DOCSLIB.ORG

Warning Concerning Copyright Restrictions the Copyright Law Of

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Warning Concerning Copyright Restrictions the Copyright Law Of Warning Concerning Copyright Restrictions The Copyright Law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be used for any purpose other than private study, scholarship, or research. If electronic transmission of reserve material is used for purposes in excess of what constitutes "fair use," that user may be liable for copyright infringement. Immanuel Kant Anthropology From a Pragmatic Point of View Translated by Victor Lyle Dowdell Revised and edited by Hans H. Rudnick With an Introduction by Frederick P. Van De Pitte SOUTHERN ILLINOIS UNIVERSITY PRESS CARBONDALE AND EDWARDSVILLE FEFFER & SIMONS, INC. LONDON AND AMSTERDAM 2I2 ANTHROPOLOGICAL CHARACTERIZATION THE CHARACTER OF THE PERSON 213 mean just between the two might be the observation that even the forehead ofthe male ofour species is customar­ c. On Characteristics in Facial Expressions 52 ily flat, while that of the female is rather rounded. Whether a hump on the nose reveals a satirist; Expressions are facial features put into action, and whether the peculiarity of the shape of the Chinese face, this action is controlled more or less by strong emorio~, of which we say that the upper jawbone projects some­ the tendency to such emotion is a trait of the person s what beyond the lower, is an indication of their rigid character. minds; or whether the forehead of the American Indian, It is difficult to hide the impact of emotion from overgrown with hair on both sides, is a sign of an innate some facial expression; emotion53 betrays itself by the mental weakness, and so forth; all these are conjectures careful restraint from gesticulation, or in the tone itse~fi which permit only inconclusive interpretation. And he who is too weak to control his emotion, WI reveal his inner emotions through facial expression 49 b. On Characteristics in Facial Features (much against his will), even if he would rather like to hide and conceal them from the eyes of others. Onc.e It does no harm to a man, even in the judgment of they have been found out, those who have mastered th.IS the feminine sex, ifhis face has been disfigured and made art are not considered the best people to deal wirh ~n unlovely because of the coloring of his skin or pock­ confidence, particularly when they know how co fa e marks. Ifgood-natured ness shines in his eyes, and also if expressions which contradict their real actions. the expression ofdecency reveals itself on his face peace­ fully together with the consciousness of his power, then [301] The art of interpreting facial expressions which he can always be liked and be worthy of love; and this unintentionally reveal the interior, but which are used to should be universally so regarded. One jokes with such deceive, can offer occasion for many proper remarks? bur people and their amiability (perantiphrasin); [300] and a I wish to consider only one. When anybod y who or~lOarf woman can be proud of having such a husband. Such a ily is not cross-eyed tells a story and looks ar the potnt~ face is not a caricature, 50 since a caricature is an inten­ his nose and consequently looks cross-eyed, then t e tionally exaggerated sketch (a distortion) of a face in story he is telling is always a lie. But one must not co~nt excitement, devised for derision and belonging to 5 in this category anyone who squints because of defec~lve mimicry. Such a face I must rather be counted as a vari­ eyesight, because he can be entirely free from this VI~' ety inherent in nature, and must not be called agrotesque Moreover, there are gestures designed by nature, Y face (which would be terrifying). Without being beautiful which people of all races and from all climates un~er­ such a face can inspire love, and although it is not lovely, stand each other without prior agreement. Among t ese it is still not ugly.'*' replied, "Ier rhe woman wear my wig, and ler me wear her headd res s'"ot then of • Heidegger, a German musician in London, was fantasrically deformed, we shall see. " As rhis rook place, everybody fell ro laughing, ro the Ptrn an bur a clever and intelligent person wirh whom arisrocrars liked ro associare suffocarion, because rhe woman looked like a very presentable gent e on~ for rhe sake of conversarion. Once ir occurred ro him ar a drinking parry ro y and rhe fellow looked like a wirch. This shows rhar in order to call ar but claim ro a lord rhar he had rhe ugliesr face in London. The lord refJecred and beauriful, or ar leasr bearably prerry, one musr nor judge absolute Y'Ug1y rhen made a wager rhar he would present a face srill more ugly. He rhen sent always only relarively. Ir also shows rhar no one oughr ro call a fe~o:e face for a drunken woman, ar whose appearance rhe whole parry bursr into jusr because he is nor handsome. Only repulsive physical defecrs 0 t laughrer and shoms: "Heidegger, you have losr rhe wager!" "Nor so fasr," he can jusrify such a verdicr [A: such a claim-Ed.]. 214 ANTHROPOLOGICAL CHARACTERIZATION THE CHARACTER OF THE PERSON 21 5 gestures are nodding the head (in affirmation), shaking nates, they felt unchallenged in their sphere of activity, the head (in negation), lifting up the head (in objection), so that their facial muscles did not develop the flexibility shaking the head (in wonder), turning up one's nose (in necessary for all situations involving the treatment of mockery), smiling ironically (in grinning), having one's superiors, inferiors, and equals. They would not have lost countenance fall (upon the refusal of a request), knitting their dignity if they had stooped to cultivate the play of the brows (in vexation), rapidly snapping and locking the facial expressions which is required in order to be well jaws (bah!), beckoning toward and away from oneself received in society. On the other hand, people accus­ with the hands, throwing up one's arms (in astonish­ tomed to urban manners and who are of the same rank ment), clenching the fist (in threatening), bowing, laying are well aware that they have an ad vantage in this respect a finger on the mouth (compescere labella)54 in order to over other people. When this consciousness of superior­ command silence, hissing, and so forth. ity becomes habitual by long practice, it is stamped upon their faces with lasting outlines. 55 Random Remarks Devotees of a predominant religion or cult, when disciplined for a long time in mechanical exercises of Often-repeated facial expressions, which involun­ devotion and, so to speak, petrified by them, attribute tarily accompany emotion, gradually become fixed fea­ characteristics to the people of an entire nation which tures which only disappear in death. Consequently, as became representative of that nation's physiognomy. Lavater noticed, the terrifying face that revealed the Herr Fr. Nicolai56 says this of the awkward, hypocriti­ scoundrel in life refines itself (negatively) in death. Be­ cally pious faces in Bavaria; whereas John Bull of old cause all muscles are relaxed in death, nothing remains England, wherever he may go, carries in his face the but the expression of repose, which is an innocent ex­ license to be impolite to strangers, be it either abroad or pression. Thus it may even happen that a person who has in his own country. There is, therefore, something like a not worn himself out during his youthful years, in later national physiognomy, but it should not necessarily be years, despite his good health, may take on a new face thought of as innate. There are characteristic marks in because of debauchery. From this, however, nothing groups ofpeople whom the law has brought together for should be concluded about his natural disposition. the purpose of punishment. About the prisoners in One also speaks ofa common face in contrast to one Amsterdam's Rasphuis, Paris' Bicetre, and London's that is aristocratic. The aristocratic signifies nothing Newgate, an able traveling German physician has re­ more than an arrogant importance combined with a marked that they were mostly skinny fellows who were courtly manner of ingratiation, as it prospers only in big conscious of their superiority. But there were none cities where people cause friction among each other and about whom it would be permissible to say with the actor wear off their crudeness. Therefore, when civil servants, Quin:57 "If this fellow is not a scoundrel, then the born and brought up in the country, are transferred with Creator does not write a legible hand." In order to pass their families to important municipal positions, (302] or such hard judgment, we would need to distinguish, more when they only qualify for such service in accordance clearly than any mortal can presume to claim, between with their rank, they show something common, not the purposes of the game that Nature plays with the merely in their manners, but also in their facial expres­ forms of its creation only to generate a variety oftemper­ sion. Having dealt almost entirely with their subordi- aments, and what this does or does not do for morality. 216 ANTHROPOLOGICAL CHARACTERIZATION THE CHARACTER OF THE SEXES 21 7 Feminine traits60 are called weaknesses. People joke [303] B.
Load more

Recommended publications
  • The Uncrowned Lion: Rank, Status, and Identity of The
    Robert Kurelić THE UNCROWNED LION: RANK, STATUS, AND IDENTITY OF THE LAST CILLI MA Thesis in Medieval Studies Central European University Budapest May 2005 THE UNCROWNED LION: RANK, STATUS, AND IDENTITY OF THE LAST CILLI by Robert Kurelić (Croatia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies Accepted in conformance with the standards of the CEU ____________________________________________ Chair, Examination Committee ____________________________________________ Thesis Supervisor ____________________________________________ Examiner Budapest May 2005 THE UNCROWNED LION: RANK, STATUS, AND IDENTITY OF THE LAST CILLI by Robert Kurelić (Croatia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies Accepted in conformance with the standards of the CEU ____________________________________________ External Examiner Budapest May 2005 I, the undersigned, Robert Kurelić, candidate for the MA degree in Medieval Studies declare herewith that the present thesis is exclusively my own work, based on my research and only such external information as properly credited in notes and bibliography. I declare that no unidentified and illegitimate use was made of the work of others, and no part of the thesis infringes on any person’s or institution’s copyright. I also declare that no part of the thesis has been submitted in this form to any other institution of higher education for an academic degree. Budapest, 27 May 2005 __________________________ Signature TABLE OF CONTENTS INTRODUCTION ____________________________________________________1 ...heind graffen von Cilli und nyemermer... _______________________________ 1 ...dieser Hunadt Janusch aus dem landt Walachey pürtig und eines geringen rittermessigen geschlechts was..
    [Show full text]
  • Notes of Michael J. Zeps, SJ
    Marquette University e-Publications@Marquette History Faculty Research and Publications History Department 1-1-2011 Documents of Baudirektion Wien 1919-1941: Notes of Michael J. Zeps, S.J. Michael J. Zeps S.J. Marquette University, [email protected] Preface While doing research in Vienna for my dissertation on relations between Church and State in Austria between the wars I became intrigued by the outward appearance of the public housing projects put up by Red Vienna at the same time. They seemed to have a martial cast to them not at all restricted to the famous Karl-Marx-Hof so, against advice that I would find nothing, I decided to see what could be found in the archives of the Stadtbauamt to tie the architecture of the program to the civil war of 1934 when the structures became the principal focus of conflict. I found no direct tie anywhere in the documents but uncovered some circumstantial evidence that might be explored in the future. One reason for publishing these notes is to save researchers from the same dead end I ran into. This is not to say no evidence was ever present because there are many missing documents in the sequence which might turn up in the future—there is more than one complaint to be found about staff members taking documents and not returning them—and the socialists who controlled the records had an interest in denying any connection both before and after the civil war. Certain kinds of records are simply not there including assessments of personnel which are in the files of the Magistratsdirektion not accessible to the public and minutes of most meetings within the various Magistrats Abteilungen connected with the program.
    [Show full text]
  • IN FO R M a TIO N to U SERS This Manuscript Has Been Reproduced from the Microfilm Master. UMI Films the Text Directly From
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed through, substandard margin*, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. A Ben A Howeii Information Company 300 North Zeeb Road Ann Arbor. Ml 48106-1346 USA 313.761-4700 800.521-0600 RENDERING TO CAESAR: SECULAR OBEDIENCE AND CONFESSIONAL LOYALTY IN MORITZ OF SAXONY'S DIPLOMACY ON THE EVE OF THE SCMALKALDIC WAR DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James E.
    [Show full text]
  • Clothing, Memory and Identity in 16Th Century Swedish Funerary Practice
    Joseph M. Gonzalez 6 Fashioning Death: Clothing, Memory and Identity in 16th Century Swedish Funerary Practice Introduction King Gustav Vasa was married three times. In 1531, less than a decade after his election as King of Sweden, he made a match calculated to boost his prestige and help consolidate his position as king and married Katarina von Sax-Lauenburg, the daughter of Duke Magnus and a relative of the emperor. She bore the king one son, Erik, and died suddenly in 1535 (Svalenius, 1992). After her death, the king married the daughter of one of the most powerful noble houses in Sweden, Margareta Eriksdotter Leijonhufvud in 1536. Queen Margareta bore the king eight children before she died in 1551. By August of 1552, the fifty-six year old Gustav Vasa had found a new queen, the 16-year-old Katarina Gustavsdotter Stenbock, daughter of another of Sweden’s leading noble houses. Despite the youth of his bride, the marriage bore no children and the old king died eight years later (Svalenius, 1992). The king’s death occasioned a funeral of unprecedented magnificence that was unique both in its scale and in its promotion of the Vasa dynasty’s image and interests. Unique to Vasa’s funeral was the literal incorporation of the bodies of his two deceased wives in the ceremony. They shared his bed-like hearse on the long road to Uppsala and the single copper casket that was interred in the cathedral crypt. Six months after the funeral, Gustav Vasa’s son with Katarina von Sax-Lauenburg, Erik, was crowned king.
    [Show full text]
  • Jaina Studies
    JAINA STUDIES Edited by Peter Flügel Volume 1 2016 Harrassowitz Verlag . Wiesbaden Johannes Klatt Jaina-Onomasticon Edited by Peter Flügel and Kornelius Krümpelmann 2016 Harrassowitz Verlag . Wiesbaden Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.dnb.de abrufbar. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the internet at http://dnb.dnb.de. For further information about our publishing program consult our website http://www.harrassowitz-verlag.de © Otto Harrassowitz GmbH & Co. KG, Wiesbaden 2016 This work, including all of its parts, is protected by copyright. Any use beyond the limits of copyright law without the permission of the publisher is forbidden and subject to penalty. This applies particularly to reproductions, translations, microfilms and storage and processing in electronic systems. Printed on permanent/durable paper. Printing and binding: Hubert & Co., Göttingen Printed in Germany ISSN 2511-0950 ISBN 978-3-447-10584-2 Contents Acknowledgments .............................................................................................................. 7 Life and Work of Johannes Klatt ........................................................................................ 9 (by Peter
    [Show full text]
  • „Blauen Blut“: Diese Umgangsformen Gelten in Adelskreisen Tipps & Trends Tipps
    Bitte nehmen Aktualisierung! aus Sie, falls vorhanden, den Adelige Umgangsformen heute A 15/1 veralteten Beitrag A 15 Ihrem Ordner heraus. Suchwortverzeichnis Keine Angst vorm „blauen Blut“: Diese Umgangsformen gelten in Adelskreisen Tipps & Trends Welche Bedeutung hat der Adel heute? Ist er ein Relikt vergan- Darum geht es: gener Epochen? Benötigen Sie spezielle Umgangsformen oder besonderes Wissen, um sich in aristokratischen Kreisen zu bewegen? Lesen Sie, wie Sie im 21. Jahrhundert angemessen mit adeligen Titelträgern umgehen: weder ignorant noch unterwürfig. A B C Die Themen: D Adel und Adelstitel sind längst abgeschafft: Stimmt das? ������������ 2 E So bewegen Sie sich auch in Adelskreisen parkettsicher �������������� 4 F 1. Gut Informiert ist halb gewonnen . 4 G 2. Gehen Sie sorgsam mit Titeln und Formen um . 9 H I 3. Bleiben Sie Sie selbst �������������������������������������������������������������������� 12 4. Respektieren Sie die adeligen Werte ������������������������������������������ 15 J K L M N O P Q Ihr Experten-Team: R Agnes Anna Jarosch und Horst Arnold Agnes Anna Jarosch ist Chefredakteurin von „Der gro- S ße Knigge“, Buchautorin und zertifizierter Coach. Sie T leitet den „Deutschen Knigge-Rat“, schult deutsch- U landweit Führungs- und Nachwuchskräfte und wird überregional in den deutschen Medien zitiert (Print, V Rundfunk, Fernsehen). Dieser Beitrag entstand in Zu- sammenarbeit mit Horst Arnold, Protokollchef der W Bundespräsidenten von 1974 bis 2001. X Y www.stil.de Ausgabe 4/2012 • 21 Z A 15/2 Adelige Umgangsformen heute Adel und Adelstitel sind längst abgeschafft: Stimmt das? Wüssten Sie auf Anhieb, wie Sie sich zu verhalten haben, wenn Sie es bei einem Small Talk mit einer Gräfin, einem Freiherrn oder einer Frau von Exempel zu Musterberg zu tun hätten? Falls nicht, befinden Sie sich in guter Gesell- schaft.
    [Show full text]
  • Deleuze and the Animal
    DELEUZE CONNECTIONS Series Editor: Ian Buchanan DELEUZE CONNECTIONS ‘This book offers us a variety of perspectives both on the animals that we are, and on the animals that we will never be able to know or to become. It is a timely reminder of the Deleuze many processes and relations linking us to the “buzzing, blooming confusion” around us.’ Steven Shaviro, Wayne State University Deleuze and Explores the relationship between Deleuze and the concept of and the the animal in philosophy, aesthetics and ethics This is the first volume to address the animal in Deleuze’s work, despite becoming-animal the Animal being a key concept for Deleuze and Guattari. It shows the ambiguous idea of the animal as human and nonhuman life infiltrating all of Deleuze’s work. Animal In these 16 chapters Deleuze’s entire oeuvre is used in analysing television, film, music, art, drunkenness, mourning, virtual technology, protest, activism, animal rights and abolition. Each chapter questions the premise of the animal and critiques the centrality of the human. This collection creates new questions about what the age of the anthropocene means by Edited by Colin Gardner and Patricia MacCormack ‘animal’ and analyses and explores examples of the unclear boundaries between human and animal. Colin Gardner is Professor of Critical Theory and Integrative Studies at the University of California, Santa Barbara. Patricia MacCormack is Professor of Continental Philosophy at Anglia Ruskin University. Cover design: riverdesign.co.uk ISBN 978-1-4744-2274-1 Edinburgh 9781474 422741 Edited by Colin Gardner and Patricia MacCormack Deleuze and the Animal Deleuze Connections ‘It is not the elements or the sets which define the multiplicity.
    [Show full text]
  • The Ginger Fox's Two Crowns Central Administration and Government in Sigismund of Luxembourg's Realms
    Doctoral Dissertation THE GINGER FOX’S TWO CROWNS CENTRAL ADMINISTRATION AND GOVERNMENT IN SIGISMUND OF LUXEMBOURG’S REALMS 1410–1419 By Márta Kondor Supervisor: Katalin Szende Submitted to the Medieval Studies Department, Central European University, Budapest in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Medieval Studies, CEU eTD Collection Budapest 2017 Table of Contents I. INTRODUCTION 6 I.1. Sigismund and His First Crowns in a Historical Perspective 6 I.1.1. Historiography and Present State of Research 6 I.1.2. Research Questions and Methodology 13 I.2. The Luxembourg Lion and its Share in Late-Medieval Europe (A Historical Introduction) 16 I.2.1. The Luxembourg Dynasty and East-Central-Europe 16 I.2.2. Sigismund’s Election as King of the Romans in 1410/1411 21 II. THE PERSONAL UNION IN CHARTERS 28 II.1. One King – One Land: Chancery Practice in the Kingdom of Hungary 28 II.2. Wearing Two Crowns: the First Years (1411–1414) 33 II.2.1. New Phenomena in the Hungarian Chancery Practice after 1411 33 II.2.1.1. Rex Romanorum: New Title, New Seal 33 II.2.1.2. Imperial Issues – Non-Imperial Chanceries 42 II.2.2. Beginnings of Sigismund’s Imperial Chancery 46 III. THE ADMINISTRATION: MOBILE AND RESIDENT 59 III.1. The Actors 62 III.1.1. At the Travelling King’s Court 62 III.1.1.1. High Dignitaries at the Travelling Court 63 III.1.1.1.1. Hungarian Notables 63 III.1.1.1.2. Imperial Court Dignitaries and the Imperial Elite 68 III.1.1.2.
    [Show full text]
  • Till Eulenspiegel As a “Recurring Character” in the Works of Hans Sachs
    Narrative Arrangement in 16th-Century Till Eulenspiegel Texts: The Reinvention of Familiar Structures A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Isaac Smith Schendel IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Advisor: Dr. Anatoly Liberman June 2018 © Isaac Smith Schendel 2018 i Acknowledgements First and foremost, I would like to thank my doctoral advisor, Dr. Anatoly Liberman, for his kind direction, ideas, and guidance through the entire process of graduate school, from the first lectures on Middle High German grammar and Scandinavian Literature, to the preliminary exams, prospectus and multiple thesis drafts. Without his watchful eye, advice, and inexhaustible patience, this dissertation would have never seen the light of day. Drs. James A. Parente, Andrew Scheil, and Ray Wakefield also deserve thanks for their willingness to serve on the committee. Special gratitude goes to Dr. Parente for reading suggestions and leadership during the latter part of my graduate school career. His practical approach, willingness to meet with me on multiple occasions, and ability to explain the intricacies of the university system are deeply appreciated. I have also been helped by a number of scholars outside of Minnesota. The material discussed in the second chapter of the dissertation is a reformulated, expanded, and improved version of my article appearing in Daphnis 43.2. Although the central thesis is now radically different, I would still like to thank Drs. Ulrich Seelbach and Alexander Schwarz for their editorial work during that time, especially as they directed my attention to additional information and material within the S1515 chapbook.
    [Show full text]
  • INFORMATION to USERS This Manuscript Has Been Reproduced
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI film s the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough* substandard margins, and improper alignment can adversely afreet reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these wül be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Nnsaber 9816176 ‘‘Ordo et lîbertas”: Church discipline and the makers of church order in sixteenth century North Germany Jaynes, JefiErey Philip, Ph.D.
    [Show full text]
  • December 1946) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 12-1946 Volume 64, Number 12 (December 1946) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 64, Number 12 (December 1946)." , (1946). https://digitalcommons.gardner-webb.edu/etude/65 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. /frtvw in thy dark- sheets shm-ethTtis O lit-tle town of B«tti-U-hem! H hopes and fears of all the /ears bove thy deep and dream-less alvepTh arc met in thee to -ni PHILLIPS BROOKS Jlvihor* . merly of the New Friends of Music; Louis DR. SERGE KOUSSEVITZKY’S programs Fourestier, of the Paris Opera; and An- for the current season of the Boston tonio Votto, formerly assistant to Tos- Symphony Orchestra include five new canini at La Scala in Milan. which were com- symphonies, three of COMPANY, missioned by the Koussevitzky Music THE AMERICAN OPERA operatic venture, Foundation. One of these is by Oliver Philadelphia’s newest October 24 Messiaen, contemporary French com- had an auspicious opening on RUCTION Mozart’s comic opera, poser; another is Walter Piston’s Third when it presented the Harem,” under PIANO Symphony; the third is Aaron Copland’s “The Abduction from MODERN direction of Vernon Hammond, mu- NOTE Third Symphony.
    [Show full text]
  • Universitäts- Und Landesbibliothek Tirol
    Universitäts- und Landesbibliothek Tirol Anstandsbüchlein Vogt, Franz Donauwörth, 1920 XVII. Titulaturen urn:nbn:at:at-ubi:2-15672 183 zwar in der Regel auf der linken Hälfte des Blattes , z. V . „An das (hohe ) Bayrische Staats¬ ministerium des Innern für Unterricht und Kultus, München !" Ergebenheitsformeln , wie sie bei Ein¬ gaben an hohe Persönlichkeiten noch in Uebung sind , fallen bei den weltlichen Behörden weg (bei kirchlichen Behörden werden sie noch gebraucht ) ; ein einfacher , sachlicher, selbstverständlich sehr höf¬ licher und respektvoller Ton ist am Platze . Ohne weitere Schlußformel folgt auf den Text die Unter¬ schrift ohne besonderen Abstand . (Formmuster siehe am Schlüsse .) Eine allgemein gültige Regel läßt sich übrigens nicht aufstellen , da die Eingabenform in verschie¬ denen Ländern verschieden ist. Man wird daher gut daran tun , sich jeweils nach der landesge¬ bräuchlichen Form zu erkundigen. XVII . Titulaturen. 2m folgenden geben wir eine gedrängte Ueber- sicht derjenigen Behörden und Privaten , mit denen das Volk etwa verkehren muß . Richtige Titulatur ist Behörden gegenüber von ' Wichtigkeit , nament¬ lich aber Private verzeihen eine unrichtige Titu¬ latur nur ungern . Es steht nun unter s ) die An¬ rede oder Überschrift , unter b ) die Anrede im Verlaufe der Eingabe oder des Briefes , unter e ) die Empfehlungsformel am Schlüsse (wo solche notwendig ist) , unter 6 ) die Unterschrift und unter e ) die Adresse. 184 1. Titulaturen einzelner Persönlichkeiten. An den Sapst. s) Heiligster Baker! lr) Eure Heiligkeit! e) In tiefster Ehrfurcht Euer Heiligkeit 6) untertänigst gehorsamster Sohn N. e) An Seine Heiligkeit den Papst(Benedikt XV.) in Rom. ö. An einen Kardinal. n) Eminenz! (Hochwürdigster Herr Kardinal!) Gnädigster Herr! K) Eure Eminenz, Hochdieselben.
    [Show full text]