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Turmwächter-Cornelius-Hauptmann
Samstag/Sonntag, 11./12. März 2017 ESSLINGEN Eßlinger Zeitung 11 Ausbildungsmesse Die Liebe zur Musik hört niemals auf im Neckar Forum ESSLINGEN: Cornelius Hauptmann war jahrzehntelang in den Opernhäusern der Welt zuhause – Nun setzt er wieder in der Heimat Akzente Esslingen (adi) – Wer sich umfas- send, authentisch und praxisnah über alle wesentlichen Fragen zu Von Alexander Maier Aus- und Weiterbildung informie- ren möchte, ist am heutigen Sams- Als Opern- und Konzertsänger hat tag, 11. März, auf der Messe „Kar- Cornelius Hauptmann die ganze riere 2017“ im Esslinger Neckar Welt bereist: Er wurde in Amster- Forum richtig. Zusammen mit hoch- dam, Paris, Madrid, Jerusalem und karätigen Partnern organisiert die Lissabon bejubelt, er stand auf gro- Eßlinger Zeitung jedes Frühjahr ßen Bühnen in Japan, Mexiko und diese Messe, um allen, die bei der Abu Dhabi ebenso wie in Zürich, Planung ihrer beruflichen Zukunft Wien oder Berlin. Bedeutende Di- nichts dem Zufall überlassen wol- rigenten wie Bernstein, Gardiner, len, das nötige Rüstzeug zu liefern. Hollreiser, Mehta, Haenchen, Na- Mehr als 50 Aussteller – renom- gano, Masur und Piollet wussten mierte Unternehmen, Bildungsträ- die Zusammenarbeit mit ihm zu ger, Schulen und Verbände aus der schätzen, weil der Bass die Musik Region – vermitteln interessierten mit jeder Faser lebt. Nun ist er 65, Schulabgängern und ihren Eltern, und er will beruflich etwas kürzer aber auch Berufstätigen und allen, treten: „Ich habe so lange aus dem die sich für die moderne Arbeits- Koffer gelebt, war zum Beispiel welt interessieren, Wissenswertes 1991 gerade mal neun Wochen zu- zum gesamten Themenbereich der hause. Jetzt ist es Zeit, ein wenig Aus- und Weiterbildung. -
Richard Strauss's Ariadne Auf Naxos
Richard Strauss’s Ariadne auf Naxos - A survey of the major recordings by Ralph Moore Ariadne auf Naxos is less frequently encountered on stage than Der Rosenkavalier or Salome, but it is something of favourite among those who fancy themselves connoisseurs, insofar as its plot revolves around a conceit typical of Hofmannsthal’s libretti, whereby two worlds clash: the merits of populist entertainment, personified by characters from the burlesque Commedia dell’arte tradition enacting Viennese operetta, are uneasily juxtaposed with the claims of high art to elevate and refine the observer as embodied in the opera seria to be performed by another company of singers, its plot derived from classical myth. The tale of Ariadne’s desertion by Theseus is performed in the second half of the evening and is in effect an opera within an opera. The fun starts when the major-domo conveys the instructions from “the richest man in Vienna” that in order to save time and avoid delaying the fireworks, both entertainments must be performed simultaneously. Both genres are parodied and a further contrast is made between Zerbinetta’s pragmatic attitude towards love and life and Ariadne’s morbid, death-oriented idealism – “Todgeweihtes Herz!”, Tristan und Isolde-style. Strauss’ scoring is interesting and innovative; the orchestra numbers only forty or so players: strings and brass are reduced to chamber-music scale and the orchestration heavily weighted towards woodwind and percussion, with the result that it is far less grand and Romantic in scale than is usual in Strauss and a peculiarly spare ad spiky mood frequently prevails. -
Wie Viele Musiker Braucht Das Land? Musik Gesellschaft Politik
Wie viele Musiker braucht das Land? Musik Gesellschaft Politik 49. D-A-CH-Tagung 26. bis 28. Okt. 2018 Landesakademie für die musizierende Jugend Ochsenhausen, Baden-Württemberg Programm und Referenten Tagungsleitung: Elisabeth Herzog-Schaffner Dr. Adelheid Krause Pichler Seite 1 von 10 P R O G R A M M Freitag, 26. Oktober 2018 Ab 11.00 Uhr Anreise Eintragung in die Anwesenheitsliste Entrichtung der Tagungsgebühr 12.00 Uhr gemeinsames Mittagessen 13.30 Uhr Begrüßung durch die Kooperationspartner Deutscher Tonkünstlerverband DTKV: Präsident Cornelius Hauptmann Österreichischer Musikrat ÖMR: N.N. Schweizerischer Musikpädagogischer Verband SMPV: Copräsidentin Annette Dannecker Grußwort Petra Olschowski, Staatssekretärin im Ministerium für Wissenschaft, Forschung und Kunst Baden-Württemberg 14.00 Uhr Cornelius Hauptmann (D) Präsident Deutscher Tonkünstlerverband e.V. Wie viele Musiker braucht das Land? Sichtweisen aus dem Bereich Klassik in Deutschland. 15.00 Uhr K a f f e e p a u s e 15.30 Uhr Prof. Dr. Birgit Jank (D) pensionierte Hochschullehrerin an der Universität Potsdam "Ich bin ein Musikante..." Historische und aktuelle Betrachtungen zu einem Berufsstand. 16.30 Uhr Christoph Trummer (CH) Vorstandsmitglied SONArt und Suisseculture Wettbewerb oder Stärkung der Szene: Wie wirkt die Professionalisierung des Musikbetriebs auf die Ausübenden? 18.00 Uhr gemeinsames Abendessen 19.00 Uhr Führung Schloss Ochsenhausen Seite 2 von 10 Samstag, 27. Oktober 2018 08.00-09.00 Uhr Frühstück 09.30 Uhr Prof. Michael Eidenbenz (CH) Direktor Department Musik der Züricher Hochschule der Künste Kunst verkauft sich nicht pro Kilo. 10.30 Uhr Carl Parma (D) Präsident des Bundesverbands Musikunterricht – Landesverband Berlin Von Quer- und Seiteneinsteigern - zur Misere der Musiklehrkräfteversorgung in der Schule. -
Alban Berg War, Namentlich Seines Wozzeck, Und Dass Dieser Aus Nationalistischen Gründen in Tschechien Bekämpft Wurde
NEUIGKEITENMUSIK UND InFORMATIONEN VON DER UnBLATTERIVERSAL EDITION 3 FRIEDRICH »Frei muss man einfach sein …« CERHA ALBAN »Wozzeck« und »Lulu« – Fassungsfragen BERG LEOš Nachruf von Max Brod Janáček PIERRE und Patrice Chéreau über »Aus einem Totenhaus« BOULEZ G EORGES »Klarheit wie Sternenblitze« LENTZ DAVID »Drama und Musik« SAWER LUKE »Brennglas und Lupe« BEDFORD Kim Kowalke über KURT WEILL Salzburg contemporary Christoph Eschenbach · Pablo Heras-Casado Heinz Holliger · Johannes Kalitzke · Zubin Mehta Simon Rattle · Franz Welser-Möst Thomas Demenga · Elīna Garanča · Matthias Goerne Thomas Hampson · Håkan Hardenberger · Carl Hieger Ursula Holliger · Ruth Killius · Anita Leuzinger Alexander Lonquich · Ulrich Matthes · Horst Maria Merz Felix Renggli · Peter Stein · Thomas Zehetmair Berliner Philharmoniker · The Cleveland Orchestra · The Collegiate Chorale Ensemble Contrechamps · Israel Philharmonic Orchestra · Klangforum Wien Latvian Radio Choir · Mozarteumorchester Salzburg NDR Sinfonieorchester · oesterreichisches ensemble für neue musik ORF Radio-Symphonieorchester Wien Wiener Philharmoniker · Zehetmair Quartett supported by URAUFFÜHRUNGEN Auftragswerke von: Georg Friedrich Haas ·Heinz Holliger Gustav Friedrichsohn · Johannes Maria Staud SALZBURGER FESTSPIELE 20. JULI – 2. SEPTEMBER 2012 TICKETS &INFORMATIONEN ZUM FESTSPIELPROGRAMM Tel. +43-662-8045-500 · www.salzburgfestival.at Global sponsors of the SALZBURG FESTIVAL salzburg contemporary_210x280.indd 2 23.04.12 07:50 Mai 2012 Musikblätter 3 Liebe Musikfreunde, Sie halten bereits -
Diszkográfia Az Első Kötethez
© Typotex Kiadó Diszkográfia az első kötethez Janet Baker: Full Circle Her last year in Opera Gluck: Alceste. The Royal Opera Covent Garden Donizetti: Stuart Maria. English National Opera Gluck: Orfeo ed Euridice. Glyndebourne Festival Opera Felvétel: 1992 Warner, NVC ARTS, 2006, DVD 50-51011-4855-2-7 Beethoven: Fidelio Waltraud Meier, Plácido Domingo, Falk Stuckmann, René Pape, Soile Isokoski, Werner Güra, Kwangchul Youn Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin Vezényel: Daniel Barenboim Felvétel: Groβer Sendesaal, Berlin, May/June 1999 Teldec, 1999, 2 CD 3984-25249-2 Beethoven: Fidelio Dietrich Fischer-Dieskau, Hans Sotin, René Kollo, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Adolf Dallapozza, Karl Terkal, Alfred Sramek Wiener Staatsoperchor, Wiener Philharmoniker Vezényel: Leonard Bernstein Felvétel: Wien, Musikverein, Groβer Saal, 2/1978 Deutsche Grammophon, 1978, 2 CD 419 438-2 Beethoven: Fidelio Leonie Rysanek, Judith Blegen, Jon Vickers, Walter Berry, Giorgio Tozzi, Murray Dickie, John Macurdy, Leo Goeke, Robert Goodloe Orchestra e coro dell’Opera di San Francisco Vezényel: Karl Böhm Élő felvétel: 29. 11. 1968, San Francisco Melodram, 1990, 2 CD 27086 Beethoven: Fidelio Michael Schade, Elizabeth Norberg-Schulz, Matthias Hölle, Deborah Voigt, www.interkonyv.hu © Fodor Géza jogutóda © Typotex Kiadó 248 • Mi szól a lemezen? Günter von Kannen, Andreas Schulist, Wielfried Vorwol, Ben Heppner, Thomas Quasthoff Symphonieorchester und Chor des Bayerischen Rundfunks, Bavarian Radio Symphony Orchestra and Chorus -
Piano Study Centre Piano Lecture and Master Class
Piano Study Centre Piano Lecture and Master Class Opportunity to All Piano Students Beginner, Intermediate and Advanced Levels Date: Saturday 22nd November from 4.00pm – 6.30pm Location: In Central London near Russell Square Theme of Lecture: The Craft of Practising (Free to our students) Please send e-mail: [email protected] to register your interest Send text message or Phone: 07950 491461 Professor: Philip Fowke Pianist, Professor and Senior Fellow of Keyboard at Trinity College of Music (Trinity Laban Conservatoire of Music and Dance) The Craft of Practising Philip Fowke writes: Gordon Green, my revered and much beloved teacher, used to refer to the craft of practising. This made an impression upon me, all the more vivid when he likened the pianist to a master joiner with his box of tools, sharpened, polished and oiled. As the joiner adds to his collection of tools over the years becoming accustomed to some yet discovering new ones along the way, so the pianist has to build up a box of treasured tools to facilitate the process of learning and practising. Philip Fowke discusses what we mean by “practice”, what it entails, the analysis of fingering, the avoidance of needless repetition, and strategies for overcoming technical or musical problems. The myth of legato fingering will also be addressed as will the inappropriate use of the word “tension”. Economy of movement, choreography of the keyboard and posture will also be discussed. Extra information from PSC Famous British-born pianist Stephen Hough’s piano teacher was Gordon Green. Stephen and Professor Philip studied with the same piano teacher. -
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century To the Present A Discography Of CDs And LPs Prepared by Michael Herman Composers K-P MILOSLAV KABELÁČ (1908-1979, CZECH) Born in Prague. He studied composition at the Prague Conservatory under Karel Boleslav Jirák and conducting under Pavel Dedeček and at its Master School he studied the piano under Vilem Kurz. He then worked for Radio Prague as a conductor and one of its first music directors before becoming a professor of the Prague Conservatoy where he served for many years. He produced an extensive catalogue of orchestral, chamber, instrumental, vocal and choral works. Symphony No. 1 in D for Strings and Percussion, Op. 11 (1941–2) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 2 in C for Large Orchestra, Op. 15 (1942–6) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 3 in F major for Organ, Brass and Timpani, Op. 33 (1948-57) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 2, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Libor Pešek/Alena Veselá(organ)/Brass Harmonia ( + Kopelent: Il Canto Deli Augei and Fišer: 2 Piano Concerto) SUPRAPHON 1110 4144 (LP) (1988) Symphony No. 4 in A major, Op. 36 "Chamber" (1954-8) Marko Ivanovic/Czech Chamber Philharmonic Orchestra, Pardubice ( + Martin·: Oboe Concerto and Beethoven: Symphony No. 1) ARCO DIVA UP 0123 - 2 131 (2009) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. -
Könyvek / Books
Könyvek / Books Sorszám Szerző / Cím Cím / Title Ár (HUF) Kiadás helye 1 Albet, Montserrat: História de la Música Catalana 5000 n. a. 2 Allison, John: The Pocket Companion to Opera 1500 London, Mitchell Beazley 3 Arnold, Denis: Monteverdi Church Music 1200 London, British Broadcasting Corporation 4 Arnold, Denis: Monteverdi. Madrigals 1200 London, British Broadcasting Corporation 5 Bárdos Lajos: Hangzatgyakorló I. könyv 1200 Budapest, Zeneműkiadó 6 Bárdos Lajos: Írások a népzenénkről 1500 Budapest, Tankönyvkiadó 7 Bárdos Lajos: Liszt Ferenc a jövő zenésze 2500 Budapest, Akadémiai Kiadó 8 Bárdos Lajos: Modális harmóniák 3000 Budapest, Zeneműkiadó 9 Bárdos Lajos: Tíz újabb írás 1500 Budapest, Zeneműkiadó 10 Barford, Philip: Bruckner. Symphonies 1200 London, British Broadcasting Corporation 11 Barford, Philip: Mahler Symphonies and Songs 1200 London, British Broadcasting Corporation 12 Barna István (vál.): Örök muzsika 1200 Budapest, Zeneműkiadó 13 Bartha Dénes, Tóth Aladár (szerk.): Zenei lexikon I-III 3000 Budapest, Zeneműkiadó 14 Bartók Béla ifj.: Apám életének krónikája 1500 Budapest, Helikon 15 Bartók Béla: Cantata Profana 1500 Budapest, Zeneműkiadó 16 Bartók Béla: Miért és hogyan gyűjtsünk népzenét? 2500 Budapest, Somló Béla Könyvkiadó 17 Bartók Béla: Önéletrajz, írások a zenéről 800 Budapest, Egyetemi Nyomda 18 Berlioz, Hector: The Art of the Conductor 1200 London, William Reeves 19 Berlioz, Hector; Strauss, Richard: Treatise on Instrumentation 15000 New York, Kalmus 20 Blaukopf, Kurt: Gustav Mahler 1200 Budapest, Gondolat Kiadó 21 Bodon Pál: Az intonálás iskolája 2500 Budapest, Zeneműkiadó 22 Bónis Ferenc (szerk.): Magyar Zenetörténeti tanulmányok Erkel Ferencről, Kodály Zoltánról2500 Budapest, és korunkr Püskiól Kiadó 23 Bónis Ferenc (szerk.): Magyar Zenetörténeti tanulmányok Kodály Zoltán emlékére 3000 Budapest, Zeneműkiadó 24 Bónis Ferenc (szerk.): Magyar Zenetörténeti tanulmányok Szabolcsi Bence 70. -
Naxcat2005 ABRIDGED VERSION
CONTENTS Foreword by Klaus Heymann . 4 Alphabetical List of Works by Composer . 6 Collections . 88 Alphorn 88 Easy Listening 102 Operetta 114 American Classics 88 Flute 106 Orchestral 114 American Jewish Music 88 Funeral Music 106 Organ 117 Ballet 88 Glass Harmonica 106 Piano 118 Baroque 88 Guitar 106 Russian 120 Bassoon 90 Gypsy 109 Samplers 120 Best Of series 90 Harp 109 Saxophone 121 British Music 92 Harpsichord 109 Trombone 121 Cello 92 Horn 109 Tr umpet 121 Chamber Music 93 Light Classics 109 Viennese 122 Chill With 93 Lute 110 Violin 122 Christmas 94 Music for Meditation 110 Vocal and Choral 123 Cinema Classics 96 Oboe 111 Wedding 125 Clarinet 99 Ondes Martenot 111 White Box 125 Early Music 100 Operatic 111 Wind 126 Naxos Jazz . 126 Naxos World . 127 Naxos Educational . 127 Naxos Super Audio CD . 128 Naxos DVD Audio . 129 Naxos DVD . 129 List of Naxos Distributors . 130 Naxos Website: www.naxos.com NaxCat2005 ABRIDGED VERSION2 23/12/2004, 11:54am Symbols used in this catalogue # New release not listed in 2004 Catalogue $ Recording scheduled to be released before 31 March, 2005 † Please note that not all titles are available in all territories. Check with your local distributor for availability. 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating. Our recordings receive favourable reviews in many other publications which, however, do not use a simple, easy to understand rating system. -
Ferruccio Busoni Biography
Ferruccio Busoni His Life And Times Beginnings Youth in Italy The Prodigy is Heard Busoni as Composer Free at Last First Experiences Marriage Busoni as Editor Hitting his Stride Busoni as Conductor Masterpiece Unveiled America again Turandot /Die Brautwahl The Author Debuts Back on the Road Paris, D’Annunzio Opera’s Seduction Liceo Rossini War in Europe The Artist at 50 The Last Years Final Enthusiasms Last Days FERRUCCIO BUSONI - HIS LIFE AND TIMES The Busoni heritage begins in Spicchio, a little village on the north bank of the Arno, inhabited mainly by barge-men, one of whom bore the name. The family is thought originally to have come from Corsica. Though reasonably well-off in their day, the Busonis fell on hard times, and upon the father’s death, moved to Empoli. Additional misfortune followed when the second son of three, Giovanni Battista also died later of a long illness in 1860, his wife following shortly thereafter. From this group of three sons, it would be the eldest, Ferdinando who would produce the artist the world learned to know and cherish. In Empoli his siblings became prosperous makers of felt hats, but Ferdinando would have none of that. He hid himself in corners to read the classics and practice the clarinet. Nothing would alter his intention to be a musician of prominence; he was capricious, self-willed, hot-tempered and impatient. These qualities would, lifelong, result in a reputation as difficult, highly-strung, opinionated, quarrelsome and to some a jeffatore...the possessor of the “evil eye.” He was largely self-taught, attained a high degree of proficiency on his instrument, adopted a career as a travelling virtuoso. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
My Fifty Years with Wagner
MY FIFTY YEARS WITH RICHARD WAGNER I don't for a moment profess to be an expert on the subject of the German composer Wilhelm Richard Wagner and have not made detailed comments on performances, leaving opinions to those far more enlightened than I. However having listened to Wagnerian works on radio and record from the late 1960s, and after a chance experience in 1973, I have been fascinated by the world and works of Wagner ever since. I have been fortunate to enjoy three separate cycles of Der Ring des Nibelungen, in Bayreuth 2008, San Francisco in 2011 and Melbourne in 2013 and will see a fourth, being the world's first fully digitally staged Ring cycle in Brisbane in 2020 under the auspices of Opera Australia. I also completed three years of the degree course in Architecture at the University of Quensland from 1962 and have always been interested in the monumental buildings of Europe, old and new, including the opera houses I have visited for performance of Wagner's works. It all started in earnest on September 29, 1973 when I was 28 yrs old, when, with friend and music mentor Harold King of ABC radio fame, together we attended the inaugural orchestral concert given at the Sydney Opera House, in which the legendary Swedish soprano Birgit Nilsson opened the world renowned building singing an all Wagner programme including the Immolation scene from Götterdämmerung, accompanied by the Sydney Symphony Orchestra conducted by a young Charles Mackerras. This event fully opened my eyes to the Ring Cycle - and I have managed to keep the historic souvenir programme.