DOCSLIB.ORG

Contemporary Nostalgia

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Contemporary Nostalgia Contemporary Nostalgia Edited by Niklas Salmose Printed Edition of the Special Issue Published in Humanities www.mdpi.com/journal/humanities Contemporary Nostalgia Contemporary Nostalgia Special Issue Editor Niklas Salmose MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade Special Issue Editor Niklas Salmose Linnaeus University Sweden Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Humanities (ISSN 2076-0787) from 2018 to 2019 (available at: https://www.mdpi.com/journal/ humanities/special issues/Contemporary Nostalgia). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03921-556-0 (Pbk) ISBN 978-3-03921-557-7 (PDF) Cover image courtesy of Wikimedia user jarekt. Retrieved from https://commons.wikimedia.org/ wiki/File:Cass Scenic Railroad State Park - Shay 11 - 05.jpg. c 2019 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. Contents About the Special Issue Editor ...................................... vii Niklas Salmose Nostalgia Makes Us All Tick: A Special Issue on Contemporary Nostalgia Reprinted from: Humanities 2019, 8, 144, doi:10.3390/h8030144 .................... 1 Randall Stevenson ‘Vision Isolated in Eternity’: Nostalgia Catches the Train Reprinted from: Humanities 2018, 7, 95, doi:10.3390/h7040095 .................... 6 Lara Rodr´ıguez Sieweke Nostalgic Nuances in Media in the Red Book Magazine Version of F. Scott Fitzgerald’s “The Rich Boy” Reprinted from: Humanities 2018, 7, 131, doi:10.3390/h7040131 .................... 13 Nanny Jolma ‘As If There Was No Fear’: Exploring Nostalgic Narrative in Bo Carpelan’s Novel Berg Reprinted from: Humanities 2018, 7, 106, doi:10.3390/h7040106 .................... 30 Maria Freij Into the Texan Sunset: Metanostalgia, Retro-, and Introspection in Lars Gustafsson’s “Where the Alphabet Has Two Hundred Letters” Reprinted from: Humanities 2018, 7, 103, doi:10.3390/h7040103 .................... 42 Kamila Mirasova Peculiarities of Nostalgia in Ayn Rand’s Novel Atlas Shrugged Reprinted from: Humanities 2018, 7, 121, doi:10.3390/h7040121 .................... 52 Marie-Agn`es Gay “The Past Is Never Dead. It’s Not Even Past”: The Ambivalent Call of Nostalgic Memory in Richard Ford’s Short Story “Calling” (A Multitude of Sins, 2001) Reprinted from: Humanities 2019, 8, 11, doi:10.3390/h8010011 .................... 61 Catherine Delesalle-Nancey Atoning for Nostalgia in Ian McEwan’s Atonement Reprinted from: Humanities 2018, 7, 105, doi:10.3390/h7040105 .................... 73 Eva Kingsepp The Second World War, Imperial, and Colonial Nostalgia: The North Africa Campaign and Battlefields of Memory Reprinted from: Humanities 2018, 7, 113, doi:10.3390/h7040113 .................... 82 Menna Agha Nubia Still Exists: On the Utility of the Nostalgic Space Reprinted from: Humanities 2019, 8, 24, doi:10.3390/h8010024 .................... 98 Amrita Ghosh Subverting the Nation-State Through Post-Partition Nostalgia: Joginder Paul’s Sleepwalkers Reprinted from: Humanities 2019, 8, 19, doi:10.3390/h8010019 ....................110 v Ana Petrov Yugonostalgia as a Kind of Love: Politics of Emotional Reconciliations through Yugoslav Popular Music Reprinted from: Humanities 2018, 7, 119, doi:10.3390/h7040119 ....................120 LuboˇsPt´aˇcek Ostalgia in Czech Films about Normalisation Created Post-1989 Reprinted from: Humanities 2018, 7, 118, doi:10.3390/h7040118 ....................136 Lena Ahlin Nostalgia, Motherhood, and Adoption: Two Contemporary Swedish Examples Reprinted from: Humanities 2019, 8, 8, doi:10.3390/h8010008 .....................147 P´eter Krist´of Makai Video Games as Objects and Vehicles of Nostalgia Reprinted from: Humanities 2018, 7, 123, doi:10.3390/h7040123 ....................158 Thomas Leitch There’s No Nostalgia Like Hollywood Nostalgia Reprinted from: Humanities 2018, 7, 101, doi:10.3390/h7040101 ....................172 vi About the Special Issue Editor Niklas Salmose, Dr., holds a Ph.D. in English from University of Edinburgh and was a visiting Professor at UCLA autumn 2018. He is currently Vice-Chair of the Department of Languages at Linnaeus University, Sweden and the Program Coordinator for the Master Program in English Language and Literature (MELL). He has published and presented internationally on nostalgia, Nordic noir, Hitchcock, cinematic style in fiction, modernism, the Anthropocene and Hollywood, animal horror, intermediality and sensorial aesthetics in fiction. He edited an issue on the Anthropocene for the journal Ekfrase 2016, a special issue on contemporary nostalgia for the journal Humanities 2018 and a book on experimental Swedish filmmaker Eric M. Nilsson. He is presently editing the volume Transmediations. Communication Across Media Borders for Routledge. At Linnaeus University, he is a member of the Linnaeus University Center of Intermedial and Multimodal Studies (IMS). One of his main research fields is the work and life of F. Scott Fitzgerald; he translated and edited Fitzgerald’s short story collection All the Sad Young Men into Swedish 2014. He is co-editing a composite biography on Fitzgerald together with Dr. David Rennie as well as the new Oxford Classic reissue of Fitzgerald’s The Last Tycoon. In November 2018 he was the third annual McDermott lecturer at the University Faculty Club in St. Paul for the Fitzgerald in St. Paul Society. vii humanities Editorial Nostalgia Makes Us All Tick: A Special Issue on Contemporary Nostalgia Niklas Salmose Department of Languages, Linnaeus University, 351 95 Växjö, Sweden; [email protected] Received: 5 August 2019; Accepted: 26 August 2019; Published: 28 August 2019 Introduction Nostalgia makes us all tick: It engages. We live in societies oriented towards the now and the tomorrow, in a world obsessed with a complex and protean present seemingly impervious to historical continuity. The many tomorrows inherent in every new technology, product, and digitally mediated event drive us further away from our collective histories. Yet the present seems stubbornly rooted in the past, as Zygmunt Bauman so convincingly argues in his final work Retrotopia (Bauman 2017). This occurs both politically, as in the repeated re-ignition of history’s buried fires, ranging from the emergence of ISIS as an ultranostalgic force to the re-emergence of a nostalgic hard-right in European politics, and culturally, as in the persistent return of cultural production and consumption to a number of key points in our history in a restless and always unsatisfied attempt to reinterpret, reuse, or replay that which is seemingly vanished. It appears in the most pressing issue of our times, climate change, and the discourse of the Anthropocene. This retrospective orientation is observable in all major contemporary media forms, aesthetic and social practices. Romantic inclination towards the past might seem irrational, but our emotional connections to our own biographies, as well as a collective solidarity with our childhoods, traditions, imaginations, anticipations, and dreams may also be a rational response to modern instability. Nostalgia, then, appears increasingly to be a modality of its own with major potential for understanding how our now is shaped by our then, both individually and collectively. Whether we are inclined, personally, to be nostalgic or we are somehow bound up in the external and contextual nostalgic webs, nostalgia dictates our lives. Beyond the intimate bittersweet immersions of nostalgia, conjured by aging, remembrance, death, time, childhood, loss, recovery, and melancholia, we are influenced by such things as retro shops, local produce, concepts of national states, xenophobia, communities, technology advancement, migration, and the climate crisis. The world we inhabit is just constantly shaped by private and public nostalgias. One way to make sense of the complex flux of emotions and temporalities on our planet in modern, contemporary times is to investigate and scrutinize the role nostalgia has on our daily lives, in politics, equality, sociology, psychology, history, art, philosophy. These examinations are truly interdisciplinary. The purpose of this editorial is not to introduce each essay in this collection (the abstracts will do just fine here), neither is it to survey the history of nostalgia. My ambition, albeit limited in scope here, is to frame and problematize the works in this collection within the emerging field of nostalgia studies and reiterate some of my previous views on nostalgia as an emotional experience and an aesthetic modality. Nostalgia studies have the past decade gained interest and importance in a variety of disciplines, often in a complex interaction between different disciplines such as art, history, literary studies, aesthetics, film and media studies, communication studies, intermedial studies, sociology, psychology, neuroscience, history of ideas, and colonial and postcolonial studies. Although nostalgia
Load more

Recommended publications
  • Sounds of War and Peace: Soundscapes of European Cities in 1945
    10 This book vividly evokes for the reader the sound world of a number of Eu- Renata Tańczuk / Sławomir Wieczorek (eds.) ropean cities in the last year of the Second World War. It allows the reader to “hear” elements of the soundscapes of Amsterdam, Dortmund, Lwów/Lviv, Warsaw and Breslau/Wrocław that are bound up with the traumatising experi- ences of violence, threats and death. Exploiting to the full methodologies and research tools developed in the fields of sound and soundscape studies, the Sounds of War and Peace authors analyse their reflections on autobiographical texts and art. The studies demonstrate the role urban sounds played in the inhabitants’ forging a sense of 1945 Soundscapes of European Cities in 1945 identity as they adapted to new living conditions. The chapters also shed light on the ideological forces at work in the creation of urban sound space. Sounds of War and Peace. War Sounds of Soundscapes of European Cities in Volume 10 Eastern European Studies in Musicology Edited by Maciej Gołąb Renata Tańczuk is a professor of Cultural Studies at the University of Wrocław, Poland. Sławomir Wieczorek is a faculty member of the Institute of Musicology at the University of Wrocław, Poland. Renata Tańczuk / Sławomir Wieczorek (eds.) · Wieczorek / Sławomir Tańczuk Renata ISBN 978-3-631-75336-1 EESM 10_275336_Wieczorek_SG_A5HC globalL.indd 1 16.04.18 14:11 10 This book vividly evokes for the reader the sound world of a number of Eu- Renata Tańczuk / Sławomir Wieczorek (eds.) ropean cities in the last year of the Second World War. It allows the reader to “hear” elements of the soundscapes of Amsterdam, Dortmund, Lwów/Lviv, Warsaw and Breslau/Wrocław that are bound up with the traumatising experi- ences of violence, threats and death.
    [Show full text]
  • Kodak Dealer News
    Please pass this Dealer News on to your staff to read Kodak Dealer News January/February , 1970 . lfe Save~~ save yourlife incolorr-·--- . in pictures_.•• wifha on, fllm ~­ in color orblack & white ~ Can,eta ••save your life on Kodacolor Filnt'' e Thank you! Twonew films for advanced Our sincere thanks to all of you who took time off Kodak Instamatic Cameras to complete and return to us the questionnaire on 1970! our Christmas Advertising Display material. To widen the scope of picture taking with certain Generally it would seem that we are on the right Kodak lnstamatic cameras two new films have re­ There 's always something special about the start sure - 1970 is going to be a bumper year for the track and the material was well displayed. We feel cently been introduced. They are TRI-X 126-12 of a new decade. It 's rather exciting looking ahead things that matter to you and to us - Kodak sure that those of you using the display right up exposure film for black-and-white photography and wondering what the next ten years will bring . Cameras and Kodak Film . to Christmas are pleased with the results. We trust under adverse or available light situations and Ektachrome High Speed film-EH 126-20 exposure Looking back to 1960, how many of us would have As you will read elsewhere in Dealer News, we are you have followed up by displaying the Holiday Film Showcard to obtain your share of the extra film for making color slides under similar con­ forecast the tremendous impact of the Kodak ln­ conducting one of the biggest advertising cam­ ditions.
    [Show full text]
  • Čertovy Obrázky V Historii a Současnosti (Výtvarná Realizace Mariášových Karet)
    Jihočeská univerzita v Českých Budějovicích Pedagogická fakulta České Budějovice 2007 Diplomová práce ČERTOVY OBRÁZKY V HISTORII A SOUČASNOSTI (VÝTVARNÁ REALIZACE MARIÁŠOVÝCH KARET) The Devil’s Books in History and Present (Art Realisation of Whist Cards) Autor: Vendula Smilová Vedoucí diplomové práce: doc. PaedDr. Matouš Vondrák, CSc. Anotace Tato diplomová práce se skládá ze dvou základních částí. Z části teoretické, kterou právě držíte v ruce a z části praktické, kterou najdete ve zmenšené verzi reprodukova- nou v obrazové příloze a jejíž originály budou prezentovány při její obhajobě. V praktické části své práce jsem vytvořila kompletní soubor mariášových karet, technikou kolorovaného linorytu. V teoretickém doprovodu výtvarné části se zabývám historií a současností karetní hry. Dočtete se o původu karet, o jejich cestě na evropský kontinent a jejich putování po něm, o kartách v českých zemích a o současném karetním světě. Dále se věnuji druhům karet, zejména kartám mariášovým (ty dokonce tvoří samostatnou kapitolu), karetním hrám (především hrám na našem území a hrám hraným mariášovými kartami), techno- logii výroby karetních listů a hráčům. Celou jednu kapitolu jsem pak zasvětila povídání o mé praktické realizaci kolekce mariášových karet, kde objasňuji jak volbu tématu, tak vznik jednotlivých figur a barevnost. Annotation This diploma thesis consists of two basic parts. The theoretical part, which you hold in your hands just now, and the practical part, which you can find in reduced ver- sion in the image supplement of this work and whose originals will be presented by the day of the diploma thesis defence session. In practical part of my work I have created a full collection of the whist cards using coloured lino-cut technology.
    [Show full text]
  • 1: for Me, It Was Personal Names with Too Many of the Letter "Q"
    1: For me, it was personal names with too many of the letter "q", "z", or "x". With apostrophes. Big indicator of "call a rabbit a smeerp"; and generally, a given name turns up on page 1... 2: Large scale conspiracies over large time scales that remain secret and don't fall apart. (This is not *explicitly* limited to SF, but appears more often in branded-cyberpunk than one would hope for a subgenre borne out of Bruce Sterling being politically realistic in a zine.) Pretty much *any* form of large-scale space travel. Low earth orbit, not so much; but, human beings in tin cans going to other planets within the solar system is an expensive multi-year endevour that is unlikely to be done on a more regular basis than people went back and forth between Europe and the americas prior to steam ships. Forget about interstellar travel. Any variation on the old chestnut of "robots/ais can't be emotional/creative". On the one hand, this is realistic because human beings have a tendency for othering other races with beliefs and assumptions that don't hold up to any kind of scrutiny (see, for instance, the relatively common belief in pre-1850 US that black people literally couldn't feel pain). On the other hand, we're nowhere near AGI right now and it's already obvious to everyone with even limited experience that AI can be creative (nothing is more creative than a PRNG) and emotional (since emotions are the least complex and most mechanical part of human experience and thus are easy to simulate).
    [Show full text]
  • Front Matter
    Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information THE CAMBRIDGE EDITION OF THE WORKS OF F. SCOTT FITZGERALD © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information First page of the surviving typescript of “Two Wrongs.” The anti-semitic slur in the last two lines did not appear in the Saturday Evening Post. Princeton University Libraries. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information TAPS AT REVEILLE *** F. SCOTT FITZGERALD Edited by JAMESL.W.WESTIII © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information University Printing House, Cambridge cb2 8bs, United Kingdom Cambridge University Press is part of the University of Cambridge. It furthers the University’s mission by disseminating knowledge in the pursuit of education, learning, and research at the highest international levels of excellence. www.cambridge.org Information on this title: www.cambridge.org/9780521766036 © 2013 Eleanor Lanahan and Christopher T. Byrne, Trustees under agreement dated 3 July 1975, created by Frances Scott Fitzgerald Smith. Introduction and notes © 2014 James L. W. West III This edition © 2014 Cambridge University Press This publication is in copyright.
    [Show full text]
  • Photofinishing Prices 08-01-19 X CUSTOMER 08-03-19.Pub
    Miscellaneous Film Processing Services (Page 1 of 2) August 1, 2019 110 & 126 Develop, Scan & Print (C-41) Seattle Filmworks 35mm Processing Service Time: 10 Lab Days Matte or Glossy finish prints. Process: ECN-II or SFW-XL. Service Time: up to 2 weeks. C-41 process. Prints, if requested, on Kodak Royal paper. Applicable Films: Seattle Filmworks; Signature Color; Scanning the negatives is required prior to making prints. Eastman 5247 or 5294; Kodak Vision 2 or Vision 3 500T / We develop your cartridge of negatives ($4.90), scan the 5218 or 7218. visible images ($1.58 per negative), and, if requested, make prints ($0.20 per print). Scans are written to CD (no charge). Choose Matte or Glossy, 4x6 or 3½x5. Kodak Royal Paper. 110 film makes 4x5" prints. 126 film makes 4x4" prints. Default service is 4x6 Matte prints (if you don’t specify). Minimum charge : $12.00 Develop Only service Minimum Charge : $4.90 Develop Only service (blank film) ECN-II Develop & Print 4x6 or 3½x5 Identical 110 & 126 C-41 Develop Negatives & Scan to CD First Set 2nd Set Develop Develop & 20 or 24 Exposure ....................... 22.95 .................... 6.00 & Scan Scan & Print 36 Exposure ................................ 26.95 .................... 9.00 12 Exposure ................................ 23.86 .................. 26.26 Scan ECN-II process film to CD: 24 Exposure ................................ 42.82 .................. 47.62 Discount for unscannable negs ….1.58 each 1Reprint 2Enlargement Discount for prints not made from blank images ..........20 each Quality Quality Scanning Price per Roll CD CD Scans & Prints from Old 110 & 126 Negs with Develop & Print ..........
    [Show full text]
  • Egree of ILOSTERR OT Si'ney L. Burks, B
    S -7 jTRUCTUD TLlJITIC L DEVELL7T IN TX' 50FL QjF 2. z30TT FITZ~GXRiLD Presi'ted to t +e .r&Gute Cou1ci of the '.orth Texas t te Teacners CoLLeje in >artiai FUL il uln ote Ui:ve.;'enI"t s For ti (, L)egree of ILOSTERROT By Si'ney L. Burks, B.A. San ,ngelo, Texas iugust, 1948 I5b8376 L07ETS Chapter Page I. IKTRODUCTIOU AD LMETlOD . II. THIS SIDE O- PA RADISE . 9 H-istorica l Background The Structure of This Side of Iaradise The Thergence of itzgerald t s arly Themes The Emergence o the 2itzgerald Hero The Socio-hist orica1 Talue of This Side of Paradise Int-erest in This Side of Paradise III. THE BEAUTIFUL AiD D21IED. 26 Historic 1 Background The Structure of The Beautiful and Damned Development in Theme and Characterization from This Side of Paradise to The Beautiful and D amned Interest in Te B3eautiful and Damned IV. THE GREA4T aATSl-BY. 0 .. 0 . -. b..0..0. 43 Historical Background The Structure of The Great Gatsby The The3atic c4secu of The Great Gatshy Development o1 Theres and Character- ization from The Beautiful and Damned to Tlhe Great Ga sby V. ITElDER IS THE ]AIGHT 0 .. 0 9 .. .. .. 67 Jistorical Background The Structure of Tender is the i Interest in Tender Is the it iii Oha peter ia-ge Vi. T AF LA$T TYYON . - - - - - 85 ''istorical Background Structural and Thematic Aspects of The LastTycoon VII. TEi A THORITY OF FA ILU . - -93 BIB LIO CRAPIHY. .-------- 1G0 iv CHAPTER I INTRODUCTION 4Ai JMET1EQD Given a proper understanding of Fitzgerald's themes, the structure of his novels is available to anyone with sufficient interest, industry, and critical equipment to understand it.
    [Show full text]
  • Domaće Pesme
    SPISAK KARAOKE PESAMA Domaće pesme Sanja - Sindy 064 / 11 55 735 www.facebook.com/SindyKaraoke www.sindykaraoke.com [email protected] DOMAĆE PESME SINDY KARAOKE Sanja 064/11-55-735 najveći izbor domaćih i stranih karaoke pesama (engleskih, italijanskih, francuskih, španskih, ruskih) IZVOĐAČ PESMA IZVOĐAČ PESMA 187 Nikada nećeš znati Aleksandra Radović Ako nikada Aca i Mira Vrati nam se, druže Aleksandra Radović Čuvaj moje srce * Aca Ilić Lepe oči zelene Aleksandra Radović Jesam te pustila Aca Lukas Bele ruže Aleksandra Radović Još danas Aca Lukas Burbon Aleksandra Radović Kao so u moru Aca Lukas Čaše moje polomljene Aleksandra Radović Karta za jug Aca Lukas Dijabolik Aleksandra Radović Nisi moj Aca Lukas Hiljadu puta Aleksandra Radović Zažmuri Aca Lukas Imate li dušu tamburaši Aleksandra Ristanović Dočekaj me sa osmehom Aca Lukas Ista kao ja Alen Islamović Ispod kaputa Aca Lukas Ja živim sam Alen Slavica Dao sam ti dušu Aca Lukas Jagnje moje Alen Vitasović Bura Aca Lukas Koma Alisa Sanja Aca Lukas Kuda idu ljudi kao ja Alka i Džej Da si sada tu Aca Lukas Lična karta Alka i Stavros Zrak, zemlja, zrak Aca Lukas Na žalost Alka i Vuco Kad bi opet Aca Lukas Ne pitaj Alka Vuica Bolje bi ti bilo Aca Lukas Nešto protiv bolova Alka Vuica Ej, šta mi radiš Aca Lukas Niko jedan, dva i tri Alka Vuica Kriva Aca Lukas Otrov sipala Alka Vuica Laži me Aca Lukas Pao sam na dno Alka Vuica Nek’ ti jutro miriše na mene Aca Lukas Pesma od bola Alka Vuica Od kad te nema Aca Lukas Poljem se širi miris tamjana Alka Vuica Profesionalka Aca Lukas Pustinja
    [Show full text]
  • A Short History of Egypt – to About 1970
    A Short History of Egypt – to about 1970 Foreword................................................................................................... 2 Chapter 1. Pre-Dynastic Times : Upper and Lower Egypt: The Unification. .. 3 Chapter 2. Chronology of the First Twelve Dynasties. ............................... 5 Chapter 3. The First and Second Dynasties (Archaic Egypt) ....................... 6 Chapter 4. The Third to the Sixth Dynasties (The Old Kingdom): The "Pyramid Age"..................................................................... 8 Chapter 5. The First Intermediate Period (Seventh to Tenth Dynasties)......10 Chapter 6. The Eleventh and Twelfth Dynasties (The Middle Kingdom).......11 Chapter 7. The Second Intermediate Period (about I780-1561 B.C.): The Hyksos. .............................................................................12 Chapter 8. The "New Kingdom" or "Empire" : Eighteenth to Twentieth Dynasties (c.1567-1085 B.C.)...............................................13 Chapter 9. The Decline of the Empire. ...................................................15 Chapter 10. Persian Rule (525-332 B.C.): Conquest by Alexander the Great. 17 Chapter 11. The Early Ptolemies: Alexandria. ...........................................18 Chapter 12. The Later Ptolemies: The Advent of Rome. .............................20 Chapter 13. Cleopatra...........................................................................21 Chapter 14. Egypt under the Roman, and then Byzantine, Empire: Christianity: The Coptic Church.............................................23
    [Show full text]
  • (Tjedan 16/2013.) 1. Nizbrdo Od Ljubavi Davorin I Bogovići Croatia Records
    15. travnja – 21. travnja 2013. (tjedan 16/2013.) 1. Nizbrdo od ljubavi Davorin i Bogovići Croatia Records 2. Usne ledene Tony Cetinski Aquarius Records 3. Samo da znaš Parni valjak Croatia Records 4. Tako rijetko si tu Ivana Radovniković Dallas Records 5. Na dobroj strani ljubavi Bojan Jambrošić Dallas Records 6. Zašto lažu nam u lice Miroslav Škoro Croatia Records 7. Nek ti bude krivo Maja Šuput Croatia Records 8. Ulicama grada – pjesma sreće Neno Belan & Fiumens feat Ljetno kino Dallas Records 9. Dao sam ti dušu Leteći odred Croatia Records 10. Široko ti bilo polje Jurica Pađen & Aerodrom Menart 11. Terca na tišinu Silente Aquarius Records 12. Oni govore Gatuzo Croatia Records 13. Tišina Massimo Aquarius Records 14. Bailando solo Jole Hit Records/Tonika 15. Zorica TS Mejaši Croatia Records 16. Mižerja Klapa s mora HRT 17. Moje lipo Oliver Dragojević Aquarius Records 18. Hitna ljubav Boris Novković feat Sara Grimaldi Aquarius Records 19. Majske kiše Teška industrija feat. Kemal Monteno Croatia Records 20. Don't Try Zebra dots Universal Music 21. Nirvana Jelena Rozga Croatia Records 22. 'Oće l' vrime Đani Stipaničev Dancing Bear 23. Zbog tebe Pavel Dallas Records 24. Sretan put Massimo Aquarius Records 25. Moreš li razumit Klapa Cambi Scardona 26. Ne diraj moju ljubav Klapa Šufit Scardona 27. Srce nikad ne laže Colonia Menart 28. Neopisivo Nina Badrić Aquarius Records 29. Zbogom odlazim Tony Cetinski Aquarius Records 30. Ljubav nema pravila Buđenje Croatia Records 31. Mjeseče Crvena jabuka Croatia Records 32. Treba mi ruka tvoja Šima Jovanovac Croatia Records 33. Želim te noćas Bosutski bećari Croatia Records 34.
    [Show full text]
  • The Penguin Book of Card Games
    PENGUIN BOOKS The Penguin Book of Card Games A former language-teacher and technical journalist, David Parlett began freelancing in 1975 as a games inventor and author of books on games, a field in which he has built up an impressive international reputation. He is an accredited consultant on gaming terminology to the Oxford English Dictionary and regularly advises on the staging of card games in films and television productions. His many books include The Oxford History of Board Games, The Oxford History of Card Games, The Penguin Book of Word Games, The Penguin Book of Card Games and the The Penguin Book of Patience. His board game Hare and Tortoise has been in print since 1974, was the first ever winner of the prestigious German Game of the Year Award in 1979, and has recently appeared in a new edition. His website at http://www.davpar.com is a rich source of information about games and other interests. David Parlett is a native of south London, where he still resides with his wife Barbara. The Penguin Book of Card Games David Parlett PENGUIN BOOKS PENGUIN BOOKS Published by the Penguin Group Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) Penguin Group (Australia) Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia
    [Show full text]
  • „Muzički Ukus Mladih U Sarajevu“
    ODSJEK SOCIOLOGIJA „MUZIČKI UKUS MLADIH U SARAJEVU“ -magistarski rad- Kandidat Mentor Amina Memišević Doc. dr. Sarina Bakić Broj indexa: 323 Sarajevo, maj 2020 Sadržaj I Uvod ............................................................................................................................................. 5 II Teorijsko – metodološki okvir istraživanja ................................................................................. 6 1. Problem istraživanja ............................................................................................................... 6 2. Predmet istraživanja ............................................................................................................... 6 3. Teorijska osnova istraživanja ................................................................................................. 6 4. Ciljevi istraživanja .................................................................................................................. 7 4.1. Znanstveni (spoznajni) ciljevi istraživanja ....................................................................... 7 4.2. Društveni (pragmatički) ciljevi istraživanja ..................................................................... 7 5. Sistem hipoteza ........................................................................................................................ 7 5.1. Generalna hipoteza........................................................................................................... 7 5.2. Pomoćne (popratne) hipoteze ..........................................................................................
    [Show full text]