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645AFD Instruction Manual Companion for Digital Photography
Mamiya 645 AFD Instruction Manual Companion for Digital Photography Mamiya 645 AFD Instruction Manual Companion for Digital Photography Congratulations on your purchase of the Mamiya 645AFD. To make the transition from film to digital easier, we are including this digital companion that explains all of the new indicators you will see on the LCDs of your Mamiya 645AFD. Please read the owner’s manual before reading this companion. Because the Mamiya 645AFD was made to communicate with digital camera backs, these indicators will inform you of the status of the communications between your Mamiya 645AFD and digital camera back. If you do not have a digital back, these indicators will not appear and you do not have to read any further. There are three basic modes that your Mamiya 645 AFD goes through when taking a digital image. First is the Normal or pre-capture mode. The camera is in this mode before the shutter is released. While in this mode the camera virtually acts as if there were a film magazine attached. Shutter speeds and apertures are displayed on the internal and external LCD displays. The second mode is after the shutter release button has been pressed. This is the Capture mode. At this time the Mamiya 645 AFD will start to act very differently when a digital back is attached. There is a whole new set of indicators that will be displayed on the LCD displays of the camera. The After Capture mode is the third and final mode. Again, in this mode there are new indicators that will appear on the camera’s LCD displays. -
Digital High Resolution Still Video Camera Versus Film- Based Camera in Photogrammetric Industrial Metrology
International Archives of Photogrammetry and Remote Sensing, Vol. 30, Part 1, pp. 114-121. DIGITAL HIGH RESOLUTION STILL VIDEO CAMERA VERSUS FILM- BASED CAMERA IN PHOTOGRAMMETRIC INDUSTRIAL METROLOGY Thomas P. Kersten and Hans-Gerd Maas Institute of Geodesy and Photogrammetry, Swiss Federal Institute of Technology ETH-Hoenggerberg, CH-8093 Zurich, Switzerland Phone: +41 1 633 3287, Fax: +41 1 633 1101, e-mail: [email protected] Phone: +41 1 633 3058, Fax: +41 1 633 1101, e-mail: [email protected] ISPRS Commission I, Working Group 3 KEY WORDS: close-range photogrammetry, high resolution, still video ABSTRACT In this paper a digital high resolution still video camera DCS200 and a conventional film-based small format camera Leica R5 are compared. The image data used for the comparison were acquired during several pilot projects in a shipyard. The goal was the determination of 3-D co-ordinates of object points, which were signalised with retro- reflective targets, for dimensional checking and control in the ship building industry, as well as to test the suitability of the cameras for these applications. The image point measurements in the photos taken by the film-based camera were performed on an analytical plotter, while the digital image data were processed semi-automatically with digital photogrammetric methods. In addition, some of the analogue images were scanned and then also processed with digital photogrammetric methods. The results of simultaneous camera calibrations and 3-D point positioning are given, showing its accuracy potential, which turned out to be in the range of 1: 50,000 and 1: 75,000 for the DCS200 and up to 1: 27,000 for the Leica. -
Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) Also: 29/II Dorotheen Strasse 29, Berlin, Germany
Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) also: 29/II Dorotheen strasse 29, Berlin, Germany. (1901) and 29, Margaret St, Regent St, London W (1901) The founder, Carl Zeiss (1816-1888) was born in Weimar, the son of a cabinet maker and ivory carver. He graduated from school in 1834, qualified to be apprenticed to the Grand Dukes Instrument maker, Dr Koerner, and attended academic courses as well as working as apprentice. Next he travelled from Jan. 1838 to Oct. 1845 to study in Stuttgart, Darmstadt, Vienna, and Berlin to broaden his experience. Back at home, he studied chemistry and higher mathematics. By May 1845, he felt well enough qualified to apply to the County Administration at Weimar for permission to found "An establishment for the production of advanced mechanical devices", hoping for a relationship with the University to advance designs. Money was tight with capital of 100 Thalers (possibly £100) only, but in Nov. 1846, he opened at 7, Neugasse. It remained a small business for years, as it took some 20 years for the University relationship to be productive, and he often grew weary of the trial and error methods traditionally used in the trade. Much of the production was of microscopes- often relatively simple ones by modern standards, such as dissection viewers. Then in 1863, a young lecturer Ernst Abbe (1840-1905) joined the University to teach physics and astronomy. Zeiss approached him in 1866 for cooperation in the design of improved systems and this lead to new ideas, eg in the Abbe refractometer (1869), a comparator and a spectrometer. -
Mercury User Guide
MERCURY USER GUIDE Version 0.7 12-23-2018 Table of Contents Table of Contents..............................................................................................................................2 Chapter 1: Mercury Overview...........................................................................................................5 1.1 Guide to using this Guide...........................................................................................................5 1.2 Introduction................................................................................................................................5 1.2.1 The Mercury Concept.........................................................................................................5 1.2.2 System Diagram..................................................................................................................6 1.2.3 Basic Mercury Terminology...............................................................................................8 1.2.4 Front and Rear Spacing Example.......................................................................................8 1.3 Basic Mercury Modules..............................................................................................................9 1.3.1 Basic Module Descriptions.................................................................................................9 1.3.2 Example Configurations...................................................................................................11 1.4 Precautions and -
A Digital Astrophotography Primer - OR - This Is NOT Your Daddy’S SLR!
A Digital Astrophotography Primer - OR - This is NOT your Daddy’s SLR! Page 1 of 22 Table of Contents A Digital Astrophotography Primer...........................................................................................................................................................1 Table of Contents.......................................................................................................................................................................................2 Introduction............................................................................................................................................................................................3 What is an SLR, anyways? ....................................................................................................................................................................3 SLR, DSLR, What’s the Difference?.....................................................................................................................................................4 The Viewfinder ......................................................................................................................................................................................4 The Focus Mechanism ...........................................................................................................................................................................5 The Capture Medium .............................................................................................................................................................................6 -
Minolta Electronic Auto-Exposure 35Mm Single Lens Reflex Cameras and CLE
Minolta Electronic Auto-Exposure 35mm Single Lens Reflex Cameras and CLE Minolta's X-series 35mm single lens user the creative choice of aperture and circuitry requires a shutter speed faster reflex cameras combine state-of-the-art shutter-priority automation, plus metered than 1/1000 second. These cameras allow photographic technology with Minolta's tra manual operation at the turn of a lever. The full manual control for employing sophisti ditional fine handling and human engineer photographer can select shutter-priority cated photo techniques. The silent elec ing to achieve precision instruments that operation to freeze action or control the tronic self-timer features a large red LED are totally responsive to creative photogra amount of blur for creative effect. Aperture signal which pulsates with increasing fre phy. Through-the-Iens metering coupled priority operation is not only useful for quency during its ten-second operating with advanced, electronically governed depth-of-field control , auto~exposure with cycle to indicate the approaching exposure. focal-plane shutters provide highly accu bellows, extension tubes and mirror lenses, The Motor Drive 1, designed exclusively rate automatic exposure control. All X but for the control of shutter speed as well . for the XG-M, provides single-frame and series cameras are compatible with the Full metered-manual exposure control continuous-run film advance up to 3.5 vast array of lenses and accessories that allows for special techniques. frames per second. Plus, auto winders and comprise the Minolta single lens reflex A vibration-free electromagnetic shutter "dedicated" automatic electronic flash units system. release triggers the quiet electronic shutter. -
AUTO LENS ADAPTER USER MANUAL LAE-CM-CEF Canon EF/EF-S Lens to Canon EOS-M Camera INTRODUCTION
AUTO LENS ADAPTER USER MANUAL LAE-CM-CEF Canon EF/EF-S Lens to Canon EOS-M Camera INTRODUCTION Thank you for purchasing the Vello LAE-CM-CEF Auto Lens Adapter – Canon EF/EF-S Lens to Canon EOS-M Camera. This adapter allows you to mount any Canon EF or EF-S lens to a Canon EOS-M camera. With an EF or EF-S lens mounted to a Canon EOS-M camera using this adapter, all automatic functions, such as auto focus and auto exposure, are available and fully operational. A removable tripod mount collar with a ¼" socket is included. 2 CONTENTS INCLUDE • Vello LAE-CM-CEF Auto Lens Adapter - Canon EF/EF-S Lens to Canon EOS-M Camera • Front and rear caps • Removable tripod mount collar • User manual 3 INTRODUCTION The Vello Auto Lens Adapter – Canon EF/EF-S Lens to Canon EOS-M Camera can expand the arsenal of lenses for your Canon EOS-M camera using lenses you already own. With this adapter, you can mount any Canon EF or EF-S lens to a Canon EOS-M camera. Just attach the adapter to your EF or EF-S lens, then mount the lens and adapter to your Canon EOS-M camera. 4 When using an EF lens, there will be a crop factor of 1.6x, so that the apparent focal length of the lens will be 1.6x of the actual focal length. With EF-S lenses, there is no apparent change in the focal length. All camera functions will operate normally, including auto focus, auto exposure, and touch-screen modes. -
The M 0.8 Line of Lenses Consists of 7 Focal Lengths from 21 Mm to 90 Mm
M 0.8 The M 0.8 line of lenses consists of 7 focal lengths from 21 mm to 90 mm. The lenses use the high speed full frame M-Mount to maintain their small size while offering a variety of design improvements to make them more compatible with the cinema production environment. ICONIC IMAGES, CLASSIC CHARACTER The Leitz M 0.8 lenses bring a unique interpretation of light, skin tones and color that has inspired photographers and cinematographers for years. Naturally the lenses offer a sharp and focused center with gradual and pleasing fall off of contrast and light toward the edges, leading the view to the image center as well as adding dimensionality to the scene. This look and feel is now available to the cinematographer searching for something new. INCREDIBLY SMALL AND LIGHTWEIGHT The compact size of the Leitz M 0.8 lenses is made possible by retaining the Leica M-Mount. They range from 74 mm to 98 mm and weigh between 380-835 g. They are a dream combination for cameras in drone or gimbal configurations. Each lens has a standardized 80 mm front diameter with a 77 mm screw-in filter thread. The 0.8 module gear rings allow lens motors and follow focus systems to work seamlessly. CAMERA COMPATIBILITY The Leitz M 0.8 lenses use the Leica M-Mount rather than a PL-Mount to maintain their small size. Many cameras with interchangeable mounts or adapters can still use these lenses. Sony Venice, ARRI ALEXA Mini LF, Mini and AMIRA cameras can use the M-Mount adapter from Leitz for the cameras. -
Owner's Manual
VQT4G28_ENG_SPA.book 1 ページ 2012年5月16日 水曜日 午前11時43分 Owner’s Manual INTERCHANGEABLE LENS FOR DIGITAL CAMERA Model No. H-HS12035 Before connecting, operating or adjusting this product, please read the instructions completely. For USA and Puerto Rico assistance, please call: 1-800-211-PANA(7262) or, contact us via the web at: http://www.panasonic.com/contactinfo For Canadian assistance, please call: 1-800-99-LUMIX (1-800-995-8649) or send e-mail to: [email protected] VQT4G28 PP F0512SM0 until 2012/6/6 VQT4G28_ENG_SPA.book 2 ページ 2012年5月16日 水曜日 午前11時43分 Contents THE FOLLOWING APPLIES ONLY IN CANADA. Information for Your Safety..................................... 2 This Class B digital apparatus complies with Precautions........................................................... 4 Canadian ICES-003. Supplied Accessories ............................................. 5 Attaching/Detaching the Lens................................. 6 Names and Functions of Components ................... 8 Cautions for Use..................................................... 9 Information for Your Safety Troubleshooting .................................................... 9 Specifications........................................................ 10 Keep the unit as far away as possible from Limited Warranty................................................... 11 electromagnetic equipment (such as microwave ovens, TVs, video games, radio transmitters, -If you see this symbol- high-voltage lines etc.). ≥ Do not use the camera near cell phones because Information -
ALPA of Switzerland - Manufacturers of Remarkable Cameras P G
ALPA of Switzerland - Manufacturers of remarkable cameras p g MENU SELECT FILTER PHOTOKINA 2016 - SPECIAL SITE Here you will find all additional information regarding ALPA's presence at Photokina 2016, taking place 20 - 25 September in Cologne. ALPA will show solutions with the... - Hasselblad Multishot digital back - Phase One IQ3 100 MP, the IQ350 and the Achromatic - all new Sinarback S 30|45 You will find ALPA at stand B021 in hall 2.1 - Download Floor Plan Photokina 2016 http://www.alpa.ch/en/site/photokina-2016-en[26.11.20, 09:37:04] ALPA of Switzerland - Manufacturers of remarkable cameras PHOTOKINA 2016 - PRESS RELEASES ARCHIVE PRESS RELEASE PACKAGES (ZIP) August 19, 2016 - ALPA Releases Additional Products for Still and Movie Photography August 25, 2016 - ALPA 70 & Years Anniversary: ALPA launches ALPA Anniversary Edition Set August 31, 2016 - Hasselblad and ALPA Sharing Expertise September 16, 2016 - ALPA introduces new control devices - ALPA SILEX, ALPA eShutter Support Sinarback S 30|45 September 17, 2016 - ALPA modularizes bellow and tripod head - ALPA SERPENT and ALPA GON PHOTOKINA 2016: ALPA SILEX - THE NEW SWISS KNIFE ALPA's credo was and is to offer their users the outmost modularity, flexibility and protection http://www.alpa.ch/en/site/photokina-2016-en[26.11.20, 09:37:04] ALPA of Switzerland - Manufacturers of remarkable cameras of their investment. ALPA is pleased to announce in its anniversary year a number of future- oriented products for existing and new customers. ALPA aims to provide highly tailor-made photographic equipment. With 18 new products for this Photokina ALPA is underpinning this claim. -
Beauty Redefined, Entropy, and Breakthrough MY PRECIOUS
Beauty Redefined, Entropy, and Breakthrough MY PRECIOUS contents Go Wide 76 Beauty Redefined The Sigma 10-20mm 68 You Are Beautiful By Dave Markowski Making Things Better, One Sticker at a Time Interview by Julie Jackson I admit it. When I got my first digital (without going all the way to fisheye), shots can also benefit and yield some SLR, I didn’t have a clue what I was and I almost never find myself cursing excellent results. I’ve done quite a few 70 Pretty Is Boring doing. So I started asking the question because something isn’t fitting in the shots of the college campus where I Photos of Strong Women by Mark Velasquez that gives seasoned shooters facial tics: frame quite right. currently work, and clients have been “What lens should I get?” I do quite a bit of nighttime long very pleased with the dramatic angles 94 Photographing Female Models The advice I got was simple: exposure photography, so the lack of that an ultra-wide gives. Ten Tips by Kimberly Millard “Figure out what you shoot most, and a set aperture isn’t really an issue. The Since I got the Sigma 10-20mm, get the lens that will help you capture Sigma is great for the nontraditional it rarely leaves my camera. So if you’ve it best.” So I used my kit lens for a few candid-portrait photographer as well. got a hankerin’ for some ultra-wide 96 Diversity Decontextualized months, and found myself shooting You can really get some neat effects at action, give the Sigma a try. -
Macro References and Glossary Ofterms.Docx
Glossary of terms for Macro Photography Achromatic lens A lens that brings at least two wavelengths (typically red and blue) into focus in the same plane, thereby limiting the effects of chromatic and spherical aberration Airy disk and Airy pattern Descriptions of the best focused spot of light that a perfect lens with a circular aperture can make, limited by the diffraction of light Angle of view (AOV) The angular extent of a given scene that is imaged by a camera Aperture control filter An adapter that fits on the rear of a reversed lens to m anually control the aperture Astigmatism Light rays that propagate in two perpendicular planes have different foci Asymmetric lens A lens where the aperture appears to have different dimensions when viewed from the front and from the back Bellows A pleated light -tight ex ten sible part in a camera between the film plane and the lens Circle of confusion (CoC) The optical spot caused by a cone of light rays from a lens not coming to a perfect focus when imaging a point source (also known as a disk of confusion) Close focus distance See minimum focus distance Close -up lens A single or multi -element lens that fi ts on the filter t hread of a primary lens to increase magnification Close -up photography Images taken close to the subject typically with magnifications of ~0.1X to ~1X Coma or comatic aberration A lens aberration due to imperfections in a lens , or other components, that results in off-axis point sources appearing to have a tail (coma) similar to a comet Chromatic a berration (or An optical effect when a lens is unable to bring all wavelengths of colo ur to the same colour/purple fringing) focal plane, and/or when wavelengths of different colours are focused at different positions in the focal plane.