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ABSTRACT Title of Dissertation : FEMINISM À LA QUEBEC
ABSTRACT Title of dissertation : FEMINISM À LA QUEBEC: IDEOLOGICAL TRAVELINGS OF AMERICAN AND FRENCH THOUGHT (1960-2010) Geneviève Pagé, Doctor of Philosophy, 2012 Dissertation directed by: Professor Claire Moses Department of Women’s Studies This dissertation examines the travelings of three concepts central to feminism – gender, queer, and intersectionality – as they move between the United States, France, and Quebec. The concept of gender, central to U.S. feminism, is relatively absent from feminist theory in France and Quebec until the 1990s; rather, drawing on Marxist and existentialist traditions, French and Quebec feminists will deploy the term “rapports sociaux de sexe” to identify that differences among women and men are grounded in social structure and, further, that the two classes, women and men, are constituted in hierarchicized relation. The term queer, linguistically subversive in English but lacking this potential when translated into French, is mainly resisted by French materialist feminists and feminist scholars in Quebec on the basis that it displaces social reality focusing instead on resistance through performance. Nonetheless, in Quebec, activists groups such as Les panthères rose are able to present a version of queer that also addresses systemic oppressions. Finally, the concept of intersectionality, theorized first by feminists of color in the U.S. trying to reconcile their allegiances to multiple struggles, provides a useful tool for analyzing the interaction between different systems of oppression and how they shape the lives of people differently located. In France, a similar desire to theorize multiple oppressions led to the development of the concept of “consubstantialité des rapports sociaux,” whereby social “rapports” of sex and of socio- economic class are co-constituted. -
Klassuppvisning Vi Gör En Inventering Av Den Svenska Filmens Klasspyramid
En kulturtidskrift om film DUBBEL- NUMMER MED DVD Klassuppvisning Vi gör en inventering av den svenska filmens klasspyramid Videobutikens Ny Lars von Trier– Kristian Petris sista suck film medföljer Ond tro-stad Nr. 9/10 – Sept 2010 – 79 Kr – flm.nu 29. PRESENTERAR PRESENTERARPRESENTERAR SEXIGA KLASSIKER SEXIGAAVSEXIGA ALFONSOKLASSIKER KLASSIKER CUARÓN ÅRETSÅRETS GALNASTE GALNASTE OCH OCH AV ALFONSOAV ALFONSO CUARÓN CUARÓN ROLIGASTEROLIGASTE ÄVENTYRSKOMEDI! ÄVENTYRSKOMEDI! ”Spänning ”Spänningtill”Spänning bristnings- gränsen.” till bristnings-till bristnings- gränsen.”Newsgränsen.” of the World News of the NewsWorld of the World ”Spännande och helt galen ”Spännande”Spännandebankrånarthriller!” och helt och galen helt galen bankrånarthriller!”bankrånarthriller!”Spin Magazine Spin MagazineSpin Magazine ”Kan mycket väl ”ALLT SOM DEN ”Kan mycket”Kanblåsa mycketväl nytt liv väl i SENASTE”ALLT”ALLT SOM INDIANA SOM DEN DEN JONES blåsa nyttskräckgenren!”blåsa liv nytti liv i MoviePictureFilm.com SENASTESENASTEBORDE INDIANA INDIANA HA VARIT.” JONES JONES skräckgenren!”skräckgenren!” “EN BORTGLÖMD PÄRLA OCH MTV MoviePictureFilm.comMoviePictureFilm.com ETT AV ÅRETS BÄSTA SLÄPP!” BORDEBORDE HA VARIT.”HA VARIT.” “EN BORTGLÖMD“EN BORTGLÖMDDVD PÄRLA TALK PÄRLA OCH OCH MTV MTV ETT AVETT ÅRETS AV ÅRETS BÄSTA BÄSTA SLÄPP!” SLÄPP!” UTE NU PÅ OCH UTE NU DVDPÅ TALK DVD TALK OCH UTE NU PÅUTE NU PÅ OCH OCH UTE NU PÅUTE NU PÅ OCH OCH HÖSTENSHÖSTENS FETASTE FETASTE FILMER! FILMER! Studio S är Studioförst SStudio är i världen S är först i världenförstmed iatt världen ge ut med attMilosmed ge ut att Formans ge ut fi lm på dvd! ”Kungen av Milos FormansMilos Formans fi lm på fidvd! lm på dvd! ”Kungenkultfi”Kungen av lmer!” av kultfi lmer!”kultfiDVD Verdictlmer!” DVD Verdict DVD Verdict Utsedd till en av historiens 50 Storsuccén av Utsedd Utseddtill en till en manusförfattaren av historiensavbästa historiens 50 fi lmer 50 i StorsuccénStorsuccén av av . -
Obesity Epidemic’
Art & Activism in the Age of the ‘Obesity Epidemic’ by Pamela Grombacher A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in HISTORY OF ART, DESIGN AND VISUAL CULTURE Department of Art and Design University of Alberta © Pamela Grombacher, 2014 Abstract This thesis considers three contemporary artworks that open up new possibilities for size acceptance activism, a political movement that arose in the late 1960s to combat fat stigma and weight-based discrimination. Fatness is vilified in many parts of the world as an unhealthy, unattractive, and, most significantly, immoral embodiment. This is due, in part, to “healthism,” or the moralization of health, and to the perceived controllability of body size. In cultures where health is viewed as a moral obligation and size is viewed as a personal choice, fat people are discriminated against for supposedly choosing to be unhealthy. Fat stigma has worsened in the wake of the “obesity epidemic,” the alarmist rhetoric of which frames fatness as a lurking and deadly contagion that threatens to destroy public health. There are those within the size acceptance movement, however, who question the legitimacy of this “epidemic” as a true health crisis and suggest that it is instead a moral panic that reflects cultural anxieties about personal accountability. As politicians, medical practitioners and diet industrialists wage a “War on Obesity” to eradicate fatness and thus rid society of this alleged scourge, size acceptance activists resist weight-based discrimination by arguing that stigma, rather than fat, is the true enemy to be conquered. I suggest new possibilities for resistance by analyzing artworks that subvert hegemonic notions of fat in novel and nuanced ways. -
FEMINIST THEORY from Margin to Center
FEMINIST THEORY from margin to center bell hooks south end press Copyright © 1984 by bell hooks Copyrights are still required for book production in the United States. However, in our case it is a disliked necessity. Thus, in any properly footnoted quotation of up to 500 sequential words may be used without permission, as long as the total number of words quoted does not exceed 2000. For longer quo tations or for greater volume of total words, authors should write for permission to South End Press. Typesetting and production at South End Press. Library of Congress Cataloging in Publication Data Hooks, Bell. Feminist theory from margin to center. Bibliography: p. l.Feminism-United.States-Evaluation. 2.Afro American women-Attitudes. 3. Marginality, Social-United States. I. Title. HQ1426.H675 1984 305.4'2'0973 84-50937 ISBN 0-89608-222-9 ISBN 0-89608-221-0 (pbk.) Cover design by Sharon Dunn South End Press 116 St. Botolph St. Boston, Ma. 02115 Printed In The U.S. For us sisters-Angela, Gwenda, Valeria, Theresa, Sarah For all we have shared for all we have come through together for continuing closeness table of contents Acknowledgments vii Preface ix Chapter 1 Black Women: Shaping Feminist Theory 1 Chapter 2 Feminism: A Movement to End Sexist Oppression 2 Chapter 3 The Significance of Feminist Movement 33 Chapter 4 Sisterhood: Political Solidarity Between Women 43 Chapter 5 Men: Comrades in Struggle 67 Chapter 6 Changing Perspectives on Power 83 Chapter 7 Rethinking the Nature of Work 95 Chapter 8 Educating Women: A Feminist Agenda 107 Chapter 9 Feminist Movement to End Violence 117 Chapter 10 Revolutionary Parenting 133 Chapter 11 Ending Female Sexual Oppression 147 Chapter 12 Revolution: Development Through Struggle 157 Notes 164 Bibliography 171 acknowledgments Not all women, in fact, very few have had the good fortune to live and work among women and men actively involved in feminist movement. -
The Hyperfeminization of Fat Women by Sarah K
A Thesis entitled All Made-Up: The Hyperfeminization of Fat Women by Sarah K. Millimen Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Master of Liberal Studies Degree in the College of Language, Literature and Social Sciences. _________________________________________ Dr. Kim Nielsen, Committee Chair _________________________________________ Dr. Sharon Barnes, Committee Member _________________________________________ Dr. Allyson Day, Committee Member _________________________________________ <Optional: Other Members>, Committee Member _________________________________________ Dr. Patricia R. Komuniecki, Dean College of Graduate Studies The University of Toledo May 1, 2015 Copyright 2015, Sarah K. Millimen This document is copyrighted material. Under copyright law, no parts of this document may be reproduced without the expressed permission of the author. An Abstract of All Made-Up: The Hyperfeminization of Fat Women by Sarah K. Millimen Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Master of Liberal Studies Degree in College of Language, Literature and Social Science The University of Toledo May 1, 2015 “All Made-Up: The Hyperfeminization of Fat Women” analyzes the way some fat women conform to cultural ideals regarding femininity with the goal of having fatness included within that ideal. Fat phobia is used by the dominant culture to oppress women and keep them „in-line‟ with the heternormative, white, cultural ideals of beauty in the United States. “All Made-Up” argues that fatness is socially constructed via medicalization, political rhetoric, and mother blame. It argues that hyperfeminization is an important form of fat activism, but one that is narrow in its ability to change cultural ideals. Hyperfeminization reinforces cultural ideals regarding femininity and excludes a vast group of women in the process. -
Making Cake Daddy: Dramaturgies to 'Fatten' the Queer Stage
Making Cake Daddy: dramaturgies to ‘fatten’ the queer stage Jonathan Allan Graffam Bachelor of Arts (Hons.) Master of Dramaturgy ORCID ID: 0000-0002-1139-1890 December 2020 Submitted in total fulfilment of the degree Master of Fine Arts (Theatre) Theatre, Faculty of Fine Arts and Music The University of Melbourne Declaration This is to certify that: • The thesis comprises only my own original work towards the Master of Fine Arts except where indicated in the preface; • Due acknowledgement has been made in the text to all other material used; • The thesis is fewer than 50,000 words in length, exclusive of tables, maps, bibliographies and appendices. Jonathan Graffam ii Acknowledgements I am tremendously grateful for the tireless support, guidance and dual artistic and academic mentorship I have received from Dr Alyson Campbell, which began well in advance of composing this thesis and continues beyond. Thank you to Dr Eddie Paterson for his expert supervision, keen insights and ability to read multiple drafts with fresh eyes. Additionally, I would like to extend my gratitude to Dr Zachary Dunbar for his care and support throughout this project. I am deeply indebted to artists Ross Anderson-Doherty and Lachlan Philpott for their openness and generosity and I extend this to the rest of the Cake Daddy creative team. It has been an honour to be part of this fabulous queer assemblage. I hope the sheer joy I felt during our time together making this work is conveyed through the writing. Thank you to colleagues in Theatre at the Faculty of Fine Arts and Music (VCA), especially Dr Sarah Austin, as well as my graduate researcher peers. -
Hollaback!: Feminist Responses to Street Harassment Critical Intersections: Reproductive and Economic Justice Intimacies Deferre
BCRW Newsletter Fall 2010 September Volume 19, No. 1 Critical Intersections: Intimacies Deferred: HollaBack!: Feminist Reproductive and Genealogies of Freedom Responses to Street Economic Justice The Helen Pond McIntyre ’48 Lecture Harassment A conference co-sponsored with with Lisa Lowe A panel featuring Shannon Lynberg, the New York Women’s Foundation Emily May, Oraia Reid, and Chai Shenoy 2 BCRW Newsletter Making the Connections The longstanding mission of the Barnard Center for Research on Women—to build a world in which all women can “live and work in dignity, autonomy, and equality”—crucially includes a commitment to collaboration. For us, this commitment means bringing together scholars and activists to help us think critically about the issues of the day, connecting students to feminist and social justice issues outside the campus gates while encouraging them to integrate these issues into their studies here, and fostering ties between different groups working for fairness and equality in New York City and beyond. This past year in particular, we’ve been fortunate to have the opportunity to collaborate with a few coalitions and organizations who are doing truly inspiring work for social change. In September, we’ll present the results of one of these collaborations, a conference co- sponsored with the New York Women’s Foundation, an “activist” philanthropic organization committed to funding organizations that are led by women and feminists in NYC. “Critical Intersections: Reproductive and Economic Justice” will feature the work of seventeen different New York-based organizations, all grantee partners of NYWF, who work at the intersections of economic security and reproductive justice, empowering and advocating on behalf of communities. -
The Struggle of the African-American Female Character in Margot Lee Shatterly’S Novel Hidden Figures
THE STRUGGLE OF THE AFRICAN-AMERICAN FEMALE CHARACTER IN MARGOT LEE SHATTERLY’S NOVEL HIDDEN FIGURES Tiara Febrianti Agnes Setyowati H. Ni Made Widisanti S. Abstract The main topic of this research is the struggle of an African-American woman in facing discriminatory treatment. It is a study on the main character in Margot Lee Shetterly's novel: Hidden Figures. The process of this research involves the overall story, intrinsic elements: character and characterization, conflict, setting and plot and also extrinsic elements: liberal feminisme, multicultural feminism and racism. This qualitative research is conducted by applying descriptive analysis method along with library research technique, leading to the identification that racism and feminism turns out to cause discrimination. The main character, Katherine, undergoes dicrimination on education and employment for African-American people. These experiences eventually prompts the main character to fight against discrimination by proving that she is capable of becoming the first black woman who works for NASA. Keywords : discrimination, female main chracter, feminism, racism, struggle BACKGROUND Men are indeed constructed as people who are stronger and have more power than Women play a very important role in life, women. This makes some men look down a figure who is strong in carrying out on women who consider women to be various roles, knows no fatigue, weak and unreliable creatures. This kind of hardworking, and is able to play a dual thinking is internalized as truth by society. role is considered able to balance and even Gender injustice often occurs in the lives able to defeat the role of men. This has of women in America in the 1960s, caused social jealousy among the people, stereotyping the role of women especially men who feel their position is complicates understanding of women "threatened". -
Innocent Subjects Innocent Subjects Feminism and Whiteness
Innocent Subjects Innocent Subjects Feminism and Whiteness Terese Jonsson First published 2020 by Pluto Press 345 Archway Road, London N6 5AA www.plutobooks.com Copyright © Terese Jonsson 2020 The right of Terese Jonsson to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978 0 7453 3751 7 Hardback ISBN 978 0 7453 3750 0 Paperback ISBN 978 1 7868 0342 9 PDF eBook ISBN 978 1 7868 0344 3 Kindle eBook ISBN 978 1 7868 0343 6 EPUB eBook Typeset by Stanford DTP Services, Northampton, England Contents Acknowledgements vi 1. ‘That Old Chestnut’: Feminism and Racism 1 2. British Feminisms in the Aftermath of Empire 32 3. Leaving Feminist Whiteness Behind: Narratives of Transcendence in the Era of Difference 66 4. Inevitable Whiteness? Absolving White Feminist Dominance 97 5. Liberal Whiteness and the ‘New’ Feminism 126 6. Feminist Complicities 159 Notes 183 Index 217 v 1 ‘That Old Chestnut’: Feminism and Racism In a letter published in Spare Rib in December 1980, reproductive rights activist Jan McKenley writes of her frustration that most white feminists around her seem to have stopped caring about racism: I’m beginning to feel invisible again within the WLM [women’s lib- eration movement], having to work myself up to making ‘heavy’ statements that will embarrass sisters in meetings – I can see the eyebrows going up already – ‘Not racism – that old chestnut again – it’s so boring.’ Well, if it’s boring for you, white sister ... -
1 Curriculum Vita SHARON ELISE Department of Sociology California State University San Marcos 333 South Twin Oaks Valley Road Sa
Curriculum Vita SHARON ELISE Department of Sociology California State University San Marcos 333 South Twin Oaks Valley Road San Marcos, California 92096 (760) 750-4165 Email: [email protected] Education 1990 Ph.D. Sociology, University of Oregon Routes to Teenage Motherhood: African, Native, and European Americans 1982 Master of Science, Sociology, University of Oregon 1975 Bachelor of Arts, History, Third College University of California, San Diego 1972-4 1972-4 Goucher College Areas of Expertise Critical Race Studies Sociopoetics & Qualitative Methods Class, Race & Gender Black Feminism Current Research “Black Borikua” Continuing qualitative research on representations of Blackness in Latino culture (since 2007), language and identity. Focus on Puerto Rico, working with sociolinguist Michelle Ramos Pellicia, (Associate Professor, Modern Languages) who is incorporating notions of the racialization of language. “African American Campus Community Study” Ethnographic study based on focus groups and individual interviews with Dr. Abumaye and Dr. Walkington, examines the status and everyday experiences narrated by members of the campus community at a Hispanic-Serving Institution, revisiting an earlier (2003) study on student and staff perceptions conducted when the campus was predominantly white. Academic Positions Fall 2005 – present Professor of Sociology, California State University San Marcos Fall 2012 – Fall 2018 Department Chair, Sociology, California State University San Marcos, elected position, served two terms. Spring 2011- 2013 -
Gender and Feminism: Anglesa I De Germanística the Students’ View
DEPARTAMENT DE FILOLOGIA GENDER AND FEMINISM: ANGLESA I DE GERMANÍSTICA THE STUDENTS’ VIEW UNIVERSITAT Volume 2 AUTONÒMA DE BARCELONA Sara Martín Alegre (ed.) 2018 GENDER AND FEMINISM: THE STUDENTS’ VIEW Volume 2, Sara Martín Alegre (ed.) Contents Sara Martín Alegre, Encouraging Students to Discuss Gender ........................................ 1 PART ONE: PERSONAL VIEWS .......................................................................................... 3 Christine Johanna Seusing, We Are All Sexist: Why Gender Studies Should Be Obligatory for Everybody ................................................................................................................... 3 Arantxa González Blanco, Gender and Sex: Social Construction or Social Obstacle?...... 5 Cristina Montes Venegas, In the Name of Sex: Normativity and Sexual Centrality in Contemporary Society ...................................................................................................... 7 Dian Moschini Izquierdo, Challenging the Patriarchal Gender Binary: A New Feminist and Queer Insight on Gender, Sex and Sexual Orientation ........................................... 10 Albert Muñoz Varela, Not all Bodies Matter the Same .................................................. 12 Belén González Gómez, Feminists Need to Relax ........................................................... 14 Paola Nicolás Flores, Gender Roles Can Be Over (If You Want!).................................... 16 Alicia Baines, Why does the gender binary continue to exist? ..................................... -
Protest, Justice, and Transnational Organizing SAN FRANCISCO, CA 2020 NWSA Chair and Director Meeting
NWSA’S 40TH ANNUAL CONFERENCE Protest, Justice, and Transnational Organizing 2019 NWSA ANNUAL CONFERENCE: Protest, Justice, and Transnational Organizing NOV 14–17, 2019 SAN FRANCISCO, CALIFORNIA NOVEMBER 2018 14-17, SAN FRANCISCO, CA 2020 NWSA Chair and Director Meeting About Friday March 6th The 2020 Chair and Director meeting will be focused on the different responses Chicago, IL to external pressures experienced by departments, programs, and centers. This event is intended to promote field- building by bringing together program and department chairs and women’s center directors for a day-long meeting as an added benefit of institutional membership. Participants will exchange ideas and strategies focused on program and center administration, curriculum development, and pedagogy, among other topics. Participation requirements: • 2020 institutional membership • Chair and Director Meeting registration fee $125 • Registration form DEADLINE The fee includes participation in the event and TO REGISTER: breakfast and lunch the day of the meeting. It does not include travel. NWSA will cover one night’s FEBRUARY 15, 2020 accommodations for those who require it. 2019 NWSA ANNUAL CONFERENCE: Protest, Justice, and Transnational Organizing NOV 14–17, 2019 SAN FRANCISCO, CALIFORNIA Table of Contents President’s Welcome ........................................... 4 A Brief (and Incomplete) History of the NWSA Women of Color Caucus ................................... 43 Conference Maps ............................................... 5 NWSA Receptions