Besplatan Primerak FORSPILKA
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Folk,Narodne,Starogradske Karaoke
060/3471 - 575 061/30 - 560 - 30 [email protected] Списак Folk-narodnih-starogradskih караока на матрицама : 1. Aj berem grožđe – Zorica Brunclik 66.Ja stalno pijem – Đani 124.Nijedne usne se ne ljube same – Džej 184.Sliku tvoju ljubim - Toma Zdravković 2.Aj po gradini (bv) -Čeda Marković 67.Jedan, dva – Džej 125.Nikad nikom nisam reko – Medeni 185.Snijeg pade – Narodna 3.Aj pa pukni zoro – Montevideo 68.Jesen u mom sokaku – Tozovac mesec 186.Splavovi – Novica Zdravković 4.Al nema nas – Nikola Rokvić 69.Još ovu noć – Šaban Šaulić 126.Nikada više -Radmila Manojlović 187.Srce gori jer te voli – S. Armenulić 5.Anonimna – Slobodan Vasić 70.Još uvek slutim -Milan Stanković 127.Niko ne mora da sluša- N. Vojvodić 188.Srce je moje violina – Lepa Lukić 6.Avlije,avlije – Zorica Brunclik 71.Jovano, Jovanke – Makedonska 128.Nikom nije žao kao meni – Džej 189.Srce od silikona -Darko Lazic 7.Beli zora – Marinko Rokvić 72.Kad bi znali kako mi je – Miloš Bojanić 129.Niška banja – Narodna 190.Stani dušo da te ispratim – Ilda 8.Bez tebe je gorko vino - Duško Kuliš 73.Kad ja pođoh aman -Safet Isović 130.Nikom nije žao kao meni – Džej Šaulić 9.Bež Milane -Viki Miljković 74.Kad te ne volim -Katarina Živković 131.Niška banja – Narodna 191.Stani mome da zaigraš – 10.Biljana – Aca Matić 75.Kafana je moja sudbina – Toma 132.Nosim tugu ko okove – G. Božinovska Makedonska 11.Blago meni -Ana Bekuta Zdravković 133.Osvemu mi pričaj ti -Milan Topalović 192.Sto ću čaša polomiti - Crni 12.Blagujno Dejče – Cune Gojković 76.Kako ti je kako živiš – Šaban & Zorica 134.Obeležena – Viki Miljković 193.Sve moje njeno je – Sanja Đorđević 13.Bolje ona nego ja – R. -
Bitstream 33779.Pdf (376.6Kb)
Article The Balkans of the Balkans: The Meaning of Autobalkanism in Regional Popular Music Marija Dumnić Vilotijević Institute of Musicology, Serbian Academy of Sciences and Arts, 11000 Belgrade, Serbia; [email protected] Received: 1 April 2020; Accepted: 1 June 2020; Published: 16 June 2020 Abstract: In this article, I discuss the use of the term “Balkan” in the regional popular music. In this context, Balkan popular music is contemporary popular folk music produced in the countries of the Balkans and intended for the Balkan markets (specifically, the people in the Western Balkans and diaspora communities). After the global success of “Balkan music” in the world music scene, this term influenced the cultures in the Balkans itself; however, interestingly, in the Balkans themselves “Balkan music” does not only refer to the musical characteristics of this genre—namely, it can also be applied music that derives from the genre of the “newly‐composed folk music”, which is well known in the Western Balkans. The most important legacy of “Balkan” world music is the discourse on Balkan stereotypes, hence this article will reveal new aspects of autobalkanism in music. This research starts from several questions: where is “the Balkans” which is mentioned in these songs actually situated; what is the meaning of the term “Balkan” used for the audience from the Balkans; and, what are musical characteristics of the genre called trepfolk? Special focus will be on the post‐ Yugoslav market in the twenty‐first century, with particular examples in Serbian language (as well as Bosnian and Croatian). Keywords: Balkan; popular folk music; trepfolk; autobalkanism 1. -
Domaće Pesme
SPISAK KARAOKE PESAMA Domaće pesme Sanja - Sindy 064 / 11 55 735 www.facebook.com/SindyKaraoke www.sindykaraoke.com [email protected] DOMAĆE PESME SINDY KARAOKE Sanja 064/11-55-735 najveći izbor domaćih i stranih karaoke pesama (engleskih, italijanskih, francuskih, španskih, ruskih) IZVOĐAČ PESMA IZVOĐAČ PESMA 187 Nikada nećeš znati Aleksandra Radović Ako nikada Aca i Mira Vrati nam se, druže Aleksandra Radović Čuvaj moje srce * Aca Ilić Lepe oči zelene Aleksandra Radović Jesam te pustila Aca Lukas Bele ruže Aleksandra Radović Još danas Aca Lukas Burbon Aleksandra Radović Kao so u moru Aca Lukas Čaše moje polomljene Aleksandra Radović Karta za jug Aca Lukas Dijabolik Aleksandra Radović Nisi moj Aca Lukas Hiljadu puta Aleksandra Radović Zažmuri Aca Lukas Imate li dušu tamburaši Aleksandra Ristanović Dočekaj me sa osmehom Aca Lukas Ista kao ja Alen Islamović Ispod kaputa Aca Lukas Ja živim sam Alen Slavica Dao sam ti dušu Aca Lukas Jagnje moje Alen Vitasović Bura Aca Lukas Koma Alisa Sanja Aca Lukas Kuda idu ljudi kao ja Alka i Džej Da si sada tu Aca Lukas Lična karta Alka i Stavros Zrak, zemlja, zrak Aca Lukas Na žalost Alka i Vuco Kad bi opet Aca Lukas Ne pitaj Alka Vuica Bolje bi ti bilo Aca Lukas Nešto protiv bolova Alka Vuica Ej, šta mi radiš Aca Lukas Niko jedan, dva i tri Alka Vuica Kriva Aca Lukas Otrov sipala Alka Vuica Laži me Aca Lukas Pao sam na dno Alka Vuica Nek’ ti jutro miriše na mene Aca Lukas Pesma od bola Alka Vuica Od kad te nema Aca Lukas Poljem se širi miris tamjana Alka Vuica Profesionalka Aca Lukas Pustinja -
Turbofolk Reconsidered
Alexander Praetz und Matthias Thaden – Turbofolk reconsidered Matthias Thaden und Alexander Praetz Turbofolk reconsidered Some thoughts on migration and the appropriation of music in early 1990s Berlin Abstract This paper’s aim is to shed a light on the emergence, meanings and contexts of early 1990s turbofolk. While this music-style has been exhaustively investigated with regard to Yugoslavia and Serbia, its appropriation by Yugoslav labour migrants has hitherto been no subject of particular interest. Departing from this research gap this paper focuses on “Ex-Yugoslav” evening entertainment and music venues in Berlin and the role turbofolk possessed. We hope to contribute to the ongoing research on this music relying on insights we gained from our fieldwork and the interviews conducted in early and mid-2013. After criticizing some suggestions that have been made regarding the construction of group belongings by applying a dichotomous logic with turbofolk representing the supposedly “inferior”, this approach could serve to investigate the interplay between music and the making of everyday social boundaries. Drawing on the gathered interview material we, beyond merely confirming ethnic and national segmentations, suggest the emergence of new actors and the increase of private initiatives and regional solidarity to be of major importance for negotiating belongings. In that regard, turbofolk events – far from being an unambiguous signifier of group loyalty – were indeed capable to serve as a context that bridged both national as well as social cleavages. Introduction The cultural life of migrants from the former Yugoslavia is a subject area that so far has remained to be widely under-researched. -
The Balkans of the Balkans: the Meaning of Autobalkanism in Regional Popular Music
arts Article The Balkans of the Balkans: The Meaning of Autobalkanism in Regional Popular Music Marija Dumni´cVilotijevi´c Institute of Musicology, Serbian Academy of Sciences and Arts, 11000 Belgrade, Serbia; [email protected] Received: 1 April 2020; Accepted: 1 June 2020; Published: 16 June 2020 Abstract: In this article, I discuss the use of the term “Balkan” in the regional popular music. In this context, Balkan popular music is contemporary popular folk music produced in the countries of the Balkans and intended for the Balkan markets (specifically, the people in the Western Balkans and diaspora communities). After the global success of “Balkan music” in the world music scene, this term influenced the cultures in the Balkans itself; however, interestingly, in the Balkans themselves “Balkan music” does not only refer to the musical characteristics of this genre—namely, it can also be applied music that derives from the genre of the “newly-composed folk music”, which is well known in the Western Balkans. The most important legacy of “Balkan” world music is the discourse on Balkan stereotypes, hence this article will reveal new aspects of autobalkanism in music. This research starts from several questions: where is “the Balkans” which is mentioned in these songs actually situated; what is the meaning of the term “Balkan” used for the audience from the Balkans; and, what are musical characteristics of the genre called trepfolk? Special focus will be on the post-Yugoslav market in the twenty-first century, with particular examples in Serbian language (as well as Bosnian and Croatian). Keywords: Balkan; popular folk music; trepfolk; autobalkanism 1. -
The Death of Serbian Music by Bogdan Cikic
REGIONALNI CENTAR ZA TALENTE VRANJE ---------------------------------------------------------------------------- THE DEATH OF SERBIAN MUSIC SMRT SRPSKE MUZIKE Author: BOGDAN ČIKI Ć, III/1, Gimnazija ,,Stevan Jakovljevi ć’’ Mentor: BILJANA PIPOVI Ć, English teacher Vlasotince 2014. Content Abstract ..................................................................................................... 3 Introduction ............................................................................................... 4 Pre-romanticism ....................................................................................... 4-5 Romanticism ............................................................................................. 5-7 Post romanticism ...................................................................................... 7-8 Serbian music in the second half of 20 th century .................................... 9-14 An Interview with a teacher of music, Mr. Igor Ran ñelovi ć ................. 14-15 Conclusion ................................................................................................ 16 Appendix .................................................................................................. 16 Literature .................................................................................................. 16 THE DEATH OF SERBIAN MUSIC SMRT SRPSKE MUZIKE Author: BOGDAN ČIKI Ć, III/1, Gimnazija ,,Stevan Jakovljevi ć’’ Mentor: BILJANA PIPOVI Ć, English teacher ABSTRACT With this essay, I want to present music styles -
Pesma Izvođač a Tebe Nema Zorica
PESMA IZVOĐAČ A TEBE NEMA ZORICA BRUNCLIK A U MEĐUVREMENU OK BEND A AJ IMAM TEBE ROĐA RAIČEVIĆ AFRIKA SLAĐA ALLEGRO AJDE JANO NARODNA IZ SRBIJE ALAJ MI JE VEČERAS PO VOLJI NARODNA IZ SRBIJE ALI PAMTIM JOŠ HANKA PALDUM ANDROVERA CIGANSKA ASPIRIN SEKA ALEKSIĆ AUTOGRAM CECA AVLIJE AVLIJE ZORICA BRUNCLIK BATO BRE INDY BY PASS ACA LUKAS BEKRIJA ANA BEKUTA BELE RUŽE ACA LUKAS BELI SE BISERU LEPA BRENA BELLA CIAO GORAN BREGOVIĆ BELO LICE LJUBAM JAS MAKEDONSKA BEOGRAD CECA BIO MI JE DOBAR DRUG MAJA MARIJANA BISENIJA, KĆERI NAJMILIJA CUNE GOJKOVIĆ BITOLA MAKEDONSKA BIO SI MI DRAG INDIRA RADIĆ BLAGUJNO DEJČE SNEŽANA ĐURIŠIC BOGOVI ZEMLJOM HODE LJUBA ALIČIĆ BOŽANSTVENA ŽENO MIROSLAV ILIĆ BUDI BUDI UVIJEK SREĆNA HALID BEŠLIĆ CIGANI LJUBLJAT PESNI CIGANSKA CIGANIMA SRCE DAĆU BOBAN ZDRAVKOVIĆ CIGANINE SVIRAJ SVIRAJ SILVANA ARMENULIĆ CIGANKA SAM MALA STAROGRADSKA CRNE KOSE HANKA PALDUM CRVEN KONAC ANA BEKUTA CRVEN FESIĆ HANKA PALDUM ČAČAK KOLO KOLO ČARŠIJA AL DINO ČIK POGODI LEPA BRENA ČISTO DA ZNAŠ PEĐA MEDENICA ČOKOLADA JAMI ČUVALA ME MAMA LEPA BRENA ČUDNA JADA OD MOSTARA GRADA MEHO PUZIĆ ČUJEŠ SEKO STAROGRADSKA ĆIRIBU ĆIRIBA GARAVI SOKAK DA BUDEMO NOĆAS ZAJEDNO VESNA ZMIJANAC DA MI JE A NIJE DARKO RADOVANOVIĆ DA RASKINEM SA NJOM CECA DA SE NAĐEMO NA POLA PUTA NEDA UKRADEN DA SE OPET RODIM MIRZA I IVANA SELAKOV DA ZNA ZORA STAROGRADSKA DAJTE VINA HOĆU LOM HARIS DŽINOVIĆ DALEKO NEGDE KO ZNA GDE SLAVKO BANJAC DALEKO SI ACA LUKAS I IVANA SELAKOV DANČE TOZOVAC DELIJA MOMAK SINAN SAKIĆ DOBRO JUTRO LEPI MOJ ANA BEKUTA DODIR NEBA NEDELJKO BAJIĆ BAJA DOĐEŠ -
Dolina Naseg Djetinjstva 4
4 ASA - 24 SATA DNEVNO ALEN NIZETIC - NOCAS SE RASTAJU PRIJATELJI 4 ASA - ANA ALEN NIZETIC - OSTANI TU 4 ASA - DA TE NE VOLIM ALEN SLAVICA - DAO SAM TI DUSU 4 ASA - DIGNI ME VISOKO ALEN VITASOVIC - BURA 4 ASA - DOLINA NASEG DJETINJSTVA ALEN VITASOVIC - GUSTI SU GUSTI 4 ASA - EVO NOCI EVO LUDILA ALEN VITASOVIC - JENU NOC 4 ASA - FRATELLO ALEN VITASOVIC - NE MOREN BEZ NJE 4 ASA - HAJDEMO U PLANINE ALISA - SANJA 4 ASA - JA NISAM KOCKAR ALKA VUICA - EJ STA MI RADIS 4 ASA - LEINA ALKA VUICA - LAZI ME 4 ASA - LIPE CVATU ALKA VUICA - NEK TI JUTRO MIRISE NA MENE 4 ASA - NA ZADNJEM SJEDISTU MOGA AUTA ALKA VUICA - OLA OLA E 4 ASA - NAKON SVIH OVIH GODINA ALKA VUICA - OTKAD TE NEMA 4 ASA - NIKOGA NISAM VOLIO TAKO ALKA VUICA - PROFESIONALKA 4 ASA - OTKAZANI LET ALKA VUICA - VARALICA 4 ASA - RUZICA SI BILA AMADEUS - CIJA SI NISI 4 ASA - STA SI U KAVU STAVILA AMADEUS - TAKO MALO 4 ASA - STAVI PRAVU STVAR NA PRAVO AMADEUS BAND - CIJA SI NISI MJESTO AMADEUS BAND - CRNA VATRENA 4 ASA - SVE OVE GODINE AMADEUS BAND - IZNAD KOLENA 4 ASA - TRI ZELJE AMADEUS BAND - KADA ZASPIS 4 ASA - ZA DOBRA STARA VREMENA AMADEUS BAND - LAZU TE ACA LUKAS - BAY PAS AMADEUS BAND - NJU NE ZABORAVLJAM ACA LUKAS - ZAPISITE MI BROJ AMADEUS BAND - RUSKI RULET ACO PEJOVIC - JELENA AMADEUS BAND - SKINI TU HALJINU ACO PEJOVIC - NE DIRAJ MI NOCI AMADEUS BAND - SVE SAM SUZE ACO PEJOVIC - NEMA TE NEMA AMADEUS BAND - TAKVI KAO JA ACO PEJOVIC - NEVERNA AMADEUS BAND - VECERAS ACO PEJOVIC - OPUSTENO AMADEUS BAND - VOLIM JE ACO PEJOVIC - PET MINUTA AMBASADORI - DODJI U 5 DO 5 ACO PEJOVIC - -
Preventeen 47
PREVENTIVE YOUTH MAGAZINE / ISSN 1840 -2461 | DECEMBER 2019 | YEAR XIII | ISSUE 47 Words in the Movement Photography by Denis Smajić | Title of the photography: Autumn Dance of River Una My name is Denis Smajić. I was born on April 1st in 1994 in Bihać where I also live nowadays. For the past eight years I have been periodically doing a photography work, mostly landscape photography. My initial and basic motivation for the photography work is river Una, which is presented in this photo. I took this photo on the river Una canyon somewhere between Bihać and Bosanska Krupa, and in my opinion, that is one of the most beautiful parts of the Una. The river Una is famous for its frequent, bigger or less big, whirlpools, or water vortex, and this year the autumn leaves decided to play with it. The natural, primordial playground filled with countless movements and hidden from curious eyes. Impressum & Table of Contents Jasmila Talić-Kujundžić, MA in Psychology, Saraje vo From Mayakovsky ....................................................................................................31 Tarik Kovač, MA in construction engineering , Vareš Bait ............................................................................................................................... ............3 Amina Mašić, MA in Communicology, Sarajevo You are the father in front of the shop-window ....................33 Jovana Đurić, graduated psychologist , Belgrade Book Fair in Belgrade – the Culture or Kitsch? ..............................4 Emina Sarajlić, BA in English -
YUGO Folk MIDI Karaoke – 614 Datotek Aca Lukas
YUGO Folk MIDI Karaoke – 614 datotek Aca Lukas - Blamiras me-zoranco.kar Aca Lukas - Burbon.kar Aca Lukas - Crni Gavrane.Kar Aca Lukas - Dijabolik.kar Aca Lukas - Istina je da te lazem.kar Aca Lukas - Kuda Idu Ljudi Kao Ja.Kar Aca Lukas - Licna Karta..kar Aca Lukas - Neznanka..kar Aca Lukas - Nije ti ovo Amerika.kar Aca Lukas - Niko Jedan, Dva I Tri.Kar Aca Lukas - Pesma od bola.kar Aca Lukas - Poljem se siri miris tamjana.Kar Ado Gegaj - Okreni moj broj.kar Aleksandra Perovic - Opijum.KAR Aleksandra Radovic - Ako nikada.KAR Aleksandra Radovic - Jos Danas.kar Aleksandra Radovic - Karta za jug.KAR Amadeus - Kupi me.Kar Amadeus_-_Nju_Ne_Zaboravljam.kar Ana Bekuta - Kralj ponoci.kar Ana Bekuta i Keba - Treba vremena.kar ANA NIKOLIC - HOCU DA TE GLEDAM.kar ANA NIKOLIC - JANUAR .kar ANA NIKOLIC - ROMALE ROMALI.kar Ana Nikolic - Vatra.kar Baja - Bela ruzo..kar Baja - Devica...kar Baja - Doci Cu Ti Na Vencanje.Kar Baja - Ginem Ginem.Kar Baja - Helena Elena..kar Baja - Leptir...kar Baja - Ljubomorci..kar Baja - Luda, luda devojka..kar Baja - Napacena dusa..kar Baja - Nocna ptica..kar Baja - Od ruke do ruke..kar Baja - Pijan sam.kar Bane Bojanic - Navali narode...kar Bane Bojanic - Pola vino pola voda.kar Bane Bojanic - Zelene oci i crne kose...kar Bane Bojanic - Zlobnica...kar Beki Bekic - Zasto me ostavljas ti...kar Beki-Sasa-Knez - Giljam dade.kar Bele Ruze Nezne Ruze..kar Blek Panters - Kakvu zenu imam.kar Boban Zdravkovic - Hej moji drugovi...kar Boban Zdravkovic - Ne Dolazi U Moj San..kar Boban Zdravkovic - Otisla si jednog dana...kar Boban -
R E P E R T O a R
R E P E R T O A R *Napomena: Pesme označene crvenom bojom ne Narodna muzika sviramo u standardnom programskom delu ali ih možemo odsvirati u dogovoru sa mladencima. Ana Bekuta Haris Džinović Bekrija Dajte vina hoću lom Crven konac Hladno je ugrij me Imam jedan zivot I tebe sam sit kafano Ja nisam rodjena da zivim sama Ja ne pijem Kralj ponoci Jesu l` dunje procvale Ne žalim ja Laže mjesec Veseljak Nek mi bude zadnja čaša Oluja Ođila Uspomene Poznaćeš me Zavoleh te Ostariću neću znati Zlatiborske zore Kako mi nedostaješ Ne živim sama Ostavljena ja Toma Zdravković Treba vremena Da l` je moguce Ti mi trebaš rode Danka Što je moje to je samo moje Ej Branka, Branka Brojanica Kafana je moja sudbina Sanja Ceca Ljiljana Mašina Tamburaši, tamburaši Beograd Pesme moje Brat Navik’o sam ja na noćni život Devojko veštice Umoran sam od života Pogrešan broj Dotak’o sam dno života Bruka Dva smo sveta različita Doktor Svirajte noćas samo za nju Idi dok si mlad Noćas mi srce pati Ime i prezime Tužno leto Kad bi bio ranjen Kažem da te volim Miroslav Ilić Lepi grome moj Božanstvena ženo Lepotan Još te nešto čini izuzetnom Majica Lažu da vreme leči sve Maskarada Luckasta si ti Mesec nebo zvezdice Ova noć Mrtvo more Pozdravi je pozdravi Nevaljala Joj rado joj radmila Popij me kao lek Naljutićeš me ti Poziv Of Jano Pustite me da ga vidim Tebi Nevaljala Polomiću čaše od kristala Tačno je Zoveš me na vino Tražio si sve Smej se smej Turbulentno Šta sam ja u tvom zivotu Volim te Hiljadu suza majko Ljubav fatalna Devojka iz grada Pusti me da raskinem s njom Nije -
Serbia's Sandzak: Still Forgotten
SERBIA'S SANDZAK: STILL FORGOTTEN Europe Report N°162 – 8 April 2005 TABLE OF CONTENTS EXECUTIVE SUMMARY AND RECOMMENDATIONS................................................. i I. INTRODUCTION .......................................................................................................... 1 II. SANDZAK'S TWO FACES: PAZAR AND RASCIA ................................................ 2 A. SEEKING SANDZAK ...............................................................................................................2 B. OTTOMAN SANDZAK.............................................................................................................3 C. MEDIEVAL RASCIA ...............................................................................................................4 D. SERBIAN SANDZAK ...............................................................................................................4 E. TITOISM ................................................................................................................................5 III. THE MILOSEVIC ERA ................................................................................................ 7 A. WHAT'S IN A NAME? .............................................................................................................7 B. COLLIDING NATIONALISMS...................................................................................................8 C. STATE TERROR ...................................................................................................................10