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Beauty Redefined, Entropy, and Breakthrough MY PRECIOUS
Beauty Redefined, Entropy, and Breakthrough MY PRECIOUS contents Go Wide 76 Beauty Redefined The Sigma 10-20mm 68 You Are Beautiful By Dave Markowski Making Things Better, One Sticker at a Time Interview by Julie Jackson I admit it. When I got my first digital (without going all the way to fisheye), shots can also benefit and yield some SLR, I didn’t have a clue what I was and I almost never find myself cursing excellent results. I’ve done quite a few 70 Pretty Is Boring doing. So I started asking the question because something isn’t fitting in the shots of the college campus where I Photos of Strong Women by Mark Velasquez that gives seasoned shooters facial tics: frame quite right. currently work, and clients have been “What lens should I get?” I do quite a bit of nighttime long very pleased with the dramatic angles 94 Photographing Female Models The advice I got was simple: exposure photography, so the lack of that an ultra-wide gives. Ten Tips by Kimberly Millard “Figure out what you shoot most, and a set aperture isn’t really an issue. The Since I got the Sigma 10-20mm, get the lens that will help you capture Sigma is great for the nontraditional it rarely leaves my camera. So if you’ve it best.” So I used my kit lens for a few candid-portrait photographer as well. got a hankerin’ for some ultra-wide 96 Diversity Decontextualized months, and found myself shooting You can really get some neat effects at action, give the Sigma a try. -
Optical Performance:: Characterization of a Pupillometric Camera
RELATED TITLES Documents Science & Tech Tech Digital & Social Media 58 views 0 0 Abb Uploaded by Mabel Ruiz AP-Physical Low Light Manual Twilight Retrato Science Sample Photography for Render 1.4.5 Aberration document explaining the Seidel coefficients Full description Save Embed Share Print S-118.4250 PPOSTGRADUATE SEMINAR ON ILLUMINATION ENGINEERING ,, SSPRING 2008 LLIGHTING UUNIT,, DDEPARTMENT OF EELECTRONICS,, HHELSINKI UUNIVERSITY OF TTECHNOLOGY (TKK) OPTICAL PERFORMANCE:: CHARACTERIZATION OF A PUPILLOMETRIC CAMERA Petteri Teikari,, [email protected] Emmi Rautkylä,, emmi.rautkylä@tkk.fi RELATED TITLES Documents Science & Tech Tech Digital & Social Media 58 views 0 0 Abb Uploaded by Mabel Ruiz AP-Physical Low Light Manual Twilight Retrato Science Sample Photography for Render 1.4.5 Aberration document explaining the Seidel coefficients Full description Save Embed Share Print RELATED TITLES Documents Science & Tech Tech Digital & Social Media 58 views 0 0 Abb Uploaded by Mabel Ruiz AP-Physical Low Light Manual Twilight Retrato Science Sample Photography for Render 1.4.5 Aberration document explaining the Seidel coefficients Full description Save Embed Share Print TABLE OF CONTENTS A A BSTRACT .................................................................................................................................. TT ABLE OF CONTENTS ................................................................................................................2 11 IINTRODUCTION.................................................................................................................3 -
(12) Patent Application Publication (10) Pub. No.: US 2015/0124336A1 Kaufman (43) Pub
US 2015O124336A1 (19) United States (12) Patent Application Publication (10) Pub. No.: US 2015/0124336A1 Kaufman (43) Pub. Date: May 7, 2015 (54) WIDE SPECTRUM OPTICAL SYSTEMIS AND Publication Classification DEVICESIMPLEMENTING FIRST SURFACE MIRRORS (51) Int. Cl. GO2B I7/08 (2006.01) (71) Applicant: Public Service Solutions, Inc., Fresh GOL 5/50 (2006.01) Meadows, NY (US) GO3B 7/4 (2006.01) GOIN 2L/25 (2006.01) (72) Inventor: Peter N. Kaufman, Fresh Meadows, NY (52) U.S. Cl. (US) CPC .............. G02B 17/08 (2013.01); G0IN 2 1/255 (2013.01); G0IJ 5/505 (2013.01); G03B 17/14 (2013.01); G0IN 220.1/061 13 (2013.01) (21) Appl. No.: 14/315,270 (57) ABSTRACT The present invention generally relates to wide spectrum optical systems and devices for use in multispectral imaging (22) Filed: Jun. 25, 2014 systems and applications and in particular, wide spectrum optical assemblies that are implemented using low cost, first Surface mirrors in an optical framework that enables real-time Related U.S. Application Data viewing of an image in multiple spectral bands simulta (60) Provisional application No. 61/839,356, filed on Jun. neously over the same optical centerline with one main opti 25, 2013. cal element. 1. 42 41 Patent Application Publication May 7, 2015 Sheet 1 of 26 US 201S/O124336A1 : Patent Application Publication May 7, 2015 Sheet 2 of 26 US 2015/0124336A1 FIG. 2C FIG. 2D Patent Application Publication May 7, 2015 Sheet 3 of 26 US 2015/O124336A1 FIG. 3B Patent Application Publication May 7, 2015 Sheet 4 of 26 US 2015/0124336A1 FIG. -
Introduction to Differential Equations
Modern Optics, Prof. Ruiz, UNCA doctorphys.com Chapter H Solutions. Camera Lenses HW H1. Close-Up Photography. Courtesy Andrew Magill via Courtesy Wikipedia: Fg2 Flickr and Wikipedia You have there close-up lens attachments 1D , 2D , and 4D along with three extension tubes of lengths 12 mm , 20 mm , and 36 mm . You have an SLR camera with its standard 50 mm focal length lens. The most you can turn the focusing mechanism to focus close up gets you a maximum lens-to-film distance of si 60 mm , which allows you to bring a subject as si 60 1 close as so 300 mm for a magnification of M 0.2 . Even though you so 300 5 know that the optical quality due to aberrations will not be ideal, you thread on all three close-up attachments to the front of your lens and use all three extension tubes between the lens and the camera body. Calculate the closest you can bring an object now for photographing and determine the magnification for your image on the photo. While the lens projects an inverted and left-right flipped image, you simply turn the photo around and all looks good. Report your answers to two significant figures. Comment on your magnification comparing it to life size. HW H2. The Teleconverter I: Formula for Diverging Insert. A primary camera lens with focal length ffcamera 1 can be converted into a telephoto lens by inserting a diverging lens, the converter secondary lens with focal length f2 , between the primary lens and camera body. -
Mamiya 645 200Mm F2.8 APO Review
16/08/2018 REVIEW | Mamiya 645M 200mm F2.8 APO PEBBLE PLACE REVIEWS - Medium Format - Mamiya 645M 200mm F2.8 APO Telephoto Lens HOME REVIEWS Rangefinder SLR Medium Format Accessories GEAR TALK LEICA db CONTAX db MAMIYA 645M 200MM F2.8 TELEPHOTO LENS My Facebook Page PICTURES Like 0 Updated June 19, 2018 Production Early 1980’s to 2002 Lens Composition 7 Elements in 5 Groups Floating Element No Angular Field of View 20˚ at infinity Actual Field of View 124mm (35mm Equivalent, on a 645 film negative) Minimum Focus 2.5 Meters / 8.2 Feet Aperture 8 Blades, Octagonal F-Stop Scale F2.8 to F22; full stop detents Filter Size 77mm Lens Cap 77mm Mamiya 645M 200mm F2.8 APO Lens Hood Built-in (slides into place) plus Screw-on Extension Phase One P65+ • F8 • 4-Sec • ISO 50 Weight 1107 Grams / 2.43 pounds (without caps) Lens Size 91mm Wide x 143.5mm Long OVERVIEW The Mamiya 645M 200mm F2.8 APO was designed for use on the Mamiya M645, M645-1000S, M645 J 645 Super and M645 PRO. While those cameras are long since discontinued, the Mamiya 200mm F2.8 APO's mounts directly to today’s modern Mamiya / Phase One 645AF bodies. These days I use the Mamiya 200mm F2.8 APO via the Leica S-Adapter Mamiya on the Leica S Typ 006, and have found the Mamiya 200mm APO to be outstanding portrait lens and equally adept Mamiya 645M 200mm F2.8 APO Phase One P65+ • F8 • 1/125 • ISO 50 as a landscape lens. -
Single Lens Off-Chip Cellphone Microscopy
Single Lens Off-Chip Cellphone Microscopy Aydın Arpa Gordon Wetzstein Douglas Lanman Ramesh Raskar MIT Media Lab MIT Media Lab MIT Media Lab MIT Media Lab Abstract Within the last few years, cellphone subscriptions have widely spread and now cover even the remotest parts of the planet. Adequate access to healthcare, however, is not widely available, especially in developing countries. We propose a new approach to converting cellphones into low-cost scientific devices for microscopy. Cellphone mi- croscopes have the potential to revolutionize health-related screening and analysis for a variety of applications, includ- ing blood and water tests. Our optical system is more flex- ible than previously proposed mobile microscopes and al- lows for wide field of view panoramic imaging, the acquisi- tion of parallax, and coded background illumination, which optically enhances the contrast of transparent and refrac- tive specimens. 1. Introduction Today, an estimated six billion cellphone subscriptions exist worldwide with about 70% of those in developing countries (www.itu.int/ict/statistics). However, developing countries often suffer from a lack of access to adequate healthcare, which is party due to the cost and training as- sociated with high-tech scientific instruments required for medical analysis. We present a low-cost portable micro- scope that uses a cellphone camera and a simple, secondary lens that is placed on top of the specimen. As illustrated in Figure 1. Illustration of our cellphone microscope in the field. The Figure 1, our device can be used in the field, for instance data captured by this versatile and low-cost platform can either to analyze water sources for potential contamination, and be analyzed directly on the phone or remotely, for instance by a can either directly process the captured data or transmit it medical doctor in a hospital. -
Single Lens Off-Chip Cellphone Microscopy
Single lens off-chip cellphone microscopy The MIT Faculty has made this article openly available. Please share how this access benefits you. Your story matters. Citation Arpa, Aydin, Gordon Wetzstein, Douglas Lanman, and Ramesh Raskar. “Single lens off-chip cellphone microscopy.” In 2012 IEEE Computer Society Conference on Computer Vision and Pattern Recognition Workshops, Providence, RI, 16-21 June 2012. p. 23-28. Institute of Electrical and Electronics Engineers, 2012. As Published http://dx.doi.org/10.1109/CVPRW.2012.6239195 Publisher Institute of Electrical and Electronics Engineers Version Author's final manuscript Citable link http://hdl.handle.net/1721.1/80831 Terms of Use Creative Commons Attribution-Noncommercial-Share Alike 3.0 Detailed Terms http://creativecommons.org/licenses/by-nc-sa/3.0/ Single Lens Off-Chip Cellphone Microscopy Aydın Arpa Gordon Wetzstein Douglas Lanman Ramesh Raskar MIT Media Lab MIT Media Lab MIT Media Lab MIT Media Lab Abstract Within the last few years, cellphone subscriptions have widely spread and now cover even the remotest parts of the planet. Adequate access to healthcare, however, is not widely available, especially in developing countries. We propose a new approach to converting cellphones into low-cost scientific devices for microscopy. Cellphone mi- croscopes have the potential to revolutionize health-related screening and analysis for a variety of applications, includ- ing blood and water tests. Our optical system is more flex- ible than previously proposed mobile microscopes and al- lows for wide field of view panoramic imaging, the acquisi- tion of parallax, and coded background illumination, which optically enhances the contrast of transparent and refrac- tive specimens. -
Orbs in Pictures of the Sun
Orbs in pictures of the sun Continue The backscatter of the camera's flash of motes of dust causes unfocused orb-shaped photographic artifacts. In photography, the backscatter (also called near-camera reflection[1]) is an optical phenomenon that results in typically circular artifacts on an image, due to the camera's flash reflected from unfocused motes of dust, water droplets, or other particles in the air or water. It is especially common with modern compact and ultra-compact digital cameras. [3] [3] A hypothetical underwater instance with two conditions in which circular photographic artifacts are probable (A) and unlikely (B), depending on whether the aspect of particles facing the lens directly reflects the flash, as shown. Elements do not appear to scale. Caused by the backscatter of light of unfocused particles, these artifacts are also sometimes referred to as orbs, citing a common paranormal claim. Some appear with tracks, suggesting movement. [4] Cause circular unfocused visual artifacts caused by raindrops. Additional information: Light scattering of particles and Defocus-aberration Backscatter usually occurs in low light scenes when the camera flash is used. Cases include night time and underwater photography, when a bright light source and reflective unfocused particles are close to the camera. [1] Light appears much brighter much near the source due to the inverse-square law, which says light intensity is inversely proportional to the square of the distance from the source. [5] The artifact may be the result of backscatter or retroreflection of the light from airborne solid particles, such as dust or pollen, or liquid droplets, especially rain or fog. -
The Essential A-Z of Photography Slang Artifact a Loose Term To
The essential A-Z of photography slang Artifact A loose term to describe an element that degrades picture quality. Anything from the blockiness that can occur when pictures are heavily compressed as JPEGs, to the distortion to pictures that occurs with heavy manipulation – even the effect you see with lens flare. ATGNI All The Gear, No Idea. A photographer who has lots of camera equipment but doesn’t know what half of it does. A bit of an Uncle Bob, in fact. BIF A rare acronym that you’ll only see floating around bird photography forums (download our free bird photography cheat sheet). There’s a clue right there: BIF stands for Bird in Flight, and is usually brought up during lengthy technical discussions about autofocus point selection and focus modes. Bigma The Sigma 50-500mm f/4-6.3 lens earned the nickname ‘Bigma’ thanks to its considerable 10x zoom range and considerable proportions. Blown out Bright areas in a photo that are overexposed are said to be blown out. They won’t hold any detail and will be bleached white. Bokeh Pronounced ‘boh-kay’, this term is derived from the Japanese word for ‘blur’ and is used to describe the aesthetic quality of the blur in out- of-focus areas of a picture. The faster the lens, and the more aperture blades it has, the smoother the blur tends to be. Chimping The act of looking at pictures on the back of the camera as soon as you’ve taken them, usually accompanied by lots of ‘ooh-ooh-oohing’, hence the name. -
Assignment 4: Raw Material
Computer Science E-7: Exposing Digital Photography Harvard Extension School Fall 2010 Raw Material Assignment #4. Due 5:30PM on Tuesday, November 23, 2010. Part I. Pick Your Brain! (40 points) Type your answers for the following questions in a word processor; we will accept Word Documents (.doc, .docx), PDF documents (.pdf), or plaintext files (.txt, .rtf). Do not submit your answers for this part to Flickr. Instead, before the due date, attach the file to an email and send it to us at this address: ! [email protected] 1. (2 points) What are two advantages of JPEG over RAW? 2. (2 points) Which color space should you employ for general use? 3. (2 points) Why is white balance measured in degrees Kelvin? 4. (2 points) List two reasons why batteries in digital SLRs tend to last longer than those in compact digital cameras. 5. (2 points) Why is calibrating your monitor important? 6. (3 points) What is a tone curve and why is it necessary? 7. (3 points) Many digital cameras are advertised as having a crop factor. What does this mean? What are some of its advantages and disadvantages? 8. (3 points) Assume you have two sources of light: incandescent light at an approximate color temperature of 3000 K, and the sun with an approximate color temperature of 6000 K. Which source produces warmer tones? If you take two properly-exposed photographs of a white sheet of paper, one photo in each scene, with your camera set at a white balance of 4500 K, in which photo would the paper appear warmer? 1 of 6 Computer Science E-7: Exposing Digital Photography Harvard Extension School Fall 2010 9. -
What Are Orbs?
What are Orbs? by Melissa Tanner, TnT Paranormal Investigators LLC A much heated debate in paranormal field surrounds orbs. The debate is around: What are they? Are they spirits? Are the just dust or air particles? Are they bugs? All of the above. Most experts agree the orbs we see in photographs are airborne particles and/or bugs. A true paranormal orb will be able to be seen with the naked eye. Those types of orbs are believed to be balls of energy. The source of that energy is unknown. The following information was obtained from Wikipedia: Source: http://en.wikipedia.org/wiki/Orb_(optics) A single orb in the center of the photo, at the person's knee level The term orb describes unexpected, typically circular artifacts that occur in flash photography — sometimes with trails indicating motion — especially common with modern compact and ultra- compact digital cameras. Orbs are also sometimes called backscatter, orb backscatter, or near-camera reflection. Orb artifacts are captured during low-light instances where the camera's flash is implemented, such as at night or underwater. The artifacts are especially common with compact or ultra- compact cameras, where the short distance between the lens and the built-in flash decreases the angle of light reflection to the lens, directly illuminating the aspect of the particles facing the lens and increasing the camera's ability to capture the light reflected off normally sub-visible particles.[1] The orb artifact can result from retroreflection of light off solid particles (e.g., dust, pollen), liquid particles (water droplets, especially rain) or other foreign material within the camera lens.[1] The image artifacts usually appear as either white or semi-transparent circles, though may also occur with whole or partial color spectrums, purple fringing or other chromatic aberration. -
Reference Manual EN
DxO Optics Pro V4.5 Reference Manual DxO Optics Pro V4.5 Reference Manual ©DxO Labs 2007 - 1 - All rights reserved DxO Optics Pro V4.5 Reference Manual Contents Introduction 4 Introducing DxO Optics Pro V4 Chapter 1 6 A typical image enhancement session from A to Z Selecting images to create a project Organizing your project Enhancing the images in your project Processing a batch of images Viewing the results! Common actions Note for users of previous versions Chapter 2 9 Select your photos from various sources The thumbnails and their buttons Star-ranking Adding images Fully automatic operation Chapter 3 12 Organize your images on an electronic light-table The big picture Adapt your workspace Chapter 4 14 Enhance your images using DxO Optics Pro Tools Corrections Palette Guided or Expert? Eight corrections palettes Chapter 5 18 Process as many images as you want with just one click Process the stars Define output formats Chapter 6 20 View the results of your work (with a little help from DxO) Chapter 7 21 How to go further Your workflow ©DxO Labs 2007 - 2 - All rights reserved DxO Optics Pro V4.5 Reference Manual Chapter 8 22 DxO Optics Pro Menus Chapter 9 28 Using Auto, Guided and Expert modes Chapter 10 31 Generic Tools Chapter 11 34 DxO Optics Tools Chapter 12 40 Sharpness Tools Chapter 13 43 DxO Noise Tools Chapter 14 45 White Balance and Exposure Chapter 15 49 DxO Color Tools Chapter 16 55 DxO Lighting Tools Chapter 17 58 Geometry Tools Chapter 18 62 Stacking, ranking and Output Formats Chapter 19 67 DxO Optics Pro for Adobe ® Photoshop™ Chapter 20 68 DxO Optics Pro for Adobe ® Lightroom™ Copyrights, Trademarks and Registered marks are properties of their respective owners, which may include, but are not limited to, Nikon, Canon, Kodak, Fuji, Sony and others.