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Wie Viele Musiker Braucht Das Land? Musik Gesellschaft Politik
Wie viele Musiker braucht das Land? Musik Gesellschaft Politik 49. D-A-CH-Tagung 26. bis 28. Okt. 2018 Landesakademie für die musizierende Jugend Ochsenhausen, Baden-Württemberg Programm und Referenten Tagungsleitung: Elisabeth Herzog-Schaffner Dr. Adelheid Krause Pichler Seite 1 von 10 P R O G R A M M Freitag, 26. Oktober 2018 Ab 11.00 Uhr Anreise Eintragung in die Anwesenheitsliste Entrichtung der Tagungsgebühr 12.00 Uhr gemeinsames Mittagessen 13.30 Uhr Begrüßung durch die Kooperationspartner Deutscher Tonkünstlerverband DTKV: Präsident Cornelius Hauptmann Österreichischer Musikrat ÖMR: N.N. Schweizerischer Musikpädagogischer Verband SMPV: Copräsidentin Annette Dannecker Grußwort Petra Olschowski, Staatssekretärin im Ministerium für Wissenschaft, Forschung und Kunst Baden-Württemberg 14.00 Uhr Cornelius Hauptmann (D) Präsident Deutscher Tonkünstlerverband e.V. Wie viele Musiker braucht das Land? Sichtweisen aus dem Bereich Klassik in Deutschland. 15.00 Uhr K a f f e e p a u s e 15.30 Uhr Prof. Dr. Birgit Jank (D) pensionierte Hochschullehrerin an der Universität Potsdam "Ich bin ein Musikante..." Historische und aktuelle Betrachtungen zu einem Berufsstand. 16.30 Uhr Christoph Trummer (CH) Vorstandsmitglied SONArt und Suisseculture Wettbewerb oder Stärkung der Szene: Wie wirkt die Professionalisierung des Musikbetriebs auf die Ausübenden? 18.00 Uhr gemeinsames Abendessen 19.00 Uhr Führung Schloss Ochsenhausen Seite 2 von 10 Samstag, 27. Oktober 2018 08.00-09.00 Uhr Frühstück 09.30 Uhr Prof. Michael Eidenbenz (CH) Direktor Department Musik der Züricher Hochschule der Künste Kunst verkauft sich nicht pro Kilo. 10.30 Uhr Carl Parma (D) Präsident des Bundesverbands Musikunterricht – Landesverband Berlin Von Quer- und Seiteneinsteigern - zur Misere der Musiklehrkräfteversorgung in der Schule. -
Fall/Winter 2002/2003
PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Fall/ Winter 2002 Bernstein's Mahler: A Personal View @ by Sedgwick Clark n idway through the Adagio £male of Mahler's Ninth M Symphony, the music sub sides from an almost desperate turbulence. Questioning wisps of melody wander throughout the woodwinds, accompanied by mut tering lower strings and a halting harp ostinato. Then, suddenly, the orchestra "vehemently burst[s] out" fortissimo in a final attempt at salvation. Most conductors impart a noble arch and beauty of tone to the music as it rises to its climax, which Leonard Bernstein did in his Vienna Philharmonic video recording in March 1971. But only seven months before, with the New York Philharmonic, His vision of the music is neither Nearly all of the Columbia cycle he had lunged toward the cellos comfortable nor predictable. (now on Sony Classical), taped with a growl and a violent stomp Throughout that live performance I between 1960 and 1974, and all of on the podium, and the orchestra had been struck by how much the 1980s cycle for Deutsche had responded with a ferocity I more searching and spontaneous it Grammophon, are handily gath had never heard before, or since, in was than his 1965 recording with ered in space-saving, budget-priced this work. I remember thinking, as the orchestra. Bernstein's Mahler sets. Some, but not all, of the indi Bernstein tightened the tempo was to take me by surprise in con vidual releases have survived the unmercifully, "Take it easy. Not so cert many times - though not deletion hammerschlag. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD. -
Carus 83.359 Dunkel Oder Licht
Carus Franz Schubert Ausgewählte Lieder Dunkel oder Licht Cornelius Hauptmann Eric Schneider Franz Schubert (1797–1828) Dunkel oder Licht Ausgewählte Lieder Cornelius Hauptmann, Bass Eric Schneider, Klavier 1 Der Strom D 565 1:42 11 An den Tod D 518 1:20 2 Auf der Donau D 553 3:25 12 Der Tod und das Mädchen D 531 2:29 3 Fahrt zum Hades D 526 4:30 13 Totengräberweise D 869 4:56 4 Grenzen der Menschheit D 716 7:08 14 Totengräberlied D 44 2:28 5 Der Pilgrim D 794 4:33 15 Das Grab D 569 3:24 6 Grablied für die Mutter D 616 2:32 16 Totengräbers Heimweh D 842 6:19 7 Hoffnung D 637 2:54 17 Litanei auf das Fest Allerseelen 2:08 8 Wandrers Nachtlied D 768 2:19 D 343 9 Die Mutter Erde D 788 3:32 Total time: 59:34 10 Der Jüngling und der Tod D 545b 3:52 Recorded at the Reitstadel in Neumarkt (Oberpfalz), Photos: Cornelius Hauptmann (Cover, p. 7, 9: Nina Lézard; Spring 1996, editing and mastering June 2010 Inlay: Monika Paulick), Recording producer: Andreas Neubronner, Tritonus Eric Schneider (p. 10 and Inlay: Bodo Vitus) Flügel: Steinway & Sons Hera Lind (p. 3: PR); © 2010 by Carus-Verlag, Stuttgart p. 5: Wilhelm A. Rieder, Franz Schubert (Aquarell, 1824) Dunkel oder Licht auch schon mal auf die Nerven geht, ein Vorwort „Farben des Todes“ schreiben? Warum sucht er sich nicht jemanden, von Hera Lind der weise ist und klug und belesen, besinnlich und ernsthaft, philosophisch und religiös, fundiert und Als mir Cornelius Haupt- gebildet? Ich bin genau die Falsche: Ich habe he- mann von seinem Projekt ranwachsende Kinder, mich frisst der Alltag, meine „Dunkel oder Licht“ er- Termine, ich habe keine Zeit, über den Tod nachzu- zählte, war ich überrascht. -
SCHUBERT-LIED-EDITION 4 SCHUBERT Mayrhofer-Lieder, Vol
.........m DEUTSCHE NAXOS SCHUBERT-LIED-EDITION 4 SCHUBERT Mayrhofer-Lieder, Vol. 1 Cornelius Hauptmann, Bass Stefan Laux, Piano THE DEUTSCHE SCHUBERT-LIED-EDITION I In 1816 Franz Schubert, together with his circle of friends, decided to publish a collection of all the songs which he had so far written. Joseph Spaun, whom Schubert had known since his schooldays, tried his (and Schuhert's) luck in a letter to the then unquestioned Master of the German language, Johann Wolfgang von Goethe: A selectiofi of Gerrfian sorfgs ~villcorrstitrrte the begifari~rgof this edifio1r;it 1si11corfsist of eight 1~011mies.Tlrefirst hvo (tlrefirst of ~nich,as an e.1-arnrple, yo11 willfiffdirr our letter) corftaifrspoems ~srittenby yorrr Ercellerrcy, tlre tlrird, poefr)' by Sclriller; the forrrtlr artdfifth, 118orksby Klopstock, tlfe .si.xflr by Motthiso~r,Holty, Solis etc., the se1,entlt and eight11 contai~rsorrgs by Ossion, x~lrose works are quite e.~ceptionnl. The Deutsche Schubert-Lied-Edition follows the composer's original concept. All Schubert's Lieder; over 700 songs, will be grouped according to the poets who inspired him, or according to the circle of writers, contemporaries, members of certain literary movements and so on, whose works Schubert chose to set to music. Fragments and alternative settings, providing their length and quality make them worth recording, and works for two or more voices with piano accompaniment will also make up a part of the edition. Schubert set the poetry of over 115 writers to music. He selected poems from classical Greece, the Middle Ages and the Renaissance, from eighteenth-century German authors, early Romantics, Biederrrreier poets, his contemporaries, and, of course, finally, poems by Heinrich Heine, although, sadly, the two never met. -
Leonard Bernstein Wikipedia, La Enciclopedia Libre Leonard Bernstein De Wikipedia, La Enciclopedia Libre
21/1/2016 Leonard Bernstein Wikipedia, la enciclopedia libre Leonard Bernstein De Wikipedia, la enciclopedia libre Leonard Bernstein (Lawrence, 25 de agosto de 1918‐Nueva York, 14 de octubre de 1990) fue un compositor, pianista y director de orquesta estadounidense. Fue el primer director Leonard Bernstein de orquesta nacido en los Estados Unidos que obtuvo fama mundial, célebre por haber dirigido la Orquesta Filarmónica de Nueva York, por sus Conciertos para jóvenes en la televisión de la década de 1960 y por sus múltiples composiciones, entre ellas West Side Story (1957), Candide y Un día en Nueva York (1944). Índice 1 Biografía 1.1 Infancia 1.2 Universidad 1.3 Vida familiar Leonard Bernstein en 1971. 1.4 Carrera Datos generales 2 Su actitud en el podio Nacimiento 25 de agosto de 1918, Lawrence, Estados Unidos 3 Trivia Nacionalidad estadounidense Muerte 14 de octubre de 1990, Nueva York, 4 Principales obras con fechas de estreno Estados Unidos 4.1 Obras para el teatro (72 años) Cónyuge Felicia Cohn Montealegre 4.2 Obras orquestales Hijos Jamie, Alexander y Nina Ocupación compositor, pianista y director de 4.3 Música coral para iglesia o sinagoga orquesta 4.4 Música de cámara Web Ficha Leonard Bernstein 4.5 Música vocal (http://www.imdb.com/name/nm0077086) en IMDb 4.6 Otros géneros Firma 4.7 Bibliografía [editar datos en Wikidata] 5 Citas 6 Referencias 7 Enlaces externos Biografía Infancia Bernstein nació en Lawrence, Massachusetts, en 1918 en una familia judía procedente del óblast de Rivne, Ucrania. Su abuela insistió en que su primer nombre fuera Louis, pero sus padres siempre lo llamaron Leonard, que les gustaba más. -
LEONARD BERNSTEIN Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
LEONARD BERNSTEIN Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT CONCERTS 3 CYCLES 10 DOCUMENTARIES 12 OPERAS 18 TRIBUTES 18 CONCERTS BEETHOVEN: CHORAL FANTASY, OP. 80 UNITEL Leonard Bernstein/Homero Francesch (piano)/ © Jeunesse-Chor/Wiener Philharmoniker A05500477 | Length: 22 Min. Recording date: 1985 Format: 4:3 | Available file size: 1920x1080 BEETHOVEN: MUSIC FROM “DIE GESCHÖPFE DES PROMETHEUS” Leonard Bernstein/Wiener Philharmoniker BEETHOVEN: CORIOLAN OVERTURE, OP. 62 Leonard Bernstein/Wiener Philharmoniker A05500656 | Length: 25 Min. A05500666 | Length: 12 Min. Recording date: 1978 Recording date: 1981 Format: 4:3 | Available file size: 1920x1080 Format: 4:3 | Available file size: Upon request BEETHOVEN: OVERTURE LEONORE III BEETHOVEN: EGMONT OVERTURE, OP. -
Finnish Music Information Centre) Oper in Zwei Aufzügen/Opera in Two Acts
BIS-CD-1393/1394 STEREO D D D Total playing time: 126'13 PACIUS, Fredrik (1809-1891) Die Loreley (Finnish Music Information Centre) Oper in zwei Aufzügen/Opera in Two Acts. Libretto: Emanuel Geibel DISC 1 (BIS-CD-1397) Playing time: 70'51 ERSTER AUFZUG /ACT ONE 1 Ouvertüre/Overture 12'04 2 Erster Auftritt/Scene 1 (Otto, Leupold) 6'32 3 Zweiter Auftritt/Scene 2 (Otto, Lenore) 8'57 4 Dritter Auftritt/Scene 3 (Lenore, Frauenchor) 2'54 5 Vierter Auftritt/Scene 4 (Hubert, Männerchor) 4'07 6 Fünfter Auftritt/Scene 5 (Hubert, Reinald, Chor) 1'19 7 Sechster Auftritt/Scene 6 (Die Vorigen, Lenore) 4'43 8 Siebenter Auftritt/Scene 7 (Die Vorigen, Otto, Bertha) 16'47 9 Achter Auftritt/Scene 8 (Lenore, Frauenchor) 12'46 DISC 2 (BIS-CD-1398) Playing time: 55'22 ZWEITER AUFZUG/ACT TWO 1 Vorspiel / Prelude 3'54 2 Erster Auftritt/Scene 1 (Chor) 3'01 3 Zweiter Auftritt/Scene 2 (Chor, Hubert, Reinald) 6'31 2 4 Dritter Auftritt/Scene 3 (Die Vorigen, Lenore) 3'32 5 Vierter Auftritt/Scene 4 (Die Vorigen, Otto) 4'44 6 Fünfter Auftritt/Scene 5 (Trauerherold, Chor, Hubert, Reinald, Otto) 4'56 7 Sechster Auftritt/Scene 6 (Otto, Erster Söldner, Chor) 5'56 8 Siebenter Auftritt/Scene 7 (Lenore, Otto) 14'25 9 Letzter Auftritt/Final Scene (Lenore, Reinald, Hubert, Chor) 7'43 Soile Isokoski, soprano (Lenore, Huberts Tochter) Riikka Rantanen, mezzo-soprano (Bertha, Gräfin von Stahleck) Raimo Sirkiä, tenor (Pfalzgraf Otto) Topi Lehtipuu, tenor (Reinald) Cornelius Hauptmann, bass (Hubert, Fährmann und Schenkenwirth) Arttu Kataja, bass (Leupold, Seneschall des Pfalzgrafen) Dominante Choir, chorus-master: Seppo Murto Lahti Symphony Orchestra (Sinfonia Lahti) (leader: Jaakko Kuusisto) conducted by Osmo Vänskä Assistant conductor: Esa Heikkilä The edition used for this recording was prepared and edited by Ulf Söderblom and Jaakko Kuusisto. -
The Magic Flute – Pp
LYRIC OPERA OF CHICAGO Table of Contents IN THIS ISSUE The Magic Flute – pp. 20-35 6 From the General Director 52 Breaking New Ground 8 From the Chairman 53 Look to the Future 10 Board of Directors 54 Major Contributors – Special Events 11 Women’s Board/Guild Board/Chapters’ Executive Board/Young Professionals/ and Project Support Ryan Opera Center Board 55 Lyric Unlimited Contributors 12 Administration/Administrative Staff/ Production and Technical Staff 57 Ryan Opera Center 14 Celebrating the Sounds of a City 58 Ryan Opera Center Alumni 20 Tonight’s Performance Around the World 21 Synopsis 23 Cast 59 Ryan Opera Center Contributors 24 Artist Profiles 60 Planned Giving: The Overture Society 30 Opera Notes 61 Commemorative Gifts 34 A Talk with the Director CELEBRATING 35 After the Curtain Falls 62 Corporate Partnerships CHICAGO'S 36 Musical Staff/Orchestra/Chorus 63 Matching Gifts, Special Thanks and 37 Backstage Life VOCAL MUSIC Acknowledgements 38 Artistic Roster 64 Annual Individual and TRADITIONS 39 Lyric and Social Media Foundation Support pp. 14-18 40 Patron Salute 43 Aria Society 70 Facilities and Services/Theater Staff On the cover: © Wayne Miller/Magnum Photos 2 | December 10, 2016 - January 27, 2017 CHICAGO VOICES GALA Matthew Polenzani CONCERT Civic Opera House Saturday, February 4 Shemekia Copeland at 7:30pm The Handsome Family Photos: Mike White; Dario Acosta; Jesse Littlebird; Decca/Timothy White Decca/Timothy Littlebird; Jesse Acosta; White; Dario Photos: Mike Plus more artists, yet to be announced! John Prine Join us for a one-night-only celebration curated by Renée Fleming and featuring top vocalists of all genres with deep ties to Chicago. -
Building a Library
BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 1999 – July 2000 .................................................................................................................................................................................. 3 September 2000 – July 2001 ................................................................................................................................................................................ 24 September 2001 – July 2002 ................................................................................................................................................................................ 46 September 2002 – July 2003 ................................................................................................................................................................................ 74 September 2003 – July 2004 ................................................................................................................................................................................ 98 September 2004 – July 2005 ............................................................................................................................................................................. -
Classical by Composer
Classical by Composer Adolphe Adam, Giselle (The Complete Ballet), Bolshoi Theater Orchestra, Algis Zuraitis,ˆ MHS 824750F Isaac Albeniz, Iberia (complete), Maurice Ravel, Rapsodie Espagnole, Jean Morel, Paris Conservatoire Orchestra, RCA Living Stereo LSC-6094 (audiophile reissue) 2 records Tomaso Albinoni, Adagio for Strings and Organ, Concerto a Cinque in C Major, Concerto a Cinque in C Major Op. 5, No. 12, Concerto a Cinque in E Minor Op. 5, No. 9, The Sinfonia Instrumental Ensemble, Jean Witold, Nonesuch H-71005 Alfonso X, El Sabio, Las Cantigas de Santa Maria, History of Spanish Music, Volume I MHS OR 302 Charles Valentin Alkan, Piano Pieces Bernard Ringeissen Piano Harmonia Mundi B 927 Gregorio Allegri, Miserere, and other Great Choral Works CD ASV CD OS 6036 DDD, ADD 1989 Gregorio Allegri, Miserere, and other Choral Masterpieces CD Naxos 8.550827 DDD 1993 Gregorio Allegri, Miserere, Giovanni Pierluigi, Stabat Mater, Hodie Beata Virgo, Senex puerum portabat, Magnificat, Litaniae de Beata Virgine Maria, Choir of King’s College, Cambridge, Sir David Willcocks, CD London 421 147-2 ADD 1964 William Alwyn, Symphony 1, London Philharmonic Orchestra, William Alwyn, HNH 4040 Music of Leroy Anderson, Vol. 2 Frederick Fennell, Eastman-Rochester “POPS” Orchestra, 19 cm/sec quarter-track tape Mercury Living Presence ST-90043 The Music of Leroy Anderson, Frederick Fennell, Eastman-Rochester Pops Orchestra, Mercury Living Presence SR-90009 (audiophile) The Music of Leroy Anderson, Sandpaper Ballet, Forgotten Dreams, Serendata, The Penny Whistle Song, Sleigh Ride, Bugler’s Holiday, Frederick Fennell, Eastman-Rochester POPS Orchestra, 19 cm/sec half-track tape Mercury Living Presence (Seeing Ear) MVS5-30 1956 George Antheil, Symphony No.