Compact Discs Inventory by Box Contents
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CD-Neuauflage Der Ersteinspielung Von ›Schuberts Winterreise‹ Von Hans Zender
Presseinformation Frankfurt am Main, 8. August 2019 CD-Neuauflage der Ersteinspielung von ›Schuberts Winterreise‹ von Hans Zender Die lange vergriffene Ersteinspielung von Hans Zenders ›Schuberts Winterreise‹ (1993) unter Leitung des Komponisten mit Tenor Hans Peter Blochwitz und dem Ensemble Modern ist in einer Neuauflage bei Ensemble Modern Medien wieder auf CD erhältlich. Zenders ›komponierte Interpretation‹ leuchtet den bekannten Vokalzyklus von Franz Schubert instrumental-gedanklich aus und macht dessen kühne Vorgriffe auf die musikalische Zukunft hörbar. Die Gattung der ›komponierten Interpretation‹ hat Zender geradezu erfunden; Ensemble Modern Medien indem er die Musik weiterdenkt, Konturen schärft, Formen EMCD-043/44 EAN-Code: 426013164042 1 dekonstruiert oder neu schafft. Dabei ist die ›komponierte Interpretation‹ angesiedelt zwischen Bearbeitung Preis: 18 Euro (Instrumentierung) und Neufassung. Das Ensemble Modern spielte Hans Zender (*1936) die Uraufführung des Werks am 21. September 1993 in der Alten Schuberts Winterreise Eine komponierte Interpretation für Tenor Oper Frankfurt. Die nun wieder vorliegende Aufnahme entstand im und kleines Orchester (1993) August 1994 in Kooperation von BMG Classics und dem Hessischen Text: Wilhelm Müller Rundfunk und erscheint nun als Doppel-CD im Label Ensemble Hans Peter Blochwitz Tenor Modern Medien. Ensemble Modern Hans Zender Dirigent Mit Hans Zender als Komponist, Initiator und Denker verbindet das Ensemble Modern eine tiefe und langjährige Beziehung; er gab Impulse zur Gründung des Ensemble Modern im Jahr 1980, 1993 initiierte er die Gesprächskonzertreihe ›Happy New Ears‹. 2011 spielte das Ensemble Modern die Uraufführung von Hans Zenders ›33 Veränderungen über 33 Veränderungen‹, bei denen er sich ähnlich wie bei der ›Winterreise‹ überschreibend und Ensemble Modern GbR weiterdenkend Ludwig van Beethovens ›Diabelli-Variationen‹ Schwedlerstraße 2-4 D – 60314 Frankfurt am Main angenommen hat (erschienen 2013 bei EM Medien). -
ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
POWDER-HER-FACE.Pdf
3 La Fenice prima dell’Opera 2012 3 2012 Fondazione Stagione 2012 Teatro La Fenice di Venezia Lirica e Balletto Thomas Adès Powder ace her f ace er InciprialeF h il viso owder owder p dès a homas t FONDAZIONE TEATRO LA FENICE DI VENEZIA TEATRO LA FENICE - pagina ufficiale seguici su facebook e twitter follow us on facebook and twitter FONDAZIONE TEATRO LA FENICE DI VENEZIA Destinare il cinque per mille alla cultura è facile e non costa nulla. Quando compili la tua dichiarazione dei redditi, indica il codice fiscale della Fondazione Teatro La Fenice di Venezia: 00187480272 Aiuti la cultura, aiuti la musica. Incontro con l’opera FONDAZIONE lunedì 16 gennaio 2012 ore 18.00 AMICI DELLA FENICE SANDRO CAPPELLETTO, MARIO MESSINIS, DINO VILLATICO STAGIONE 2012 Lou Salomé sabato 4 febbraio 2012 ore 18.00 MICHELE DALL’ONGARO L’inganno felice mercoledì 8 febbraio 2012 ore 18.00 LUCA MOSCA Così fan tutte martedì 6 marzo 2012 ore 18.00 LUCA DE FUSCO, GIANNI GARRERA L’opera da tre soldi martedì 17 aprile 2012 ore 18.00 LORENZO ARRUGA La sonnambula lunedì 23 aprile 2012 ore 18.00 PIER LUIGI PIZZI, PHILIP WALSH Powder Her Face giovedì 10 maggio 2012 ore 18.00 RICCARDO RISALITI La bohème lunedì 18 giugno 2012 ore 18.00 GUIDO ZACCAGNINI Carmen giovedì 5 luglio 2012 ore 18.00 MICHELE SUOZZO L’elisir d’amore giovedì 13 settembre 2012 ore 18.00 MASSIMO CONTIERO Clavicembalo francese a due manuali copia dello Rigoletto strumento di Goermans-Taskin, costruito attorno sabato 6 ottobre 2012 ore 18.00 alla metà del XVIII secolo (originale presso la Russell PHILIP GOSSETT Collection di Edimburgo). -
In Concert AUGUST–SEPTEMBER 2012
ABOUT THE MUSIC GRIEG CONCERTO /IN CONCERT AUGUST–SEPTEMBER 2012 GRIEG CONCERTO 30 AUGUST–1 SEPTEMBER STEPHEN HOUGH PLAYS TCHAIKOVSKY 14, 15 AND 17 SEPTEMBER TCHAIKOVSKY’S PATHÉTIQUE 20–22 SEPTEMBER ENIGMA VARIATIONS 28 SEPTEMBER MEET YOUR MSO MUSICIANS: SYLVIA HOSKING AND MICHAEL PISANI PIERS LANE VISITS GRIEG’S BIRTHPLACE STEPHEN HOUGH ON TCHAIKOVSKY’S PIANO CONCERTO NO.2 SIR ANDREW DAVIS HAILS THE NEW HAMER HALL twitter.com/melbsymphony facebook.com/melbournesymphony IMAGE: SIR ANDREW Davis CONDUCTING THE MELBOURNE SYMPHONY ORCHESTRA Download our free app 1 from the MSO website. www.mso.com.au/msolearn THE SPONSORS PRINCIPAL PARTNER MSO AMBASSADOR Geoffrey Rush GOVERNMENT PARTNERS MAESTRO PARTNER CONCERTMASTER PARTNERS MSO POPS SERIES REGIONAL TOURING PRESENTING PARTNER PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS MONASH SERIES PARTNER SUPPLIERS Kent Moving and Storage Quince’s Scenicruisers Melbourne Brass and Woodwind Nose to Tail WELCOME Ashton Raggatt McDougall, has (I urge you to read his reflections been reported all over the world. on Grieg’s Concerto on page 16) and Stephen Hough, and The program of music by Grieg conductors Andrew Litton and and his friend and champion HY Christopher Seaman, the last of Percy Grainger that I have the whom will be joined by two of the privilege to conduct from August finest brass soloists in the world, otograp 29 to September 1 will be a H P Radovan Vlatkovic (horn) and wonderful opportunity for you to ta S Øystein Baadsvik (tuba), for our O experience all the richness our C special Town Hall concert at the A “new” hall has to offer. -
Michael Hurd
SRCD.363 STEREO DDD MICHAEL HURD (1928- 2006) Michael Hurd Choral Music Volume 1 Choral Music Volume 1 1 (1987) SATB/organ 7’54” 2 (1987) SATB 6’07” (1996) SATB 9’55” 3 I Antiphon 1’03” 4 II The Pulley 3’13” 5 III Vertue 2’47” 6 IV The Call 1’05” 7 V Exultation 1’47” 8 (1987) SATB/organ 3’00” (1994) SATB 20’14” 9 I Will you Come? 2’00” Vasari Singers 10 II An Old Song 3’12” 11 III Two Pewits 2’06” Jeremy Backhouse, conductor 12 IV Out in the Dark 3’07” 13 V The Dark Forest 2’28” 14 VI Lights Out 4’28” 15 VII Cock-Crow 0’54” 16 VIII The Trumpet 1’59” Vasari Singers Jeremy Backhouse, conductor c © 20 SRCD.363 SRCD.363 1 Michael Hurd was born in Gloucester on 19 December 1928, the son of a self- (1966) SSA/organ 11’14” employed cabinetmaker and upholsterer. His early education took place at Crypt 17 I Kyrie eleison 1’39” Grammar School in Gloucester. National Service with the Intelligence Corps involved 18 II Gloria in excelsis Deo 3’17” a posting to Vienna, where he developed a burgeoning passion for opera. He studied 19 III Sanctus 1’35” at Pembroke College, Oxford (1950-53) with Sir Thomas Armstrong and Dr Bernard 20 IV Benedictus 1’40” Rose and became President of the University Music Society. In addition, he took 21 V Agnus Dei 3’03” composition lessons from Lennox Berkeley, whose Gallic sensibility may be said to have (1980) SATB 5’39” influenced Hurd’s own musical language, not least in the attractive and witty Concerto 22 I Captivity 2’34” da Camera for oboe and small orchestra (1979), which he described in his programme 23 II Rejection 1’03” note as a homage to Poulenc’s ‘particular genius’. -
Myra Hess Had to Wait for Her Ultimate Breakthrough in Her English Homeland; for This Reason, She Initially Had to Earn Her Living by Teaching
Hess, Myra Irene Scharrer. However, Myra Hess had to wait for her ultimate breakthrough in her English homeland; for this reason, she initially had to earn her living by teaching. Her first major success abroad was her debut in Amster- dam, where she performed Schumann's Piano Concerto in A minor, Op. 54 with the Concertgebouw Orchestra un- der Willem Mengelberg in 1912. In 1922 followed her de- but in New York, where she was celebrated with equal en- thusiasm. Her career advanced rapidly from that point onwards, and she rose to the position of one of the most successful pianists in her homeland during the ensuing years. During the 1930s, she undertook extended concert tours throughout all of Europe, including the Scandinavi- an countries, Czechoslovakia, Hungary, Rumania, Tur- key, Yugoslavia, Germany, France and Holland. At the be- ginning of the Second World War, when all of London's concert halls were closed, she founded the legendary "Lunchtime Recitals" at the National Gallery, offering the London public a broad spectrum of high-quality pro- grammes with both young and established musicians. She herself performed at the National Gallery 146 times. The concerts were held without interruption until 10 Ap- Die Pianistin Myra Hess ril 1946. In 1941 Myra Hess was honoured with the title "Dame Commander of the Order of the British Empire" Myra Hess for her special efforts on behalf of musical life in her ho- meland. After the Second World War, the meanwhile fa- * 25 February 1890 in Hampstead (im heutigen mous pianist regularly gave concerts in her native count- Londoner Stadtbezirk Camden), England ry and in the USA, where she enjoyed great popularity. -
Turmwächter-Cornelius-Hauptmann
Samstag/Sonntag, 11./12. März 2017 ESSLINGEN Eßlinger Zeitung 11 Ausbildungsmesse Die Liebe zur Musik hört niemals auf im Neckar Forum ESSLINGEN: Cornelius Hauptmann war jahrzehntelang in den Opernhäusern der Welt zuhause – Nun setzt er wieder in der Heimat Akzente Esslingen (adi) – Wer sich umfas- send, authentisch und praxisnah über alle wesentlichen Fragen zu Von Alexander Maier Aus- und Weiterbildung informie- ren möchte, ist am heutigen Sams- Als Opern- und Konzertsänger hat tag, 11. März, auf der Messe „Kar- Cornelius Hauptmann die ganze riere 2017“ im Esslinger Neckar Welt bereist: Er wurde in Amster- Forum richtig. Zusammen mit hoch- dam, Paris, Madrid, Jerusalem und karätigen Partnern organisiert die Lissabon bejubelt, er stand auf gro- Eßlinger Zeitung jedes Frühjahr ßen Bühnen in Japan, Mexiko und diese Messe, um allen, die bei der Abu Dhabi ebenso wie in Zürich, Planung ihrer beruflichen Zukunft Wien oder Berlin. Bedeutende Di- nichts dem Zufall überlassen wol- rigenten wie Bernstein, Gardiner, len, das nötige Rüstzeug zu liefern. Hollreiser, Mehta, Haenchen, Na- Mehr als 50 Aussteller – renom- gano, Masur und Piollet wussten mierte Unternehmen, Bildungsträ- die Zusammenarbeit mit ihm zu ger, Schulen und Verbände aus der schätzen, weil der Bass die Musik Region – vermitteln interessierten mit jeder Faser lebt. Nun ist er 65, Schulabgängern und ihren Eltern, und er will beruflich etwas kürzer aber auch Berufstätigen und allen, treten: „Ich habe so lange aus dem die sich für die moderne Arbeits- Koffer gelebt, war zum Beispiel welt interessieren, Wissenswertes 1991 gerade mal neun Wochen zu- zum gesamten Themenbereich der hause. Jetzt ist es Zeit, ein wenig Aus- und Weiterbildung. -
Wie Viele Musiker Braucht Das Land? Musik Gesellschaft Politik
Wie viele Musiker braucht das Land? Musik Gesellschaft Politik 49. D-A-CH-Tagung 26. bis 28. Okt. 2018 Landesakademie für die musizierende Jugend Ochsenhausen, Baden-Württemberg Programm und Referenten Tagungsleitung: Elisabeth Herzog-Schaffner Dr. Adelheid Krause Pichler Seite 1 von 10 P R O G R A M M Freitag, 26. Oktober 2018 Ab 11.00 Uhr Anreise Eintragung in die Anwesenheitsliste Entrichtung der Tagungsgebühr 12.00 Uhr gemeinsames Mittagessen 13.30 Uhr Begrüßung durch die Kooperationspartner Deutscher Tonkünstlerverband DTKV: Präsident Cornelius Hauptmann Österreichischer Musikrat ÖMR: N.N. Schweizerischer Musikpädagogischer Verband SMPV: Copräsidentin Annette Dannecker Grußwort Petra Olschowski, Staatssekretärin im Ministerium für Wissenschaft, Forschung und Kunst Baden-Württemberg 14.00 Uhr Cornelius Hauptmann (D) Präsident Deutscher Tonkünstlerverband e.V. Wie viele Musiker braucht das Land? Sichtweisen aus dem Bereich Klassik in Deutschland. 15.00 Uhr K a f f e e p a u s e 15.30 Uhr Prof. Dr. Birgit Jank (D) pensionierte Hochschullehrerin an der Universität Potsdam "Ich bin ein Musikante..." Historische und aktuelle Betrachtungen zu einem Berufsstand. 16.30 Uhr Christoph Trummer (CH) Vorstandsmitglied SONArt und Suisseculture Wettbewerb oder Stärkung der Szene: Wie wirkt die Professionalisierung des Musikbetriebs auf die Ausübenden? 18.00 Uhr gemeinsames Abendessen 19.00 Uhr Führung Schloss Ochsenhausen Seite 2 von 10 Samstag, 27. Oktober 2018 08.00-09.00 Uhr Frühstück 09.30 Uhr Prof. Michael Eidenbenz (CH) Direktor Department Musik der Züricher Hochschule der Künste Kunst verkauft sich nicht pro Kilo. 10.30 Uhr Carl Parma (D) Präsident des Bundesverbands Musikunterricht – Landesverband Berlin Von Quer- und Seiteneinsteigern - zur Misere der Musiklehrkräfteversorgung in der Schule. -
Diszkográfia Az Első Kötethez
© Typotex Kiadó Diszkográfia az első kötethez Janet Baker: Full Circle Her last year in Opera Gluck: Alceste. The Royal Opera Covent Garden Donizetti: Stuart Maria. English National Opera Gluck: Orfeo ed Euridice. Glyndebourne Festival Opera Felvétel: 1992 Warner, NVC ARTS, 2006, DVD 50-51011-4855-2-7 Beethoven: Fidelio Waltraud Meier, Plácido Domingo, Falk Stuckmann, René Pape, Soile Isokoski, Werner Güra, Kwangchul Youn Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin Vezényel: Daniel Barenboim Felvétel: Groβer Sendesaal, Berlin, May/June 1999 Teldec, 1999, 2 CD 3984-25249-2 Beethoven: Fidelio Dietrich Fischer-Dieskau, Hans Sotin, René Kollo, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Adolf Dallapozza, Karl Terkal, Alfred Sramek Wiener Staatsoperchor, Wiener Philharmoniker Vezényel: Leonard Bernstein Felvétel: Wien, Musikverein, Groβer Saal, 2/1978 Deutsche Grammophon, 1978, 2 CD 419 438-2 Beethoven: Fidelio Leonie Rysanek, Judith Blegen, Jon Vickers, Walter Berry, Giorgio Tozzi, Murray Dickie, John Macurdy, Leo Goeke, Robert Goodloe Orchestra e coro dell’Opera di San Francisco Vezényel: Karl Böhm Élő felvétel: 29. 11. 1968, San Francisco Melodram, 1990, 2 CD 27086 Beethoven: Fidelio Michael Schade, Elizabeth Norberg-Schulz, Matthias Hölle, Deborah Voigt, www.interkonyv.hu © Fodor Géza jogutóda © Typotex Kiadó 248 • Mi szól a lemezen? Günter von Kannen, Andreas Schulist, Wielfried Vorwol, Ben Heppner, Thomas Quasthoff Symphonieorchester und Chor des Bayerischen Rundfunks, Bavarian Radio Symphony Orchestra and Chorus -
MAHANI TEAVE Concert Pianist Educator Environmental Activist
MAHANI TEAVE concert pianist educator environmental activist ABOUT MAHANI Award-winning pianist and humanitarian Mahani Teave is a pioneering artist who bridges the creative world with education and environmental activism. The only professional classical musician on her native Easter Island, she is an important cultural ambassador to this legendary, cloistered area of Chile. Her debut album, Rapa Nui Odyssey, launched as number one on the Classical Billboard charts and received raves from critics, including BBC Music Magazine, which noted her “natural pianism” and “magnificent artistry.” Believing in the profound, healing power of music, she has performed globally, from the stages of the world’s foremost concert halls on six continents, to hospitals, schools, jails, and low-income areas. Twice distinguished as one of the 100 Women Leaders of Chile, she has performed for its five past presidents and in its Embassy, along with those in Germany, Indonesia, Mexico, China, Japan, Ecuador, Korea, Mexico, and symbolic places including Berlin’s Brandenburg Gate, Chile’s Palacio de La Moneda, and Chilean Congress. Her passion for classical music, her local culture, and her Island’s environment, along with an intense commitment to high-quality music education for children, inspired Mahani to set aside her burgeoning career at the age of 30 and return to her Island to found the non-profit organization Toki Rapa Nui with Enrique Icka, creating the first School of Music and the Arts of Easter Island. A self-sustaining ecological wonder, the school offers both classical and traditional Polynesian lessons in various instruments to over 100 children. Toki Rapa Nui offers not only musical, but cultural, social and ecological support for its students and the area. -
Verdi Otello
VERDI OTELLO RICCARDO MUTI CHICAGO SYMPHONY ORCHESTRA ALEKSANDRS ANTONENKO KRASSIMIRA STOYANOVA CARLO GUELFI CHICAGO SYMPHONY CHORUS / DUAIN WOLFE Giuseppe Verdi (1813-1901) OTELLO CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI 3 verdi OTELLO Riccardo Muti, conductor Chicago Symphony Orchestra Otello (1887) Opera in four acts Music BY Giuseppe Verdi LIBretto Based on Shakespeare’S tragedy Othello, BY Arrigo Boito Othello, a Moor, general of the Venetian forces .........................Aleksandrs Antonenko Tenor Iago, his ensign .........................................................................Carlo Guelfi Baritone Cassio, a captain .......................................................................Juan Francisco Gatell Tenor Roderigo, a Venetian gentleman ................................................Michael Spyres Tenor Lodovico, ambassador of the Venetian Republic .......................Eric Owens Bass-baritone Montano, Otello’s predecessor as governor of Cyprus ..............Paolo Battaglia Bass A Herald ....................................................................................David Govertsen Bass Desdemona, wife of Otello ........................................................Krassimira Stoyanova Soprano Emilia, wife of Iago ....................................................................BarBara DI Castri Mezzo-soprano Soldiers and sailors of the Venetian Republic; Venetian ladies and gentlemen; Cypriot men, women, and children; men of the Greek, Dalmatian, and Albanian armies; an innkeeper and his four servers; -
25 Recommended Recordings of Negro
25 Recommended Recordings of Negro Spirituals for Solo Vocalist Compiled by Randye Jones This is a sample of recordings recommended for enhancing library collections of Spirituals and, thus, is limited (with one exception) to recordings available on compact disc. This list includes a variety of voice types, time periods, interpretative styles, and accompaniment. Selections were compiled from The Spirituals Database, a resource referencing more than 450 recordings of Negro Spiritual art songs. Marian Anderson, Contralto He’s Got the Whole World in His Hands (1994) RCA Victor 09026-61960-2 CD, with piano Songs by Hall Johnson, Harry T. Burleigh, Lawrence Brown, J. Rosamond Johnson, Hamilton Forrest, Florence Price, Edward Boatner, Roland Hayes Spirituals (1999) RCA Victor Red Seal 09026-63306-2 CD, recorded between 1936 and 1952, with piano Songs by Hall Johnson, John C. Payne, Harry T. Burleigh, Lawrence Brown, Hamilton Forrest, Robert MacGimsey, Roland Hayes, Florence Price, Edward Boatner, R. Nathaniel Dett Angela Brown, Soprano Mosiac: a collection of African-American spirituals with piano and guitar (2004) Albany Records TROY721 CD, variously with piano, guitar Songs by Angela Brown, Undine Smith Moore, Moses Hogan, Evelyn Simpson- Curenton, Margaret Bonds, Florence Price, Betty Jackson King, Roland Hayes, Joseph Joubert Todd Duncan, Baritone Negro Spirituals (1952) Allegro ALG3022 LP, with piano Songs by J. Rosamond Johnson, Harry T. Burleigh, Lawrence Brown, William C. Hellman, Edward Boatner Denyce Graves, Mezzo-soprano Angels Watching Over Me (1997) NPR Classics CD 0006 CD, variously with piano, chorus, a cappella Songs by Hall Johnson, Harry T. Burleigh, Marvin Mills, Evelyn Simpson- Curenton, Shelton Becton, Roland Hayes, Robert MacGimsey Roland Hayes, Tenor Favorite Spirituals (1995) Vanguard Classics OVC 6022 CD, with piano Songs by Roland Hayes Barbara Hendricks, Soprano Give Me Jesus (1998) EMI Classics 7243 5 56788 2 9 CD, variously with chorus, a cappella Songs by Moses Hogan, Roland Hayes, Edward Boatner, Harry T.