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Turmwächter-Cornelius-Hauptmann
Samstag/Sonntag, 11./12. März 2017 ESSLINGEN Eßlinger Zeitung 11 Ausbildungsmesse Die Liebe zur Musik hört niemals auf im Neckar Forum ESSLINGEN: Cornelius Hauptmann war jahrzehntelang in den Opernhäusern der Welt zuhause – Nun setzt er wieder in der Heimat Akzente Esslingen (adi) – Wer sich umfas- send, authentisch und praxisnah über alle wesentlichen Fragen zu Von Alexander Maier Aus- und Weiterbildung informie- ren möchte, ist am heutigen Sams- Als Opern- und Konzertsänger hat tag, 11. März, auf der Messe „Kar- Cornelius Hauptmann die ganze riere 2017“ im Esslinger Neckar Welt bereist: Er wurde in Amster- Forum richtig. Zusammen mit hoch- dam, Paris, Madrid, Jerusalem und karätigen Partnern organisiert die Lissabon bejubelt, er stand auf gro- Eßlinger Zeitung jedes Frühjahr ßen Bühnen in Japan, Mexiko und diese Messe, um allen, die bei der Abu Dhabi ebenso wie in Zürich, Planung ihrer beruflichen Zukunft Wien oder Berlin. Bedeutende Di- nichts dem Zufall überlassen wol- rigenten wie Bernstein, Gardiner, len, das nötige Rüstzeug zu liefern. Hollreiser, Mehta, Haenchen, Na- Mehr als 50 Aussteller – renom- gano, Masur und Piollet wussten mierte Unternehmen, Bildungsträ- die Zusammenarbeit mit ihm zu ger, Schulen und Verbände aus der schätzen, weil der Bass die Musik Region – vermitteln interessierten mit jeder Faser lebt. Nun ist er 65, Schulabgängern und ihren Eltern, und er will beruflich etwas kürzer aber auch Berufstätigen und allen, treten: „Ich habe so lange aus dem die sich für die moderne Arbeits- Koffer gelebt, war zum Beispiel welt interessieren, Wissenswertes 1991 gerade mal neun Wochen zu- zum gesamten Themenbereich der hause. Jetzt ist es Zeit, ein wenig Aus- und Weiterbildung. -
Eloquence Releases: Summer 2017 by Brian Wilson
Some Recent Eloquence Releases: Summer 2017 by Brian Wilson The original European Universal Eloquence label replaced budget releases on DG (Privilege or Resonance), Decca (Weekend Classics) and Philips (Classical Favourites). Like them it originally sold for around £5 and offered some splendid bargains such as Telemann’s ‘Water Music’ and excerpts from Tafelmusik (Musica Antiqua Köln/Reinhard Goebel 4696642) and Mahler’s Das Lied von der Erde (Janet Baker, James King, Concertgebouw/Bernard Haitink 4681822). Later most of the original batch were deleted – luckily the Mahler remains available – and production switched to Universal Australia but the price remained around the same. More recently changes in the value of the £ mean that single CDs now sell for around £7.75 but the high quality of much of the repertoire means that they remain well worth keeping an eye on. Many, but not all, of the albums are available to stream or download and I have reviewed some in that form and others on CD. Be aware, however, that the downloads often cost more than the CDs and invariably come without notes – which is a shame because the Eloquence booklets are better than those of many budget labels. THE TUDORS Lo, Country Sports Anonymous Almain Thomas TOMKINS Adieu, Ye City-Prisoning Towers Thomas WEELKES Lo, Country Sports that Seldom Fades Nicholas BRETON Shepherd and Shepherdess Michael EAST Sweet Muses, Nymphs and Shepherds Sporting Bar YOUNG The Shepherd, Arsilius’s, Reply John FARMER O Stay, Sweet Love Giles FARNABY Pearce did love fair Petronel Michael -
Wie Viele Musiker Braucht Das Land? Musik Gesellschaft Politik
Wie viele Musiker braucht das Land? Musik Gesellschaft Politik 49. D-A-CH-Tagung 26. bis 28. Okt. 2018 Landesakademie für die musizierende Jugend Ochsenhausen, Baden-Württemberg Programm und Referenten Tagungsleitung: Elisabeth Herzog-Schaffner Dr. Adelheid Krause Pichler Seite 1 von 10 P R O G R A M M Freitag, 26. Oktober 2018 Ab 11.00 Uhr Anreise Eintragung in die Anwesenheitsliste Entrichtung der Tagungsgebühr 12.00 Uhr gemeinsames Mittagessen 13.30 Uhr Begrüßung durch die Kooperationspartner Deutscher Tonkünstlerverband DTKV: Präsident Cornelius Hauptmann Österreichischer Musikrat ÖMR: N.N. Schweizerischer Musikpädagogischer Verband SMPV: Copräsidentin Annette Dannecker Grußwort Petra Olschowski, Staatssekretärin im Ministerium für Wissenschaft, Forschung und Kunst Baden-Württemberg 14.00 Uhr Cornelius Hauptmann (D) Präsident Deutscher Tonkünstlerverband e.V. Wie viele Musiker braucht das Land? Sichtweisen aus dem Bereich Klassik in Deutschland. 15.00 Uhr K a f f e e p a u s e 15.30 Uhr Prof. Dr. Birgit Jank (D) pensionierte Hochschullehrerin an der Universität Potsdam "Ich bin ein Musikante..." Historische und aktuelle Betrachtungen zu einem Berufsstand. 16.30 Uhr Christoph Trummer (CH) Vorstandsmitglied SONArt und Suisseculture Wettbewerb oder Stärkung der Szene: Wie wirkt die Professionalisierung des Musikbetriebs auf die Ausübenden? 18.00 Uhr gemeinsames Abendessen 19.00 Uhr Führung Schloss Ochsenhausen Seite 2 von 10 Samstag, 27. Oktober 2018 08.00-09.00 Uhr Frühstück 09.30 Uhr Prof. Michael Eidenbenz (CH) Direktor Department Musik der Züricher Hochschule der Künste Kunst verkauft sich nicht pro Kilo. 10.30 Uhr Carl Parma (D) Präsident des Bundesverbands Musikunterricht – Landesverband Berlin Von Quer- und Seiteneinsteigern - zur Misere der Musiklehrkräfteversorgung in der Schule. -
Britten Connections a Guide for Performers and Programmers
Britten Connections A guide for performers and programmers by Paul Kildea Britten –Pears Foundation Telephone 01728 451 700 The Red House, Golf Lane, [email protected] Aldeburgh, Suffolk, IP15 5PZ www.brittenpears.org Britten Connections A guide for performers and programmers by Paul Kildea Contents The twentieth century’s Programming tips for 03 consummate musician 07 13 selected Britten works Britten connected 20 26 Timeline CD sampler tracks The Britten-Pears Foundation is grateful to Orchestra, Naxos, Nimbus Records, NMC the following for permission to use the Recordings, Onyx Classics. EMI recordings recordings featured on the CD sampler: BBC, are licensed courtesy of EMI Classics, Decca Classics, EMI Classics, Hyperion Records, www.emiclassics.com For full track details, 28 Lammas Records, London Philharmonic and all label websites, see pages 26-27. Index of featured works Front cover : Britten in 1938. Photo: Howard Coster © National Portrait Gallery, London. Above: Britten in his composition studio at The Red House, c1958. Photo: Kurt Hutton . 29 Further information Opposite left : Conducting a rehearsal, early 1950s. Opposite right : Demonstrating how to make 'slung mugs' sound like raindrops for Noye's Fludde , 1958. Photo: Kurt Hutton. Britten Connections A guide for performers and programmers 03 The twentieth century's consummate musician In his tweed jackets and woollen ties, and When asked as a boy what he planned to be He had, of course, a great guide and mentor. with his plummy accent, country houses and when he grew up, Britten confidently The English composer Frank Bridge began royal connections, Benjamin Britten looked replied: ‘A composer.’ ‘But what else ?’ was the teaching composition to the teenage Britten every inch the English gentleman. -
Boston Symphony Orchestra Concert Programs, Season 114, 1994-1995
Seiji Ozawa /£T) rs t * / * - i ^/ -^=< ** ^5X-$\ 4* 2Ll4 /994^7nn// eason When you know your worth Omega Constellation 18K gold and stainless steel ladies' watch .with diamond bezel. Scratch-resistant sapphire crystal. Water resistant. Swiss made since 1848. OMEGA (fa ALPHA OMEGA sign of excellence The AMERICA'S WATCH SPECIALISTS Harvard Square-57 J.F.K. Street ©1994 Omega,8 a division of SZ27 (US) Inc. Cambridge, MA 02138 1-800-447-4367 (617) 864-1227 -**. Seiji Ozawa, Music Director One Hundred and Fourteenth Season, 1994-95 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barge r, Chairman Nicholas T. Zervas, President Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Harlan E. Anderson Nader F Darehshori Julian T. Houston Mrs. August R. Meyer Peter A. Brooke Deborah B. Davis Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Nina L. Doggett Allen Z. Kluchman Peter C. Read John F. Cogan, Jr. Dean W. Freed Harvey Chet Krentzman Carol Scheifele-Holmes Julian Cohen Avram J. Goldberg George Krupp Richard A. Smith William F. Connell Thelma E. Goldberg R. Willis Leith, Jr. Ray Stata William M. Crozier, Jr. Trustees Emeriti Vernon R. Alden AbramT. Collier Mrs. George I. Kaplan Mrs. George Lee Sargent Philip K. Allen Nelson J. Darling, Jr. George H. Kidder Sidney Stoneman David B. Arnold, Jr. Archie C. Epps Thomas D. Perry, Jr. John Hoyt Stookey Allen G. Barry Mrs. Harris Fahnestock Irving W. Rabb John L. Thorndike Leo L. Beranek Mrs. John L. Grandin Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Daniel R. -
Cameron Burgess - Clarinet BBM Youth Support Report - June 2013
Cameron Burgess - Clarinet BBM Youth Support Report - June 2013 My trip to the UK was an incredibly rewarding and exciting experience. In my lessons I gained a wealth of information and ideas on how to perform British clarinet repertoire, and many different approaches and concepts to improve my technique, which I have found invaluable in my development as a musician. I was also able to collect a vast amount of data on Frederick Thurston, who is the focal point of my honours thesis. Much of this information I probably would not have discovered had it not been for my trip to the UK. I was also fortunate enough to attend numerous concerts by the London Symphony Orchestra, Halle Orchestra, London Chamber Orchestra and Southbank Sinfonia, as well as visit London’s many galleries and museums. After arriving in the UK I traveled from Manchester to London for my first lesson, which was with the Principal of the Royal College of Music and renowned Mozart scholar, Professor Colin Lawson. Much of my time in this lesson was devoted to Mozart’s Clarinet Concerto. I had been fortunate enough to attend a master class given by Professor Lawson at the Sydney Conservatorium in 2010 and had gained some ideas on how to interpret the work, however this was expanded on greatly, and my ideas and concepts on how to perform the work completely changed. As well as this we spent some time discussing my thesis topic, how it could potentially be improved and what new ideas I could also include. Professor Lawson also very generously provided me with some incredibly useful literature on Thurston, published for his centenary celebration, which is no longer in print. -
Wwciguide May 2020.Pdf
From the President & CEO The Guide The Member Magazine Dear Member, for WTTW and WFMT Thank you for your viewership, listenership, and continued support of WTTW and Renée Crown Public Media Center 5400 North Saint Louis Avenue WFMT. Now more than ever, we believe it is vital that you can turn to us for trusted Chicago, Illinois 60625 news and information, and high quality educational and entertaining programming whenever and wherever you want it. We have developed our May schedule with this Main Switchboard in mind. (773) 583-5000 Member and Viewer Services On WTTW, explore the personal, firsthand perspectives of people whose lives (773) 509-1111 x 6 have been upended by COVID-19 in Chicago in FIRSTHAND: Coronavirus. This new series of stories produced and released on wttw.com and our social media channels Websites wttw.com has been packaged into a one-hour special for television that will premiere on wfmt.com May 18 at 9:00 pm. Also, settle in for the new two-night special Asian Americans to commemorate Asian Pacific American Heritage Month. As America becomes more Publisher diverse, and more divided while facing unimaginable challenges, this film focuses a Anne Gleason Art Director new lens on U.S. history and the ongoing role that Asian Americans have played. On Tom Peth wttw.com, discover and learn about Chicago’s Japanese Culture Center established WTTW Contributors Julia Maish in 1977 in Chicago by Aikido Shihan (Teacher of Teachers) and Zen Master Fumio Lisa Tipton Toyoda to make the crafts, philosophical riches, and martial arts of Japan available WFMT Contributors to Chicagoans. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
RCA LHMV 1 His Master's Voice 10 Inch Series
RCA Discography Part 33 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA LHMV 1 His Master’s Voice 10 Inch Series Another early 1950’s series using the label called “His Master’s Voice” which was the famous Victor trademark of the dog “Nipper” listening to his master’s voice. The label was retired in the mid 50’s. LHMV 1 – Stravinsky The Rite of Spring – Igor Markevitch and the Philharmonia Orchestra [1954] LHMV 2 – Vivaldi Concerto for Oboe and String Orchestra F. VII in F Major/Corelli Concerto grosso Op. 6 No. 4 D Major/Clementi Symphony Op. 18 No. 2 – Renato Zanfini, Renato Fasano and Virtuosi di Roma [195?] LHMV 3 – Violin Concerto for Violin and Orchestra No. 2 (Bartok) – Yehudi Menuhin, Wilhelm Furtwangler and the Philharmonia Orchestra [1954] LHMV 4 – Beethoven Concerto No. 5 in E Flat Op. 73 Emperor – Edwin Fischer, Wilhelm Furtwangler and the Philharmonia Orchestra [1954] LHMV 5 – Brahms Concerto in D Op. 77 – Gioconda de Vito, Rudolf Schwarz and the Philharmonia Orchestra [1954] LHMV 6 - Schone Mullerin Op. 25 The Maid of the Mill (Schubert) – Dietrich Fischer-Dieskau, Gerald Moore [1/55] LHMV 7 – Elgar Enigma Variations Op. 36 Wand of Youth Suite No. 1 Op. 1a – Sir Adrian Boult and the London Philharmonic Orchestra [1955] LHMV 8 – Bach Brandenburg Concerto No. 2 in F/Brandenburg Concerto No. 5 in D – Harold Jackson, Gareth Morris, Herbert Sutcliffe, Manoug Panikan, Raymond Clark, Gerraint Jones, Edwin Fischer and the Philharmonia Orchestra [1955] LHMV 9 – Beethoven Symphony No. 5 in C Minor Op. -
Booklet 125X125.Indd
1 2 3 CONTENTS A RECORDED HISTORY Philip Stuart 7 REMINISCENCES BY LADY MARRINER 18 A FEW WORDS FROM PLAYERS 21 HISTORY OF THE ACADEMY OF SAINT MARTIN IN THE FIELDS Susie Harries (née Marriner) 36 CD INFORMATION 44 INDEX 154 This Edition P 2020 Decca Music Group Limited Curation: Philip Stuart Project Management: Raymond McGill & Edward Weston Digital mastering: Ben Wiseman (Broadlake Studios) TH 60 ANNIVERSARY EDITION Design & Artwork by Paul Chessell Special thanks to Lady Marriner, Joshua Bell, Marilyn Taylor, Andrew McGee, Graham Sheen, Kenneth Sillito, Naomi Le Fleming, Tristan Fry, Robert Smissen, Lynda Houghton, Tim Brown, Philip Stuart, Susie Harries, Alan Watt, Ellie Dragonetti, Gary Pietronave (EMI Archive, Hayes) 4 5 A RECORDED HISTORY Philip Stuart It all started with L’Oiseau-Lyre - a boutique record label run by a Paris-based Australian heiress who paid the players in cash at the end of the session. The debut LP of Italianate concerti grossi had a monochrome photograph of a church porch on the cover and the modest title “A Recital”. Humble beginnings indeed, but in 1962 “The Gramophone” devoted a full page to an enthusiastic review, concluding that it was played “with more sense of style than all the chamber orchestras in Europe put together”. Even so, it was more than a year before the sequel, “A Second Recital”, appeared. Two more such concert programmes ensued [all four are on CDs 1-2] but by then the Academy had been taken up by another label with a shift in policy more attuned to record collectors than to concert goers. -
January 19, 2020 Luc De Wit 3:00–4:40 PM
ALBAN BERG wozzeck conductor Opera in three acts Yannick Nézet-Séguin Libretto by the composer, based on the production William Kentridge play Woyzeck by Georg Büchner co-director Sunday, January 19, 2020 Luc De Wit 3:00–4:40 PM projection designer Catherine Meyburgh New Production set designer Sabine Theunissen costume designer Greta Goiris The production of Wozzeck was made possible lighting designer Urs Schönebaum by a generous gift from Robert L. Turner A co-production of the Metropolitan Opera; Salzburg Festival; the Canadian Opera Company, Toronto; and Opera Australia general manager Peter Gelb jeanette lerman-neubauer music director Sunday matinee performances at the Met are Yannick Nézet-Séguin sponsored by the Neubauer Family Foundation 2019–20 SEASON The 75th Metropolitan Opera performance of ALBAN BERG’S wozzeck conductor Yannick Nézet-Séguin in order of vocal appearance the captain the fool Gerhard Siegel Brenton Ryan wozzeck a soldier Peter Mattei Daniel Clark Smith andres a townsman Andrew Staples Gregory Warren marie marie’s child Elza van den Heever Eliot Flowers margret Tamara Mumford* puppeteers Andrea Fabi the doctor Gwyneth E. Larsen Christian Van Horn ac tors the drum- major Frank Colardo Christopher Ventris Tina Mitchell apprentices Wozzeck is stage piano solo Richard Bernstein presented without Jonathan C. Kelly Miles Mykkanen intermission. Sunday, January 19, 2020, 3:00–4:40PM KEN HOWARD / MET OPERA A scene from Chorus Master Donald Palumbo Berg’s Wozzeck Video Control Kim Gunning Assistant Video Editor Snezana Marovic Musical Preparation Caren Levine*, Jonathan C. Kelly, Patrick Furrer, Bryan Wagorn*, and Zalman Kelber* Assistant Stage Directors Gregory Keller, Sarah Ina Meyers, and J. -
WAM Benjamin Britten
“Glas rođen iz bola” “Mnogo sam dobra vidio i mnogo zla. A to dobro nikada nije bilo savr{eno. Uvijek je na njemu nekakav {av, nekakav defekt, uvijek je nekakva nesavr{enost na bo`anskoj slici, nekakav nedostatak u an|eoskoj pjesmi, nekakvo mucanje u bo`anskom govoru.” Dugo se vremena znalo za postojanje The Britten-Pears Collection koju je utemeljio legendarni producent DECCA-inih i potom BBC-jevih izdanja John Culshaw. Do sada ni jedan od ovij ~etiriju video naslova nije bio objavljen i tim je vi{e pojavljivanje cjelovitih filmova na DVD-u, koji obilje`avaju zna~ajna ostvarenja skladatelja, pijaniste i dirigenta lorda Benjamina Edwarda Brittena (1913.-1976.) i njegovog `ivotnog partnera tenora Petera Pearsa (1910.-1986.), za kojega je i napisao mnogo svoja djela uklju~uju}i i operu “Peter Grimes”, svojevrsna svjetska glazbena senzacija. Sve su te snimke prire|ene upravo za televiziju, a neki su tonski zapisi istovremeno prire|eni i za izdavanje na nosa~ima zvuka. Za proslavljenu se video snimku ciklusa Schubertovih pjesama “Winterreise” pri~alo da je ~ak nadma{ivala onu izdanu na nosa~ima zvuka, a sada ju je po prvi puta bilo mogu}e i upoznati. Odabir je svih ovih naslova nezaobilazna glazbena literatura i ljubiteljima snimljenih djela i muzikolozima za gonetanje jednog od najzna~ajnih glazbenih opusa kojega je dala Velika Britanija. B. BRITTEN: BILLY BUDD Uvodni citat su rije~i {to ih pjeva ostarjeli Kapetan Peter Pears, Peter Glossop, Michael Langdon, u prologu Brittenove opere “Billy Budd”, uvode}i John Shirley-Quirk, Ambrosian Opera Chorus, slu{atelja u radnju {to se dogodila prije mnogo go- London Symphony Orchestra, Charles Mackerras dina na brodu koji se, plove}i pod njegovim za- Aquarius Records DECCA DVD 074 3256 povjedni{tvom, borio protiv Napoleonove flote.