A Sad Adio Beograd Bez Tebe Je Gorko Vino Casu Mi Tugom Nalijte Crne Kose Dijana Ljubavi Ej, Da Me Je Haljinica Boje Lila Ispod

Total Page:16

File Type:pdf, Size:1020Kb

A Sad Adio Beograd Bez Tebe Je Gorko Vino Casu Mi Tugom Nalijte Crne Kose Dijana Ljubavi Ej, Da Me Je Haljinica Boje Lila Ispod A Sad Adio Beograd Bez tebe je gorko vino Casu mi tugom nalijte Crne kose Dijana ljubavi Ej, da me je Haljinica boje lila Ispod palme Izmedju mene i tebe tama Ja nemam prava nikoga da volim Jedina moja Jedna reka u mom kraju Jedna suza na mom licu Jesen u mom sokaku Kajes li se jos Kako mi nedostajes Ko te ima taj te nema Krcma u planini Krcmarica Lazem sebe da mogu bez tebe.mp3 Ljubav mi srce mori.mp3 Miljacka.mp3 Mislio sam da je zivot.mp3 Mito bekrijo.mp3 Nazdravite drugovi Nek te stignu moje suze Nesanica Nisi znao da me cuvas Nocas mi srce pati Oci jedne zene Pala cuprija Pisma cu tvoja cuvati Plava zena Polomicu case od kristala Poslednji boem Prazna casa na mom stolu Pusti me da nadjem srcu lek Ruzo moja rumena Sjecas li se one noci Skitnica Sreco moja Sta sam ja u tvom zivotu Sta te briga kako zivim Suzo moja, Suzana Tamburasi, tamburasi Tamburasi Ti meni lazes sve Ti si me cekala Ti si zena mog zivota Topolska 18 Trazi, trazi Trazicu ljubav novu U srcu mome zivis ti Volela sam, volela Voleo sam devojku iz grada Volim te sve vise Zagrli me ti i oprosti mi Zal iz mladosti Zapevajte pesme stare Zasto mi srce rani Zasto pitas kol'ko mi je leta Zena prijatelja mog Zute dunje Aca Lukas - By Pass Aca Lukas - Hiljadu Puta Aca Lukas - Lisica Aca Lukas - Megamix Boban Markovic - Pobednicki Cocek Boban Rajovic - Usne Boje Vina Bora Spuzic Kvaka - Na Rastanku Ceca - Beograd Ceca - Koza Pamti Ceca - Tacno Je Ceca - Votka Sa Utehom Ceda Markovic - Stani Suzo, Stani Izdajice Cira - Fenomenalno Cune Gojkovic - Janicar Cune Gojkovic - Zapevajte Pesme Stare Dajana Penezic - Adrenalin Dajana Penezic - Crna Kosulja Dara Bubamara - Svi Su Tu Kao Nekada Darko Radovanovic - Tako Ide Dejan Petrovic - Istanbul Dejan Petrovic - Micin Cocek Dragana Mirkovic - Pitaju Me U Mom Kraju Dzej - Nijedne Usne Se Ne Ljube Same Dzenan Loncarevic I Izazov Band - Kamerav Dzenan Loncarevic I Izazov Band - Koza Pamti Dzenan Loncarevic I Izazov Band - Megamix Dzenan Loncarevic I Izazov Band - Ne Zovi Me Na Greh Dzenan Loncarevic I Izazov Band - Rumba Mix Dzenan Loncarevic I Izazov Band - Spopala Me Jedna Zena Dzenan Loncarevic I Izazov Band - Zena udata Fejat Sejdic - Disko Folk Ferid Avdic - Tvoje Oci Plave Goran & OK Bend - A U Medjuvremenu Goran & OK Bend - Najbolje Zene Gordana Lazarevic - Vidovdan Gordana Stojicevic - Ja Ne Mogu Bez Njega Gordana Stojicevic - Pusti Me Da Nadjem Srcu Lek Gordana Stojicevic - Zagrli Me I Oprosti Mi Halid Muslimovic - Oj Jarane Jarane Hanka Paldum - Crne Kose Haris Dzinovic - Opet Sam Ti U Kafani Haris Dzinovic - Pusti Me Haris Dzinovic - Trazi Haris Dzinovic & Zeljko Joksimovic - Sta Ce Meni Vise Od Toga Ilda Saulic - Stani Duso Da Te Ispratim Indy - Bato Bre Katarina Zivkovic - Kad Te Ne Volim Lepa Brena - Sve Mi Dobro Ide Osim Ljubavi Luis - Slike U Oku Marinko Rokvic - Koliba Il' Dvor Marinko Rokvic - Zanela Me Svetla Velikog Grada Marko Bulat - Eno Dole U Kafani Marko Bulat - Nebeska Kafana Mica Petrovic - Moravac Kolo Milan Babic - Stani, Stani Ibar Vodo Miroslav Ilic - Cuturica Miroslav Ilic - Polomicu Case Od Kristala Nada Topcagic - Jutro Je Nada Topcagic - Mihajlo, Miki, Miki Nedeljko Bilkic - Krcma U Planini Radisa Markovic - Neznanka Radmila Manojlovic - Nikada Vise Rodja Raicevic - Maro Maro Saban Saulic - Bio Sam Pijanac Saban Saulic - Kraljice Srca Moga Safet Isovic - Zarasle Su Staze Moje Sasa Matic - Dan Za Danom Ide Sasa Matic - Ne Zovi Me Na Greh Seka Aleksic - Aspirin Seka Aleksic - Impulsi Severina - Gas, Gas Silvana Armenulic - Moj Dilbere Silvana Armenulic - Sta Ce Mi Zivot Skala Mix 1 Snezana Savic - Tri Poljupca Hocu Ja Starogradske - Zorice, Zoro Moja Tanja Savic - Suknjica Toma Zdravkovic - Kafana Je Moja Istina Tose Proeski - Jovano Jovanke Tozovac - Oci Jedne Zene Tozovac - Prazna Casa Na Mom Stolu Tozovac - Ti Si Me Cekala Twins - Noc u Beogradu Vasilija Radojcic - Ajde Jano Kolo Da Igramo Zorica Brunclik - Otkopcano Jelece Dragana Mirkovic-Kad Bi Znao Kako Ceznem Dragana Mirkovic-Milo Moje Sto Te Nema Dragana Mirkovic-Oprosti Sto Ti Smetam Dusko Kulis- Suzo Moja, Suzana Halid Beslic - Necu Necu Dijamante Halid Beslic - Tebi I Meni Za Prosle Dane Hasan Dudic-Case Lomim Hasan Dudic-Crna Zeno Sa Ocima Plavim Kemal Malovcic-Ko Gubi Kemal Malovcic-Pripala Si Samo Meni Luis-Dunjo Moja Luis-Obrisi Suze Milance Sou - Vrati Se Neno Neno Mile Kitic-Samo Sam Jednom Voleo Mitar Miric - Nemoze nam niko nista Mitar Miric - Nesto Me U Nemir Tera Mitar Miric-Voli Me Danas Vise Nego Juce Muharem Serbezovski - Za Vencanim Stolom Muharem Serbezovski - Zasto Su Ti Kose Pobelele Druze Nada Topcagic - Jutro je Nada Topcagic - Zovem Te, Zovem Nehru-Madjija Nehru-Ne Sakrivaj Pogled Nihad Alibegovic - Ovo malo duse Novica Zdravkovic - Naviko Sam Ja Na Nocni Zivot Osman Hadzic i Ameli - Oprosti mi Rizo Hamidovic - Otvori Karte Ciganko Semsa Suljakovic-Razbio Si Casu Semsa Suljakovic-Sto Me Pitas Semsa Suljakovic-Zar Za Mene Nema Srece Sinan Sakic-Nestao Je Osmeh Srece Sinan Sakic-Pokloni Poljubac Prijatelju Starom Sinan Sakic-Reci Caso Sinan Sakic-Sve Je Postalo Pepeo I Dim Slobodan Ilic - Ramo, Ramo Zika Antic - Sta Cu Nocas U Kafani 1. Aca Lukas i Danijela Vranic - 2008 - Niko kao ti - (5:02) 2. Ana Nikolic i Aca Lukas - 2008 - Sizofrenija - (4:15) 3. Ana-Ana - 2008 - Jaka (Promo) - (3:35) 4. Ana-Ana - 2008 - Platicu ti pice (Promo) - (3:17) 5. Blizanci - 2008 - Ne boj se (Promo) - (2:50) 6. Dado Polumenta - 2008 - Moja srno - (3:26) 7. Dajana Penezic - 2008 - Adrenalin - (3:17) 8. Darko Filipovic - 2008 - Sad znam - (4:00) 9. Dejan Matic - 2008 - Nije to bilo to - (3:43) 10. Deni Bonestaj - 2008 - Volim te na kvadrat - (3:54) 11. Donna Ares - 2008 - Aritmija - (3:16) 12. Emina Jahovic - 2008 - Exhale - (3:29) 13. Goca Bozinovska - 2008 - Postelja od leda (Promo) - (3:32) 14. Indira Radic - 2008 - Pije mi se, pije - (3:37) 15. Ivana Sasic - 2008 - Trn - (3:40) 16. Jelena Karleusa i Gale - 2008 - Mani se - (3:05) 17. Jovana Kovacevic - 2008 - Samo ti - (3:04) 18. Jovana Pajic i Dejan - 2008 - Srce mi uspavaj - (3:59) 19. Jovana Tipsin - 2008 - Ne veruj zeni koja voli - (3:47) 20. Ksenija Pajcin - 2008 - Pica - (3:32) 21. Mikica Bojanic - 2008 - Za mene ti si izbor los - (3:04) 22. Mina & Igor X - Grudi od betona - (3:28) 23. Mira Skoric - 2008 - Necu preziveti - (3:31) 24. Natasa Djordjevic - 2008 - Splavovi Beograda - (4:21) 25. Nemanja i Silvija - 2008 - Kralj i kraljica - (3:23) 26. Nena Djurovic - 2008 - Zlato srecan put (Promo) - (3:59) 27. Nikola Jakovljevic - 2008 - Laku noc - (3:20) 28. Osman Hadzic - 2008 - Budi daleko - (3:59) 29. Osman Hadzic - 2008 - Lijepa kao grijeh - (3:47) 30. Ponocni Express - 2008 - Usne Plisane - (4:22) 31. Quadro band - 2008 - Ljubomora - (3:20) 32. Reni I Neda Ukraden - 2008 - Jos jedna kukavica (Promo) - (4:06) 33. Sladjana Djordjevic - 2008 - Samo ti - (3:54) 34. Snezana Djurisic - 2008 - Dunja - (3:20) 35. Stevan Andjelkovic - 2008 - Zasto mi dolazis - (3:35) 36. Tijana Dapcevic - 2008 - Pogresan covek - (2:59) 37. Zeljko Samardzic - 2008 - Kunem se u ljubav - (3:46) 01.Dzej - Ovaj zivot nije lak 02.Lepa Brena - Ti ne znas 03.Zlata Petrovic - Ucinilo vreme svoje 04.Maja Marijana - Bio mi je dobar drug 05.Nino - Sto mi noci nemaju svanuca 06.Dara Bubamara - Kosava sa Dunava 07.Ana Bekuta - Pitas kako zivim 08.Rodja - Cuvaj se 09.Ipce - Oci crne, oci plave 10.Zeljko i Ceca - Ko na grani jabuka 11.Ivan - Dosao sam da se zenim 12.Esko - Tek je 12 sati 13.Merima - Ruzmarin 14.Zorica Markovic - Ostaricu s tobom 15.Nino - Daj mi tvoje oci crne 16.Dragana - Ne pada mi na pamet 17.Rodja - da bog da nicija bila 18.Ceca - Mesec, nebo, zvezdice 19.Brzi i Rambo - Caka 20.Nino - Zbogom mala 21.Mira Skoric - Kao led se istopim 22.Sasa Popovic - Rodjena si da mi budes devojka 23.Branka i Zeljko - A tebe nema 01.Nino - Usne vrele kao zar 02.Dragana - Bas tebe volim ja 03.Mira Skoric - Manastir 04.Dragana - Bicu njegova 05.Ana Bekuta - Eh, djavole 06.Lepa Brena - Dva dana 07.Dragana - Do poslednjeg daha 08.Dzej - Dadjaj sinove 09.Zeljko - Gori more 10.Mira Skoric - Otkaci 11.Dragana - Vetrovi tuge 12.Mira Skoric - Ne daj me majko 13.Brzi - Knjiga zivota 14.Zorica Brunclik - Branili su nasu ljubav 15.Anci - Zovem te, zovem 16.Zeljko - Crna zeno 17.Jami - Cokolada 18.Ceca - Zaboravi 19.Ivan - Pevaj 20.Mira Skoric - Ti si ko i ja 21.Boban Zdravkovic - Lagala me jedna Maja 22.Lepa Brena - I da odem iza ledja bogu 23.Dzej - Sexy ritam 01 Sasa Matic - Sve je na prodaju.mp3 02 Tanja Savic - Poludela.mp3 03 Djani - Da li znas.mp3 04 Snezana Djurisic - Budi musko.mp3 05 Darko Filipovic - Ljuljaju se splavovi.mp3 06 Mira Skoric - Ista nam je tuga.mp3 07 Marina Zivkovic - Zavet ljubavi.mp3 08 Nikola Rokvic - Povredi me.mp3 09 Nemanja Nikolic - Lazem.mp3 10 Zorica Brunclik - Dan po dan.mp3 11 Ana Kokic - Svejedno.mp3 12 Radisa Urosevic - Zora zori.mp3 13 Koktel Bend - Drugarice.mp3 14 Milos Bojanic - Boginja.mp3 15 Maja Marijana - Crni panter.mp3 16 Milica Todorovic - Zasto cura sedi sama.mp3 17 Ivan Kukolj Kuki - Sta sam ti skrivio Boze.mp3 18 Zeljko Sasic - Od ljubavi se ne zivi.mp3 19 Zorica Andrijasevic - Mali reno.mp3 20 Branislav Mojicevic - Dodji dodji.mp3 21 Nenad Djurovic - Pred ocima mojim.mp3 22 Natasa Kojic Tasa - Visnja u cokoladi.mp3 23 Vuco - Jesen je.mp3 24 Blizanci - Tuto kompleto.mp3 25 Elena - Prevari nocas onu koju volis.mp3 26 Gordana Jovanovic - Dnevnik jedne mladosti.mp3 27 Indy - Bato bre.mp3 28 Milijana Ralevic Mana - Cekam te u nedelju.mp3 29 Ivana Sasic - Dvadesetpet.mp3 30 Aleksandra Ristanovic - Kazi da me volis.mp3 31 Dejan Doktor - Bezi od mene.mp3 32 Lepa Djordjevic -
Recommended publications
  • Folk,Narodne,Starogradske Karaoke
    060/3471 - 575 061/30 - 560 - 30 [email protected] Списак Folk-narodnih-starogradskih караока на матрицама : 1. Aj berem grožđe – Zorica Brunclik 66.Ja stalno pijem – Đani 124.Nijedne usne se ne ljube same – Džej 184.Sliku tvoju ljubim - Toma Zdravković 2.Aj po gradini (bv) -Čeda Marković 67.Jedan, dva – Džej 125.Nikad nikom nisam reko – Medeni 185.Snijeg pade – Narodna 3.Aj pa pukni zoro – Montevideo 68.Jesen u mom sokaku – Tozovac mesec 186.Splavovi – Novica Zdravković 4.Al nema nas – Nikola Rokvić 69.Još ovu noć – Šaban Šaulić 126.Nikada više -Radmila Manojlović 187.Srce gori jer te voli – S. Armenulić 5.Anonimna – Slobodan Vasić 70.Još uvek slutim -Milan Stanković 127.Niko ne mora da sluša- N. Vojvodić 188.Srce je moje violina – Lepa Lukić 6.Avlije,avlije – Zorica Brunclik 71.Jovano, Jovanke – Makedonska 128.Nikom nije žao kao meni – Džej 189.Srce od silikona -Darko Lazic 7.Beli zora – Marinko Rokvić 72.Kad bi znali kako mi je – Miloš Bojanić 129.Niška banja – Narodna 190.Stani dušo da te ispratim – Ilda 8.Bez tebe je gorko vino - Duško Kuliš 73.Kad ja pođoh aman -Safet Isović 130.Nikom nije žao kao meni – Džej Šaulić 9.Bež Milane -Viki Miljković 74.Kad te ne volim -Katarina Živković 131.Niška banja – Narodna 191.Stani mome da zaigraš – 10.Biljana – Aca Matić 75.Kafana je moja sudbina – Toma 132.Nosim tugu ko okove – G. Božinovska Makedonska 11.Blago meni -Ana Bekuta Zdravković 133.Osvemu mi pričaj ti -Milan Topalović 192.Sto ću čaša polomiti - Crni 12.Blagujno Dejče – Cune Gojković 76.Kako ti je kako živiš – Šaban & Zorica 134.Obeležena – Viki Miljković 193.Sve moje njeno je – Sanja Đorđević 13.Bolje ona nego ja – R.
    [Show full text]
  • Scotti Poesie.Qxd
    in.folio.asterios 12 Giacomo Scotti I figli del vento Asterios Editore Trieste Prima edizione: aprile 2004 © Asterios Editore srl via Pigafetta, 1 - 34148 Trieste tel. 040811286 - fax 040825455 e-mail: [email protected] I diritti di memorizzazione elettronica, di riproduzione e di adattamento tota - le o parziale con qualsiasi mezzo (compresi i microfilm e le copie fotostati - che) sono riservati. Stampato in Italia ISBN: 88-86969-55-4 La storia, la diaspora, la vita dei Romi, gli uomini color del rame. Con un’antologia della loro poesia orale. Vi accingete a leggere un libro “ibrido”, diviso in due parti. La prima, suddivisa a sua volta in quattro capitoli, comincia con una mini-antologia di miti e leggende dei Romi. Questi testi, con la loro provocazione fantastica, favoriscono l’approccio con il mondo tzigano, rivelando al tempo stesso significati cul - turali profondi e connessioni con la cultura degli altri popoli. Negli altri tre capitoli il lettore compierà un rapidissimo viaggio attraverso la storia dei Romi, il loro patrimonio culturale e gli aspetti peculiari della loro vita. La seconda parte presenta una consistente antologia della poesia orale dei Romi, la prima del genere ad essere pubblicata in lingua italiana. In realtà, l’intera prima parte del volume è una presentazione che intende preparare il lettore alla comprensio - ne e al godimento della poesia dei Romi. Indice Prima parte Leggende e favole. Un po’ di storia. La cultura Leggende e favole L’origine di Dio e della vita.................................................
    [Show full text]
  • Various Stand Up, People (Gypsy Pop Songs from Tito's Yugoslavia 1964-1980) Mp3, Flac, Wma
    Various Stand Up, People (Gypsy Pop Songs From Tito's Yugoslavia 1964-1980) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Folk, World, & Country Album: Stand Up, People (Gypsy Pop Songs From Tito's Yugoslavia 1964-1980) Country: Germany Released: 2013 Style: Gypsy Jazz MP3 version RAR size: 1891 mb FLAC version RAR size: 1719 mb WMA version RAR size: 1661 mb Rating: 4.8 Votes: 401 Other Formats: MP1 VQF AC3 AHX FLAC DXD DMF Tracklist A1 –Muharem Serbezovski Ramajana 4:29 A2 –Šaban Bajramović Kada Zvona Zvone 3:18 A3 –Hajra Sučurija* Miro Ostišao As Zenom Kao Turist 2:58 A4 –Esma Redžepova Durdevan, Durdevan 2:51 A5 –Duet Durić-Runjaić* Amen Sama But Roma 2:14 B1 –Muharem Serbezovski Ramu, Ramu 3:20 B2 –Usnija Redžepova Selime Ternie 3:05 B3 –Šaban Bajramović Džemila 3:06 B4 –Esma Redžepova Pesma Šeher Sarajevu 5:28 C1 –Bedrije Misin Mo Vogi Dukalla 2:46 C2 –Trajko Ajdarević Tahir Mangala 3:22 C3 –Nehat Gaši Našti Tadav Ki Šutka Tedikav 2:36 C4 –Ava Selimi Ah Bre Devla 3:11 C5 –Selime Bajrami Gilava Amare Romenge 3:23 D1 –Esma Redžepova Abre Babi Sokerdzan 3:42 D2 –Šaban Bajramović Umirem, Umirem 2:42 D3 –Nehat Gaši Alo Dive Me Romja Te Mukav 2:55 D4 –Medo Čun Žanino Kolo 4:42 D5 –Ansambl Montenegro Djelem, Djelem 2:39 Companies, etc. Licensed To – Asphalt Tango Records GmbH Copyright (c) – Vlax Records Ltd. Mastered At – The Carvery Credits Design – Venetia Thorneycroft Liner Notes [Translated From Romani] – SH Liner Notes [Translated From Serbian] – Mirko Perović Mastered By [Restoration & Mastering] – Frank Merritt Research, Liner Notes, Compiled By – Nathaniel Morris , Philip Knox Transferred By [Vinyl Transfers] – Milan Milovanović Notes Gatefold sleeve with liner notes in CD-Booklet.
    [Show full text]
  • Bitstream 33779.Pdf (376.6Kb)
    Article The Balkans of the Balkans: The Meaning of Autobalkanism in Regional Popular Music Marija Dumnić Vilotijević Institute of Musicology, Serbian Academy of Sciences and Arts, 11000 Belgrade, Serbia; [email protected] Received: 1 April 2020; Accepted: 1 June 2020; Published: 16 June 2020 Abstract: In this article, I discuss the use of the term “Balkan” in the regional popular music. In this context, Balkan popular music is contemporary popular folk music produced in the countries of the Balkans and intended for the Balkan markets (specifically, the people in the Western Balkans and diaspora communities). After the global success of “Balkan music” in the world music scene, this term influenced the cultures in the Balkans itself; however, interestingly, in the Balkans themselves “Balkan music” does not only refer to the musical characteristics of this genre—namely, it can also be applied music that derives from the genre of the “newly‐composed folk music”, which is well known in the Western Balkans. The most important legacy of “Balkan” world music is the discourse on Balkan stereotypes, hence this article will reveal new aspects of autobalkanism in music. This research starts from several questions: where is “the Balkans” which is mentioned in these songs actually situated; what is the meaning of the term “Balkan” used for the audience from the Balkans; and, what are musical characteristics of the genre called trepfolk? Special focus will be on the post‐ Yugoslav market in the twenty‐first century, with particular examples in Serbian language (as well as Bosnian and Croatian). Keywords: Balkan; popular folk music; trepfolk; autobalkanism 1.
    [Show full text]
  • Domaće Pesme
    SPISAK KARAOKE PESAMA Domaće pesme Sanja - Sindy 064 / 11 55 735 www.facebook.com/SindyKaraoke www.sindykaraoke.com [email protected] DOMAĆE PESME SINDY KARAOKE Sanja 064/11-55-735 najveći izbor domaćih i stranih karaoke pesama (engleskih, italijanskih, francuskih, španskih, ruskih) IZVOĐAČ PESMA IZVOĐAČ PESMA 187 Nikada nećeš znati Aleksandra Radović Ako nikada Aca i Mira Vrati nam se, druže Aleksandra Radović Čuvaj moje srce * Aca Ilić Lepe oči zelene Aleksandra Radović Jesam te pustila Aca Lukas Bele ruže Aleksandra Radović Još danas Aca Lukas Burbon Aleksandra Radović Kao so u moru Aca Lukas Čaše moje polomljene Aleksandra Radović Karta za jug Aca Lukas Dijabolik Aleksandra Radović Nisi moj Aca Lukas Hiljadu puta Aleksandra Radović Zažmuri Aca Lukas Imate li dušu tamburaši Aleksandra Ristanović Dočekaj me sa osmehom Aca Lukas Ista kao ja Alen Islamović Ispod kaputa Aca Lukas Ja živim sam Alen Slavica Dao sam ti dušu Aca Lukas Jagnje moje Alen Vitasović Bura Aca Lukas Koma Alisa Sanja Aca Lukas Kuda idu ljudi kao ja Alka i Džej Da si sada tu Aca Lukas Lična karta Alka i Stavros Zrak, zemlja, zrak Aca Lukas Na žalost Alka i Vuco Kad bi opet Aca Lukas Ne pitaj Alka Vuica Bolje bi ti bilo Aca Lukas Nešto protiv bolova Alka Vuica Ej, šta mi radiš Aca Lukas Niko jedan, dva i tri Alka Vuica Kriva Aca Lukas Otrov sipala Alka Vuica Laži me Aca Lukas Pao sam na dno Alka Vuica Nek’ ti jutro miriše na mene Aca Lukas Pesma od bola Alka Vuica Od kad te nema Aca Lukas Poljem se širi miris tamjana Alka Vuica Profesionalka Aca Lukas Pustinja
    [Show full text]
  • Turbofolk Reconsidered
    Alexander Praetz und Matthias Thaden – Turbofolk reconsidered Matthias Thaden und Alexander Praetz Turbofolk reconsidered Some thoughts on migration and the appropriation of music in early 1990s Berlin Abstract This paper’s aim is to shed a light on the emergence, meanings and contexts of early 1990s turbofolk. While this music-style has been exhaustively investigated with regard to Yugoslavia and Serbia, its appropriation by Yugoslav labour migrants has hitherto been no subject of particular interest. Departing from this research gap this paper focuses on “Ex-Yugoslav” evening entertainment and music venues in Berlin and the role turbofolk possessed. We hope to contribute to the ongoing research on this music relying on insights we gained from our fieldwork and the interviews conducted in early and mid-2013. After criticizing some suggestions that have been made regarding the construction of group belongings by applying a dichotomous logic with turbofolk representing the supposedly “inferior”, this approach could serve to investigate the interplay between music and the making of everyday social boundaries. Drawing on the gathered interview material we, beyond merely confirming ethnic and national segmentations, suggest the emergence of new actors and the increase of private initiatives and regional solidarity to be of major importance for negotiating belongings. In that regard, turbofolk events – far from being an unambiguous signifier of group loyalty – were indeed capable to serve as a context that bridged both national as well as social cleavages. Introduction The cultural life of migrants from the former Yugoslavia is a subject area that so far has remained to be widely under-researched.
    [Show full text]
  • „Muzički Ukus Mladih U Sarajevu“
    ODSJEK SOCIOLOGIJA „MUZIČKI UKUS MLADIH U SARAJEVU“ -magistarski rad- Kandidat Mentor Amina Memišević Doc. dr. Sarina Bakić Broj indexa: 323 Sarajevo, maj 2020 Sadržaj I Uvod ............................................................................................................................................. 5 II Teorijsko – metodološki okvir istraživanja ................................................................................. 6 1. Problem istraživanja ............................................................................................................... 6 2. Predmet istraživanja ............................................................................................................... 6 3. Teorijska osnova istraživanja ................................................................................................. 6 4. Ciljevi istraživanja .................................................................................................................. 7 4.1. Znanstveni (spoznajni) ciljevi istraživanja ....................................................................... 7 4.2. Društveni (pragmatički) ciljevi istraživanja ..................................................................... 7 5. Sistem hipoteza ........................................................................................................................ 7 5.1. Generalna hipoteza........................................................................................................... 7 5.2. Pomoćne (popratne) hipoteze ..........................................................................................
    [Show full text]
  • The Balkans of the Balkans: the Meaning of Autobalkanism in Regional Popular Music
    arts Article The Balkans of the Balkans: The Meaning of Autobalkanism in Regional Popular Music Marija Dumni´cVilotijevi´c Institute of Musicology, Serbian Academy of Sciences and Arts, 11000 Belgrade, Serbia; [email protected] Received: 1 April 2020; Accepted: 1 June 2020; Published: 16 June 2020 Abstract: In this article, I discuss the use of the term “Balkan” in the regional popular music. In this context, Balkan popular music is contemporary popular folk music produced in the countries of the Balkans and intended for the Balkan markets (specifically, the people in the Western Balkans and diaspora communities). After the global success of “Balkan music” in the world music scene, this term influenced the cultures in the Balkans itself; however, interestingly, in the Balkans themselves “Balkan music” does not only refer to the musical characteristics of this genre—namely, it can also be applied music that derives from the genre of the “newly-composed folk music”, which is well known in the Western Balkans. The most important legacy of “Balkan” world music is the discourse on Balkan stereotypes, hence this article will reveal new aspects of autobalkanism in music. This research starts from several questions: where is “the Balkans” which is mentioned in these songs actually situated; what is the meaning of the term “Balkan” used for the audience from the Balkans; and, what are musical characteristics of the genre called trepfolk? Special focus will be on the post-Yugoslav market in the twenty-first century, with particular examples in Serbian language (as well as Bosnian and Croatian). Keywords: Balkan; popular folk music; trepfolk; autobalkanism 1.
    [Show full text]
  • Disillusioned Serbians Head for China's Promised Land
    Serbians now live and work in China, mostly in large cities like Beijing andShanghai(pictured). cities like inlarge inChina,mostly andwork live Serbians now 1,000 thataround andsomeSerbianmedia suggest by manyexpats offered Unofficial numbers +381 11 4030 306 114030 +381 Belgrade in Concern Sparks Boom Estate Real Page 7 Issue No. No. Issue [email protected] 260 Friday, October 12 - Thursday, October 25,2018 October 12-Thursday, October Friday, Photo: Pixabay/shanghaibowen Photo: Skilled, adventurous young Serbians young adventurous Skilled, China – lured by the attractive wages wages attractive the by –lured China enough money for a decent life? She She life? adecent for money enough earning of incapable she was herself: adds. she reality,” of colour the got BIRN. told Education, Physical and Sports of ulty Fac Belgrade’s a MAfrom holds who Sparovic, didn’t,” they –but world real the change glasses would rose-tinted my thought and inlove Ifell then But out. tryit to abroad going Serbia and emigrate. to plan her about forget her made almost things These two liked. A Ivana Ivana Sparovic soon started questioning questioning soonstarted Sparovic glasses the –but remained “The love leaving about thought long “I had PROMISED LAND PROMISED SERBIANS HEAD HEAD SERBIANS NIKOLIC are increasingly going to work in in towork going increasingly are place apretty just than more Ljubljana: Page 10 offered in Asia’s economic giant. economic Asia’s in offered DISILLUSIONED love and had a job she ajobshe had and love in madly was She thing. every had she vinced con was Ana Sparovic 26-year-old point, t one FOR CHINA’S CHINA’S FOR - - - BELGRADE INSIGHT IS PUBLISHED BY INSIGHTISPUBLISHED BELGRADE for China.
    [Show full text]
  • Contemporary Nostalgia
    Contemporary Nostalgia Edited by Niklas Salmose Printed Edition of the Special Issue Published in Humanities www.mdpi.com/journal/humanities Contemporary Nostalgia Contemporary Nostalgia Special Issue Editor Niklas Salmose MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade Special Issue Editor Niklas Salmose Linnaeus University Sweden Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Humanities (ISSN 2076-0787) from 2018 to 2019 (available at: https://www.mdpi.com/journal/ humanities/special issues/Contemporary Nostalgia). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03921-556-0 (Pbk) ISBN 978-3-03921-557-7 (PDF) Cover image courtesy of Wikimedia user jarekt. Retrieved from https://commons.wikimedia.org/ wiki/File:Cass Scenic Railroad State Park - Shay 11 - 05.jpg. c 2019 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. Contents About the Special Issue Editor ...................................... vii Niklas Salmose Nostalgia Makes Us All Tick: A Special Issue on Contemporary Nostalgia Reprinted from: Humanities 2019, 8, 144, doi:10.3390/h8030144 ...................
    [Show full text]
  • Namigivanje Zvijezdama
    drugidioMARICxx.qxd 4/10/2006 9:31 AM Page 129 Namigivanje zvijezdama 129 drugidioMARICxx.qxd 4/10/2006 9:31 AM Page 130 Mi{o MARI] - Mostarenje 130 drugidioMARICxx.qxd 4/10/2006 9:31 AM Page 131 Namigivanje zvijezdama Januara 1986. iz banje Junakovi}, gdje je na lije~enju, Mika Anti} mi tele- fonom najavljuje, pa onda {alje »Besmrtnu pesmu«. Primjerak rukopisa sti`e sa Zup~eve adrese: Ravani~ka 10, Novi Sad, s posvetom: »Mome bratu Mi{i, preko na{eg brata Pere, od njegovog brata Mike.« U toj »Besmrtnoj« Mika obja{njava da nije odavde, odnekud je sa zvezdâ, smrt je povratak kosmi~kom zavi~aju i, kad ponovo bude zvezda, moli: »Namignite mi malo.« Krajem juna 1986. i{ao sam u Novi Sad da ga ispratimo. Oti{ao je dalekom suncu, uz stihove »Besmrtne« i melodiju ciganske tugovanke »Piro man|a korkoro.«. Septembra, Zubac je do{ao u Mostar. U Drap{inovoj 15, duboko u zlatnu no}, listali smo sje}anja na Anti}a i »Besmrtnu«. Onda smo se naslonili na pro- zor i }utke namigivali zvijezdama. Ne~iji odocnjeli koraci zaustavljaju se u tami staze pod jablanovima, nad Radoboljom. Hrapav, mokar glas pozdravlja i pita: - [ta pjesnici rade na prozoru u pozni sat? - Namigujemo zvijezdama! - odgovaramo neznanoj sjenci. Sutradan smo i{li na jutarnju kafu, na Rondo. Znân narod nas je poz- dravljao ljubazno, a gledao sumnji~avo. ^ujem {apat: - Zubac i Mari} proradili. Po svuno} namiguju zvijezdama. Prvih dana januara 2001. na adresu: 14. Widecombe Way, Exeter, Devon, England, sti`e mi Zup~eva novogodi{nja ~estitka s »Besmrtnom«.
    [Show full text]
  • Dehexing Postwar West Balkan Masculinities: the Case of Bosnia, Croatia, and Serbia, 1998 to 2015 Marko Dumancic, Western Kentucky University
    Western Kentucky University From the SelectedWorks of Marko Dumančić January 12, 2016 Dehexing Postwar West Balkan Masculinities: The Case of Bosnia, Croatia, and Serbia, 1998 to 2015 Marko Dumancic, Western Kentucky University Available at: https://works.bepress.com/marko-dumancic/3/ The analysis of post-Yugoslav and West Balkan masculinities remains, perhaps unsurprisingly, tethered to the study of interethnic warfare, postconflict reconciliation, and radical right-wing politics (Milojevic´ 2012; Pavlovic´ 1999; Irvine and Lilly 2007; Bracewell 2000; Hayden 2000; Munn 2008).1 Although recent scholarship has explored more fully the position of men who do not benefit from the so-called patriarchal dividend (Milicevic´ 2006; Zarkov 2001), West Balkan men are by and large studied as participants (whether active or passive) in a range of oppressive sociopolitical structures (Capriqi 2012; Rosic´ 2012). Although the scholarship analyzing the correlation between violence and West Balkan masculinity adds a unique and relevant nuance to the study of globalized violence, scholars too often study and depict traditional Balkan masculinities as an exclusively conservative bulwark against modernization writ large without advancing alternative understandings of West Balkan masculinity.2 For the local intelligentsia and urban media outlets too, Balkan masculinity represents forces of isolationism and exclusivist ethno-nationalism, especially in the context of European integration. If one were to judge by current Bosnian, Croatian, or Serbian media commentary, the West Balkans are, no less than they were a hundred years ago, at the crossroads between traditionalization and modernization, with the patriarchal system actively sabotaging modernity’s successful evolution in the region. Thus in both Western scholarship and West Balkan media outlets, masculine identities stand in for antimodern forces: backwardness, parochialism, and (neo-) traditionalism.
    [Show full text]