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Published 22 February 2019 LKFF 2012
THE LONDON KOREAN FILM FESTIVAL 제7회 런던한국영화제 1-16 NoVEMBER StARTING IN LONDON AND ON TOUR IN BOURNEMOUTH, GlASGOW AND BRISTOL 12�OZE�293 OZ Quadra Smartium(Film Festival).pdf 1 10/18/12 6:14 PM A MESSAGEUR ROM O TOR LONDON-SEOUL, DAILY F TIC DIREC ASIANA AIRLINES ARTIS is redefining It is with great pride and honour that I welcome you to the 7th London Korean Film Festival. Regardless of whether you are a connoisseur of Korean cinema or completely Business Class. new to the country’s film scene, we have created an exciting and varied C Beginning November 17th, all the comforts of programme that will delight, thrill, scare and, most importantly, entertain you. M our new premium business class seat, Y the OZ Quadra Smartium, can be yours. We start off large with our return to the Odeon West End with one of the CM There’s a wonderful new way to get back and biggest Korean films in the last ten years;The Thieves. Our presentation MY forth to Seoul everyday. Announcing Asiana Airlines’ innovative of this exciting crime caper also sees its director, Choi Dong-hoon, and new premium business class seat, the OZ Quadra Smartium, lead actor Kim Yoon-suk gracing London’s Leicester Square. CY offering you both the privacy of your own space CMY and the relaxation of a full-flat bed. From the 2nd of November through to the 10th in London (continuing until the 16th in K Glasgow, Bristol and Bournemouth) we will show everything from the big box office hits to the smallest of independents, ending with the much-lauded Masquerade, as our closing Gala feature. -
The New Korean Cinema, Kwangju and the Art of Political Violence 韓国の新しい映画製作、光州、および政治的暴力
Volume 8 | Issue 5 | Number 5 | Article ID 3298 | Feb 01, 2010 The Asia-Pacific Journal | Japan Focus The New Korean Cinema, Kwangju and the Art of Political Violence 韓国の新しい映画製作、光州、および政治的暴力 Mark Morris The New Korean Cinema, Kwangju and the Art of Political Violence The New Korean Cinema, Kwangju and the Art of Political Violence Mark Morris In 2007 two South Korean films debuted which Mark Morris place the May 1980 Kwangju Uprising at the heart of their stories. The Old Garden This is part two of a supplement on South (Oraedoen chǒngwǒn) was released in January. Korea’s Kwangju Uprising: Fiction and Film. It is a rather free adaptation of one of the most Part one is Ch’oe Yun and Mark Morris, South significant works of fiction to appear in the last Korea’s Kwangju Uprising: Fiction and Film. decade, the novel of that name by Hwang Sǒg- yǒng. The second film, May 18 (Hwaryǒhan 2010 will be a year of commemorations in hyuga), which appeared in July, was the first South Korea. The 25th of June will mark the big-budget narrative film to propose to tackle sixtieth anniversary of the beginning of the the May uprising head-on. Mixing elements of Korea War. Midway between 2010 and 1950 romance and comedy, the film tries to recreate was 1980. The Kwangju Uprising of May of that in the form of a docu-drama the extraordinary year was an event almost as significant as the period between 18 and 27 May almost three US-Korean War in framing the contemporary decades ago. -
Fall 12 Web Master.Txt
Student name Sex City County State Country Level High School Honor Roll Abbott, Logan M Wichita SG KS USA Junior Maize High School School of Pharmacy Abbott, Taylor F Lawrence DG KS USA Junior Lawrence High School College of Liberal Arts & Sciences Abdouch, Macrina F Omaha NE USA Senior Millard North High School School of Architecture, Design and Planning Abel, Hilary F Wakefield CY KS USA Freshman Junction City Senior High Sch College of Liberal Arts & Sciences Abi, Binu F Olathe JO KS USA Prof 1 Olathe South High School School of Pharmacy Ablah, George M Wichita SG KS USA Junior Andover High School College of Liberal Arts & Sciences Ablah, Patricia F Wichita SG KS USA Sophomore Andover High School School of Business Abraham, Christopher M Overland Park JO KS USA Freshman Blue Valley Northwest High Sch College of Liberal Arts & Sciences Abrahams, Brandi F Silver Lake SN KS USA Freshman Silver Lake Jr/Sr High School School of Business Absher, Cassie F Eudora DO KS USA Senior College of Liberal Arts & Sciences Abshire, Christopher M Overland Park JO KS USA Sophomore Blue Valley High School School of Engineering Acharya, Birat M Olathe JO KS USA Junior Olathe East High School College of Liberal Arts & Sciences Acosta Caballero, Andrea F Asuncion PRY Senior College of Liberal Arts & Sciences Adair, Sarah F Olathe JO KS USA Junior Olathe South High School College of Liberal Arts & Sciences Adams, Caitlin F Woodridge IL USA Freshman South HS in Downer's Grove College of Liberal Arts & Sciences Adams, Nancy F Lees Summit MO USA Senior Blue Springs -
THE UNIVERSITY of HULL Development of a Heterogeneous Microwave Network, Fade Simulation Tool Applicable to Networks That Span E
THE UNIVERSITY OF HULL Development of a Heterogeneous Microwave Network, Fade Simulation Tool Applicable to Networks that Span Europe being a Thesis submitted for the Degree of Doctor of Philosophy in Electronic Engineering in the University of Hull by HAFIZ BASARUDIN (MEng.) (HND, British Malaysian Institute) January, 2012 ACKNOWLEDGEMENTS First and foremost, my utmost gratitude to Dr. K. S. Paulson, my supervisor, whose sincerity, guidance and encouragement I will never forget and has helped me to finish this work. I would also like to extend my gratitude to others including Mr. N. G. Riley, Dr. Franklin Mung'au, the department and Graduate School. I would also like to acknowledge the support of the British Atmospheric Data Centre and the National Oceanic and Atmospheric Administration, Physical Science Division for providing the critical datasets for this research. Last but not least, my sincere gratitude to my family and friends who helped me a lot in finishing this project through continuous encouragement and support during my study. i ABSTRACT Radio communication systems operating at microwave frequencies are strongly attenuated by hydrometeors such as rain and wet snow (sleet). Hydrometeor attenuation dominates the dynamic fading of most types of radio links operating above 10 GHz, especially high capacity, fixed, terrestrial and Earth-Space links. The International Telecommunication Unions – Radio Section (ITU-R) provides a set of internationally recognized models to predict annual fade distributions for a wide variety of individual radio link. However, these models are not sufficient for the design and optimisation of networks, even as simple as two links. There are considerable potential gains to be achieved from the optimized design of real-time or predictive Dynamic Resource Management systems. -
The Korean Internet Freak Community and Its Cultural Politics, 2002–2011
The Korean Internet Freak Community and Its Cultural Politics, 2002–2011 by Sunyoung Yang A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Anthropology University of Toronto © Copyright by Sunyoung Yang Year of 2015 The Korean Internet Freak Community and Its Cultural Politics, 2002–2011 Sunyoung Yang Doctor of Philosophy Department of Anthropology University of Toronto 2015 Abstract In this dissertation I will shed light on the interwoven process between Internet development and neoliberalization in South Korea, and I will also examine the formation of new subjectivities of Internet users who are also becoming neoliberal subjects. In particular, I examine the culture of the South Korean Internet freak community of DCinside.com and the phenomenon I have dubbed “loser aesthetics.” Throughout the dissertation, I elaborate on the meaning-making process of self-reflexive mockery including the labels “Internet freak” and “surplus (human)” and gender politics based on sexuality focusing on gender ambiguous characters, called Nunhwa, as a means of collective identity-making, and I explore the exploitation of unpaid immaterial labor through a collective project making a review book of a TV drama Painter of the Wind. The youth of South Korea emerge as the backbone of these creative endeavors as they try to find their place in a precarious labor market that has changed so rapidly since the 1990s that only the very best succeed, leaving a large group of disenfranchised and disillusioned youth. I go on to explore the impact of late industrialization and the Asian financial crisis, and the nationalistic desire not be left behind in the age of informatization, but to be ahead of the curve. -
The Foun Outstand NAHMA Number O
NAHMA Educational Foundation Awwards 67 Scholarships to Exceptional Students July 25, 2014, Alexandria, VA -- After receiving a record number of scholarship applications during the submission period earlier this year, the NAHMA Educational Foundation recently announced the names of its 2014 scholarship recipientss. Sixty-seven highly successful student residents were seelected from a rigorous field of worthy applicants. This is the largest number of scholarship recipients ever selected in a single year. Each of the 67 scholars will receive a $2,500 award for a total of $167,500 to be awarded for the upcoming school year. The monetary total is also a single-year record for the NAHMA Educational Foundation. In the program’s eight-year history, the foundation has now awarded 338 scholarships worth more than $519,000. "The foundation is extremely proud to be able to offer this much assistance to so many outstanding students living in AHMA member apartment communities across the country,” said NAHMA Foundation Chairperson Wayne Fox at the meeting. “We set records this year with the number of scholarships granted and the total amount of money to be disbursed. We were also able to pass the half-million-dollar milestone for money awarded over the history of the program. The foundation is sincerely appreciative of all the donors who continue to support this wonderful program." Students from 10 different AHMAs living in 20 different states, the District of Columbia and the U.S. Virgin Islands received scholarships: AHMA PACIFIC SOUTHWEST Ayala, -
The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
180916 SUPER JUNIOR OFFICIAL FANCLUB E.L.F-JAPAN MAGAZINE VOL.0014 SPECIAL SOLO INTERVIEW - Shindong
180916 SUPER JUNIOR OFFICIAL FANCLUB E.L.F-JAPAN MAGAZINE VOL.0014 SPECIAL SOLO INTERVIEW - Shindong Qn 1 : Who's the most bravest member ? Ans : The sooner it is for me to give up , feel that If I don't let go easily, this is the bravest person ah. In fact , the other members have so much determination , not to mention 「Giving up」is actually a hard thing to do ah. After all, this is my personal opinion. For Justice and Rejection is my style. I'm the bravest man (Laughs) Qn 2 : The most treasurable object that you kept since young is? Ans : Since Young , I was a teen who loved Robots personally, the most treasurable object was a gift from my father - a notebook , I still remember that it was given during my 3rd year of Junior High school . and I used it for 6 years . When I myself began to explore on many things , research on their specifications, thanks to the knowledge of using laptops, the function can also be expanded and implied. If the members have problems with their laptops, they will also asked me. Qn 3 : At times when there's a difference in the show times for the world tour , during the performance is there any amendments in any areas or sections ? Ans : In the process , an image (VCR) will be inserted into one of the sections ,it will be collaborated with the location of each place ,changes will be made , At Taiwan . it will be related to somewhere of it ,At Philippines , it will be also related to it , for example , In South America , the backdrop was a place with snow that was flying and floating around , so the editing was to be collaborated with the members camera for the images (VCR). -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. -
Blackletter: Fiction and a Wall of Precedent
The University of Southern Mississippi The Aquila Digital Community Dissertations Summer 8-2015 Blackletter: Fiction and a Wall of Precedent Louis Anthony Di Leo University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Fiction Commons, Nonfiction Commons, and the Religion Law Commons Recommended Citation Di Leo, Louis Anthony, "Blackletter: Fiction and a Wall of Precedent" (2015). Dissertations. 127. https://aquila.usm.edu/dissertations/127 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi BLACKLETTER: FICTION AND A WALL OF PRECEDENT by Louis Anthony Di Leo Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2015 ABSTRACT BLACKLETTER: FICTION AND A WALL OF PRECEDENT by Louis Anthony Di Leo August 2014 The eight stories that make up Blackletter explore situations in which people are forced to challenge the legitimacy of authority, rethink and rebuild their own identities, or confront their own involvement in human and environmental degradation. A central theme running throughout the collection is law, broadly, and the ways in which people adhere to or sometimes break from a particular rule, be it social or legislative. In each case, the role of law and its correlation to place and identity—either overt or veiled— serves as a major component of each story. -
A PRAGMATIC ANALYSIS of REFUSAL EXPRESSIONS USED by the FAMILY CHARACTERS in ORPHAN MOVIE a THESIS Presented As a Partial Fulfil
A PRAGMATIC ANALYSIS OF REFUSAL EXPRESSIONS USED BY THE FAMILY CHARACTERS IN ORPHAN MOVIE A THESIS Presented as a Partial Fulfillment of the Requirements for the Attainment of the Degree of Sarjana Sastra in English Language and Literature By Arum Sari 07211144028 STUDY PROGRAM OF ENGLISH LANGUAGE AND LITERATURE DEPARTMENT OF ENGLISH EDUCATION FACULTY OF LANGUAGES AND ARTS STATE UNIVERSITY OF YOGYAKARTA 2012 MOTTOS “The only way to do great work is to love what you do.” (Steve Jobs) “Never try, never know” (Topik) v DEDICATION I dedicate this thesis to people whom I love most in the world: Bapak Bambang Setyawan and Ibu Rika Rostika Ningsih vi ACKNOWLEDGMENTS Alhamdulilah, all praise to be Allah SWT, the Almighty, and the Most Merciful without which I would have never finished this thesis completely. I would also like to give my deepest thank to: 1. Suhaini, M. Saleh, M.A as my first consultant and Paulus Kurnianta, M.Hum as my second consultant, without their advice, care and patience, this thesis would not have been finished; 2. my Pembimbing Akademik, Paulus Kurnianta, M.Hum. for his guidance; 3. all lectures in study program Language and Literature in Yogyakarta State University; 4. my parents, Bambang Setyawan and Rika Rostika Ningsih who have given me endless love, support and pray, so that I could finish this thesis; 5. my beloved sister, Sekar Galuh who always supports and prays for me; 6. my aunt Mama Enny Ratna Dewi who always gives me inspiration and supports me; 7. my kind-hearted cousin, Cubi Abi who always reminds me about this thesis; 8.