lens Front Cap ZUIKO DIGITAL 1.4x Teleconverter EC-14 OLYMPUS Yes 6 - 5 ̋68×22 / ̋2.68×0.87 170 / 6.0 LR-1 BC-1 Dust-Proof Elements - Groups (mm / in.) (g / oz.) Extension Tube EX-25 OLYMPUS Yes - ̋68×25 / ̋2.68×0.98 150 / 5.3 LR-1 BC-1 OM Adapter MF-1 OLYMPUS - - ̋62×7.5 / ̋2.68×0.3 50 / 1.8 - - 35 36 SPECIFICATIONS

Image Maximum Image Filter Size Weight Lens Rear Cap Lens Front Cap Lens Manufacturer 35mm Equivalent Splash-/ Motorized Lens Construction Angle of View Number of Blades Minimum Closest Focusing Magnification Diameter(φ) x Length Focal length Dust-Proof zoom Stabilizer* Elements - Groups Aperture Distance (m / in.) (35mm equivalent) (mm) (mm / in.) (g / oz.) (): Optional (): Optional (): Optional Wide Zoom LUMIX G VARIO 7-14mm F4.0 ASPH. Panasonic 14-28mm --- 16 - 12 114°- 75° 7(Circular aperture diaphragm) 22 0.25 / 9.84 0.08x(0.15x) - ̋70×ca.83.1 / ̋2.76×ca.3.27 ca.300 / ca.10.58 Available (DMR-LRC1) Available - M.ZUIKO DIGITAL ED 9-18mm F4.0-5.6 OLYMPUS 18-36mm - - - 12 - 8 100°- 62° 7(Circular aperture diaphragm) 22 0.25 / 9.84 0.10x(0.20x) 52 ̋56.5×49.5 / ̋2.22×1.95(when retracted) 155 / 5.5 LR-2 LC-52C (LH-55B) 0.2 / 7.87(at 12-20mm of focal length) ̋55.5×ca.24 / ̋2.19×ca.0.94 LUMIX G VARIO 12-32mm F3.5-5.6 ASPH. MEGA O.I.S Panasonic 24-64mm - - Yes 8 - 7 84°- 37° 7(Circular aperture diaphragm) 22 0.3 / 11.81(at 21-32mm of focal length) 0.13x(0.26x) 37 (when retracted) ca.70 / ca.2.47 Available (DMR-LRC1) Available (DMR-LFC37) - LUMIX G X VARIO 12-35mm F2.8 ASPH. POWER O.I.S. Panasonic 24-70mmYes - Yes14 - 9 84°- 34° 7(Circular aperture diaphragm) 22 0.25 / 9.84 0.17x(0.34x)58 ̋67.6×ca.73.8 / ̋2.66×ca.2.91 ca.305 / ca.10.76 Available (DMR-LRC1) Available (DMR-LFC58) Available M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO OLYMPUS 24-80mm Yes - - 14 - 9 84°- 30° 7(Circular aperture diaphragm) 22 0.2 / 7.87 0.30x(0.60x) 62 ̋69.9×84 / ̋2.74×3.31 382 / 13.47 LR-2 LC-62D LH-66 KODAK PIXPRO SZ ED 12-45mm F3.5-6.3 AF KODAK 24-90mm - - - 11 - 9 88.2°- 28.8° 7 22 0.35 / 13.78 0.045x(0.08x) 49 ̋58.1×63 / ̋2.29×2.48 ca.182.5 / 6.44 LR-BK01 LC-BK01 -

0.35 / 13.78(Normal mode) 0.36x(0.72x) ̋ ̋ M.ZUIKO DIGITAL ED 12-50mm F3.5-6.3 EZ OLYMPUS 24-100mm Yes Yes - 10 - 9 84°- 24° 5(Circular aperture diaphragm) 22 0.2 / 7.87(Macro mode) (Macro mode) 52 57×83 / 2.24×3.27 212 / 7.48 LR-2 LC-52C （LH-55B / LH-55C） 0.2 / 7.87(at 14mm of focal length) ̋60.6×22.5 / ̋2.38×0.89 Standard Zoom Standard M. ZUIKO DIGITAL ED 14-42mm F3.5-5.6 EZ OLYMPUS 28-84mm - Yes - 8 - 7 75°- 29° 5(Circular aperture diaphragm) 22 0.23x(0.46x) 37 93 / 3.27 LR-2 LC-37B（LC-37C） - 0.25 / 9.84(at 42mm of focal length)*1 (when retracted) 0.25 / 9.84(at 14-19mm of focal length) ̋56.5×50 / ̋2.22×1.97 M.ZUIKO DIGITAL 14-42mm F3.5-5.6 ⅡR OLYMPUS 28-84mm - - - 8 - 7 75°- 29° 7(Circular aperture diaphragm) 22 0.3 / 11.81(at 20-42mm of focal length) 0.19x(0.38x) 37 (when retracted) 113 / 4.0 LR-2 LC-37B （LH-40)

0.2 / 7.87(at 14-20mm of focal length) ̋61×ca.26.8 / ̋2.40×ca.1.06 LUMIX G X VARIO PZ 14-42mm F3.5-5.6 ASPH. POWER O.I.S. Panasonic 28-84mm - Yes Yes 9 - 8 75°- 29° 7(Circular aperture diaphragm) 22 0.3 / 11.81(at 21-42mm of focal length) 0.17x(0.34x) 37 (when retracted) ca.95 / ca.3.4 Available (DMR-LRC1) Available (DMR-LFC37) -

0.2 / 7.87(at 14-20mm of focal length) ̋ ̋ LUMIX G VARIO 14-42mm F3.5-5.6 Ⅱ ASPH. MEGA O.I.S Panasonic 28-84mm - - Yes 9 - 8 75°- 29° 7(Circular aperture diaphragm) 22 0.3 / 11.81(at 21-42mm of focal length) 0.17x(0.34x) 46 56×ca.49 / 2.20×ca.1.93 ca.110 / ca.3.88 Available (DMR-LRC1) Available (DMR-LFC52) Available LUMIX G VARIO 14-45mm F3.5-5.6 ASPH. MEGA O.I.S. Panasonic 28-90mm - - Yes 12 - 9 75°- 27° 7(Circular aperture diaphragm) 22 0.3 / 11.81 0.17x(0.34x) 52 ̋60×ca.60 / ̋2.36×ca.2.36 ca.195 / ca.6.88 Available (DMR-LRC1) Available (DMR-LFC37) Available 0.3 / 11.81(at 14-20mm of focal length) ̋ ̋ LUMIX G VARIO 14-140mm F3.5-5.6 ASPH. POWER O.I.S Panasonic 28-280mm - - Yes 14 - 12 75°- 8.8° 7(Circular aperture diaphragm) 22 0.5 / 19.69(at 21-140mm of focal length) 0.25x(0.5x) 58 67×ca.75 / 2.63×ca.2.95 ca.265 / ca.9.35 Available (DMR-LRC1) Available (DMR-LFC58) Available LUMIX G VARIO HD 14-140mm F4.0-5.8 ASPH. MEGA O.I.S. Panasonic 28-280mm - - Yes 17 - 13 75°- 8.8° 7(Circular aperture diaphragm) 22 0.5 / 19.69 0.2x(0.4x) 62 ̋70×ca.84 / ̋2.76×ca.3.31 ca.460 / ca.16.2 Available (DMR-LRC1) Available (DMR-LFC67) Available M.ZUIKO DIGITAL ED 14-150mm F4.0-5.6 OLYMPUS 28-300mm - - - 15 - 11 75°- 8.2° 7(Circular aperture diaphragm) 22 0.5 / 19.69 0.24x(0.48x) 58 ̋63.5×83 / ̋2.50×3.27 260 / 9.2 LR-2 LC-58E (LH-61C) LUMIX G X VARIO 35-100mm F2.8 POWER O.I.S. Panasonic 70-200mmYes - Yes18 - 13 34°- 12° 7(Circular aperture diaphragm) 22 0.85 / 33.46 0.1x(0.2x)58 ̋67.4×ca.99.9 / ̋2.66×ca.3.93 ca.360 / ca.12.7 Available (DMR-LRC1) Available (DMR-LFC58) Available M.ZUIKO DIGITAL ED 40-150mm F4.0-5.6 R OLYMPUS 80-300mm - - - 13 - 10 30°- 8.2° 7(Circular aperture diaphragm) 22 0.9 / 35.43 0.16x(0.32x) 58 ̋63.5×83 / ̋2.50×3.27 190 / 6.7 LR-2 LC-58E (LH-61D)

eeht omPrime Telephoto Zoom KODAK PIXPRO SZ ED 42.5-160mm F3.9-5.9 AF KODAK 85-320mm - - - 15 - 10 29°- 7.9° 7 22 1.0 / 39.4 0.042x(0.08x) 49 ̋58.7×80.4 / ̋2.31×3.17 205 / 7.23 LR-BK01 LC-BK01 -

LUMIX G VARIO 45-150mm F4.0-5.6 ASPH. MEGA O.I.S. Panasonic 90-300mm -Y- es12 - 9 27°- 8.2°7(Circular aperture diaphragm) 22 0.9 / 35.43 0.17x(0.35x) 52 ̋62×ca.73 / ̋2.44×ca.2.87 ca.200 / ca.7.05 Available (DMR-LRC1) Available (DMR-LFC52) Available

LUMIX G X VARIO PZ 45-175mm F4.0-5.6 ASPH. POWER O.I.S Panasonic 90-350mm - Yes Yes 14 - 10 27°- 7.1° 7(Circular aperture diaphragm) 22 0.9 / 35.43 0.2x(0.4x) 46 ̋61.6×ca.90 / ̋2.43×ca.3.54 ca.210 / ca.7.41 Available (DMR-LRC1) Available (DMR-LFC46) Available LUMIX G VARIO 45-200mm F4.0-5.6 MEGA O.I.S. Panasonic 90-400mm - - Yes 16 - 13 27°- 6.2° 7(Circular aperture diaphragm) 22 1.0 / 39.4 0.19x(0.38x) 52 ̋70×ca.100 / ̋2.76×ca.3.94 ca.380 / ca.13.4 Available (DMR-LRC1) Available (DMR-LFC52) Available 0.9 / 35.43(at 75mm of focal length) ̋ ̋ M.ZUIKO DIGITAL ED 75-300mm F4.8-6.7 Ⅱ OLYMPUS 150-600mm --- 18 - 13 16°- 4.1° 7(Circular aperture diaphragm) 22 1.5 / 59.06(except 75mm of focal length) 0.18x(0.36x) 58 69×116.5 / 2.72×4.59 423 / 14.92 LR-2 LC-58E (LH-61E) LUMIX G VARIO 100-300mm F4.0-5.6 MEGA O.I.S. Panasonic 200-600mm - - Yes17 - 12 12°- 4.1° 7(Circular aperture diaphragm) 22 1.5 / 59.06 0.21x(0.42x)67 ̋73.6×ca.126 / ̋2.90×ca.4.96 ca.520 / ca.18.3 Available (DMR-LRC1) Available (DMW-LFC67) Available LUMIX G FISHEYE 8mm F3.5 Panasonic 16mm - - -10 - 9 180° 7(Circular aperture diaphragm) 22 0.1 / 3.96 0.2x(0.4x)22x22 ̋60.7×ca.51.7 / ̋2.39×ca.2.04 ca.165 / ca.5.82 Available (DMR-LRC1) Available - M.ZUIKO DIGITAL ED 12mm F2.0 OLYMPUS 24mm - - -11 - 8 84° 7(Circular aperture diaphragm) 22 0.2 / 7.87 0.08x(0.16x) 46 ̋56×43 / ̋2.20×1.69130 / 4.6 LR-2 LC-46 (LC-48) (LH-48) LUMIX G 14mm F2.5 ASPH. Panasonic 28mm - - -6 - 5 75° 7(Circular aperture diaphragm) 22 0.18 / 7.09 0.1x(0.2x) 46 ̋55.5×ca.20.5 / ̋2.19×ca.0.81ca.55 / ca.1.9 Available (DMR-LRC1) Available (DMR-LFC46) -

M.ZUIKO DIGITAL 17mm F1.8 OLYMPUS 34mm - - - 9 - 6 65° 7(Circular aperture diaphragm) 22 0.25 / 9.84 0.08x(0.16x) 46 ̋57.5×35.5 / ̋2.26×1.40 120 / 4.23 LR-2 LC-46 （LH-48B）

M.ZUIKO DIGITAL 17mm F2.8 OLYMPUS 34mm - - - 6 - 4 65° 5(Circular aperture diaphragm) 22 0.2 / 7.87 0.11x(0.22x) 37 ̋57×22 / ̋2.24×0.87 71 / 2.5 LR-2 LC-37B -

NOKTON 17.5mm F0.95 Voigtländer 35mm- - -13 - 9 64.6° 10 16 0.15 / 5.91 0.25x(0.50x) 58 ̋63.4×80.0 / ̋2.50×3.15540 / 19.0 Available Available Available SIGMA 19mm F2.8 DN SIGMA 38mm- - -8 - 6 59.3° 7(Circular aperture diaphragm) 22 0.2 / 7.87 0.14x(0.27x) 46 ̋60.8×45.7 / ̋2.39×1.80150 / 5.29 LCR Ⅱ LCF Ⅲ 46 LH520-03

LUMIX G 20mm F1.7 Ⅱ ASPH. Panasonic 40mm - - -7 - 5 57° 7(Circular aperture diaphragm) 16 0.2 / 7.87 0.13x(0.25x)46 ̋63×ca.25.5 / ̋2.48×ca.1.00 ca.87 / ca.3.07 Available (DMR-LRC1) Available (DMR-LFC46) - NOKTON 25mm F0.95 Voigtländer 50mm - - -11 - 8 47.3° 10 16 0.17 / 6.69 0.26x(0.52x) 52 ̋58.4×70 / ̋2.30×3.76410 / 14.5 Available Available Available LEICA DG SUMMILUX 25mm F1.4 ASPH. Panasonic 50mm - - -9 - 7 47° 7(Circular aperture diaphragm) 16 0.3 / 11.81 0.11x（0.22x)46 ̋63×ca.54.5 / ̋2.48×ca.2.15 ca.200 / ca.7.05 Available (DMR-LRC1) Available (DMR-LFC46) Available M. ZUIKO DIGITAL 25mm F1.8 OLYMPUS 50mm - - -9 - 7 47° 7(Circular aperture diaphragm) 220.25 / 9.84 0.12x(0.24x) 46 ̋57.8×42 / ̋2.28×1.65137 /4.83 LR-2 LC-46 LH-49B

SIGMA 30mm F2.8 DN SIGMA 60mm- - -7 - 5 39.6° 7(Circular aperture diaphragm) 22 0.3 / 11.81 0.12x(0.24x) 46 ̋60.8×40.5 / ̋2.39×1.59140 / 4.99 LCR Ⅱ LCF Ⅲ 46 LH520-03 NOKTON 42.5mm F0.95 Voigtländer 85mm- - -11 - 8 30.5° 10 16 0.23 / 9.06 0.25x(0.50x) 58 ̋64.3×74.6 / ̋2.53×2.94571 / 20.14 Available Available Available LEICA DG NOCTICRON 42.5mm F1.2 ASPH. POWER O.I.S Panasonic 85mm - - Yes 14 - 11 29° 7(Circular aperture diaphragm) 16 0.5 / 19.69 0.1x(0.2x) 67 ̋74×ca.76.8 / ̋2.91×ca.3.02 ca.425 / ca.15.0 Available (DMR-LRC1) Available (DMR-LFC67) Available

M.ZUIKO DIGITAL 45mm F1.8 OLYMPUS 90mm ---9 - 8 27° 7(Circular aperture diaphragm) 22 0.5 / 19.69 0.11x(0.22x) 37 ̋56×46 / ̋2.20×1.81 116 / 4.1 LR-2 LC-37B （LH-40B）

SIGMA 60mm F2.8 DN SIGMA 120mm- - -8 - 6 20.4° 7(Circular aperture diaphragm) 22 0.5 / 19.69 0.14x(0.28x) 46 ̋60.8×55.5 / ̋2.39×2.19190 / 6.7 LCR Ⅱ LCF Ⅲ 46 LH520-03

M.ZUIKO DIGITAL ED 75mm F1.8 OLYMPUS 150mm-- - 10 - 9 16° 9(Circular aperture diaphragm) 22 0.84 / 33.07 0.1x(0.2x) 58 ̋64×69 / ̋2.52×2.72305 / 10.76 LR-2 LC-58E（LC-61）（LH-61F） Reflex 300mm F6.3 MF Macro Kenko Tokina 600mm-- - 7 - 3 4°8′ None(Reflex type) - 0.8 / 31.49 0.5x(1.0x) 55 ̋66×66 / ̋2.60×2.60298 / 10.51 Available Available BH-552 LEICA DG MACRO-ELMARIT 45mm F2.8 ASPH. MEGA O.I.S. Panasonic 90mm --Yes14 - 10 27° 7(Circular aperture diaphragm) 22 0.15 / 5.91(FULL) 0.5 / 19.69(LIMIT) 1.0x(2.0x) 46 ̋63×ca.62.5 / ̋2.48×ca.2.46 ca.225 / ca.7.94 Available (DMR-LRC1) Available (DMR-LFC46) Available M.ZUIKO DIGITAL ED 60mm F2.8 Macro OLYMPUS 120mmYes- - 13 - 10 20° 7(Circular aperture diaphragm) 22 0.19 / 7.48 1.0x(2.0x) 46 ̋56×82 / ̋2.20×3.23185 / 6.53 LR-2 LC-46 （LH-49） LUMIX G 12.5mm F12 Panasonic 65mm*2 -- -4 - 3 (x2) 37°*2 Fixed diaphragm 12(Fixed) 0.6 / 23.62 0.02x（0.1x）*2 - ̋57×ca.20.5 / ̋2.24×ca.0.81ca.45 / ca.1.59 Available (DMR-LRC1) Available - KODAK PIXPRO SF 400mm F6.7 Fieldscope KODAK 800mm - - - 5 - 3 6.2° Fixed diaphragm 6.7 9.0 / 384.33 0.005x(0.01x) - ̋70×ca.292 / ̋2.56×ca.11.50 640 / 22.58 LR-BK01 LC-BK03 - * Since Olympus incorporates image stabilizers in the bodies of its cameras, image stabilization is available with any lens. (Corresponding models: OLYMPUS OM-D series, series)

35mm Equivalent Splash-/ Motorized Image Lens Construction Minimum Closest Focusing Maximum Image Filter Size Diameter(φ) x Length Weight Lens Rear Cap Lens Front Cap Lens Hood Compatibility Compatibility レンLens ズ 名 Manufacturer Angle of View Number of Blades Magnification Focal length Dust-Proof zoom Stabilizer* Elements - Groups Aperture Distance (m / in.) (35mm equivalent) (mm) (mm / in.) (g / oz.) (): Optional (): Optional (): Optional EC-20EC-14 EX-25 DMW-MA1 MMF-3 Wide Zoom ZUIKO DIGITAL ED 7-14mm F4.0 OLYMPUS 14-28mm Yes - - 18 - 12 114°- 75° 7(Circular aperture diaphragm) 22 0.25 / 9.84 0.11x(0.22x) - ̋86.5×119.5 / ̋3.41×4.70 780 / 27.5 LR-1 LC-87 Built in Yes*5 Yes - Yes*7 Yes*10 ZUIKO DIGITAL ED 9-18mm F4.0-5.6 OLYMPUS 18-36mm - - - 13 - 9 100°- 62° 7(Circular aperture diaphragm) 22 0.25 / 9.84 0.12x(0.24x) 72 ̋79.5×73 / ̋3.13×2.84 275 / 9.7 LR-1 LC-72B LH-75C Yes*5 Yes*5 - Yes*7 Yes ZUIKO DIGITAL 11-22mm F2.8-3.5 OLYMPUS 22-44mm Yes - - 12 - 10 89°- 53° 7 22 0.28 / 11.02 0.13x(0.26x) 72 ̋75×92.5 / ̋2.95×3.64 485 / 17.1 LR-1 LC-72B LH-75 Yes*6 Yes - Yes*7 Yes*10 ZUIKO DIGITAL ED 12-60mm F2.8-4.0 SWD OLYMPUS 24-120mm Yes Yes - 14 - 10 84°- 20° 7(Circular aperture diaphragm) 22 0.25 / 9.84 0.28x(0.56x) 72 ̋79.5×98.5 / ̋3.13×3.88 575 / 20.3 LR-1 LC-72B LH-75B Yes*5 Yes Yes*5 Yes*7 Yes*10 ZUIKO DIGITAL ED 14-35mm F2.0 SWD OLYMPUS 28-70mm Yes Yes - 18 - 17 75°- 34° 9(Circular aperture diaphragm) 22 0.35 / 13.78 0.12x(0.24x) 77 ̋86×123 / ̋3.39×4.84 900 / 31.7 LR-1 LC-77 LH-82B Yes Yes - Yes*7 Yes*10 Standard Zoom Standard ZUIKO DIGITAL ED 14-42mm F3.5-5.6 OLYMPUS 28-84mm - - - 10 - 8 75°- 29° 7(Circular aperture diaphragm) 22 0.25 / 9.84 0.19x(0.38x) 58 ̋65.5×61 / ̋2.58×2.4 190 / 6.7 LR-1 LC-58C LH-61C Yes*5 Yes*5 Yes*5 Yes*7*8 Yes*11 LEICA D VARIO-ELMARIT 14-50mm F2.8-3.5 ASPH. MEGA O.I.S. Panasonic 28-100mm - - Yes 16 - 12 75°- 24° 7 22 0.29 / 11.42 0.16x(0.32x) 72 ̋78.1×ca.97.4 / ̋3.07×ca.3.83 ca.490 / ca.17.3 VFC4185 VYF3089 VYC0949 Yes*5 Yes - Yes*7 Yes*10 LEICA D VARIO-ELMAR 14-50mm F3.8-5.6 ASPH. MEGA O.I.S. Panasonic 28-100mm - - Yes 15 - 11 75°- 24° 7 22 0.29 / 11.42 0.21x(0.42x) 67 ̋74×ca.93 / ̋2.91×ca.3.66 ca.434 / ca.15.3 VFC4185 VYF3160 VYC0972 Yes*5 Yes*5 - Yes Yes ZUIKO DIGITAL 14-54mm F2.8-3.5 Ⅱ OLYMPUS 28-108mm Yes - - 15 - 11 75°- 23° 7(Circular aperture diaphragm) 22 0.22 / 8.66 0.26x(0.52x) 67 ̋74.5×88.5 / ̋2.89×3.48 440 / 15.5 LR-1 LC-67B LH-70D Yes*6 Yes Yes*5 Yes*7 Yes LEICA D VARIO-ELMAR 14-150mm F3.5-5.6 ASPH. MEGA O.I.S. Panasonic 28-300mm - Yes Yes 15 - 11 75°- 8.2° 7 22 0.5 / 19.69 0.18x(0.36x) 72 ̋78.5×ca.90.4 / ̋3.09×ca.3.56 ca.535 / ca.18.9 VFC4185 VYF3089 VYC0975 Yes*5 Yes*5 - Yes Yes ZUIKO DIGITAL ED 18-180mm F3.5-6.3 OLYMPUS 36-360mm - - - 15 - 13 62°- 6.9° 7 22 0.45 / 17.72 0.23x(0.46x) 62 ̋78×84.5 / ̋3.07×3.33 435 / 15.3 LR-1 LC-62B LH-65 Yes*5 Yes*5 Yes*5 Yes*7 Yes*10

Telephoto Zoom ZUIKO DIGITAL ED 35-100mm F2.0 OLYMPUS 70-200mm Yes - - 21 - 18 34°- 12° 9(Circular aperture diaphragm) 22 1.4 / 55.12 0.09x(0.18x) 77 ̋96.5×213.5 / ̋3.80×8.41 1,650 / 58.2*4 LR-1 LC-77 LH-82 Yes Yes Yes*5 Yes*7*9 Yes*10 ZUIKO DIGITAL ED 40-150mm F4.0-5.6 OLYMPUS 80-300mm - - - 12 - 9 30°- 8.2° 7(Circular aperture diaphragm) 22 0.9 / 35.43 0.14x(0.28x) 58 ̋65.5×72 / ̋2.58×2.83 220 / 7.8 LR-1 LC-58C LH-61D Yes*5 Yes*5 Yes*5 Yes*7*8 Yes*11 ZUIKO DIGITAL ED 50-200mm F2.8-3.5 SWD OLYMPUS 100-400mm Yes Yes - 16 - 15 24°- 6.2° 9(Circular aperture diaphragm) 22 1.2 / 47.24 0.21x(0.42x) 67 ̋86.5×157 / ̋3.41×6.18 995 / 32.5*4 LR-1 LC-67B LH-70C Yes*6 Yes Yes*5 Yes*7 Yes*10 ZUIKO DIGITAL ED 70-300mm F4.0-5.6 OLYMPUS 140-600mm - - - 14 - 10 18°- 4.1° 9(Circular aperture diaphragm) 22 0.96 / 37.8(MF) 1.2 / 47.24(AF) 0.50x(1.00x) 58 ̋80×127.5 / ̋3.15×5.02 615 / 21.7 LR-1 LC-58C LH-61E Yes*5 Yes*5 Yes*5 Yes*7*8 Yes*11 ZUIKO DIGITAL ED 90-250mm F2.8 OLYMPUS 180-500mm Yes - - 17 - 12 14°- 5.0° 9(Circular aperture diaphragm) 22 2.5 / 98.43 0.08x(0.16x) 105 ̋124×276 / ̋4.88×10.87 3,270 / 115.3 LR-1 LC-140 LH-120B Yes Yes Yes*5 Yes*7 Yes*10 ar Prime Macro ZUIKO DIGITAL 35mm F3.5 Macro OLYMPUS 70mm - - - 6 - 6 34° 7(Circular aperture diaphragm) 22 0.146 / 5.75 1.00x(2.00x) 52 ̋71×53 / ̋2.80×2.09 165 / 5.8 LR-1 LC-52B - Yes*5 Yes Yes*5 Yes*7*9 Yes*10 ZUIKO DIGITAL ED 50mm F2.0 Macro OLYMPUS 100mm Yes - - 11 - 10 24° 7 22 0.24 / 9.45 0.52x(1.04x) 52 ̋71×61.5 / ̋2.80×2.42 300 / 10.6 LR-1 LC-52B LH-55 Yes Yes Yes Yes*7 Yes*10 ZUIKO DIGITAL ED 8mm F3.5 Fisheye OLYMPUS 16mm Yes - - 10 - 6 180° 7(Circular aperture diaphragm) 22 0.135 / 5.31 0.22x(0.44x) - ̋79×77 / ̋3.11×3.03 485 / 17.1 LR-1 LC-74 Built in Yes*5 Yes - Yes*7 Yes*10 LEICA D SUMMILUX 25mm F1.4 ASPH. Panasonic 50mm - - - 10 - 9 47° 7(Circular aperture diaphragm) 16 0.38 / 14.96 0.09x(0.17x) 62 ̋77.7×ca.75 / ̋3.06×ca.2.95 ca.510 / ca.18.0 VFC4185 VYF3147 VYC0959 - - - Yes*7*8 Yes*11 ZUIKO DIGITAL 25mm F2.8 OLYMPUS 50mm - - - 5 - 4 47° 7(Circular aperture diaphragm) 22 0.2 / 7.87 0.19x(0.38x) 43 ̋64×23.5 / ̋2.52×0.93 95 / 3.4 LR-1 LC-43B (LH-43) Yes Yes Yes*5 Yes*7*8 Yes ZUIKO DIGITAL ED 150mm F2.0 OLYMPUS 300mm Yes - - 11 - 9 8.2° 9(Circular aperture diaphragm) 22 1.4 / 55.12 0.13x(0.26x) 82 ̋100×150 / ̋3.94×5.91 1,465 / 51.7*4 LR-1 LC-82 LH-89 Yes Yes Yes*5 Yes*7 Yes*10 ZUIKO DIGITAL ED 300mm F2.8 OLYMPUS 600mm Yes - - 13 - 11 4.1° 9 22 2.4 / 94.46 0.15x(0.30x) 4type(Built-in 43）*3 ̋127×285 / ̋5.00×11.22 3,290 / 116.0 LR-1 LC-140 LH-120 Yes Yes Yes*5 Yes*7 Yes*10 * Since Olympus incorporates image stabilizers in the bodies of its cameras, image stabilization is available with any lens. (Corresponding models: OLYMPUS OM-D series, OLYMPUS PEN series)

・The compression level of product photographs shown in this catalog varies. Check the above tables for actual sizes. ・Specifications and design are subject to change without notice. *1: 0.29 in certain focal length range. *2: When setting the aspect ratio to 16:9 with DMS-GH2. *3: Dedicated 43mm drop-in filters (including clear, ND4, ND8 and circular polarizing filters). The front filter diameter is 112mm. *4: Weight without the tripod adapter. *5: Only manual focusing is available. *6: Autofocusing is only available at the center distance-measuring point of the viewfinder. *7: The vertical-hold detect function is not available with the DMC-G1, DMC-GF1 or DMC-GH1. *8: Autofocusing is available when the firmware is updated. *9: It is recommended to update the lens firmware to Ver. 1.2 or later. *10: Focusing may be difficult due to incompatibility with the High-Speed Imager AF. In this case, it is recommended to use the "S-AF + MF" mode. *11: The latest-version firmware for the lens is compatible with the High-Speed Imager AF so focusing is easier. 37 38